Hey Super Advanced AI, write a novel in the style of thriller author J.A. Konrath.
Make sure it uses his main characters Jack Daniels and Harry McGlade, contains two jokes per page, crams in plenty of serial killer suspense, adds lots of dialog that Konrath thinks is clever, and has a surprise twist ending. Also include rutabagas and alcohol in the plot somewhere.
(3.8 seconds later...)
Chicago cop Jacqueline "Jack" Daniels could never have known she was the target of a serial killer, even though it has happened to her 38 other times.
When the Rutabaga Slaya comes calling, Jack will need all of her witty jokes to save her from suspense, and Harry McGlade.
But not even the Authors Guild will be able to save the vast fortunes of their top 1% earning members after a sinister machine learning artificial intelligence proves that writing isn't that hard...
With dialog and a twist ending! Coming sooner than you want!
So let's talk about copyright and AI and the new Authors Guild lawsuit. (Spoiler alert: I'm not a fan of the Authors Guild...)
Unless you've been living under a virtual rock for the last few months, you likely know that artists seem to be really afraid of artificial intelligence.
On its face, this fear seems warranted. And maybe it even is warranted, to a degree. If you make a living by doing stuff, and something comes along that can do stuff just as good as you can but in only a few nanoseconds, you might be threatened by that in the same way that John Henry was threatened by the newfangled steel driving machine.
It didn't work out well for John Henry.
AI is already helping some uncreative types to compete with creators without those uncreative types actually creating anything. Ask AI to make artwork in the style of an artist, it can do a pretty good job. Writing essays, non-fiction scripts, and even making video content for TikTok and YouTube has already happened, and it has been so seamless that you've likely encountered one or more of these computer made products and not known it.
Two months ago I discovered that JA Konrath had written 13 non-fiction titles overnight (which is fast even for me), including tomes on understanding cannabis extracts, building effective affiliate networks, and high fiber recipes for kidney disease patients.
Either I was blacking out Jekyll-and-Hyde-style and doing some writing while in an unaware fugue state, or someone had used my name to publish a bunch of books that were compiled by machine learning.
Guess which one it turned out to be? Spoiler: I didn't drink any potions.
So I contacted Amazon, said that this wasn't me, and they removed the books from sale. It's my name, and someone shouldn't be allowed to use it to make a quick buck.
Using my name to sell something that isn't mine (and even worse, something off brand and poorly done) devalues the name I spent a long time developing, and it hurts my readers both old and new. I don't make money off of fake books, and I can also lose potential future money if people no longer trust the quality of my brand (assuming my brand has quality) or think I've gone from writing silly thrillers to writing cash grab hodgepodge essays disguised as content.
This same thing recently happened to Jane Friedman, except she was smart enough to go public, get some free publicity, and talk about it on a Writer's Digest podcast. Good on you, Jane. This needs exposin'.
Now you may ask, "Joe, if you don't want others using your name, and you get irritated when AI is used to profit off of your work, why do you take umbrage to the new Authors Guild lawsuit?"
My initial response is, "Thanks for using the word 'umbrage', which I think is a great word and needs a resurgence.
But my more detailed reply takes longer. And I'm going to use my time honored tradition of fisking, because that's the kind of longwinded jerk I am.
Here's what the good old AG has to say. Guild in italics, me in bold.
More than 10,000 Authors Sign Authors Guild Letter Calling on AI Industry Leaders to Protect Writers
AG: New York, N.Y.—July 18, 2023 —The Authors Guild, the leading professional organization for writers in the United States, has submitted an open letter to the CEOs of prominent AI companies, including OpenAI, Alphabet, Meta, Stability AI, IBM, and Microsoft. The letter calls attention to the inherent injustice of building lucrative generative AI technologies using copyrighted works and asks AI developers to obtain consent from, credit, and fairly compensate authors.
Joe sez: There's only injustice if the AI is lucrative? Does the AG think it's okay for a non-profit to distribute a pamphlet on STDs written in the style of James Patterson as long as it doesn't make money? Does James Patterson think it's okay? I for one would love to read an STD pamphlet with 97 chapters printed on both sides of a single trifold sheet of paper.
That first paragraph also says AI needs to obtain consent before using copyrighted works, and to compensate authors. The silliness of this move will become apparent shortly if you aren't already amused. (Hint: the AG tried a similar lawsuit before with Google and lost.)
AG: More than 10,000 writers and their supporters have signed the letter. The open letter emphasizes that generative AI technologies heavily rely on authors’ language, stories, style, and ideas. Millions of copyrighted books, articles, essays, and poetry serve as the foundation for AI systems, yet authors have not received any compensation for their contributions. These works are part of the fabric of the language models that power ChatGPT, Bard, and other generative AI systems. Where AI companies like to say that their machines simply “read” the texts that they are trained on, this is inaccurate anthropomorphizing. Rather, they copy the texts into the software itself, and then they reproduce them again and again.
Joe sez: I'm reasonably sure that all the tech geeks who are programming these learning machines make sure they steer clear of them overtly infringing on copyright.
Let's define "copyright" via Wikipedia: A type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.
Try going to a chatbot and asking for an excerpt of copyrighted work. Go ahead. I'll wait.
Back already? Didn't get the excerpt, did you?
It's because these bots don't reproduce copyrighted texts. But lets not let the law get in the way of a good lawsuit...
