Showing posts with label based on a true story. Show all posts
Showing posts with label based on a true story. Show all posts
31 October 2019
Remnants of the Burn (Flash fiction for the last day of October)
Tarnished silver drops falling from a mottled pewter sky were enough to keep the smoker under the awning. Faint vapor swirls up from a cup of late afternoon coffee. The acridness of the smoke could near be felt through the glass. It wafted along with a muffled phone conversation seeping through the speckled panes. His waving hands swept in ragged circles, a cigarette in one tracing swirls through the air. Ashes drift from the tip to stipple the mahogany-sheened surface of his coffee. Distracted, he raises the cup and gulps down a mouthful. There was no time to warn him. Undeterred by ashes the conversation carries on. Inside, behind the glass, it is left to the imagination to wrap itself around the taste. As for myself, dark roast kissed by sugar lies content on the tongue.
29 April 2019
Middens, Part 5 (At Rest)
Night air with its aroma of pelagic iodine brings with it a heightening of the senses. Hearing, touch, and sight in particular undergo an increase in their gain akin to dialing it up on a stack of amplifiers. Crickets in the dunes chirp with an intense clarity. My forearms rest on the desk. The burnished raspiness of the wood comes through as mild, electric warmth. By such solidity I can reassure myself that I will not plunge into the earth. I have an anchor as I continue to gaze out the window.
There is joy in bearing witness to magic. A silver ribbon bedecks the wine-dark sea as the moon begins its languid ascension into the sky. Breakers atomize into argentine drops, Poseidon casting coins onto a waiting shore. The scene spurs me to move. I am overwhelmed by the urge to walk the waterline and scoop up the bounty. The scraping of chair legs over planks ricochets around the cottage when I push back from the desk. Prickles of something akin to pain grind through the knees, the back, popping the joints. The sensation reminds me of stepping from the ocean into the embrace of a scratchy cotton towel. Slightly rough but offering tactile satisfaction. Standing feels good. I grab a flashlight from the shelf by the door and make my way outside.
Heat of the day clings tenuously to the siding and the sand. It is quickly being replaced as the night breeze swirls about. I know the path to the shore well enough to walk it on the dark, but moonlight makes a worthy accompaniment to the trek. Footsteps make their own music from the crunch and rasp of shells, sand, and dry grass. The sound is a balm, perhaps best enjoyed in the silence of a solitary walk when the mind can be fully present. As I approach the strand this current rendition is subsumed into the studied cacophony of the waves. It is a dialogue worth hearing.
I am at the tide line. The sand has that peculiar heaviness that comes from saturation. Density underfoot, with gravity. Seaweed scribes the beach with calligraphy untranslatable but intuitively understood. The vegetation is another shield, I find. A green rampart redolent of iodine, bedecked with remains of tiny creatures that did not survive the surf. There are pebbles, bits of wood, and shells. Clam shells in particular, with the odd fragment of whelk. The shells remind me of the oysters I had for dinner. Appetites come to mind. A shard of history surfaces in my mind.
Native peoples by the shore knew where to find sustenance. Ancient humans knew a good thing when they saw it. The consumption of oysters and the like over time led to the creation of huge mounds of shells, as we have discovered. Middens created by the survival imperative. Standing by the wrack, looking out over the moonlit sea, I am surrounded by the water, the walls of the cottage, the oysters in my belly: the middens between me and the world, keeping me alive and sane.
There is joy in bearing witness to magic. A silver ribbon bedecks the wine-dark sea as the moon begins its languid ascension into the sky. Breakers atomize into argentine drops, Poseidon casting coins onto a waiting shore. The scene spurs me to move. I am overwhelmed by the urge to walk the waterline and scoop up the bounty. The scraping of chair legs over planks ricochets around the cottage when I push back from the desk. Prickles of something akin to pain grind through the knees, the back, popping the joints. The sensation reminds me of stepping from the ocean into the embrace of a scratchy cotton towel. Slightly rough but offering tactile satisfaction. Standing feels good. I grab a flashlight from the shelf by the door and make my way outside.
Heat of the day clings tenuously to the siding and the sand. It is quickly being replaced as the night breeze swirls about. I know the path to the shore well enough to walk it on the dark, but moonlight makes a worthy accompaniment to the trek. Footsteps make their own music from the crunch and rasp of shells, sand, and dry grass. The sound is a balm, perhaps best enjoyed in the silence of a solitary walk when the mind can be fully present. As I approach the strand this current rendition is subsumed into the studied cacophony of the waves. It is a dialogue worth hearing.
I am at the tide line. The sand has that peculiar heaviness that comes from saturation. Density underfoot, with gravity. Seaweed scribes the beach with calligraphy untranslatable but intuitively understood. The vegetation is another shield, I find. A green rampart redolent of iodine, bedecked with remains of tiny creatures that did not survive the surf. There are pebbles, bits of wood, and shells. Clam shells in particular, with the odd fragment of whelk. The shells remind me of the oysters I had for dinner. Appetites come to mind. A shard of history surfaces in my mind.
Native peoples by the shore knew where to find sustenance. Ancient humans knew a good thing when they saw it. The consumption of oysters and the like over time led to the creation of huge mounds of shells, as we have discovered. Middens created by the survival imperative. Standing by the wrack, looking out over the moonlit sea, I am surrounded by the water, the walls of the cottage, the oysters in my belly: the middens between me and the world, keeping me alive and sane.
Labels:
based on a true story,
ghosts,
grace,
human being,
nature,
sea stories
22 April 2019
Middens, Part 4
To be at rest in the present day is becoming a luxury. Technology is convincing us that not only should we be connected, but we have to be connected. All access, all the time, as evidenced by our anxious search for recharging stations in public spaces. I marvel at the growth of my own disquiet while the battery percentage drops. Retreating into the dynamic serenity of dunes and breakers affords ample space to realize the disquiet is symptomatic of an affliction, one that is a creeping corrosion of peace of mind. Another weighty breaker pummels the shore. Emphatic maritime punctuation to my belated realization.
The horizon is the next nearest barrier, and it is far away. Its arc is faintly limned by the silver light of a moon yet to rise. My thoughts a mirror to the glow, I can feel a revelation creeping in on little padded paws. The hearth smolders. I will wait and see what the currents bring.
To Be Continued
The horizon is the next nearest barrier, and it is far away. Its arc is faintly limned by the silver light of a moon yet to rise. My thoughts a mirror to the glow, I can feel a revelation creeping in on little padded paws. The hearth smolders. I will wait and see what the currents bring.
To Be Continued
Labels:
based on a true story,
ghosts,
grace,
human being,
nature,
sea stories
15 April 2019
Middens, Part 3
Sand, in the form of dunes, is the cradle here. I feel them swaddling the cottage. The day is on a gentle glide into night. Stars reveal themselves as burnished dimes embedded in a firmament of deepening indigo. I have lost track of how long I have been here in the chair by the window. Cool air redolent with aromas of iron and salt drifts though the casements. This is the scent of the world, of threads that bind me to it. It is an olfactory blanket which serves in part as shield against “dry land and its bitter memories”, to borrow a phrase from a favorite song.
