Some More Stitch Along and Weaving

I received the book Wessex Stitchery by Gay Eaton a while back from a friend and I've been contemplating what I could make using the patterns. I first saw Wessex work done on a band round robin piece by Christine. When you look through the book you realize what a huge range of patterns there are. I worked this biscornu for a larger project but I thought I'd include it here because the center of the flowers is Algerian Eye and the petals are really a form of eyelet stitch - 5 straight stitches coming from a single point. The border is the next stitch in the alphabet of the Stitch Along - the Arrowhead stitch. There is arrowhead in many of the Wessex stitches, including a border stitch where it is called a 'stacked wave stitch'. I plan on doing a sample of some of the more complex Arrowhead stitch patterns for my stitch book.
I was able to get my loom up and running so I could start weaving in class last night. I love the look of the linen warp!

Here is the tabby start with hem stitching - please ignore the blip where I stepped on the wrong treadle.
Here is the huck lace pattern I'm doing. This is really one of those things where a photograph doesn't do justice to the texture and colour of a piece. Again, there are a few places where the pattern is a bit off because the linen threads stick together and the shed doesn't open fully in some places. I've slowed down a bit and I'm being more careful. This will be a table runner for my home so I'm not worried. Hopefully I'll have everything perfect for the second one which will be a gift.
I wonder if every weaving project is a learning experience no matter how long you weave. This is only my fourth project, but this time I've learned about working with a high epi (ends per inch) piece, adding heddles to a frame, fixing a misthread and weaving with linen (lovely but challenging). I'm sure I'll learn another lesson soon, something is bound to happen!

Keeping Busy Despite the Heat

I thought I'd start with some bling. DD the younger is taking metal jewelery design and beading in art camp this week and these are her Monday creations.

It is funny how she has no patience to do cross-stitch but was able to create and join all these swirls into a bracelet. I guess we all have patience for what we really like!

No photos of DD the older's stained glass or graphic design because nothing came home. Maybe later in the week.

I love the new linen I'm dressing the loom with. I'm making a table runner and it will look so good on the black table we have in our living room. This is really a peaceful green. I've had lots of time at the weaving studio. The girls art camp is near the studio so I have some extra weaving time this week. I threaded all 420 heddles yesterday and sleyed the reed today and tied up the pedals. I will wait now to see if I did everything right before starting the weaving. I'm doing a huck pattern using the same green as weft.

I did have some excitement while starting yesterday. I had to add 50 heddles to two of the frames. Cherri tried to show me a way to thread them on but I hadn't paid attention to the direction the heddles were facing well enough so it couldn't be done, so I had to put heddles on by hand. I mention this because even though I couldn't get the threading technique to work at first, I had to use it later because I didn't do a good job keeping the tops and bottoms of the heddles straight as I put them on. As I started threading heddles I discovered that some were crossed. I should have realized that it must be me because I had used the same frames for the baby blanket, but at first I wouldn't admit it. After finding three crosses and realizing that I wouldn't have enough heddles if I had to skip all the problems, I decided I had to fix it. For those who might find themselves in the same predicament, here is what I did. I tied together all the heddles I had threaded so they wouldn't slide off. Then I tied one end of a piece of yarn to the frame and after pulling out the top heddle rod, I started sliding the tops of the heddles off onto the thread until I had removed all the crossed heddles. I put them back on a few at a time to be sure the were straight, and when I reached the good part, I was able to easily slide the heddles on with the thread next to the rod and then pull the thread out. I wish now I had taken pictures, but at the time I was embarrassed that I had been so careless. The main thing is, it worked, and now I have even more appreciation for how the loom works!

Sunday, DD the older and I finished her bedroom painting. She really wanted to get rid of this peachy colour. So here is the room all taped up and ready to go. We had to start with primer so the peach wouldn't affect the blue. After the first coat of blue DD was agitated by all the spots that weren't perfectly covered so I told her to put a bit of blue tape by the bad spots after the paint had dried for a day, so we would be sure to get them with the second coat. The room looked diseased! My husband thought she was maybe trying to see what it would look like Dalmatian-style, since that was her favourite movie as a child. I never realized what a perfectionist she was. I don't recommend anyone doing the same thing by the way. It took some time and was occasionally awkward to get the tape off, and a couple of times it pulled off the new paint!
And here it is done, but without the new Roman shades that are on order, or the furniture back where it belongs. The main thing is, the painting is done and she is very happy with the colour.

