Showing posts with label cooking. Show all posts
Showing posts with label cooking. Show all posts

22 June 2020

Sort The Beans, Free The Mind*

The passage of years can change a person’s opinions on most anything. So it came to pass on the subject of beans. That shift was a long time coming. Beans were an infrequent visitor to the tables of my younger days. Kidney beans sometimes joined us under cover of chili. Bean soup brought navy beans or their kin. I do remember enjoying those dishes, even though I have no clear memories of the taste of those beans. They were never considered with the same enthusiasm reserved for fried chicken or spaghetti with meatballs or my mother’s (via her mother) potato salad. Those dishes made me happy to see them on the table at dinnertime.

Not so with the beans. Have you ever made pleasant small talk on an elevator, or in line at the grocery store? Beans seemed the gustatory equivalent of that chatter: it made the encounter enjoyable but unlikely in the long run to take up residence in the warehouse of imagination. Beans were okay but my palate focused its attention on the matrices that supported them. Matrices of salty broth or spicy sauce. In fairness, the household of my youth was no hotbed of bean culture. The olla of Mexico, the bean pot of New England, these were strangers to our kitchen. It was simply a pot. Cans were the delivery method. Such reality explained my long belief that little was to be done with beans.

The years would prove me wrong. Happily, happily wrong.

In terms of taste memory, the first major shift in thinking was triggered by a dish that was neither chili nor navy bean soup. It was refried beans. Where I had them is lost to the mists of history. The effect on my palate was not. Beans, simple and good. Another door opened in the mind’s kitchen. I finally had an inkling of the possibilities inherent in a food that, to date had not captured the imagination. Eating beans ceased being incidental and became a purposeful activity. True discovery began.

True discovery requires commitment. Commitment eluded me at first. Bean possibilities were unearthed but not pursued. The acquisition of new knowledge, in my mind, appeared low in relation to its costs. Consequently, enlightenment was slow. I recognized the laziness in myself. It carried with it a faint, sour whiff of prejudice: that beans were still too humble to take seriously. Later in life, this would be a source of culinary shame.

The second major shift in my thinking occurred after an encounter with charro beans. It was in a restaurant in Washington, D.C. The name of that establishment escapes me now, but the charros? They delivered a heartfelt (bellyfelt?) message. Swimming in a spicy broth laced with chorizo and jalapeno chilies, these beans were well-made, delicious, an exemplar of the style (as I later discovered). That happy congruency of place and food would lay in my subconscious for decades. Curiosity took the reins to lead an on-again, off-again relationship with beans.

Fast forward about a baker’s dozen set of years. Curiosity reawakened. I embarked on a research program that has lasted into the present day. I was, as Thoreau put it in Walden, “determined to know beans.”

Thoreau also posed a great question, asking “What shall I learn of beans or beans of me?” One of the most important lessons for me also took the longest to sink in. The lesson was of the time involved to respectfully cook beans. While cooking beans at a basic level is simple, time and attention are key to crafting a good pot. A hard head and impatience kept me from properly fulfilling those criteria. Consequently, excellence in beans constantly hovered just out of reach. Serendipity leant a hand one fateful Saturday afternoon. Circumstances conspired to push me. In my pantry were pinto beans. On the clock, there was plenty time. Fortune favored my hunger in that onions, garlic, and dried chilies were on hand, too. All the earmarks of good, basic pot beans. Cooking them slowly was not a conscious decision on my part, but it was meant to be that day.

Dozing off in a chair certainly contributed to the slowness. The heat was down very low. Everything simmered undisturbed while I slumbered.

It is grand to awaken to a home redolent of the good earth. What a blessing we should all have! The pot, low on water, needed a good stirring. If the color and aroma were any indication, dinner that night was going to be good. Really good. The pintos did not disappoint. I reckoned it was the best pot of beans I ever had the good luck to cook. I finally understood the importance of time as an ingredient. The lesson sank in. I know it is true because in some subsequent batches of beans when I succumbed to impatience, the quality suffered. The mistakes get eaten, though, because so far mediocre beans have always been better than no beans. Time plus patience equals goodness.