The notion of shields has been hovering about my mind as of late. The world as it is seems to be on fire. Every day brings some new fresh hell of political chicanery, social disruption, or environmental chaos. The Internet alternates between being a crucial source of information and a digital dumpster. Having shields means having the means to preserve sanity and optimism. It means being able to endure. Satisfying our appetites, the hungers we feel, becomes it own form of shield. Eating comforting food, reading an engaging book, or laying eyes on a beautiful vista are all shield-building exercises.
Make no mistake here. These are shields, not walls. They aren’t meant to be permanent or static. Shifts occur as circumstances and needs evolve over time. It would be worrisome if this were not so. But what is true is the periodic need for protection, and thereby respite. Through a combination of temporal and spiritual means we seek and can find that respite when the world becomes too much and our minds overflow. Such is the appeal of this place by the sea, where the walls of civilization are not so close and the mind can expand into quiet, to actually hear itself.
It is getting dark. The line between the sea and the sky is near imperceptible. There is a lack of “something” there, yet that "nothingness" tells me here, I am safe. I am at rest. The profane is beyond the circle of light.
To Be Continued
The notion of shields has been hovering about my mind as of late. The world as it is seems to be on fire. Every day brings some new fresh hell of political chicanery, social disruption, or environmental chaos. The Internet alternates between being a crucial source of information and a digital dumpster. Having shields means having the means to preserve sanity and optimism. It means being able to endure. Satisfying our appetites, the hungers we feel, becomes it own form of shield. Eating comforting food, reading an engaging book, or laying eyes on a beautiful vista are all shield-building exercises.
Make no mistake here. These are shields, not walls. They aren’t meant to be permanent or static. Shifts occur as circumstances and needs evolve over time. It would be worrisome if this were not so. But what is true is the periodic need for protection, and thereby respite. Through a combination of temporal and spiritual means we seek and can find that respite when the world becomes too much and our minds overflow. Such is the appeal of this place by the sea, where the walls of civilization are not so close and the mind can expand into quiet, to actually hear itself.
It is getting dark. The line between the sea and the sky is near imperceptible. There is a lack of “something” there, yet that "nothingness" tells me here, I am safe. I am at rest. The profane is beyond the circle of light.
To Be Continued
Labels:
based on a true story,
ghosts,
grace,
human being,
nature,
sea stories
08 April 2019
Middens, Part 2
My hands are dry. Stillness compels me to hold them out before me, quivering under the influence of nerves and pulse. The unkindness of desiccated air has roughened the skin. Across the fingers is a skein of tiny cuts brought about by the raggedness of shells. Wavelets of pain flare across them as I flex my hands, calling attention to debts paid in order to eat. There is a clarity to this pain. It is a pain that I understand. Pain, hunger, joy: among the interlocking gravities exerting actions at a distance on the bodies we call home. They can take us out of ourselves but ultimately they bring us back. We ignore them at our peril.
Dinner settles in my belly. To experience such fullness is to experience modest grace. What matters is that we do not abide in ignorance of manifest hunger and the satiety which slakes it. I ponder this while watching a squadron of black-backed gulls tussling over the corpse of a fish down by the waterline. Sometimes the line between a gull and myself is nearly nonexistent, crossed as it is in the assuaging of hunger. In this way the gull and I understand each other.
The cottage needs room. Opening the casements ushers in the balm of salt water and warm sand, zephyrs like wee cats’ feet riffling the papers atop the desk by the windows. Papers. Journals. A smattering of pens. These too are tools used in the satisfying the appetites of mind and soul. The frequent exhortations of the page, as inscrutable as they are sometimes, bring me to the desk over and over again. This is imperative much like the need for an ocean view with time to contemplate the breakers in their infinite variety. Words and waves, the DNA of new stories using familiar elements.
A seventh wave thumps the strand. Vibrations from the impact work their way through the floorboards of the cottage to shiver my legs. The sound nudges me out of reverie. The afternoon is on its way to evening. Aureate light intensifies around the headland to paint the cottage in a warm gold sheen. This is precious time out here. The atmosphere is of a sort to have photographers scrambling for their cameras. Ordinarily I would do the same. But not today. Today the sea quietly suggests that today is not the day for the capturing of beauty, it is a day for experiencing it. This logic shall not be quarreled with.
If beauty has a purpose in life, surely it must be as a bulwark against the brutality and despair of the world outside ourselves. This thought puts its hands on my shoulders and gently pushes me down into the chair. Gulls call, shrill piercings that crack the sky and dissolve in the static of foaming water. I follow the fading cries into the sand.
To Be Continued
Dinner settles in my belly. To experience such fullness is to experience modest grace. What matters is that we do not abide in ignorance of manifest hunger and the satiety which slakes it. I ponder this while watching a squadron of black-backed gulls tussling over the corpse of a fish down by the waterline. Sometimes the line between a gull and myself is nearly nonexistent, crossed as it is in the assuaging of hunger. In this way the gull and I understand each other.
The cottage needs room. Opening the casements ushers in the balm of salt water and warm sand, zephyrs like wee cats’ feet riffling the papers atop the desk by the windows. Papers. Journals. A smattering of pens. These too are tools used in the satisfying the appetites of mind and soul. The frequent exhortations of the page, as inscrutable as they are sometimes, bring me to the desk over and over again. This is imperative much like the need for an ocean view with time to contemplate the breakers in their infinite variety. Words and waves, the DNA of new stories using familiar elements.
A seventh wave thumps the strand. Vibrations from the impact work their way through the floorboards of the cottage to shiver my legs. The sound nudges me out of reverie. The afternoon is on its way to evening. Aureate light intensifies around the headland to paint the cottage in a warm gold sheen. This is precious time out here. The atmosphere is of a sort to have photographers scrambling for their cameras. Ordinarily I would do the same. But not today. Today the sea quietly suggests that today is not the day for the capturing of beauty, it is a day for experiencing it. This logic shall not be quarreled with.
If beauty has a purpose in life, surely it must be as a bulwark against the brutality and despair of the world outside ourselves. This thought puts its hands on my shoulders and gently pushes me down into the chair. Gulls call, shrill piercings that crack the sky and dissolve in the static of foaming water. I follow the fading cries into the sand.