Another eyelet and some finished work

I started the stitch along with Algerian eyelet stitch and late last week I found another variation on Jenny's blog. It is called a single cross eyelet from Mary Fry's Pulled Work.
I think Jenny's have more threads around than mine do, but I like the floral look of these two.

Here is my big finish! The baby blanket is almost done, except for some hem stitching, which I must do soon since things are unraveling!
This is my mini-tapestry done. Rather meager but I do have a better feel for technique and where things can go wrong - lots of places actually! This will soon be a lavender sachet. I will be sending it to my MIL. It was going to be an ornament, from the Just CrossStitch ornament issue, but I didn't have it done for Christmas and I don't want to try to find (and pay for) the special holly leaf beads that were supposed to decorate the ornament. So it will be sewn up and sent of just plain. Don't be too impressed by the blackwork. The back is horrible but because the linen is dyed and I've used dark brown rather than black, the errant threads don't show. I have great respect now for those who can create perfect front and back blackwork!

Stitch Along and weaving sampler

As I gazed at the list of stitches sharonb collected for the Stitchin Fingers Hand Embroidery group Stitch Along, I couldn't figure out where to start so I decided to work alphabetically - not particularly creative, but some days it is easier not to think too much.

The first stitch is Algerian Eye. I worked on Algerian Eye last year during TAST but my goal with the Stitch Along is to fill in gaps with the way I used stitches. Last year I did a ribbon picture which I do like, but it doesn't help me visualize Algerian Eye as a seam treatment. I have a basket where I store all the ends and extra strands from projects for small things, so I'm using those threads in this project - unless I want to test with something in particular.
In this case I used cotton floss, the gold and rainbow are overdyed, some very light blue silk (3 strands) and a bit of ribbon.

The ribbon doesn't do anything for me, but I really like the single strand of rainbow floss. I used the sequencing technique taught by Catherine Jordan at my EGA chapter back in January. It was a departure for me to use a single thread in something like this because usually I like really full coverage in a stitch, but I like the delicate look of a single thread in this case.

As you can see, I didn't do much stitching, but I've been reworking a gown that my SIL will be using as a wedding dress. I had to remove 3 full length lace panels and sew on a ribbon with pearls and beads.
I've also been weaving. I'm up to 30 inches on the baby blanket, no photos since it really looks no different than my last post, just more on the front roller. And I've added a bit more to my tapestry sampler. I'm working from 'Tapestry Weaving' by Kirsten Glasbrook. I'm not doing all the rows, just a quick test, and my colours are totally different, but it is helping me get a feel for the technique.

Finishing and starting

I'm trying very hard not to take on too many things over the summer. Since I stopped working full-time nine and half years ago, I've had this awful habit of thinking that I'll have lots of time in the summer since the kids are out of school and I stop leaving the house for my part-time job (i.e. I still work on the computer from home, but I don't go to the library every day). Somehow the time never materializes and I'm frustrated. So this year I've set very modest goals - work on the Stitchin Fingers Hand Embroidery Group Stitch Along, do some stumpwork, and do some weaving.

But first I thought I'd get a few things out of my done but not finished pile - you know the stuff that has the embroidery done but needs sewing up or framing. I started with the little topiary piece by Catherine Jordan that she taught at my EGA chapter. Catherine's kits included cute little metal finishing forms, which I found quite easy to use. The project was originally finished as a pin keep, but I have a large pair of scissors I'm using in my weaving kit so I made a scissor fob - it would be too big and heavy for embroidery scissors.

These photos are before framing, but I did frame these two pieces from Colonial Williamsburg that I stitched up for my SIL. Quick and easy, which was good for evenings watching mysteries on TV. I've discovered you can't do extensive counting while watching a good mystery - maybe while watching a bad one, I haven't tried that.

This project is from way back in September 2007. I decorated the flap of a neat, fold up embroidery blanket. You put it on your lap or table to provide a clean working surface and it is white or dark (green in my case) depending on what sort of background you need to work on. I've had the stitching done since last year and finally stitched it up on Saturday. You can see the fancy topstitching I did with the machine - I haven't used it much so the fancy stitching is still fun. It folds up into a neat little packet that easily fits in an embroidery bag.