Time investment in cooking is not the sole arbiter of goodness. Time investment also extends to the prepping of the beans before they even grace the pot. Sorting, rinsing, and soaking the beans are all key steps. They may not have as much say in the taste of the beans but they have high gravity in deriving satisfaction from the process. I did not understand this until relatively recently, much to my chagrin. It was not that those things were not done, it was that I was blind to their value in creating a flow state of cooking. A state where even the so-called drudgery of such actions is performed mindfully, with focus, and knowing they all give energy to a savory, satisfactory outcome.

So it came to be. Sorting is now a favorite part of the process, one to look forward to rather than sighing at with impatience. Sorting serves the practical need to check for pebbles, dirt, and other interlopers. It has the spiritual value of a simple thing, done well, from love.

Sorting, as with many things in life, is not immune to bias, benign or otherwise. This truth I did not understand until earlier this year. Prior to that revelation my sorting had diligently followed the prevailing wisdoms and voices I trusted. Ridding one’s beans of pebbles and dirt is, and always will be, sound advice for anyone determined to know beans. But the voices went further. They urged me to check all the beans carefully. Be on the lookout for the floaters, the shriveled that surely would not cook right. Discard the fragments, the cracked-skinned ones, to stave off the uncertain sin of mediocre taste. I did, faithfully.

Too faithfully, perhaps. Faith serves as an anchor in many things, but it often short circuits the ability, or desire, to ask questions. It was not that some of what I was advised to follow was without merit, it was that I had never asked why, conceptually, I should follow it without considering what it meant to me as a cook. Perhaps I sorted too diligently. Pebbles and dirt were out, no doubt there. With such concentrated scrutiny, I considered every odd fleck, every off color, or broken bean to be suspect and therefore not worthy of consideration. Doubt fed the fear that if such oddities were not removed the bean pot would be embarrassed and sullied, slightly shamed to cook such a mess.

In my ego-besotted cook’s mind, such interlopers would not be tolerated. I did not spare the rod when it came to removal. A lot of beans and fragments thereof went into the rubbish bin.

Continuance of this state of affairs was a given, maybe, if the dual-headed beast of Disease and Brutality had not slipped its leash to threaten the world. “Sorting the beans” took on a new dimension. A soft clicking as they pour onto a towel, with cool, glass-like tactility greeting the palm and fingers. In the soft light of a spring morning these sensations became meditation. A prayer, of sorts, for some respite from daily waves of selfishness, hatred, and death.

They are called cranberry beans, these beans that turned on the light. I was sorting them for an overnight soak. In my palm fell a half-bean, split right down the middle. I made to put it in the discard pile. Doing so, it landed skin side up. Looking at it from the other side, as I did, it was hard to tell it was only half. I nudged the other pieces, wondering where the problem lay.

That’s when I knew. There was no problem with what amounted to was another spoonful of beans. Over the years I had willfully thrown away mouthfuls, to my detriment, and disrespecting that which would nourish me. The half-piece and its neighbors went back in the keeper pile. The next day, the pot cooked up nice and fed three people for dinner. The pieces, well, they belonged.

Not everything falls among the shapely or comely that we have been led to believe are the only recipients worthy of our attention and affection. Misshapen, broken, or simply just different, they are all beans. Be kind when you sort them. Each has a story to tell. Welcome them. The pot is all the better for having listened.




*Writing this piece began in April of this year. Two months ago seems a lifetime now. The world overtook it by events, changing the tone, direction, and length I set out to write. I hope it speaks to you the way it did to me.

07 January 2019

Gossamer Threads of Cast Iron

A book, a skillet, and a hungry belly were the elements of a personal chemistry uniting in an emotional solution inside my head, the wondrous precipitate of which was to realize the sheer quantity of history held in my possession. The cornbread was fresh out of the oven. Black cast iron skillet gripped in one mitt-clad hand, wire rack held in the other, I flipped the bread over and on to the rack. Perfect. Balance had been achieved and honored. The unctuous sheen of glossy black metal unmarred by stuck bits of cornmeal testified to things right and proper, transfixing me on the spot in the kitchen. Something deep, something ancestral spoke.