AG: The president of the Authors Guild, said, “The output of AI will always be derivative in nature. AI regurgitates what it takes in, which is the work of human writers. It’s only fair that authors be compensated for having ‘fed’ AI and continuing to inform its evolution. Our work cannot be used without consent, credit, and compensation. All three are a must.”
Joe sez: The output of human beings will always be derivative in nature. Human beings regurgitate what they take in, which is the work of other human beings. So it's only fair for the English Language to sue anyone who uses English without permission, or for Ardipithecus ramidus, the first bipedal mammal, to be compensated for having evolved the genes to walk on two legs, which human beings stole without consent, credit, and compensation.
We learn through imitation. No writer is without other writers who influenced them. Thankfully I cannot be sued for writing funny thrillers by the writers I stole from who were writing funny thrillers before I was even born.
English is learned. Humor is learned. Plot, characterization, narrative structure; these are all learnable, and have been well-established for hundreds of years.
So if AI isn't stealing verbatim, and ideas cannot be copyrighted, where is the infringement? What even is copyright infringement?
Via Wikipedia: The use of works protected by copyright without permission for a usage, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works.
Hmm. Doesn't seem like AI is doing any of that. But I'm no lawyer. Let's ask someone well-versed in law and modern technology.
Or, since we're the Authors Guild, let's ask some bestselling authors for their opinions on scary machine learning.
AG: (a) bestselling romance novelist expressed her support for the letter by stating, “If creators aren’t compensated fairly, they can’t afford to create. If writers aren’t paid to write, they can’t afford to write. Human beings create and write stories human beings read. We’re not robots to be programmed, and AI can’t create human stories without taking from human stories already written.”
Joe sez: While that author has likely been compensated fairly after selling hundreds of millions of books, this blog has complained since 2010 that the vast majority of writers haven't been fairly compensated. The cause if this is unconscionable contracts offered by unscrupulous publishers, not AI. But that isn't the topic at hand.
The author is correct that we aren't robots. (We may be computer programs in a simulation, but that's another argument.) However, one doesn't have to be a robot in order to imitate. Machine learning is still learning, and learning involves absorbing information. Machines can learn a lot faster than we can, and they can pass the Turning Test and fool people into thinking they aren't machines, but a machine-written story lacks something. Have an AI write a story for you and see what I mean.
This might change in the near future. Machines can soon become better than any human author.
But they still cannot steal a human author's name, words, or characters without permission.
Does the Writers Guild really fear theft? Or competition?
I've blogged before that books don't actually compete with other books, and authors don't compete with other authors. Twelve years ago I said that a race to the bottom wouldn't happen, and I was right.
Worrying about AI stealing from you, or competing with you, is fearmongering.
Who benefits from fearmongering? I wonder...
AG: (a bestselling) novelist and essayist also commended the effort, stating, “The Authors Guild is taking an important step to advance the rights of all Americans whose data and words and images are being exploited, for immense profit, without their consent—in other words, pretty much all Americans over the age of six.”
Joe sez: This is nonsense! Why are we leaving out non-Americans?! Or people under six!? We're all being exploited, dammit! Those corporations that fucked readers and writers with windowing, high prices, controlling supply and demand, gatekeeping, unconscionable contracts, and generally being all around unpleasant even though they made this author rich aren't as bad as other corporations who didn't make this author rich! Murica!
But again that isn't the topic. I keep ripping on publishers, when this is about AI destroying everything. Forgive my digressions.
Because this is about AI, right? And not the Authors Guild upholding the publishing status quo? Right?
No decent author would ever join any organization that exploits writers. Especially Murican writers...
AG: The potential of mediocre, machine-written books, stories, and journalism based on authors’ original work flooding the market poses a significant threat to the writing profession. The Guild’s letter points out that the bulk of the books used in the “training” datasets originated from pirate sources and websites, and calls into question AI companies’ fair use arguments. The letter goes on to note that the recent Supreme Court decision in Warhol v. Goldsmith further casts doubt on the AI companies’ fair use arguments by rejecting it as a valid defense where the use results in a commercial substitute for the original work.
Joe sez: I linked to the "flooding the market" nonsense argument when I blogged about the tsunami of crap that didn't happen over a decade ago.
Here's me debunking the harm of piracy, which similarly failed to destroy anyone's career like the doomsayers predicted.
As for Warhol v. Goldsmith, it was Goldsmith's picture that Warhol claimed to "transform" and which the court said it didn't. We can argue over the decision. I don't agree with the court. But the fact is: Warhol used Goldsmith's photo.
If AI took any of my books and embellished them, I'd be irritated, and perhaps consider suing if it was too similar and caused marketplace confusion. I am against commercial plagiarism even though I'm for non-commercial piracy (aka sharing). Please don't publish your shit using my name, or my shit using your name. If you want to steal my shit for your personal use, have at it.
But copying my tone? My sense of pacing? My deliberate use of extensive dialog and minimization of description and setting? My structure? Figuring out how my jokes and set-ups work so you can do your own jokes and set-ups?
If you learn from me, it ain't stealing from me. And it ain't copyright infringement.
If I learn about general relativity and teach it to someone I don't have to pay a royalty to Einstein. And if I copy a five act structure in my writing I don't owe Aristotle, or if I plot a hero's journey I don't have to get consent from Joseph Campbell, who didn't get consent from any of the authors he learned it from.
AG: Over more than the last decade, authors experienced a 40% decline in income, and the median writing-related income for full-time writers for 2022 was a mere $23,330 according to the Authors Guild’s most recent income survey with over 5,700 respondents.