To Be Continued
Labels:
based on a true story,
ghosts,
grace,
human being,
nature,
sea stories
01 April 2019
Middens, Part 1
The counter above the sink is disappearing under a Lilliputian scree of natural detritus. A crab shell. A pine cone. The dessicated corpse of a monarch butterfly. An ever increasing collection of oyster shells which echoes a trio of clam shells. In their turn they speak of the butterfly wings. All crowding up an earthenware bowl cradling a pair of silvery, greeny looking onions. Bulbs of garlic nestle up to the onions like penguin chicks. A scattering of garlic peels, snippets of allium papyrus, adorn the onions and the bowl. Doing the dishes, one cannot escape the sight of these gleanings from field, farm, and sea. Soft light reflecting from water and dune turn the cottage into a vitrine. I am among the objects on display.
I dry my hands on the rough cotton towel that hangs down the cabinet face. The hook from which it hangs was fashioned from a smallish cleat I excavated from the sand years ago, in the wake of a ferocious storm that had walloped the headland. Howling winds and horizontal rains ceding overnight to a stiff breeze scrubbing an azure sky punctuated by dandelion puffs of clouds. Walking the beach that day I spied the dull chrome tip jutting out of a ragged wreath of dulse. Brushing the sand off revealed the clear to be in good shape, so it came home with me.
Afternoon light fills the cottage. My hands wrap the towel around themselves as my peripatetic mind ponders the remains on the counter. I am reminded that the origin of the collection is fuzzy in my memory. The pine cone has been on the ledge for nearly two years, a curio brought back from a visit with family. The crab shell, perhaps from that trip as well. The clam shells I vividly remember saving from a particularly good batch of chowder I made in the fall, a brace of years ago. The butterfly? Date and time of collection is lost to history. But it is all a collection. A faded inspiration catalyzed the beginning of it. The intent, if it were ever to be coupled with action, was to create a series of still life photographs. Fading daylight reminds me that the intention has yet to be fulfilled. Another idea flitting away like the butterflies themselves.
Silence inhabits the cottage. It is not the aural sterility of anechoic chambers. Rather, it is the quiet of blankets and morning forests. There is the murmur of the waves, subdued. Accompanying them is the occasional cry of a kittiwake frisking about down by the waterline. The sounds reach me through a layer, gauzy on the ears. In this silence I recognize that my need to collect these avatars of nature has roots in a resting state denied me by current events, anxiety, and an addiction to information. The absence of input is a gentle reminder to step back from the chatter. It is not a theft of time to cradle a shell in the hands, trace the contours with a fingertip, and consider the threads that tie you to it.
Shell as tool. Shell as totem. Shell as container of food. These are the states by which I know them. The gathering and gleaning of these things is relief. The contemplation of these things is meditation. Either state is a frame of mind worth inhabiting. I know this having received revelation in the shucking of an oyster, and in the placid track of sunlight across the antediluvian scales of a pine cone.
To Be Continued
I dry my hands on the rough cotton towel that hangs down the cabinet face. The hook from which it hangs was fashioned from a smallish cleat I excavated from the sand years ago, in the wake of a ferocious storm that had walloped the headland. Howling winds and horizontal rains ceding overnight to a stiff breeze scrubbing an azure sky punctuated by dandelion puffs of clouds. Walking the beach that day I spied the dull chrome tip jutting out of a ragged wreath of dulse. Brushing the sand off revealed the clear to be in good shape, so it came home with me.
Afternoon light fills the cottage. My hands wrap the towel around themselves as my peripatetic mind ponders the remains on the counter. I am reminded that the origin of the collection is fuzzy in my memory. The pine cone has been on the ledge for nearly two years, a curio brought back from a visit with family. The crab shell, perhaps from that trip as well. The clam shells I vividly remember saving from a particularly good batch of chowder I made in the fall, a brace of years ago. The butterfly? Date and time of collection is lost to history. But it is all a collection. A faded inspiration catalyzed the beginning of it. The intent, if it were ever to be coupled with action, was to create a series of still life photographs. Fading daylight reminds me that the intention has yet to be fulfilled. Another idea flitting away like the butterflies themselves.
Silence inhabits the cottage. It is not the aural sterility of anechoic chambers. Rather, it is the quiet of blankets and morning forests. There is the murmur of the waves, subdued. Accompanying them is the occasional cry of a kittiwake frisking about down by the waterline. The sounds reach me through a layer, gauzy on the ears. In this silence I recognize that my need to collect these avatars of nature has roots in a resting state denied me by current events, anxiety, and an addiction to information. The absence of input is a gentle reminder to step back from the chatter. It is not a theft of time to cradle a shell in the hands, trace the contours with a fingertip, and consider the threads that tie you to it.
Shell as tool. Shell as totem. Shell as container of food. These are the states by which I know them. The gathering and gleaning of these things is relief. The contemplation of these things is meditation. Either state is a frame of mind worth inhabiting. I know this having received revelation in the shucking of an oyster, and in the placid track of sunlight across the antediluvian scales of a pine cone.
To Be Continued
Labels:
based on a true story,
ghosts,
grace,
human being,
nature,
sea stories
04 February 2019
#79 (Winter)
Crystal fading light
Life love disappears slowly
Will shoots rise again?
Labels:
based on a true story,
heartbreak,
love,
people matter,
winter
31 December 2018
Setting Stones
The singular coldness of basalt, agleam with the residue of maritime fog, seeps into fingers stiff from work and winter air. The greyness itself seems to transfer to the flesh as if the rock itself is exacting a toll for having been quarried for use by the hands that dared disturb the earth. Fair exchange, perhaps. There is no escaping that in the material world creation incurs disruption, if not outright destruction. We do well to acknowledge that condition through respect for the resources consumed and environments affected. Our destiny is to sleep in the beds we make, and our descendants should not look upon our legacies with disappointment and disdain. They should know we laid the stones with respect for the past and for stewardship of the future.
The head and the heart began collecting stones long before the hands. This last day of the year I sit on a small boulder, chin resting on palms, meditating on coming days of slow and steady work. Even through scuffed leather the skin of the fingers has picked up a faint aroma of iodine and minerals. That scent itself a legacy of the sea just yards away, exhaling its spirit over the beach grass and stones. The cottage itself has been banked with samphire and laver around the base. An old tradition that still has its use even if only to comfort the mind with thoughts of stopping the wind. The waves whisper up the strand. Reaching out, I pick a stone and kneel to the new foundation.
This is what happens when the mind is given pause by deep shadows and short days. Human perception and language creates this border, this separation, this arbitrary terminus est at which the old gives way to the new. Things turn with the year. The hands grip stones, the weights of which inform the heart of desires and directions to feed and nurture through the passage of winter. Our foundations start here, setting stones on the last day of the year.
The head and the heart began collecting stones long before the hands. This last day of the year I sit on a small boulder, chin resting on palms, meditating on coming days of slow and steady work. Even through scuffed leather the skin of the fingers has picked up a faint aroma of iodine and minerals. That scent itself a legacy of the sea just yards away, exhaling its spirit over the beach grass and stones. The cottage itself has been banked with samphire and laver around the base. An old tradition that still has its use even if only to comfort the mind with thoughts of stopping the wind. The waves whisper up the strand. Reaching out, I pick a stone and kneel to the new foundation.