Dinnertime had come around as it usually did. It beckoned to me to put down the book* I was reading and head into the kitchen. Hunger took precedence over a fascinating look at food and the people who raise and harvest it in modern-day Appalachia. The "mountain south" was not exactly on my mind as I puttered about, assembling good eats via practice, sense memory, and prized artifacts of the kitchen. Yet its presence hovered about. It wore like a light mantle spread across my shoulders, full of comfort and guidance. The touch was in charge of my hands, though that was in no guise very clear. My back brain was working on it all the while.

I did not grow up in the mountains of Appalachia. But my mama's mama (G-maw) and her people did. G-maw was born in West Virginia, close to western Maryland. She was of the mountains, of a holler. Her extended family, as well as my maternal grandfather, had deep roots clustered in West Virginia, Maryland, and Pennsylvania. G-maw was a teenager when the Great Depression hit. That in combination with mountain life could not have been easy. It certainly was educational in that it taught her survival skills and granted a kind of wisdom that serves one well in life when making the best of what you have in hand. G-maw carried that experience to her new home in southeastern Virginia where she took up with my grandfather and began to raise a family.

Some of this was on my mind as I read that book. The language used and the descriptions of places, people, and food occasionally jolted me with the shock of the familiar. I recalled mountain topography from the occasional visits in my youth to relatives in West Virginia. The hollers, the switchback roads, the great green womb of trees hunkering by the roadside. Summer evening in a place not awash in light pollution or noise. The notion of snacking on saltines adorned with thick slices of bologna. That last one jumped from the book's pages to gob smack me, as I recognized it right away. As a youth, I ate more than my share. As an adult, the habit faded into memory. What the book did was to bring it back in full force. G-maw used to eat that stuff, and so did my family. I learned it as a tradition even though it was not taught as such.

Growing up in southeastern Virginia near the ocean is literally hundreds of miles from the mountains. Figuratively speaking, the soils of each were (and still are) two homesteads looking at one another over a river of time. With the exception of college (five years in the Blue Ridge Mountains) and a stint in the Midwest (five years near Kansas City, Missouri) all of my life has been spent in easy driving distance of the coast. My rhythms of life, speech, and eating habits all suffused with the coastal South, even when I tried for many years to downplay or hide my roots. I did not know as a young adult that to practice that sort of self-deception plants the seeds of anxiety and doubt. Seeds that will bloom later. Yes, they will. They catch up to you.

That time was a constant search. A longing I could not explain or fulfill no matter how many questions I asked. On the one hand I was pursuing the American dream mandate of job-marriage-2.5 kids-and a minivan. On the other I was losing sight of where I came from, and by extension, where I wanted to be. Eventually I was at loggerheads with myself. I lacked the insight to find the peace of mind or sense of ease in my own skin that I so desperately wanted. Anxiety, emotional numbness, and a serious digestion related health problem forced me into a corner. My search for escape routes led me smack into the middle of food, eating, and truly learning how to cook. And not just cook for survival, but to cook for some peace of mind.

G-maw passed away while I was a college student. Some years later I received the gift of some cast iron skillets that had belonged to her. I knew little about cooking well then so I had no idea of the magnitude of this gift. Those skillets followed me to my first apartment out of college, my first new house, an apartment and a house as a divorced bachelor, through changes in relationships and geography, to ultimately reside in the kitchen of my apartment not far from the Chesapeake Bay. In all those years, I learned a few things. including respect for that cast iron. The skillets were faithful and true, devoted as dogs tend to be towards those who love them. They helped keep me alive.

They spoke to me, those skillets. For years I did not understand what they were telling me because I balked at giving credence to spirits. To my mind that would have been akin to surrendering to the demons of depression, self-loathing, and melancholy that periodically seized hold of my imagination. The difference lay in the tone and quality of the voices competing for attention. What the skillets were imparting was delivered at a steady, quiet pace. Respectful and attentive, never overbearing or toxic. It was the voice of history, of my family guiding me along a path I was not fully aware of taking.

This is where cornbread stepped back in that evening just last week. I was making it in the very skillet my grandmother had used to make fried fish and hushpuppies for me and her, when I was a kid, washed down with iced tea spiked with lemon. My recent reading in that book about mountain food and people pushed to the fore memories of my time with G-maw. A lush scent of crackling crust and toasted corn filled my kitchen to trigger a thunderclap realization of my ancestry. 