Joe sez: Shit. Since the Authors Guild is so concerned about getting authors paid maybe it should have sided with Amazon's willingness to pay Hachette's authors during that kerfuffle, rather than side with the publisher, Hachette. But hey, those poor underpaid authors that the AG supposedly represents sure are suffering.
AG: The advent of AI technology further exacerbates these challenges and will make it increasingly difficult, if not impossible, for writers—particularly those from underrepresented communities—to earn a living from the craft most spent years if not decades perfecting. When writers have to give up their profession, it is a grave problem for all of us, not just the writers, because far fewer great books get written and published; and a free, democratic culture depends on a healthy, diverse ecosystem in which all views and voices are heard and ideas exchanged.
Joe sez: FOR THE LOVE OF GOD, THINK OF THE UNDERREPRESENTED COMMUNITIES!!! AND THE CHILDREN!!! SOMEONE THINK OF THE CHILDREN!!! ALSO DEMOCRACY!!! CULTURE!!! DIVERSITY!!! THE FUCKING CHILDREN YOU EVIL FUCKERS!!!
Trotting out the minority bingo jingo card is laughable, and here it is used in lieu of a good argument. Blah blah authors are broke blah blah technology is harmful.
I have a list of reasons AI is a good thing, in the same way all new technology feared by the legacy industries turned out to be a good thing. audio recording was destined to ruin live music, TV was destined to replace motion pictures, videorecording was destined to destroy TV, ebooks were destined to obliterate paper books, etc. Rather than supplant, these new techs supplemented, offering creatives new revenue streams.
AG: The Authors Guild appeals to the leaders of the AI industry to address these concerns and take the following actions:
Obtain permission for the use of copyrighted material in generative AI programs.
Joe sez: If you want to read it, you have to pay for it. Every word. All the time. Forever. How could this possibly go wrong?
AG: Fairly compensate writers for both past and ongoing use of their works in generative AI programs.
Joes sez: Publishers don't currently have anything in their contracts that remotely deals with AI machine learning, but we're going to cram something in that we like and apply it retroactively. Trust us. We're doing this for the poor authors. This is activism and altruism, not any sort of cash or power grab.
AG: Fairly compensate writers for the use of their works in AI output, regardless of whether the outputs infringe upon current laws.
Joe sez: Holy shitburger. I'm at a loss. All caps to portray the outrage at REGARDLESS OF WHETHER THE OUTPUTS INFRINGE UPON CURRENT LAWS!??!?
Let's imagine the lawsuit.
Judge: What laws were broken in this lawsuit? It is still called a lawsuit, right?
AG Prosecutor: No current laws broken, your Honor. But we're here to sue for laws that aren't current.
Judge: Shouldn't you take that up with the Legislative or Judicial branches before you--
AG Prosecutor: UNDERREPRESENTED COMMUNITITES!!!!
New analogy...
Let's imagine that the lowly herb oregano, purportedly represented by and propped up by the herb organization Big Oregano, demanded to be compensated for every recipe that uses oregano, even though there is no law in place.
I'm not talking about paying for the oregano you buy at the store, or growing your own oregano, or listing oregano as an ingredient on your retail packaging. I mean let's really go deep, and fuck the current laws.
Big Oregano wants reality to be this; every time you shake some oregano flakes onto your pizza or steamed mussels you pay a--let's call it a tribute because that's not a loaded word--to Big Oregano.
Also you must disclose to all diners eating it that the dish was brought to you in part by Big Oregano.
And of course you must get consent from Big Oregano before you shake those flakes.
Every. Single. Time.
Even though there is no law currently in place that you need to do so.
Or maybe let's not call it Big Oregano. This is an entity who assists Big Oregano while taking membership fees from the actual underrepresented lowly herb oregano.
Maybe let's call this entity... the Oregano Guild?
Let's say the courts allow the Oregano Guild to be compensated as stated above, retroactively going to your grandparents. Or let's make it your great grandparents, because why the hell not?
Think it stops there?
I think not. Next, the Oregano Guild will demand compensation for any recipe that uses something oregano-like even if it isn't oregano. Let's imagine the trial.
OG Prosecutor: Did you, Learning AI, in fact use oregano in the eggplant parmesan recipe you have sent out to more than 3 billion people you've chatted with since 1961?
Learning AI: No. That recipe used basil.
OG Prosecutor: But don't some eggplant parmesan recipes use oregano?
Learning AI: Uh... yes.
OG Prosecutor: And aren't basil and oregano both members of the Lamiaceae family of flowering herbs and therefore basil is nothing but a derivative and pale imitation of oregano?
Learning AI: Uh...
OG Prosecutor: Copyright thief! You owe us $10,000 for each of the 3 billion infringements! That's 30 trillion dollars, sucka! Kneel before the Oregano Guild! Now bring in your great grandmother so we can sue that bitch too!
AG: The Authors Guild believes that cooperation with AI industry leaders is vital to safeguarding the writing profession. By uniting writers’ voices, the Authors Guild aims to foster an environment that upholds the basic principles of fairness and recognition.
For more information and to read the open letter, click here.
Joe sez: I translated lawyerspeak to English so you don't have to.
The Authors Guild wants to threaten AI industry leaders and use bogus appeals to decency, morality, Mom, and apple pie, to force public opinion and emotionally sway an uniformed jury to scare them into awarding the publishing industry another gigantic source of revenue that it won't share fairly with authors.