This is what happens when the mind is given pause by deep shadows and short days. Human perception and language creates this border, this separation, this arbitrary terminus est at which the old gives way to the new. Things turn with the year. The hands grip stones, the weights of which inform the heart of desires and directions to feed and nurture through the passage of winter. Our foundations start here, setting stones on the last day of the year.
Labels:
based on a true story,
change,
head and heart,
life,
winter
23 December 2018
Ceres and Poseidon: A Christmas Homily
On an afternoon of clear tranquility I sat by the windows to meditate on an ocean of jade-tinged iron. Through the panes streamed December sunlight, painting the cottage walls the color of a well-worn wedding band. A week of rain and wind had finally departed. Beach and boulders along the headland shone in ecstasy of greeting the sun. Peat smoldered on the hearth, filling the cottage with warmth and the soul with gratitude. Salt air filled the lungs on each slow breath. My empty belly growled as it dreamt of stout and oysters.
This hunger dream manifested itself in the flesh as a Christmas wish possessing an elegant simplicity. It is not greed, it is not selfishness, it is not gluttony. It is appetites to be satisfied by simple means, the result of harvest and craft. Hearing the growls, I wondered how far that simplicity could be extended into a life infused with meaning. Et comedent, ergo sum: “I eat, therefore I am”, is that valid meaning? It seems simple enough.
Hunger drives us all, almost strident in its voice when the days are on the cusp of winter. Cold twilight days combine with erstwhile Christmas spirit to amplify the pressure to desire more, want more, need more. The prevailing social matrix would have you believe that more, even excess, is the cure for hunger. Reductionism to the point where what you consume is made less important than continued consumption itself. Quantity over quality. More over enough, stupefaction over engagement.
The sea continued its stirring. Waves upon the sand brought me to stillness, their susurrus an irresistible entreaty to cease thinking, cease worrying, and be in this moment. I acquiesced.
Brothers and sisters and fellow humans, my belly dreamt of stout and oysters, avatars of the creative expression of field and sea. Each a simple want to be savored in its having, preferably in the company of love. In the quiet of the day, this moment of repose becomes the season of peace and contentment.
Laugh with a full belly. Love with full heart. May you too find your stout and oysters. Merry Christmas to all.
This hunger dream manifested itself in the flesh as a Christmas wish possessing an elegant simplicity. It is not greed, it is not selfishness, it is not gluttony. It is appetites to be satisfied by simple means, the result of harvest and craft. Hearing the growls, I wondered how far that simplicity could be extended into a life infused with meaning. Et comedent, ergo sum: “I eat, therefore I am”, is that valid meaning? It seems simple enough.
Hunger drives us all, almost strident in its voice when the days are on the cusp of winter. Cold twilight days combine with erstwhile Christmas spirit to amplify the pressure to desire more, want more, need more. The prevailing social matrix would have you believe that more, even excess, is the cure for hunger. Reductionism to the point where what you consume is made less important than continued consumption itself. Quantity over quality. More over enough, stupefaction over engagement.
The sea continued its stirring. Waves upon the sand brought me to stillness, their susurrus an irresistible entreaty to cease thinking, cease worrying, and be in this moment. I acquiesced.
Brothers and sisters and fellow humans, my belly dreamt of stout and oysters, avatars of the creative expression of field and sea. Each a simple want to be savored in its having, preferably in the company of love. In the quiet of the day, this moment of repose becomes the season of peace and contentment.
Laugh with a full belly. Love with full heart. May you too find your stout and oysters. Merry Christmas to all.
Labels:
based on a true story,
bittersweet,
Christmas,
life,
love,
sea stories
24 June 2018
Call You Home
The call is felt in the blood. A tidal surge in the veins that ghosts the heart with gravity. When least expected, the surge will lift the feet off the floor and leave the urge to be out the door. On the road to the water in all its nervous-making grandeur. The heart fears the swell, and needs it to survive. Dreams tell it so.
A maritime song perhaps first heard in the womb. Blood rushing, swirling through the cataract of the umbilical to percuss the nascent tympani of a budding creature. A glorious song shared between the mother and the child. It would be the child’s first experience of the rhythm of the tides as expressed in heartbeats and phases of the moon. It would be fifteen years or more until a day came when the youth stood on the shore, dumbfounded, without understanding why the sight and sound of the waves was bracingly new and shockingly ancient. He felt it without comprehension of the reasons.
It could be that this illumination was the young man’s first real glimpse at the Mystery of life. There could be no forgetting of that energy and electrification in this first experience of synchronization between the heart, blood, and consciousness. The youth could not know then just how similar the feeling would be when, years later, he made love for the first time. The congruency would be sweet and shocking.
But that was in the future. The shore was the Now. Of course, the Future is the Now at some point. This realization came home to roost years later, experiencing the same sensations in different circumstances. It reminded the man of comedian Brother Dave Gardner, heard decades ago on a vinyl record, who quipped that you can’t do the same thing again but “You can do something similar!” Brother Dave was referring to people who had a good time at gatherings, but the sentiment applied still. A beatnik comic channeling the Greek philosopher Heraclitus, as interpreted by a young man who woke up in middle age.
Today that man stood with his toes in the surf and fingertips wet from the sea. The taste of that water lay lightly on his tongue. It was the taste of something similar, a different river, but realized anew in the heart. It tasted like home.
Labels:
awakening,
based on a true story,
grace,
human being,
jaguar man,
sea stories
29 April 2018
The Balance That Warms
Evening here in the cottage and the ocean lolls quietly up the beach. Dinnerware pushed aside, casements ajar, a glass of tea hanging in the air. A few thoughts on the page before me.
Same goes for the the sauce, perhaps. A marinara made partly from memory, partly from instinct, partly from the word of another cook. As it simmers, the aroma rises up in a savory perfume that floods the cottage. The belly knows from experience the sugo will be good.
A highlight of the liturgy, as it were, was the addition of the spice and salt. Oregano, a confetti of red pepper flakes, swirled with a touch of thyme. Heady aroma and deep flavor. This is all good. It invokes a song in the throat.
It was the third forkful going down when the epiphany took hold. Sitting by the open window, breathing of the sea, and swallowing that which by the grace of something these hands had been blessed to make for the nourishment of the body...and the mind. Maybe it was god. Maybe it was the ocean. What is known, is that it was enough.
Labels:
based on a true story,
belly,
eating,
grace
08 April 2018
Shirt Off His Back
Four-hundred ninety-nine loads of laundry since the divorce. It was the five hundredth that slapped Connor’s face, pulling that goddamned shirt out of the dryer. The warmth of it never like that feel of socks out of the machine on a cold winter day. More like a muted sliver off a branding iron. In all the days since he had been cast out of what he thought was home, the heat and sight of that shirt only increased in the pain it caused. This morning he held the shirt crumpled tight into a ball. Wondering, wondering what to do. He turned to the dog sitting at the kitchen entry. An expectant look crossed its face, as if Connor was holding a favorite treat.