I am more a child of the lowland and the sea than I am of the timberline and the holler, this is true. But the mountains are in my blood, evidenced by DNA and ingrained habits as a human being. I make cornbread in that skillet because that is what my grandmother made in it. The action made sense to me like water makes sense to a fish: you can be surrounded by something that gives you life and be oblivious to it and its inherent sacredness. You know it by its absence. To come back to it is to know comfort and connection. In the instant I flipped that cornbread out of the skillet I dove back into that matrix. I felt my grandmother's hands on mine, saw her smile from somewhere up in mountains much closer than I imagined. I was home, knowing that my heart beats in two places connected by gossamer threads of humble cast iron, well-seasoned by history and love.


*Victuals, by Ronni Lundy

25 March 2018

Belly Was Young Once, And Callow

A baking sheet, mottled black and brown, lies on the counter beside the stove top. It was never destined for the theatrics of a star restaurant, the knowing hands of a celebrity chef. Its fate was that of a journeyman. This sheet had made its way from an anonymous mill of decades past to the kitchen of my maternal grandmother, herself decades gone from this world. Fate of inheritance landed the sheet in my kitchen, also decades gone.

The sheet is warped. Creases mar the bottom. Little canyons formed years ago, by thoughtlessness and a knife used to divide up some dish long forgotten. That its memory cannot be dredged up is testament to the mediocrity that must have clung to it. This is not surprising. Many years ago the belly was rapacious without commensurate sophistication. It ate with gusto and without much thought. "Fill me!" was its ceaseless demand. This greed carried with it a certain blindness to history, taste, and respect.

Respect. The word settles in the pit of this belly which hangs chastened and wiser now. The naive palate of the past has evolved into something much more discriminating. Discriminating, and rueful. It cannot eat as a youth anymore. Such actions verge on abuse, leaving mild regret at best and acid attacks on the gullet at worst. The belly is much more careful in the thick of middle age. It has to be. Respect is often as necessary to the act of cooking and eating as the addition of salt and curiosity.

Hunger is here. It is the wolf that sits in front of my spine as I prepare the pot of clam chowder that had entertained my thoughts most of the afternoon. Hunger for that chowder had indirectly led to my use of the baking sheet for my dinner. This because my imagination had been seized by the idea of cornbread as companion to the fruits of my labor at the pot. It was upon a rack resting on the sheet that I would turn out my cornbread after its retrieval from the depths of the oven.

I could not help but think of my blindness to respect as I consider the baking sheet in the white gold light of a early spring evening. The round of cornbread lay resting. In one hand was a serrated knife, on the counter a milk-white plate emblazoned with a large rectangle of Irish butter. My other hand tugged at my lip while the bread cooled. The canyons in the sheet stood out, highlighted by my regret at having marred this humble pan that carried with it the ghost of my grandmother. I struggled to recall why I thought those many years ago that it was okay to cut something out of that pan with a sharp knife, desecrating the pan and inflicting insult on the knife all the while.

The pan, and its twin ensconced in the cabinet by the stove, had been with me for years. Through marriage, divorce, two broken relationships, these humble sheet metal artifacts gave me a constant I did not know I had. And I had never apologized for the day that knife scraped its way across the metal.  Warm against the flat of my hand it brought my grandmother back into my heart, her shade into the kitchen. I cut the bread, careful of the rack and pan. I bowed my head as the butter phased into liquid gold. It was then, basking in the blessing of humble nourishment, that I repented, hoping my grandmother forgave me for the thoughtless youth that had been, and his callowness in the kitchen.

21 November 2013

Rain on the Glacier

Troubled sleep fractured by thunderstorms and restless mind, it is no good thing to roll around on the sheets under the grey smear of a streetlight sky. The clocks may be digital, but that does not prevent them ticking too loud as to keep one awake. It was enough to make one run into the street, clothed in nothing more than swirling leaves and a coat made of anxiety.

It was rain on the glacier. Dark, cold, wet. Things to be avoided, yet here they were wrapped around my throat. I laid still, hoping it would go away.