My starts are weaving projects - although I will be starting some embroidery soon as well. I was able to get to the weaving studio this week and got a good start on the baby blanket I'm making.
Of course it didn't turn out quite as I expected - I thought the coloured weft crossing the white warp would be lighter, more like the white weft crossing the coloured warp. But I am happy with the result and it will be a soft, washable blanket in the end. I am doing double weave so there are two layers, one side open, so when I'm done it will open up to a 48 inch wide blanket. Because I am just doing plainweave, I have a chance to concentrate on my edges this time and work on tension. In retrospect, I should have done some practice weaving to get comfortable with the tension of this particular yarn, but after over a foot of weaving, I'm not starting again.

I also found a small wood frame loom that belongs/belonged to DD the younger. I've taken it over and I'm working through techniques in a tapestry book I have out of the library (sorry I'm too lazy to walk to the other room to get it right now, I'll tell you the title later). Eventually I want to do real tapestry weaving, but I'm learning from my TAST experience and making a sampler to practice things first. The pale blue is the header so it isn't part of the piece - although I have been know to make some poor colour choices. Not much yet, but I'm learning, which is the main thing.

Horse CQ progress and a new weaving start

As always, I seem to be learning from my mistakes with this project. For some reason, I think because the material was at hand, I used a light tan fabric to stitch the horse on. So, when it came time to paint a background, which I had to do because I hadn't thought ahead and didn't know I would want to make a sort of landscape around the horse, the colours of the fabric paint took on different hues than they would have on white. That was lesson one. Lesson two was, no matter how careful you are, if your colours have lots of water, they will soak into your threads, which is fine if the threads are gray, but not so fine if they are white. This leaves me with some touch up work.

Lesson three, don't paint yourself into a corner, or rather, paint all the way to the corners so you don't have to be so careful when piecing your quilt. If you look closely on the right side, you can see a couple of non-blue angles on the center section.
I must admit, when I finished this at 11 pm I was not a happy camper. Nothing seemed right, although I did figure out which embellishments would cover my unpainted angles. Luckily, when I looked at this piece in the morning light, which was much kinder than the yellow bulbs in the craft room (which is really the garage) I started to like it. By the time I started embellishing seams (photos tomorrow) I was happy with it. And both my daughters like the fabrics used. The red flower in the lower left is actually from DD the younger's riding sock. She has zip up boots and regularly catches her socks in the zipper, which ruins the socks. But this pair was so colourful, I knew I had to use it for something!

My next weaving project (my third) will be a baby blanket and I will be doing double weave so it will be double width - 48 inches wide - plus there will be a checkered pattern. I chose to use acrylic baby yarn because it will be the most practical in terms of washing and even washable wool still has the chance of causing an allergic reaction. One couple in my family is expecting to baby via adoption any time this summer, so I thought this would be a nice thing to make for them. The variegated yarn is bright rainbow spectrum with nice mixes between the main colours. I like it better than the pastel version and if my placemat testing experience is any indication, the white and pastel would have been too close in hue (or is that shade, I'll have to read up) and the checked pattern wouldn't have shown up well.
By the way, here is the pillow I finally made from the fooling around I did at the end of my last warp. You can't see it well, but I left a fringe of warp at the top of the pillow. It seemed to fit with the fun yarns used in this piece. Posting this photo has made me realize I didn't post a photo of the finished placemats. I'll try to do that soon. Of course, during the final stitching I realized that I had made 7 placemats, instead of the expected 6! This doesn't say much for my counting skills while weaving.

Value of backstitch and a finished horse

I have a few memories of embroidering as a child, but I really don't remember much of what I did until I started doing reproduction samplers about 25 years ago. When you stitch samplers, back stitch is usually for letters but usually there isn't much. Occasionally I'd do some cross-stitch pictures as gifts and there the value of back-stitch really shows. I've been working on a couple of baby-bibs and as you can see from this photo, a blob of brown is transformed into a bear with some back-stitch.

