Showing posts with label Adebisi Shank. Show all posts
Showing posts with label Adebisi Shank. Show all posts

April 3, 2011

Today's Hotness: Johnny Foreigner, Adebisi Shank, Dananananaykroyd

Johnny Foreigner -- Certain Songs Are Cursed, art by Lewes Herriot
>> Oh the things we've wanted to tell you of late. We're going to start making up for lost time right now. Like, did you know that the planned single from Birmingham, England-based noise pop titans Johnny Foreigner is no longer a single but an EP? We hope you did, because it was a limited edition physical release, a CD affixed to a frisbee, for God's sake. The thing sold out in fewer than 24 hours, there having been only 250 on offer. Fans can still buy the MP3s from Alcopop! right here, which label -- along with kindred operation Big Scary Monsters and upstart phenomenon Audio Antihero -- sits firmly among the only labels worth a damn anymore. The Johnny Foreigner EP is titled Certain Songs Are Cursed, and it contains four tracks: "What Drummers Get," "Twin Sisterzz," "Johnny Foreigner vs. You (Cursed Version)," and "Certain Songs." We've heard the EP, it's characteristically brilliant. The official release date is 18 April. Two of the tracks are already streaming on Soundcloud, and you need to hear them, so hitch your wagon to the streams embedded below. Something else we missed: Johnny Foreigner have compiled all of their b-sides released from 2008 through 2010 under the title European Disco - Collected B​-​sides and Remixes, 2008​-2010 and they are being sold at Bandcamp for five pounds. Which is nothing -- the song "I Heard, He Ties Up Cats" alone is worth five pounds. So if for some inexplicable reason you've not been obsessively collecting Johnny Foreigner songs since 2007 like we have, well, here's your chance to (try to) catch up.

What Drummers Get by Johnny Foreigner

Johnny Foreigner Vs You (Cursed Version) by Johnny Foreigner

>> This is also true: Northern Ireland-based spazzcore savants Adebisi Shank's transcendent -- transcendent, we said -- second record This Is The Second Album Of A Band Called Adebisi Shank was released worldwide last month by the ever-tasteful Sargent House label (you know the label, they also picked up the Maps & Atlases record and released that way back?). The collection was previously released last June by Big Scary Monsters in the UK. As we quipped elsewhere, the record is every single record you wished Trans Am had released after its tour de force Surrender To The Night. The most mind-blowing track on the Adebisi Shank record is the impenetrably titled "(-_-)," but the entire thing is wonderful. Free music, you say? Sure. Here's track three from This Is The Second Album Of A Band Called Adebisi Shank, "Ghenki Shank." It's got more of a later Trans Am vibe (read: vocoder).

Adebisi Shank -- "Ghenki Shank" -- The Is The Second Album Of A Band Called Adebisi Shank
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[buy This Is The Second Album Of A Band Called Adebisi Shank right here]

>> Oh yeah, so Dananananaykroyd are back. The always-quality Another Form Of Relief blog has all the details here, but we'll recount the highlights, which are these: the Glaswegian fight-pop standard bearers' forthcoming sophomore set is titled There Is A Way; There Is A Way is being released on the band's own label Pizza College June 13. According to Dananananaykroyd's Internet Home Page, There Is A Way has 11 tracks and was produced in California by Ross Robinson. Ross Robinson, at least at Wikipedia, is referred to as the "Godfather of Nu Metal." And yes, he is the guy who produced that really flat-sounding The Cure record from 2004. On the upside, Mr. Robinson produced At The Drive-In's towering swan song Relationship Of Command [this is one of the greatest late-night TV performances ever]. We'll be very interested to hear this thing. Hit the link to AFOR for an MP3 of the new track "E Numbers."

>> And have you heard the new Yuck b-side? It's called "Doctors In My Bed," it's the flip to a planned forthcoming single release for the the lead track from the London-based quartets phenomenal self-titled debut, which lead track is "Get Away," in case you didn't know. The "Get Away" single is slated for release in late April, during the band's upcoming U.S. tour that commences April 13 in Los Angeles, although said single is not listed on the Fat Possum site -- perhaps it is tour-only? Yuck, as we've been saying for months, will play Paradise Rock Club in Boston April 28, and Clicky Clicky will be there. As far as "Doctors In My Bed" goes, well, it may be the first Yuck song we've heard that we do not love. But they've put out so many awesome songs, you can't hold this one against them. It's not bad, it just lacks the sort of melodic magic we've learned to expect from the band. Just buy the single for the A-side, it's a scorcher.

