(Dough)Nuts and Bolts

Detail of Rocket Surfer by Eric Joyner

The vintage tin toy robots of the 1950s have a sense of optimism, an exuberance, that promises a bright future of technological miracles. Unlike the mechanized monsters that became more common in subsequent dystopian views of the future, the "atomic age" robots are the manifestations of enlightening science, the mark of humanity's transcendent genius.

In Eric Joyner's exhibition, "It's a Jungle Out There", on view at the Corey Helford Gallery, these icons of progress are shown undertaking a series of adventures, from being attacked by pythons or robot-eating plants to surfing both upon the primordial waves and across the starry void, scenes that could have come from the imagination of a child playing out stories from the pulp adventures of science fiction magazines or comic books.

It's a playful display of pop surrealism mixed with uplifting nostalgia. And donuts. ;-)

Detail of All Wrapped Up by Eric Joyner

In terms of technique, the paintings are impressive, rich with detail and vibrant colors. There is a visceral sense of place, evocative of classic jungle adventures from pulp fiction, such as the Tarzan stories of Edgar Rice Burroughs.

Banality & Kitsch

Italian Woman (1986) by Jeff Koons


Let's wish Jeff Koons a Happy 57th Birthday.

I've put up a few posts over the last year featuring his work. That's not because he's really a favorite of mine, but, rather, because LACMA has an awesome selection of his works. Seriously, as an avid enthusiast of Los Angeles museums, how could I not share with my readers the entertaining works on display in town? After all, somebody Googles up "Balloon Dog" images every week or so. ;-)

A while back, I found Koons' work to be totally devoid of artistic value. Sure, they were entertaining with Pop reference or crass boldness, but, beyond the chuckle or moment of bemusement, there was nothing deeper than a brief sensation. His works were shallow.

St. John the Baptist (1988) by Jeff Koons

I've since changed my opinion. I still find his work to be amazingly shallow, but I think there is artistry in provoking a laugh. It takes a certain type of genius to put a pig and a penguin with St. John the Baptist. Is it kitschy? Yes. But it's also playfully creative, imaginative.

There's a talent in designing the sensational.

Seven Views of Balloon Dog (Blue)

Balloon Dog (Blue) (1994-200) by Jeff Koons

In my previous post, I discussed how I selected photographs of roses so as to drive viewers to read the poem that I had selected for Friday Flowers. Among my flower posts, the Rose get the most page views. However, in the back of my mind, I thought about Balloon Dog.

People are always doing searches for Jeff Koons' Balloon Dog. In my stats, it seems to pop up a few times a week. The funny thing is that I haven't actually made a post about it, only various works of art around it. But even with just cameo appearances, it puts up numbers that none of my flower posts can match, not even roses.

So, for all you Balloon Dog image pilgrims, here are some views of Balloon Dog (Blue) on view at the Los Angeles County Museum of Art, in the Jane and Marc Nathanson Gallery on the third floor of the Broad Contemporary Building. If you're looking for Balloon Dog (Yellow), sorry but I don't live in New York City. ;-)

Balloon Dog (Blue) by Jeff Koons

It's a cool sculpture for certain.

Oh Snap, It's DABS MYLA!!!

"Just Breath" installation at Thinkspace Galley by DABS MYLA (2011).

It's a rare threat when a gallery and the artists put on a full installation display of the artworks. Well, Thinkspace Gallery has such an exhibition showing for "DABS MYLA: The Best of Times." It really is an exciting presentation.

Personally, I was not a big fan of DABS MYLA's pieces. Their work was a bit too glib for my tastes, although I can endlessly admire their composition and technique. This show changed my feelings. Yes, in terms of depth of expression, I still feel that their cartoonish imagery doesn't pack a core emotionally resonant potency. However, it entices the viewer's imagination into a playfully subversive fantastic environment where gleeful images subtly morph into disturbing forms. The gloss of childlike joy hides underlying darkness.



Milk and Honey (2011) by DABS MYLA


When looking at their pieces on-line, it's easy to see only happy faces, hot dogs, and donuts. But the installation environment brings out the crazy. With these overly gleeful figures arranged in front of and around the paintings, you can't help but feel that the joy is an insane facade, covering a disturbing mystery.