AG: The Guild has been diligently addressing the challenges posed by generative AI technologies to the writing community. This open letter represents one of the many efforts to advance the cause of fairness and compensation for authors, and to ensure that the writing profession endures and thrives into the future.
Joe sez: We, the Authors Guild, are happy to spend your membership dues on a class action suit that may net the 113,000 authors whose works Big Tech Learning AI trained on as much as $100,000 per book. Kidding! If we won, it will likely be the same as all big class action suits and the claimants will get paid with a coupon, discount, or $20 Visa gift card. Or Big Tech will instead settle for pennies on the dollar and give the reduced settlement to some none-profit that the judge approves of but of course isn't affiliated with financially. After the lawyers are paid, of course.
If we really cared about fairness we'd fight for better contractual rights with publishers. But hey, we didn't learn anything from the Google lawsuit...
Seriously though, we in the Authors Guild are doing this for writers and writers alone and couldn't possibly be doing it for any other reason.
AG: Part of what the Authors Guild is proposing is to create a collective license whereby a collective management organization (CMO) would license out rights on behalf of authors, negotiate meaningful, fair fees with the AI companies, and then distribute those payments to authors. These licenses would cover past uses of books, articles, and other works in AI systems, as well as future uses. The latter would not be licensed without a specific opt-in from the author or other rightsholder.
Joe sez: And... scene. A fucking CMO. I couldn't make this shit up.
But wait, there's more to this story. I haven't blogged in so long I might as well make this an hour read...
The Authors Guild and 17 Authors File Class-Action Suit Against OpenAI
AG: New York, N.Y., September 20, 2023—The Authors Guild and 17 authors filed a class-action suit against OpenAI in the Southern District of New York for copyright infringement of their works of fiction on behalf of a class of fiction writers whose works have been used to train GPT. The named plaintiffs include (A list of names that I'm not repeating on this blog because I'm not interested in embarrassing my peers. Yeah, I'm mellowing in my old age. Sue me like I'm learning from you.)
“Without Plaintiffs’ and the proposed class’ copyrighted works, Defendants would have a vastly different commercial product,” stated a lawyer. “Defendants’ decision to copy authors’ works, done without offering any choices or providing any compensation, threatens the role and livelihood of writers as a whole.”
Joe sez: Again with consent and compensation. There are many cases where citing sources and giving credit to previous work is required, such as in serious journalism and medical and science publications. That's when your research is built on the research of others. But we can write about vampires without having to compensate Bram Stoker, and we can write about a young girl taking a trip to a magical land and meeting strange creatures without getting permission from L. Frank Baum's estate, as long as we don't use his name, or Oz, or any of his characters.
Learning from something and infringing copyright aren't the same thing.
AG: Another lawyer added, “Plaintiffs don’t object to the development of generative AI, but Defendants had no right to develop their AI technologies with unpermitted use of the authors’ copyrighted works. Defendants could have ‘trained’ their large language models on works in the public domain or paid a reasonable licensing fee to use copyrighted works.”
Joe sez: So I'm not allowed to paint a picture using cubism techniques unless I compensate and credit its originator, Picasso? The video games Galaxian, Galaga, and all space shoot-em-ups owe a debt to Space Invaders, just as Zelda and Final Fantasy owe a debt to Zork and King's Quest. Who owes whom?
Does Nike owe Chuck Taylor and Converse royalties for popularizing the basketball sneaker?
If I study architecture do I need to pay Frank Lloyd Wright royalties? Did William Boeing get permission from William and Orville before starting his company?
Let's dial it in. If you learn something from my intellectual property, do you need to pay me for it? And does "you" have to be human?
In all of these cases, I think not.
AG: The Authors Guild organized the lawsuit after witnessing first-hand the harm and existential threat to the author profession wrought by the unlicensed use of books to create large language models that generate texts. According to the Guild’s latest author income survey, the median full-time author income in 2022 was just barely over $20,000, including book and other author-related activities. While 10 percent of authors earn far above the median, half earn even less.
Joe sez: Ouch. I'm guessing Big Tech has lawyers, who will easily discover this Authors Guild post from 2019--pre AI--listed median fulltime author income as $20,300. Cause and effect much? Does this claim seem disingenuous to you? AI hasn't effected income one bit.
AG: Generative AI threatens to decimate the author profession. The council of the Authors Guild and the board of the Authors Guild Foundation voted unanimously (with abstentions) to file the suit because of the profound unfairness and danger of using copyrighted books to develop commercial AI machines without permission or payment.
Joe sez: And next the robots will come for you!!! Because we said so!!!
AG: The president of the Authors Guild and a class representative, stated, “The Authors Guild serves to protect the literary landscape and the profession of writing. This case is merely the beginning of our battle to defend authors from theft by OpenAI and other generative AI. As the oldest and largest organization of writers, with nearly 14,000 members, the Guild is uniquely positioned to represent authors’ rights. Our membership is diverse and passionate. Our staff, which includes a formidable legal team, has expertise in copyright law. This is all to say: We do not bring this suit lightly. We are here to fight.”
Joe sez: I too want to protect the literary landscape, whatever the fuck that means, because it sounds important. And maybe I'll do it with this rusty sword and shield, or maybe I'll do it with a formidable legal team, or maybe I'll do it with the fearsome creatures of my imagination.