I've finally finished the horse for the center of a CQ pillow that needs to be done next Tuesday night for my EGA meeting where we need to present our president's challenge CQ items. The front half of this horse seemed to take forever. I never felt like I was getting anywhere. All the gray, gray and more gray! But then suddenly, it was done. I'm quite pleased with the result as is DD the older who did the initial drawing, and DD the younger who asked that the horse look like her favourite from the barn - she will be getting the pillow. I have a CQ landscape sort of idea and I will be painting the fabric around the horse - hopefully without staining the horse! But you never know with me and paint. Maybe I'll stick with the watercolour pencils?
Here are the two newest members of our family, Chocolate and Dude. You can't really see it in this photo, but Dude has a forehead cowlick which gives him this funny little bit of hair sticking forward. They can both climb out of the pen they get to play in, so they must be watched constantly
The girls did the photo session and had trouble keeping the boys in line. I find this photo very funny.

Weaving Colours

Just like background colour can change the look and feel of an embroidery piece, so the warp and weft colours can completely change the look of a woven piece. Here are some photos of the finished products of last night's weaving class. This first one is one of my placemats. The thin white lines are the guide for cutting them apart (yes I'm nervous, but I've been given instructions). As I mentioned yesterday, I love the way the variegated green looks as warp and weft with plainweave. But notice how the green barely comes out with the pattern band.
Joy kindly allowed me to photograph her piece which uses the same green variegated warp. She used black and white novelty yarns and ribbon to create this length which will be cut up to make pillows. In some places you can barely tell it is the same yarn I am using.
I had some warp left at the end of my weaving so I tried some purple yarns. I've seen this purple and green colourway in a few things, including some orchids, so I thought it was worth a try. Most of the stripes are plainweave, but I did do a couple of bird's eye pattern strips as well. It was great fun seeing how the colours work together and good practice to get the feel of odd yarns.
Cherri suggested that I be sure to add an extra yard whenever I measure my warp so I have experiment room and I heartily agree. It is fun. Here is the final, uncut, piece. Almost 5 yards long. It really didn't take too long, and as a novice, it was amazing to see how much came off the cloth beam. As I was weaving, I really didn't get a sense of how long it was!

Weaving placemats - My second project

My enthusiasm for weaving has not diminished, in fact I keep coming up with new ideas for things I want to try. Between a trip to our local wool shop to drool over the various yarns I might try, to the book from my university library with all the patterns and ideas, I think I could get seriously involved in this.

So, here is what I've been doing this month, but forgetting to post. My warp is a green variegated thread (not sure which fibers since not everything is labelled). It is rougher than my last warp so was a bit picky to set up - and I made a major mistake but with help from Cherri I recovered and I now feel I really understand how to set things up. Not that I think I know everything, I don't think I'll ever know everything about weaving or needlework (or anything else for that matter).
The warp was measured to allow room for experiment, and the harnesses threaded for bird's eye patterns, so I started with a tan weft doing several patterns, but as you can see, they really didn't show up with the colour I used.
Then I tried white, which did show up much better, so I tested a couple of patterns and then chose what I would do. Cherri showed me a technique that puts a plainweave set in the base colour between the pattern set, which looked really nice (no photo) but it did make me realize that a whole placemat of the pattern with white would look washed out.
So I'm weaving plainweave ends and middles with the warp yarn, and three rows of pattern in white at each side of the placemat. I love the random plaid patterns that emerge with the plainweave.
What is really neat, and I'll try to get some photos tonight, is that one of the other students, Joy, used the same warp, but she is using novelty yarns, mainly in black, for her weft, to make pillows. It is a good lesson in how changes in colour can really change the woven look. And the eyelash yarn adds so much to the piece.

Tonight is my last night at the Arts Center for this session, and there are no month long summer sessions because of the children's summer camp. I'll be finishing my placemats tonight, but I won't be stopping my weaving. I plan on moving to one of Cherri's studios to continue learning more. In the meantime, I have a holiday weekend approaching and I must get to work on the President's Challenge for my EGA chapter. I'm making a CQ pillow for DD the younger who wants her favourite horse in the middle. DD the older drew the horse and I've been trying to stitch him. Even with a couple of photo in hand, and many years of watching DD the younger ride the horse, I still don't seem to have it quite right, although she likes him.
DD the older drew the same horse as a carousel horse for a poster contest for the county fair. You can see I'm a bit off! She also included the barn donkey pulling a cart, and the barn pig, and some of the other horses, including the foal we saw being born. She thought a smaller carousel horse would be nice. Mind you the horses are jumping around the fair grounds like a Mary Poppins movie, which is why you can't see the carousel.

Doing what you love with no rules.