Doctors In My Bed by Yuck

November 17, 2008

Today's Hotness: Faunts, Primitive Painters, Adebisi Shank

Faunts
>> Tomorrow Edmonton-based indie quintet Faunts issue a digital-only set of remixes, the more ethereal of which (Mark Templeton's gauzy remix of "Places I've Found" in particular) were the perfect soundtrack for Sunday morning coffee. The obviously titled Faunts Remixed contains 14 tracks pulled from the band's first two records, High Expectations/Low Results and the M4 EP. Remixers include Cadence Weapon, a fellow from the jarringly named Shout Out Out Out Out and Faunts themselves. Friendly Fire is offering two MP3s to tease the release, and we're posting them below. The act intends to issue a new full-length collection, Feel. Love. Thinking. Of., in February 2009. The original version of "Memories Of Places We've Never Been" was issued on the aforementioned High Expectations/Low Results, and also previously appeared on the Friendly Fire Recordings Sampler 2007.

Faunts -- "Memories Of Places We've Never Been (TH White Remix)" -- Faunts Remixed
Faunts -- "M4 (Part II) (The Paronomasaic Remix)" -- Faunts Remixed
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[buy Faunts Remixed from Friendly Fire right here]

>> We previously discussed Orange County, Calif.-based indie rock sextet Primitive Painters here in early 2005 (we regret saying its music was "a bit wimpy" -- if we had a do-over we'd say something like "heart-on-sleeve"). Now that there is news of a new full-length from the act, let's review: Primitive Painters recorded a really great demo called Dirtclods in the early '90s that sounded like the atmospheric British guitar rock of the day injected with a bit of SoCal punk energy. The band caught the ear of UK label GT's, and rerecorded the stuff from the demo, added some more stuff, and released a debut that was also called Dirtclods. This led to some confusion for us when we upgraded from our cassette dub to CD a couple years ago. We were puzzled upon receiving the CD that the songs sounded different, and it turns out our cassette was the demo, which we learned a couple years back when we pinged singer Dennis Crupi. Primitive Painters broke up in 1997, but Mr. Crupi and founding bassist (and now guitarist) Patrick Homa reconstituted the act in 2002 with a clutch of new players. Around the same time the band was named one of the 129 greatest bands from Orange County and released the short set EP33. Its new collection, Say It 'Til You Mean It, was self-released earlier this month, and while we have only heard what's posted at Primitive Painters' MySpace hacienda, we feel pretty comfortable saying its best stuff is even better than the best old tunes. Where the Dirtclods demos were fairly spare, the production on Say It 'Til You Mean It is lush, in places particularly imaginative, and there are tons of big guitars and bigger melodies. The updated Primitive Painters sound is reminiscent of "Regret"-era New Order, although obviously without Peter Hook's trademark bass noodling. Anthems like "Harm" and the New Order-referencing "Throw Your Heart To The Wind" establish a new beachhead for Primitive Painters. The sextet celebrate the release of Say It 'Til You Mean It with a show Dec. 6 in Fullerton, Calif.

>> You owe it to yourself to click this link and witness the COMPLETE. ROCK. MAYEM. perpretrated by Irish spazz-core trio Adebisi Shank in glorious full-screen video. How much speed are these guys on? How does guitarist Lar get those crazy sounds out of his arsenal of pedals? Why didn't several of the audience members' heads just explode like so many M80'd melons? We simply can't process this. This 16-minute set captured Oct. 17 at The Fighting Cocks in Kingston, England is the most bonkers thing we've seen in we don't know how long. So many questions. Why is the bass player Vinny wearing a full head veil? Did the BeatCastTV editors add some sort of strobe effect to the footage and speed it up, or is this band just going off like crazy? Spectacular, and a little more ear-friendly than fellow English grind merchants Rolo Tomassi, whom we've been meaning to mention in these electronic pages lately.

>> Notable ghost logos: Ghostly International. Johnny Foreigner. Larytta.