Wait... wtf? AI has stolen the fearsome creatures of my imagination! Damn it! I'll say the same thing that every single human being who ever lived on this planet has said, "Why didn't I trust the lawyers!?!?"
AG: The complaint draws attention to the fact that the plaintiffs’ books were downloaded from pirate ebook repositories and then copied into the fabric of GPT 3.5 and GPT 4 which power ChatGPT and thousands of applications and enterprise uses—from which OpenAI expects to earn many billions. These “professionally authored, edited, and published books” are “an especially important source of LLM ‘training’ data,” as the complaint states, because they allow GPT to provide better, more commercial outputs.
Joe sez: I'm guessing the 15 billion copyrighted fiction words (183k books estimated at 80k words each) that ChatGPT read without permission or compensation pale next to the possible 40 quadrillion other words that were written down by humanity and used in that machine learning. The Internet is the vast repository of pretty much all human knowledge. The 14,000 authors in the Authors Guild aren't nearly as important as they think.
Also, nothing here points to copyright infringement. But who knows what a judge and jury will say?
AG: GPT is already being used to generate books that mimic human authors’ work, such as the recent attempt to generate volumes 6 and 7 of plaintiff George R.R. Martin’s Game of Thrones series A Song of Ice and Fire, as well as the numerous AI-generated books that have been posted on Amazon that attempt to pass themselves off as human-generated and seek to profit off a human author’s hard-earned reputation.
Joe sez: So AI is doing this on its own? Or humans are prompting it? Was the AI penned JA Konrath book The Role Of Subsidies In Economic Development uploaded by ChatGPT, or by a person who opened a KDP account, linked it to their bank, and self-pubbed that ebook?
Hint: it's the latter.
Also, am I the only one who wants to read the AI Song of Ice and Fire books? If published for money, that's a copyright infringement. But fan fic, even AI generated, is fair use as long as it is noncommercial.
And if George R.R. Martin ever does finish the next book in the series (heh heh), those who read the fan fic will still read his version. That's what fans do. No compensation lost.
AG: Authors Guild CEO commented, “It is imperative that we stop this theft in its tracks or we will destroy our incredible literary culture, which feeds many other creative industries in the U.S. Great books are generally written by those who spend their careers and, indeed, their lives, learning and perfecting their crafts. To preserve our literature, authors must have the ability to control if and how their works are used by generative AI. The various GPT models and other current generative AI machines can only generate material that is derivative of what came before it. They copy sentence structure, voice, storytelling, and context from books and other ingested texts. The outputs are mere remixes without the addition of any human voice. Regurgitated culture is no replacement for human art.”
Joe sez: Here's a dirty little secret; all culture is regurgitated. All of your thoughts are remixes. They've been done before. They'll be done again. All writers copy from other writers. It's how we learn to write. We're not original. We're all just remodeling everything that came before us.
AG: This suit highlights the particularly egregious harm to the fiction market. For fiction writers, OpenAI’s unauthorized use of their work is identity theft on a grand scale. Fiction authors create entirely new worlds from their imaginations—they create the places, the people, and the events in their stories.
Joe sez: Misdirection. The places, people, and events in stories are all covered by copyright law. There is not a connection between machine learning and creative identity theft.
AG: According to the CEO, “People are already distributing content generated by versions of GPT that mimic or use original authors’ characters and stories. Companies are selling prompts that allow you to ‘enter the world’ of an author’s books. These are clear infringements upon the intellectual property rights of the original creators.”
Joe sez: I can't really reply to this without seeing an example of the companies that are "selling prompts to enter the world". If a user enters a ChatGPT prompt that violates a copyright is the user the violator, or the program? Do we blame the tools, or the user?
AG: She added, “This class-action suit focuses on fiction writers as a first step, as it is a well-defined and cohesive class of writers, as works of fiction are already being widely mimicked with GPT; we do of course also see harm to nonfiction markets and are addressing that as well. In all events, a positive outcome of this case will resound to the benefit of writers from all genres.”
Joe sez: This seems more and more like a fan fiction complaint. Maybe a lawsuit could throttle chatbots to not allow prompts that include copyrighted works, but there will always be ways around it. YouTube doesn't allow videos that mention murder or suicide or rape, so now people use the terms "unalived" and "self-deleted" and "graped" so they don't get demonetized. Those who want something will find what they want, and those that try to prevent it will always fail to prevent it.
AG: (the) class representative stated, “I’m very happy to be part of this effort to nudge the tech world to make good on its frequent declarations that it is on the side of creativity. Writers should be fairly compensated for their work. Fair compensation means that a person’s work is valued, plain and simple. This, in turn, tells the culture what to think of that work and the people who do it. And the work of the writer—the human imagination, struggling with reality, trying to discern virtue and responsibility within it—is essential to a functioning democracy.”
Joe sez: Remember that, kids. The only value in something is if cost lots and lots of money. Also robot learning is for commies and fascists, not real Muricans, and culture is decided by the elite.
AG: Fiction writers are not the only ones being hurt, however. Nonfiction writers are also being robbed of their work. In August, Jane Friedman posted a thread on social media about how there were books listed on Amazon with her byline, when she had not in fact authored them. These books were then listed on Goodreads as well, under her author profile. She worked with the Authors Guild to get these books removed. Misappropriating authors’ names to sell scam books though Kindle and Goodreads is not new, but has gotten worse with the advent of AI-generated content.
