Showing posts with label ray caesar. Show all posts
Showing posts with label ray caesar. Show all posts

Sunday, January 20, 2013

Crucifixion Variations

Detail of Financial Sacrifice American Depress by Ron English

Over half a year has passed since last I wrote about an exhibit at the Corey Helford Gallery in Culver City, which is an inexcusably long time, especially since they have had so many awesome shows on exhibit. Well, I made a trip over to see their current show, Crucifixion, which presents works by a selection of their artists on the topic of sacrifice and sacred iconography. The variations were extremely interesting.

Although the images ranged from the haunting to the humorous, the theme was tightly represented by the artists, each in their own unique way. So, Ron English delivers upon the theme of sacrifice, while keeping true to his distinct imagery of social criticism. Likewise, Buff Monster subverts traditional Christian symbolism with anthropomorphic pink ice cream cones, turning a scene of devotion into one of humor.

Across the board, this show presents the unique vision of the gallery, coherent in theme but so wonderfully diverse in implementation.

Detail of Stigmata by Ray Caesar

I highly recommend paying this show a visit.


Tuesday, November 1, 2011

The Aesthetics of Dread

Calamity (2011) by Ray Caesar

At the Corey Helford Gallery, the current exhibit is "A Dangerous Inclination," featuring the works of Ray Caesar, displaying his disturbing vision of a twisted Rococo world where beauty is but a facade, hiding a chthonic reality of nightmares and monstrosities.

Scenes of beauty are transgressed by the weird, insectoid legs extending from beneath the ample skirts of Fragonardian ladies, tentacles forming from the silken fabrics of an evening dress, turning an image of voyeuristic thrill into a recoiling vision of horror. It is a reality in which wrongness reigns. Though fully embracing of the dark fantastic, the images retain a Rococo sensibility towards the precious, the gorgeous, the sumptuous, even if vermin swarm the subject.

The contrast between that which invites and that which repels ignites the spark of dramatic conflict in the viewer's imagination, simultaneously inflaming the passions of desire and disgust, searing the beautiful abominations into the mind. It is a vision in which Beauty is the Beast!

Eris (2011) by Ray Caesar

Dark delicacies from a world of dangerous beauty.