“I should get rid of this, Murph.”
Connor felt a thickening in his throat. His face grew warm. There was wetness in his eyes. Murphy sat up straighter, cocking an ear, waiting. The dog was perplexed by the change in Connor’s voice. The man coughed. Clearing his throat, he spoke again, sliding down the wall to slump onto the floor. Murphy rose and sauntered over to his owner. A graying muzzle craned over to lick Connor’s face.
“Honestly, doggo, this should have been tossed sooner. Can’t fathom why I didn’t. Guess I was too lazy to replace it.”
Connor patted the dog, bunching the short, wiry coat in his trembling hand. Murphy let out a gratified snuffle as he lay his head in Connor’s lap. The man closed his eyes and leaned back against the wall. The shirt cooled in his hand. Echoes of the connection it signified played out in the afternoon light. A gift of a few square feet of cotton growing so heavy on the mind and heart. Truth be known the condition of the shirt was good. It could still be worn. He just couldn’t do it anymore.
He held the shirt up, shaking it out. Blue cotton with stripes, shot through with the freight of memories carried over from a very different time, a very different person. Some ghosts in the weave, Connor swore. And only he knew the locations of the tears that had fallen more than once, from joy once held and despair never to be forgotten. Life and death in a button down wrapper for this human shaped container of sadness and hope. Connor sighed.
“What’ll it be, Murph? Toss it? Give it away?”
The dog lifted his head slightly to peer at Connor through heavy-lidded eyes. It craned its neck to sniff at the shirt. Chuffing quietly, Murphy turned his head away and laid it back down. The man thought he should not read too much into that gesture, but the dog did appear to have made its feelings known in certain terms.
Connor gently lifted Murphy’s head so he could slide over to stand up. He balled up the shirt as he made his way to the trash can. He hesitated after lifting the lid. It could still be donated, an anonymous item among other anonymous items in an anonymous bag dropped off at a local charity. He decided against giving it away. Too much history in that shirt to risk inflicting a curse on an unsuspecting innocent. As silly as it seemed, that thought made the decision for him. Connor threw it into the can more forcefully than he intended. The weight went with it, his shoulders and neck feeling lighter. Stepping over the dog, he went back to folding laundry, and moving on.
“I should get rid of this, Murph.”
Connor felt a thickening in his throat. His face grew warm. There was wetness in his eyes. Murphy sat up straighter, cocking an ear, waiting. The dog was perplexed by the change in Connor’s voice. The man coughed. Clearing his throat, he spoke again, sliding down the wall to slump onto the floor. Murphy rose and sauntered over to his owner. A graying muzzle craned over to lick Connor’s face.
“Honestly, doggo, this should have been tossed sooner. Can’t fathom why I didn’t. Guess I was too lazy to replace it.”
Connor patted the dog, bunching the short, wiry coat in his trembling hand. Murphy let out a gratified snuffle as he lay his head in Connor’s lap. The man closed his eyes and leaned back against the wall. The shirt cooled in his hand. Echoes of the connection it signified played out in the afternoon light. A gift of a few square feet of cotton growing so heavy on the mind and heart. Truth be known the condition of the shirt was good. It could still be worn. He just couldn’t do it anymore.
He held the shirt up, shaking it out. Blue cotton with stripes, shot through with the freight of memories carried over from a very different time, a very different person. Some ghosts in the weave, Connor swore. And only he knew the locations of the tears that had fallen more than once, from joy once held and despair never to be forgotten. Life and death in a button down wrapper for this human shaped container of sadness and hope. Connor sighed.
“What’ll it be, Murph? Toss it? Give it away?”
The dog lifted his head slightly to peer at Connor through heavy-lidded eyes. It craned its neck to sniff at the shirt. Chuffing quietly, Murphy turned his head away and laid it back down. The man thought he should not read too much into that gesture, but the dog did appear to have made its feelings known in certain terms.
Connor gently lifted Murphy’s head so he could slide over to stand up. He balled up the shirt as he made his way to the trash can. He hesitated after lifting the lid. It could still be donated, an anonymous item among other anonymous items in an anonymous bag dropped off at a local charity. He decided against giving it away. Too much history in that shirt to risk inflicting a curse on an unsuspecting innocent. As silly as it seemed, that thought made the decision for him. Connor threw it into the can more forcefully than he intended. The weight went with it, his shoulders and neck feeling lighter. Stepping over the dog, he went back to folding laundry, and moving on.
Labels:
based on a true story,
broken,
letting go,
memories
01 April 2018
Sleep Well The Heart (A Fragment)
There is no accounting of the sleep for which one yearns. The hours unknown, the effects measurable. To sleep. If only. The ticking of a clockwork heart pushing slow blood through veins become tunnels under a glacier. The whispery rush of it lulls one into drowsiness yet grabs the belt before a fall into the sea of dreams. Hanging there, yearning, anxious. Some night soon, it will come? Enrobed in soothing, dark water with no fear of the deep?
This is the heart’s true dream.
This is the heart’s true dream.
Labels:
based on a true story,
human being,
letting go,
sleep
18 February 2018
Window By The Sea (Chasing Vapor)
Field notes: 3:53 PM in the pewter light of Saturday. Fat snowflakes wafting down. Writing about writing, in the drift, wondering where to go from here.
Sunrise over the shimmering jade resplendent before the headland. Tea gone cold in the bottom of the chipped porcelain mug hovering outside the arc of my elbow. Small whitecaps spied through the glass find their mirror in the scattering of crumpled paper that obscures the desktop. I had been writing since Orion began his descent from the dome of heaven. Snow, nothing but dirty snow in the form of wasted paper.
Tired eyes can see many things, some of which may be true. Seals out past the sandbars melt into selkies. Or maybe it was the other way around. My weariness deadened the certainty of my senses. With shaking fingers, I laid the pen to rest in the crook of my journal. Today was not the day for truth or fiction, that was certain.
The selkies continued their languid swim, as did my vision. I leaned forward to open the casement. Keening cries of seagulls rolled into the cottage along with the salt and iron of the sea. There were no words, but sleep. My head nestled amongst the papers, my eyes closed. Wakefulness would come later, here at the edge of life.
Sunrise over the shimmering jade resplendent before the headland. Tea gone cold in the bottom of the chipped porcelain mug hovering outside the arc of my elbow. Small whitecaps spied through the glass find their mirror in the scattering of crumpled paper that obscures the desktop. I had been writing since Orion began his descent from the dome of heaven. Snow, nothing but dirty snow in the form of wasted paper.
Tired eyes can see many things, some of which may be true. Seals out past the sandbars melt into selkies. Or maybe it was the other way around. My weariness deadened the certainty of my senses. With shaking fingers, I laid the pen to rest in the crook of my journal. Today was not the day for truth or fiction, that was certain.