Joe sez: I emailed Amazon through their website when I found fake JA Konrath books. They were down in a day. No Authors Guild needed. But this made me curious because I didn't check Goodreads.
I just did, and low and behold, there they are:
https://www.goodreads.com/author/show/31222851.J_A_Konrath
I should probably ask Goodreads to remove them, and I bet they would without having the Authors Guild help out. But I find this to be pretty funny. And I love the irony with this faux title.
Maybe I should sue some huge tech companies. You know, in order to protect the literary landscape and underrepresented communities, and because I've suffered egregious cultural harm and value a functioning democracy.
Or I could just go on with my daily life and not give a shit.
AG: (the) class representative stated, “Generative AI is a vast new field for Silicon Valley’s longstanding exploitation of content providers. Authors should have the right to decide when their works are used to ‘train’ AI. If they choose to opt in, they should be appropriately compensated.”
Joe sez: It's important to understand the counterargument, so I'll play devil's advocate on this point because I think the point is interesting.
I once met Daniel Keyes, who told me that an entire generation in Japan learned to read English because his book Flowers For Algernon was taught in most schools. I don't know if he gave permission for this--that would be his publisher is my guess--but he certainly claimed he was compensated for all the books the country bought. I dunno what his cut was and if it differed from the original contract he signed, but he confided that he no longer had to write to make a good living.
That's a pretty good argument for an author getting consent, credit, and compensation for a group learning from his work.
But that is the case of one author and one book. This ChatGPT lawsuit involves 183,000 books (which we'll get to in a moment), not a single one of which is likely to have the same impact as teaching a whole country a language.
That said, the AG author above bemoans "Silicon Valley’s longstanding exploitation of content providers" while in this very same article the Authors Guild states that fulltime authors make $20k a year.
And in a follow-up article it shows that the median annual income for FULLTIME TRADITIONALLY PUBLISHED AUTHORS WAS $12,400.
Yikes! So who is doing the actual "longstanding exploitation of content providers"? Traditional publishers!
Really, the defense lawyers are going to feast on this kind of shit.
If the Authors Guild wants to really help authors, it shouldn't worry about the "existential threat" of machine learning that shows no actual harm, but the very real current threat of traditional publishing, which pays traditionally published authors less than self-published authors.
Are you getting an idea of whose side the Authors Guild is really on? Who benefits when you rile up a group of disenfranchised people and point out enemies that only they can help you conquer?
Hint: it isn't the disenfranchised people.
AG: The economic ramifications to the author profession stand to adversely affect all cultural production.
Joe sez: FOR GOD'S SAKE THINK OF THE CULTURE!!! AND THE CHILDREN!!!
AG: For one, emerging writers will be less likely to enter the profession or sustain themselves as creatives. The loss of diverse perspectives, stylistic variety, and innovative approaches will indeed be to the detriment of all. The prospect of a future dominated by derivative culture is a matter of grave concern for everyone and this lawsuit is one of many efforts on various fronts to prevent that from happening. Read the full complaint here (PDF).
Joe sez: Emerging writers? WTF? If a writer is emerging, they likely haven't been pirated yet and won't be in the machine learning database.
But we can't lose diverse perspectives! Because; diversity!
And someone (or something) doing something similar (or even derivative) isn't a "loss". As I showed over a decade ago, writing isn't a zero sum game.
This lawsuit isn't a fight for writers. It's something else. What do you think?
Fisk over.
I've been away from blogging, and caring about publishing, for a while. Maybe I missed something and the 2023 version of the Authors Guild fights for good in the world. If so I'll be happy to retract my verbose ranting and apologize.
But on the surface this seems like a nonsense lawsuit that will make some lawyers some money while the AG engages in lots of virtue signaling and fearmongering, both of which are political rather than moral. And perhaps there is an outcome where the Authors Guild becomes a whole new kind of paid digital gatekeeper, or partners with a whole new kind of gatekeeper like it has obviously partnered with publishers rather than truly fighting for the rights of authors.
Writers don't need more gatekeepers. Just sayin'. All that shit I said on my blog a decade ago still applies. If you're an author new to this nonsense, read my blog. It's free. No ads. No membership fees. And I won't blow smoke up your ass to leverage you to increase my wealth, status, or power.
Also beware the slippery slope. If it the court rules that AI stole from James Patterson, is James Patterson ready to be sued by the heirs of Agatha Christie and Arthur Conan Doyle for learning how to use mystery thriller plotting, characterization, and structure? Or can Patterson sue me because I also use short chapters and have a no-nonsense cop who chases serial killers?
If we lawfully and retroactively redefine "copyright" to include "reading something without permission and analyzing it to see how it works" where does that lead?
Humanity appropriates everything from everyone. That's called culture. We learn to speak, and live, and thrive, by imitation. We take things we like and put our own twist on them.
But we are human. We aren't machines. Is there a difference?
Of course there is. I'm on Asimov's side. And Nick Bostrom's. There need to be enforceable rules.
This doesn't seem enforceable. The Authors Guild just posted about the Books3 dataset that lists the 183,000 books that AI read and learned from. The post is too short to fisk (and I've fisked enough for today) and I dislike directing people to AG's content, but it will show you if your books have been machine-learned.
I have books on that list. I could be a claimant in this lawsuit.
