Review: The Spinto Band | Cool Cocoon

Delaware-spawned indie pop journeymen The Spinto Band are on a roll: in only the past nine months the band has rejuvenated a two-decade career with the slick pop of the full-length Shy Pursuit (preview here), revitalized their own record label and toured extensively. And now the quintet is already back with a new long-player, Cool Cocoon. Picking up right where Shy Pursuit left off, the new collection contains yet more of the band's sparkling brand of well-crafted, classic pop. Cool Cocoon commences with "Shake It Off" (previously reviewed here), a tune that echoes rock-and-roll touchstones without diluting Spinto Band's characteristic cool and charm. That's no small feat, as the hooks here and elsewhere on Cool Cocoon are so universal and saccharine one might think their apparent familiarity would stunt their appeal. But that's just not the case. In fact, thanks to singer Nick Krill's quavering falsetto, the warmly compressed production, and crafty arrangements the act succeeds over and over in delivering unto fans singular pop statements. The Spinto Band's reach never exceeds its grasp.

Known for its bright sound and tumbling tempo changes, Spinto Band sounds best at its most upbeat. "Breath Goes In," "Enemy," and the funkier "Memo" all feature a kineticism that drives the brand's brilliant melodies. Imaginative guitar sounds crash in and out, the drums snap along with only the bounciest of beats, and supporting voices push each hook to maximum lushness. "Na Na Na" not only shows off the retro-bubblegum accouterments with which the group are well-versed, but also features one of many creative guitar solos that populate the album. It's as if the band holds back its meanest, grittiest player until he is about to piss himself, and only then unleashes him for a frenetic, quick flash of a solo, twice as loud as everything else, and gone as soon as it starts. Why don't more bands do that? Perhaps the highlight of the record is "Amy + Jen." Sounding like a strummy cut off The Tyde’s Thrice album, Mr. Krill and company dash off vibrato guitar splashes, choppy acoustics and bursts of buzz-guitar to cook up a classic summery jam. Drummer Jeffrey Hobson's emphasis on the beginning of each imploring chorus punches up the tune and adds to its timeless air.

Cool Cocoon touts an even share of slower numbers that aim for the heart via an expanding vocabulary of studio effects. "What I Love" offers a rising music hall melody and a piano line that recalls the fluttering tenderness of The Rolling Stones’ stone-cold classic "She’s A Rainbow;" the tune includes yet another brilliant guitar flash-solo. The folksy and spare "Look Away" exposes another dimension of the band yet heard. Like many groups trading in indie pop, The Spinto Band can't take credit for inventing the wheel. But the band’s precision and sincere love of rock’s long flirtation with classic pop is more than enough to make Cool Cocoon a keeper. Another album or two of this level of songwriting and the band should start expecting comparisons to Harry Nilsson, Ray Davies, Paul McCartney and their venerated like. Cool Cocoon is released on The Spinto Band's own Spintonic Recordings Tuesday; stream "Shake It Off" via the embed below. -- Edward Charlton

The Spinto Band: Internets | Facebook | YouTube

Prelude To The Beatleocalypse

We’re now just a week away from the Beatleocalypse and trust me, 9/9/09 may just end up the end of the world or the heralding of paradise on Earth if you follow any of the online forums discussing such matters. On one such den of iniquity (where I admittedly lurk. sigh), one of the key engineers in charge of remastering these Arcs of the Covenantses for the masses and smaller mass of obsessives actually posted and provided helpful corrections and calming words about the process and the source material. NOT GOOD ENOUGH. To paraphrase one response, “Are you sure they’re using the original original masters for Pepper? Are you sure? ‘Cause I heard they were lost…”

I won’t even get into the concerns over loudness. Or the count on the numbers of mono box sets left in the world. Or the great news that a collection of the oft-shoddily bootlegged Beatles Fan Club Christmas messages will finally be made available, but only locked deep within the Rock Band game.

How to calm my nerves then? Well, how about some Beatle tributes?

WAIT – DON’T CLICK AWAY YET! Look, I hate tributes. Especially Beatle tributes. Why? How can you win? Too close a cover, and what’s the point? Make it your own and you’re rolling the dice I’m not even going near that new Sgt. Pepper set that Cheap Trick put out last week (which seems to fall into the former category).

The solo stuff is even tougher. Remember Listen To What The Man Said: Popular Artists Pay Tribute to the Music of Paul McCartney? Didn’t think so – who thought that the world wanted to hear SR-71’s take on “My Brave Face?” (Side note: this set does, however, have one track worth seeking out: Sloan’s truly great cover of McCartney II’s “Waterfalls”).

Once in awhile, though, collections come through that have just the right spirit. Tom Scharpling, the host of the WFMU’s legendary “Best Show on WFMU,” a call-in show featuring the hilarious and strange characters of Superchunk (and usually several other bands) drummer Jon Wurster and whoever else calls in (who are sometimes even more strange), is known to regular listeners as an unabashed fan of McCartney (and Abba!) so it isn’t surprising that Tom: A Best Show on WFMU Tribute to Ram is a lovingly-curated tribute to McCartney’s second post-Beatles set.

The A&R on this is nearly perfect: the chamber-pop opener “Too Many People” goes to Aimee Mann; the demo-y solo track “Ram On” goes to Portastatic; the finely crafted “Dear Boy” could have been written by Death Cab For Cutie; the really strange one, Uncle Albert/Admiral Halsey” goes to Dump, the rollicking “Smile Away” gets torn up by Hank IV, the other strange one, “Monkberry Moon Delight” is inhabited by Danielson, and the soaring “Back Seat of My Car” is knocked out of the park by Ted Leo.

This is so good and worth your time that it pains me to tell you that you blew it. This was available only as a premium to donors to WFMU’s annual pledge drive. That’ll teach you. Give ‘em some money next year – the show and the station in general are well worth it.

All is not lost, though. You can drown your sorrow of missing out on Tom by spending some time with Tribute To, a somber and absorbing tribute to George Harrison by My Morning Jacket’s Jim James (operating here under the name Yim Yames for some reason). It sounds every bit like it was recorded shortly after Harrison’s death in 2001, which it apparently was. These sparsely arranged takes really capture a certain spirit that almost feels closer to the heart of these songs than some of the original versions. This may not be surprising to Harrison fans – when All Things Must Pass was reissued in 2001, Harrison indicates in the liner notes that he was tempted to strip some of the songs back from Phil Spector’s bigger production values, and the bootlegs of demos from that era certainly portray a haunting quality that, for all of its greatness, the finished piece downplays.

So there you go. Next week, I’ll either be listening exclusively Beatles for the next 6 months, or trying to avoid it. I suppose it’ll depend on how the already simmering marketing blitz goes. -- Michael Piantigini

The Beatles: Internerds | MySpace | Vidya Games |
WFMU: Internerds
Best Show on WFMU: Streaming Archive | Internerds | Recaps | Scharpling and Wurster | MySpace
Yim Yames: Internerds | MySpace