The selkies continued their languid swim, as did my vision. I leaned forward to open the casement. Keening cries of seagulls rolled into the cottage along with the salt and iron of the sea. There were no words, but sleep. My head nestled amongst the papers, my eyes closed. Wakefulness would come later, here at the edge of life.
Labels:
based on a true story,
fiction,
life,
sea stories,
writing
21 January 2018
On the Verge of Gone
The milk. It has been in there for two weeks past the expiration date. Unscrew the cap anyway. Wipe off the seal. Peering into the jug reveals no curds, at
least that can be seen by the naked eye. Good sign, maybe. Do you want to take the chance? Cereal is no good with water on it, right? Water on cereal. Yes, that happened once. Never want to be that low again. So, what to do. The kicker will be the sniff test. No getting around it. Lift the jug. Breathe in deep.
Then fall down a rabbit hole of memory, the lingering sweet dairy aroma undercut with the faintest undertone of curdling. The kitchen is different, but standing at the sink is the same. The hands engaged in myriad domestic entanglements, the mind drifting to thoughts of warmth and affection after the dishes are done. A carton of milk sits on the counter, awaiting transport back to the refrigerator. Other groceries surround the carton, the results of grocery shopping shared with someone, a way to take the drudgery out of chores.
The light in this kitchen is different than the one in which you pace nowadays. The light seems better, warmer, welcoming. This is the difference between a house that knew love and a glorified cell harboring cold desperation. The routine once known as an incubator of good feeling no longer exists. Time and distance have seen to it. But what peculiar cruelty arisen from the banality of sliced white bread and a container of milk. This is what hurts.
It used to be the groceries could be put away and the hands were freed up to seek out touch. To wrap arms around warmth. Fingers resting on the gentle curve of hips, drawing closer to a kiss and shared breath. The simple acknowledgement of a humanity close to the soul, near impossible to find any other way. Travel in time and space. A miracle contained in the molecules of milk on its way to immortality.
Two weeks old, approaching undrinkability, but there is little choice to do otherwise. Snap. The cord breaks. The eyes water. Once again at the counter on a gray morning, bewildered with jug in hand. It is almost spoiled, it won’t be long. Bitterness and hunger leave no options. The milk is poured. The cereal downed. The stomach lurches and the heart spasms at the scent of milk on the verge of gone.
least that can be seen by the naked eye. Good sign, maybe. Do you want to take the chance? Cereal is no good with water on it, right? Water on cereal. Yes, that happened once. Never want to be that low again. So, what to do. The kicker will be the sniff test. No getting around it. Lift the jug. Breathe in deep.
Then fall down a rabbit hole of memory, the lingering sweet dairy aroma undercut with the faintest undertone of curdling. The kitchen is different, but standing at the sink is the same. The hands engaged in myriad domestic entanglements, the mind drifting to thoughts of warmth and affection after the dishes are done. A carton of milk sits on the counter, awaiting transport back to the refrigerator. Other groceries surround the carton, the results of grocery shopping shared with someone, a way to take the drudgery out of chores.
The light in this kitchen is different than the one in which you pace nowadays. The light seems better, warmer, welcoming. This is the difference between a house that knew love and a glorified cell harboring cold desperation. The routine once known as an incubator of good feeling no longer exists. Time and distance have seen to it. But what peculiar cruelty arisen from the banality of sliced white bread and a container of milk. This is what hurts.
It used to be the groceries could be put away and the hands were freed up to seek out touch. To wrap arms around warmth. Fingers resting on the gentle curve of hips, drawing closer to a kiss and shared breath. The simple acknowledgement of a humanity close to the soul, near impossible to find any other way. Travel in time and space. A miracle contained in the molecules of milk on its way to immortality.
Two weeks old, approaching undrinkability, but there is little choice to do otherwise. Snap. The cord breaks. The eyes water. Once again at the counter on a gray morning, bewildered with jug in hand. It is almost spoiled, it won’t be long. Bitterness and hunger leave no options. The milk is poured. The cereal downed. The stomach lurches and the heart spasms at the scent of milk on the verge of gone.
Labels:
based on a true story,
broken,
heartbreak,
letting go
31 December 2017
This Is The Line That Divides
At the end of the year
television screeds exhort
Spend for the car now
Buy my happiness now
Claim your life back now
through concentrated application
of money not possessed
but manifested through plastic
and a life of electronic servitude
Time elongates, heart spasms,
mind melts with thoughts
of nothing left to lose here
at the end of the world
television screeds exhort
Spend for the car now
Buy my happiness now
Claim your life back now
through concentrated application
of money not possessed
but manifested through plastic
and a life of electronic servitude
Time elongates, heart spasms,
mind melts with thoughts
of nothing left to lose here
at the end of the world
26 November 2017
sorry, jesus, for letting you down
sorry jesus for letting you down
when the world turned voracious
on the teeth of dishonesty
cruelty and love proclaimed
behind hands with fingers crossed
the heart you bestowed broke
finally it could take no more
in a sidereal year of midnight
lit by prayer's occasional flare
it beat its last pulse of goodness
expiring on a bed soft as arctic brine
tasting of tears, bitter vintage
from the remains of broken dreams
the sleeper once attempted
to build in a promised garden
only to unearth the lie of love
when the world turned voracious
on the teeth of dishonesty
cruelty and love proclaimed
behind hands with fingers crossed
the heart you bestowed broke
finally it could take no more
in a sidereal year of midnight
lit by prayer's occasional flare
it beat its last pulse of goodness
expiring on a bed soft as arctic brine
tasting of tears, bitter vintage
from the remains of broken dreams
the sleeper once attempted
to build in a promised garden
only to unearth the lie of love
Labels:
based on a true story,
fall,
grief,
heartbreak,
love,
poetry
12 November 2017
Awake By the Sea of Dreams
My right arm woke me up. I was dreaming. Bad dreaming. Fighting things I could not clearly see, I flailed and screamed in desperation. Clenched fist on the end of a swinging arm. In the real world my arm spasmed. My fingers smashed into a pencil cup crammed with pens and a small crafting knife. The pens spilled over the desk in muted tintinnabulation. The cup itself clattered like a cowbell against the steel sash of the window, ricocheting into my chest as I flung my self up and awake. The world swam into focus.
“Where am I?” I croaked. It was nearly dark except for lamplight and a gauzy moon rising over the headland. My face was wet on one side.
My hands shook. I raised the left one to my left cheek. It felt hot and damp. And flat. I had been sleeping, head down on the desk. The dampness turned out to be drool, confirmed by the wet patch on the note paper in front of me.
Night. No idea how late, or how early. The sea groaned and boomed down on the tide line. Breeze, salty and cool, blew softly through the open casements facing the beach. The fire I had lain hours ago was down to dull embers. Red patches like the eyes of spiders crouching in the firebox. Faint yellow rays leaked from the lantern perched at the end of the desk. Something told me it was in need of fuel.