My post today has been inspired by two blogs. Jude at Spirit Cloth writes about changing the world by doing what we love, and Sharon B wrote about an article in Bonefolder, in which women who create books discuss the multidisciplinary aspect to artistic book making. Sharon thought that maybe this was because it is an art without history and long standing rules. And she compared this to the women who love crazy quilting and art journaling, where there are no rules. Jude does the most amazing quilting, though that really doesn't do justice to her work, so the two blog entries seem to have come together in my mind. I am inspired by both these women who love fibre arts so much. And I appreciate that they both write blogs so I can keep up with their work. And both have pushed me to try new things - although I had already given up on a lot of rules.

I love embroidery, and working with children, and I forget the rules when teaching kids embroidery, since in the end, what matters is the kids being happy with what they have created. When I buy supplies for stitching, I usually forget the rules as well and just buy what appeals to me. When I do use a pattern, I usually change things to make what I want. Even in my profession, which I love, I've pushed beyond conventional practice a few times to do what I think needs doing, and have been able to advance professionally because of this. I am now learning to weave, so I have to follow some rules, but as I learn and read more figure out how weaving is supposed to work, I will be breaking the rules and creating what I want to see. And I know my posture, and the way I hold the guitar and my fingering and timing are all wrong, but I love playing classical guitar, and it turns out, my daughter love to hear me practice as she falls asleep. What a nice thing to find out on mother's day.

Speaking of mother's day, I finished the fringe on the shawl for my mother, my first woven piece.

Thanks for all the encouragement and support Mom. Sorry the present will be late.

Two great finishes!

My first woven article is done! I am pleased with how it turned out, but even more, I enjoyed the whole process thoroughly. I was so worried that after so many years of wanting to learn to weave, that I would be disappointed once I actually did it, but it is more fun than I anticipated. Just to watch the fabric grow each time I sat down to work was very gratifying. But it was also exciting to see the way the colours changed depending on what colour was in the next pic.

Here is the final hem stitch to my piece from a week and a half ago.

And here is the shawl blocked on the guest room floor. I still have to weave in a few ends, or at least trim the ends of the ends I wove in. I'll do that a little neater next time - although I won't have so many colour changes anyway. I also need to decide on the fringe. I alternate between a macrame like knotted trellis or adding some extra warp threads to fill out the fringe and make it short. Part of me thinks that a long, knotted fringe would fit with the modern sort of feel of the shawl, but then a short, full fringe would keep the focus on the weaving. Any thoughts?

Here is my other finish from last week. The Gilt Sylke Twist from Plimoth used to decorate a pre-made satin box. I'm keeping this because the spools of GST fit in perfectly.

It is quite interesting that Mary Corbet at Needle 'N Thread and
Carol Ann at Threads Across the Web also thought to do strawberries with the GST. There must be something about the gold bits that lend themselves to strawberries.

Finally, another garden photo - roses. Another bonus living in Virginia - roses in April. Mind you we have black spot by June, but what the heck.

Lots of Life, Some Needlework and a bit of Everything

There are lots of photos today. I should have spaced them out but today is my day to putter around and get things done around the house.

First, some weaving. This really isn't needlework, although it is part of my passion for fiber, so this is the everything part. This is what I was able to get done last Thursday. Most of the weft is mohair, except for some nubby yarn in the wooden shuttle that I'm using as an accent between various colours. The overdyed mohair in the red shuttle is just wending its way through the shawl. I was able to spend a few hours weaving on Saturday and made great progress. Many thanks to my DH for making sure I had the time to do it. The photos don't really do justice to the colours or texture so you'll have to trust me that it looks quite nice.
I contemplated counting things out and making a pattern to the stripes, but decided not to in the end. My husband thought it looked like waves, so I guess that is the pattern!

Now to the life. It is spring in Virginia and my garden is starting to bloom.

And the house finches nested behind the light on our front porch. These three fledged the next day, which isn't surprising given the amount of room they have.

Now some needlework. I'm doing something with the Gilt Sylke Twist from the Plymoth Jacket Project. I looked over my photos of the jacket motifs and decided to do some strawberries and a cornflower. I've done them in detached buttonhole because...
...they are going on the top of this satin box.
I found the box for $1 at Michael's. Of course when I decided that the box would be great for needlework projects and went back, there were none left. Stay tuned for the results.