A few hours later, and it was time to get up and make some sense of the day. Sense making is no easy task without defined goals, a sense of purpose and a job. I had none of those. The rain saw fit to make sure of it. Looking out the window, I saw the door to the shed flapping in the breeze, another incomplete task dropped from the colander of my mind.

It was the third day in a row I had forgotten to go shut and lock the door.

Not to be too pessimistic, but that seemed the story of my life, staring as I was out the window at the grey oppression of the sky. One long unfinished task, another episode of wasted potential. Chronic, it is. The contemplation of it left me in a sour mood, a brown study as the old-timers might say.

I thought once again of Bouvet Island, the most remote place in the world. Claimed by Norway, inhabited by no one, home to seals and birds, and I wondered if there might be a place for me in that stark ecosystem. Perhaps I, like the seals and penguins, could learn to live on krill and ice water. Brutal and harsh, maybe, but simple and and beautiful in own way.

The sun came out late in the day, the white gold light of which inspired me to grab my pinhole film camera and leave the house in search of inspiration in what ultimately proved to be an abortive attempt to capture the fading glory of the day. I forgot a crucial piece of equipment and the light went before I would have been able to go get the piece. I shivered in the cold breeze, and returned home empty handed.

I daydreamed about Bouvet on the drive home, then reckoned it was too grim a prospect for me to dwell upon. The sun faded back behind the clouds as I pulled into the drive. Late fall and anxious thoughts had there claws in me, I knew. I cast about the house for some relief, and found it in the form of cooking dinner.

The rain continued to fall upon the glacier, but I chopped, stirred and tasted until the umbrella unfurled, and I found myself warm in the heart of home.

05 August 2013

Medicine Man (Heal Thyself)

If the saying "You are what you eat" has any certitude to it, then I am a walking antidote. A bulwark of mental insulation, wearing a flak jacket made of things that seduce my gullet. Ladies and gentlemen, in the past week I have had privilege and pleasure of playing chef to appreciative family and friends. Twice in that time I bestirred myself to arise from my semi-slothful existence and cook good things that we shared at the table. Twice I was honored with praise for my efforts, and by the ultimate compliment to any cook: those who ate wanted more.

Such words and a clean plate might give any human the notion that they could be more than amateur at the art of feeding people. Compliments and kind words have a tendency, at least in my case, to make me expansive. I get those urges to create a cookbook, write a food column (which I confess, I'd love to do) or even "can that stuff". There is a little whiff of that aggressive need, glossed with love,---which I suspect fuels more than one star chef ego in this world---to not just feed someone but to make them want to be fed by me. I find this stroking of ego to be energizing and disturbing.

It is a fire that I rapidly bank. I do this in part because I know that being a professional chef is not in the cards for my life. There is a learning curve and investment of effort that circumstances disallow at this time. Plus, I have been led astray more than once in my professional life by ignoring some blind spots in my career vision. I am diligent to avoid repeating past mistakes.

Eating should not be an act of coercion, I believe. Nor should it be method to shore up ones' flagging self-esteem by obligating others to give you praise. Hopefully, I have avoided and will continue to avoid that particular trap. I do like to cook, for myself and for the enjoyment of others, but the real reward should be be in the act itself.

This is my hope. I also confess that my enjoyment, rather, my need to cook is not altogether selfless. This was driven home today upon looking up at the clock with the realization that I had spent almost five hours straight in the kitchen. Five hours, that is, with no worries or anxieties beyond the immediacy of dealing with sharp knives, hot pans and the anticipation of "Will this be good?"

Watching my companions dish up, I knew with honed clarity this simple truth: my cooking in and of itself had been a source of sustenance far beyond the calories it would place in my belly. Chopping, measuring, mixing, stirring...playing with fire in a perfectly acceptable manner...having an idea and following the thread uninterrupted...ah, such joy! To finish the thought and then eat it is a marvelous gift, one that lifts me up from some dark, scary places.

That is, dear readers, my no-so-secret secret. I do enjoy cooking for the delight and company of others. But the deeper reality is that, some days, maybe even most days when I cook...I'm cooking to restore myself. I cook because it is good medicine, for me and for those I love.