I decided it could wait. My heart was still racing. Phantoms were fading from my mind. Shivering, anxious, I found myself with no desire to recall what they had been. Not now.
I looked around the cottage. Nothing unusual could I see. The louvers on the west side were in place. I remembered adjusting them earlier before I sat down to write. The fading sun had been a bit much, then. The door was still closed. Locked, too, from what I could see.
Turning back to the water I could make out some profiles in the weak moonlight glow. Clumps of seaweed on the beach. The curl of breakers, with faint phosphorescent edges, sliding up the beach. A dark blocky shape on the horizon, small and indistinct. Pinpoints of light wavered on the swell. A freighter, maybe? Bulk carrier? No way to tell. The shape momentarily disappeared, dipping I thought below the horizon. Fog might be gathering out there. Or heavy chop. The wind was picking up.
I shivered again. Manannan stirred, I could feel it in the thrum of the waves hitting the sand. How long I had been asleep, there was no way to know. I had no clear recollection of what I had done between arriving at the cottage earlier in the day and when I sat down to write. Except dinner. Dinner had been a hasty affair of roasted fish and day old cornbread washed down with tepid tea. Then I sat at the desk to write. I had hoped to cast off the jumbled emotions and stresses of the previous week.
The cottage is good for that sort of thing. To my chagrin it is not without failure now and then. Tonight had been less than a success.
A sharp puff of wind hit my face. The cool, briny air perked me up. With a napkin I wiped my face. The simple action brought my pulse down further. Anxiety receded not unlike the wavelets down the strand. The bad dream was dissolving like mist. The walls of the cottage lit up, brilliant white in the beam of the lighthouse up on the head.
Day bloomed briefly to sparkle on the disarray of pens strewn across the desk. I began to corral the pens into the cup. The crafting knife had lodged itself point first in the bead board paneling. I tugged gently to free it. It was then I noticed writing scrawled across the top sheet of paper. The light flared, was gone.
So. I must have written something. Not much from the looks of it, although the remaining light was too dim to make out what I had jotted down. I put the pens and the knife in the cup. In the shadows I sat breathing slowly for a few minutes. For some reason I wasn’t sure I wanted to know what I had written. The lighthouse beam pulsed and flared. I did not look down. My interest had attached itself to the ship or whatever it was out there on the horizon. I watched until the sea or fog or who knows what made it disappear.
I reached for the lantern. Turning up the wick, a pool of yellow light spilled across my desk. Leaning forward I could make out my spidery scrawl, dark blue ink tracking across the cream of the paper, curling slightly from damp and spit. There were two sentences written there. Terse, compact, brittle in the lamplight.
I don’t know what surprised me more, the deep cuts of the words or the sudden tightening of throat and moistening of eye that stole over me. Head in my hands, the cottage dimmed in a swirl of emotions that took my breath away. The events of the week bowled me over. No amount of speed or finesse was going to take me from their path.
This explained the dreams. The shadows in the cave of the head and the heart. Fighting things I could not describe except through the dread and pain they laid upon my desperate soul. Well-mannered ghouls plucking at the flesh. The flesh itself recoiling and quivering as it sought escape.
I rocked back and forth until my breath was under control. The cool damp had made its way into my bones. The ghost of William Faulkner whispered in my ear “A man always falls back upon what he knows best in a crisis—the murderer upon murder, the thief thieving, the liar lying.” I had no plans to kill, steal, or lie, but what I was going to do was make a pot of tea. Warmth would help, Tea would have to do for warmth, as there was no one with me to offer theirs.
And probably wouldn’t be, pessimism congealing in my heart. I picked up the paper. The fire would need stoking. My hands ripped the paper into strips. The dry scrape of it abraded my heart. Leaning into the fireplace, I blew on the embers while casting about for the poker. A few thrusts of the cast iron, a few breaths, and the embers glowed as if eager to burn the past. The present. Telling omens for the future.
I cast the ragged strips into the coals. They writhed and curled and burst into flames as I watched. Shadows danced over my face and the walls. I fetched the teapot from the mantel as the paper swiftly burned down to ashes. Out past the eastern windows the Sea of Dreams muttered and moaned, waiting for me fall asleep once again.
“Where am I?” I croaked. It was nearly dark except for lamplight and a gauzy moon rising over the headland. My face was wet on one side.
My hands shook. I raised the left one to my left cheek. It felt hot and damp. And flat. I had been sleeping, head down on the desk. The dampness turned out to be drool, confirmed by the wet patch on the note paper in front of me.
Night. No idea how late, or how early. The sea groaned and boomed down on the tide line. Breeze, salty and cool, blew softly through the open casements facing the beach. The fire I had lain hours ago was down to dull embers. Red patches like the eyes of spiders crouching in the firebox. Faint yellow rays leaked from the lantern perched at the end of the desk. Something told me it was in need of fuel.
I decided it could wait. My heart was still racing. Phantoms were fading from my mind. Shivering, anxious, I found myself with no desire to recall what they had been. Not now.
I looked around the cottage. Nothing unusual could I see. The louvers on the west side were in place. I remembered adjusting them earlier before I sat down to write. The fading sun had been a bit much, then. The door was still closed. Locked, too, from what I could see.
Turning back to the water I could make out some profiles in the weak moonlight glow. Clumps of seaweed on the beach. The curl of breakers, with faint phosphorescent edges, sliding up the beach. A dark blocky shape on the horizon, small and indistinct. Pinpoints of light wavered on the swell. A freighter, maybe? Bulk carrier? No way to tell. The shape momentarily disappeared, dipping I thought below the horizon. Fog might be gathering out there. Or heavy chop. The wind was picking up.
I shivered again. Manannan stirred, I could feel it in the thrum of the waves hitting the sand. How long I had been asleep, there was no way to know. I had no clear recollection of what I had done between arriving at the cottage earlier in the day and when I sat down to write. Except dinner. Dinner had been a hasty affair of roasted fish and day old cornbread washed down with tepid tea. Then I sat at the desk to write. I had hoped to cast off the jumbled emotions and stresses of the previous week.
The cottage is good for that sort of thing. To my chagrin it is not without failure now and then. Tonight had been less than a success.
A sharp puff of wind hit my face. The cool, briny air perked me up. With a napkin I wiped my face. The simple action brought my pulse down further. Anxiety receded not unlike the wavelets down the strand. The bad dream was dissolving like mist. The walls of the cottage lit up, brilliant white in the beam of the lighthouse up on the head.
Day bloomed briefly to sparkle on the disarray of pens strewn across the desk. I began to corral the pens into the cup. The crafting knife had lodged itself point first in the bead board paneling. I tugged gently to free it. It was then I noticed writing scrawled across the top sheet of paper. The light flared, was gone.