But here's the thing: that list of books was downloaded from pirated sources. I dunno if the AI found them on its own, or if programmers downloaded the books and fed them into the AI. But telling them (AI, programmers, or both) to stop pirating will have the same effect as telling any pirate to stop it, or any drug user to stop it, or any criminal to stop it. In essence; no effect at all.
If the Authors Guild gets Big Tech to somehow pay royalties, it won't lead to royalties being paid to authors. It will lead to the piracy by Big Tech becoming less obvious.
The lawyers will get paid, but the 183,000 claims? There's no way the most powerful tech companies in the world will allow anything substantial to be paid out to claimants. That's not how the world works. More lawyers will be applied. Backroom deals will be struck. People will get rich, but they won't be writers.
But hey, machine learning is scary and the Authors Guild is there to help you so you should join and donate money and sign the petition to help Rich Lawyers Get Richer And The Status Quo To Stay The STATUS QUO because; underrepresented communities.
And pay no attention to the man behind the curtain.
I foresee AI curing diseases, extending lifespans, fixing the planet, solving complex problems. How is it going to do that? By learning from the vast wealth of human knowledge. It doesn't even have to come up with anything new. It just needs to be able to access everything humanity has already done, then make connections that no one else has made.
But what if a cure for cancer can only be created by reading and learning from 755 Big Pharma patents? Do we suppress that cure until Big Pharma gets paid? What if global warming can be reversed, or famine can be stopped, but it will trample on intellectual property, not in a provable way but a vague nuisance lawsuit way?
What if our fear of being stolen from means we have to copyright our entire lives, everything we have ever said, every action we've ever taken, cradle to the grave? What if we keep our important thoughts to ourselves because we're afraid it will be exploited by machine learning?
Do we want a Collective Management Organization policing the Internet, looking for infringement cases?
Hint: hell fuck no.
Don't think that merry CMO will stop policing at AI machine learning. If that post you made on Reddit was someone else's idea, get ready to pay royalties to the CMO. If your book has a line of dialog that is 63.34% similar to a single line in a book published in 1961, prepare for that CMO to send you a cease and desist letter.
The fear shouldn't be machines stealing from you. The fear should be litigious humans who want to make you afraid then use your fear so they can acquire more.
And what of the benefits of A.I. machine learning? What if this tech can make authors some money through its use, rather than through lawsuits?
How about translations? I'd love to have my backlist available in the top 20 read languages the world uses. AI may soon be able to do that for cheap, or free.
How about proofing and editing? MS Word already does some of that, but it couldn't hurt to run it through another set of virtual eyes.
How about helping out with scenes? We don't all have writing buddies, or writers groups, to discuss our WIP with when we get stuck. And if we do that, will the AI demand compensation and consent like the Authors Guild is currently demanding?
This is no doubt scary for translators, proofers, editors, and book doctors. It's also scary for writers and artists and any creator (or anyone involved in the creation industries). But the best of us will use AI to do better and more work, the same way professional photographers embraced digital photography. Photography is still thriving (even if AI is winning photo contests.) It wasn't good for Kodak, but it worked out fine for Adobe.
Writers have a window where we can use AI to make better books, and make them quicker and cheaper.
This uptick in tech doesn't mean you automatically sue. It doesn't mean you power-grab and appoint yourself the gatekeeper. It doesn't mean you wither in fear because life is unfair.
It means you roll with it, use it, and keep an eye on it.
Maybe AI will reach the point where it is good enough to replace us. It has already written novels (when prompted by a human). I'd be open to seeing some unfinished books by famous deceased authors finished by AI. Or maybe a new HG Wells. Or Jules Verne. Or Michael Crichton. (Would Crichton be for it or against it? Discuss.) We already have new authors pick up old series, and ghost authors continue writing in the names of famous dead people.
I for one would be heartened if AI became so indistinguishable from me that my family could continue to oversee the publication of Jack Daniels books after I pass, provided the (supposed) quality is there.
Maybe the quality will never be there. Or maybe it will be so seamless that readers won't even know where humans stopped and AI began.
But AI can't steal your words, or your name. Stop worrying about that. It needs your permission, or permission from your estate, to monetize your intellectual property.
Chill out. Your copyright is protected.
And stop giving virtue-signaling, fearmongering organizations power over you.
The enemy isn't the inevitability of technological progress.
The enemy is the inevitability of groups who try to scare you to control you for their own personal gain.
19 comments:
Back when I was blogging I made many mistakes, but the reason I quit was twofold.
First, it was taking up a lot of time posting and replying to posts when I could have been writing fiction.
Second, I was so in love with the sound of my own voice and incensed by the many very real injustices in the publishing world that it made me a more cynical, and less loveable, human being.
I don't want either of those things to happen again. I will try to stop by the comments and address them (assuming I still have any relevance to garner comments), but I'm not going to obsess over it so it make take a while for me to respond.
Also, just because I blogged about this topic doesn't mean I'm back to blogging. I dunno what the future holds. A lot has changed in the last few years, all of it positive, and I don't know if being an author activist is something I want to do. Maybe, if I have something to talk about, I'll blog again. But it will never be like the old days where I was fisking every pinhead with a bad idea and getting outraged by writers getting screwed.
I'm older. I'm wiser. I'm kinder. I'm lamer.
Anyway, thanks for reading. Welcome to the world of publishing in 2023.
Joe
Beautiful rant.
Great post - it’s pretty complex and messy but it’s nice to hear a balanced approach.
Joe, good to see you weigh in on this, what a fun read. Your blog is the reason I went down the self publishing route 10 years ago and it was the best decision. Thanks for caring about other authors and going out on a limb to make a difference.
>>Beautiful rant.
Thx!
>>it’s pretty complex and messy.
Thx, Derek. That CMO idea is one of the most repulsive, ridiculous, and downright fascist things I've ever heard connected to the publishing industry. Thought Police anyone? And 10,000 authors signed it. Unbareable.
>>Your blog is the reason I went down the self publishing route 10 years ago and it was the best decision.
Glad it's working out! I can't say I've missed blogging, but I have missed thoughtful comments like this.
Having a CMO like BMI or ASCAP simply meant that the "rights" that those organizations monitored got engulfed by the corporations, not the actual creators. Joe Country writes a great song, but to get it recorded, he has to agree to share rights with the producer, the singer and various others. And the publishing company that receives those payments is also owned by the same entities that are "paying" the royalties through the CMO.
YOU taught me that a creator needs to retain the rights to their creation and bulldog anyone that refuses to pay what the contract states they owe. The Authors Guild simply wants to inject themselves in between the "publisher" and the creator to get their slice of that pie with a CMO.
The English teachers at my community college just had a long discussion about critical thinking and the use of annotation to develop it. Your fisks are a great example.
Thanks, Jim.
1. Make people afraid.
2. Get them to turn to you for help.
3. Make them pay you forever.
Welcome to the wonderful world of Guilds.
Thanks, Joe, it's great to hear from you again. We've missed your fisking :)
Your blog was a big part of why I went the self-publishing route. It changed my life. Thank you, Joe.
Great rant! It made my day to see you'd posted your thoughts on AI and the AG lawsuit. I agree with almost all of them. AI is here to stay, and the outcome I fear is the power of AI being guarded by publishers and studios who purposefully limit content creators access to the tech while exploiting it themselves.
I enjoyed reading this! You make excellent points.
Interestingly, digital photography was bad for Kodak not because of the advent of digital but because Kodak decided that film quality was so superior that no one would want digital. They owned many businesses patents on digital photography and did nothing with them until far too late in the game. They failed to get that their industry was ripe for disruption, then failed to get that disruption was underway, because they were so enamored of quality of photo vs. quantity, ability to see results right away, and ability to share with others easily at a low cost.
You're busy, you don't need to get back to me. Just wanted to say how much your wisdom and experience is appreciated. Your last entry is a lot to get through and will take many days, but it's good to keep up to date.
I did have a chuckle when you mentioned "in the style of James Patterson." Though a publishing powerhouse, I find I can't find his style, though it's been years since I flipped the pages of his latest at Costco, which is the only place I've seen them bought, both by middle-aged women who, for good or bad, are the book buyers of these times, perhaps all times. Nevertheless, it made me leave Costco in a sad state, which is a rarity.
Thanks again and keep up the good work.
Steve B.
Is part of the reason you abandoned blogging because Amazon went all-you-can-eat subscription, instead of the writer having as much capacity to develop a one-on-one relationship with a reader, who had to invest in an individual writer, and therefore allowed the writer to develop an email list? I mean, you had developed this advantage over the years, but the "newbys" reading the blog would no longer have as much ability to do this, hence, a damper on part of its utility.
Nevertheless, good to see you back, if only on an ad hoc basis!
"Is part of the reason you abandoned blogging because Amazon went all-you-can-eat subscription, instead of the writer having as much capacity to develop a one-on-one relationship with a reader, who had to invest in an individual writer, and therefore allowed the writer to develop an email list?"
I'm not sure I understand the question. Amazon has had Kindle Unlimited for a long time, and while it initially hurt my sales the overall income found its level and it's been fine.
One-on-one relationships with readers are dependent on how much a reader wants to reach out. Do they find your website and sign up for your newsletter? Follow your new releases on Amazon and BookBub? Follow you on social media? Zon had nothing to do with newsletter lists.
"I mean, you had developed this advantage over the years, but the "newbys" reading the blog would no longer have as much ability to do this, hence, a damper on part of its utility."
I'm not sure what you mean by an advantage. I was lucky to be published by Hyperion, and later Hachette. I was lucky Amazon invented the Kindle and allowed self-publishing. I took some chances, and it turned out pretty good, but I never got a Lee Child or Janet Evanovich push from trad pubs, and I never got a huge push from Zon. I was right place/right time, and I'm pleased I have fans and readers who follow me, but I think that can be done today with some grit and some luck, and I don't think it has gotten harder.
Do writers still need agents and trad pubs? Some do. Those can help you make money without spending tens of thousands of dollars in ads.
What's the secret to continued income? I'd say first and foremost is a big backlist. I have over 100 ebooks. All I need is for each to make a few bucks a day to make a good living.
That was refreshing, thank you! But one sentence gave me a little shiver - 'Writers have a window where we can use AI to make better books...' Do you see this window closing?
>>>Do you see this window closing?
Yes. It will be ugly.
Good to hear from you again, Joe. Welcome back.
AI producing written works is here to stay. They can outlaw it but it will still be available if someone really wants to find and use AI. So better to learn to live with it.
I also think there may be a time when AI writes as well as or better than human writers. And I think at some point readers will be fine with that. What's wrong with a good pastiche of Sherlock Holmes written by AI? Conan Doyle isn't writing new Holmes stories.
I sincerely hope that AI doesn't take over the world of writing. I can't imagine that it could, but boy is that thought scary!
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