So. I must have written something. Not much from the looks of it, although the remaining light was too dim to make out what I had jotted down. I put the pens and the knife in the cup. In the shadows I sat breathing slowly for a few minutes. For some reason I wasn’t sure I wanted to know what I had written. The lighthouse beam pulsed and flared. I did not look down. My interest had attached itself to the ship or whatever it was out there on the horizon. I watched until the sea or fog or who knows what made it disappear.
I reached for the lantern. Turning up the wick, a pool of yellow light spilled across my desk. Leaning forward I could make out my spidery scrawl, dark blue ink tracking across the cream of the paper, curling slightly from damp and spit. There were two sentences written there. Terse, compact, brittle in the lamplight.
“In the battle for self-worth being your own worst enemy is a guaranteed path to defeat. In this arena, I exist to be rejected.”
I don’t know what surprised me more, the deep cuts of the words or the sudden tightening of throat and moistening of eye that stole over me. Head in my hands, the cottage dimmed in a swirl of emotions that took my breath away. The events of the week bowled me over. No amount of speed or finesse was going to take me from their path.
This explained the dreams. The shadows in the cave of the head and the heart. Fighting things I could not describe except through the dread and pain they laid upon my desperate soul. Well-mannered ghouls plucking at the flesh. The flesh itself recoiling and quivering as it sought escape.
I rocked back and forth until my breath was under control. The cool damp had made its way into my bones. The ghost of William Faulkner whispered in my ear “A man always falls back upon what he knows best in a crisis—the murderer upon murder, the thief thieving, the liar lying.” I had no plans to kill, steal, or lie, but what I was going to do was make a pot of tea. Warmth would help, Tea would have to do for warmth, as there was no one with me to offer theirs.
And probably wouldn’t be, pessimism congealing in my heart. I picked up the paper. The fire would need stoking. My hands ripped the paper into strips. The dry scrape of it abraded my heart. Leaning into the fireplace, I blew on the embers while casting about for the poker. A few thrusts of the cast iron, a few breaths, and the embers glowed as if eager to burn the past. The present. Telling omens for the future.
I cast the ragged strips into the coals. They writhed and curled and burst into flames as I watched. Shadows danced over my face and the walls. I fetched the teapot from the mantel as the paper swiftly burned down to ashes. Out past the eastern windows the Sea of Dreams muttered and moaned, waiting for me fall asleep once again.
Labels:
based on a true story,
broken,
invisible,
love,
modern anxiety,
sea stories
03 September 2017
On the Saving of A Duck
It was a talent, dubious to be sure, but a talent nonetheless that the old man could find tragedy in a blue sky full of horsetails and cotton candy. Some days he imagined it in the form of daemon, shape shifting as it sat on his shoulder or circled his head while whispering terrible things.
A belly full of oysters put him in mind for a post-prandial stroll down to the dock, just past the waterfront museum. A soothing coolness in the air with a gentle swell upon the water exerted its gravitational pull. The breeze joined in, pushing him gently onto the worn but sturdy boards of the piers. The daemon hovered as the old man watched the clouds drift over the bay. Mercifully, it was quiet.
A few ducks swam lazily around the pilings. The sun dusted white gold upon the water as he chatted with a lad who was crabbing from the pier.
The youngster allowed that the crabs were sparse tonight, but he had caught some good ones. The oldster chuckled, recalling his youthful summer adventures crabbing in the creeks near his boyhood home. Seeing a tension on his line, the boy slowly reeled it in. There in the murky translucence of the water, a medium sook was nibbling away on the bait.
The boy scooped up the female crab, expertly separating crab from bait. The bait, a chicken neck looped in twine, went back out into the water. The crab, said the boy, was going into the basket. He said goodbye and walked down the pier to his stash of gear. Dinner was probably not far away.
The old man leaned against a piling, noting that the moon was visible in the cerulean sky. Boats made their way up and down the creek. Sunlight gilded the tops of their masts. An osprey raised a keening cry from out on its nest in the channel. The old man was contemplating what life must be like living in a pile of sticks on top of a post when he heard a furious flapping and splashing coming from the next pier over. It was a duck. Its wings beat the water in a rush, yet it was unable to move forward or take off.
The duck grew increasingly frantic. The old man stared for a minute or two. He though perhaps the duck was being attacked by a large fish or some other creature, but it did not go under. He reckoned it would not be long, because the duck was in overwhelming distress.
The old man jogged back to the main deck, then cut across and hurried up the other pier. The duck was out at the far end, still thrashing furiously and quacking at high volume. He bent down to look over the edge of the pier.
It was fishing line. An old line left tied to a piling. The hapless duck, a female mallard, was entangled in it by its right foot. From what the old man could see the line was wrapped in a tight helix around the leg. There was no way the duck was going to unwrap it or break the line.
The old man lay down on the deck boards. They smelled of seawater, bait and crab shells. He reached down to grasp the monofilament line and hauled the duck up as gently as he could. The duck was terribly frightened by this. Its thrashing sent a spray of water up into the old man's face. He sputtered and tightened his grip on the line.
He grasped the duck by its leg. It felt like cold leather, and the duck struggled mightily to free itself. He spoke softly to it, telling it things would be okay, just hold on, I'll get you out of this. To the old man's surprise the duck settled down. It barely moved as he held it head down over the water while unwrapping the fishing line from its foot.
There was moment of panic as the line became snagged on what looked like a small spur. The old man hefted the duck up higher and with the precision of surgeon unhooked the line from the spur. The duck spun itself as the line unreeled from the foot. With a tremendous splash, rapid fire quacking, and a blur of wings it launched itself across the open water between the piers. It came to rest a few yards away from the old man. It began flapping its wings, quacking and acting as if nothing had happened.
The old man stood up. He wiped his hands on his pants and brushed flecks of wood and dried bait from his shirtfront. It was an unexpected turn of events, after dinner on an evening by the summer bay, that turned his mind over to the sea.
A belly full of oysters put him in mind for a post-prandial stroll down to the dock, just past the waterfront museum. A soothing coolness in the air with a gentle swell upon the water exerted its gravitational pull. The breeze joined in, pushing him gently onto the worn but sturdy boards of the piers. The daemon hovered as the old man watched the clouds drift over the bay. Mercifully, it was quiet.
A few ducks swam lazily around the pilings. The sun dusted white gold upon the water as he chatted with a lad who was crabbing from the pier.
The youngster allowed that the crabs were sparse tonight, but he had caught some good ones. The oldster chuckled, recalling his youthful summer adventures crabbing in the creeks near his boyhood home. Seeing a tension on his line, the boy slowly reeled it in. There in the murky translucence of the water, a medium sook was nibbling away on the bait.
The boy scooped up the female crab, expertly separating crab from bait. The bait, a chicken neck looped in twine, went back out into the water. The crab, said the boy, was going into the basket. He said goodbye and walked down the pier to his stash of gear. Dinner was probably not far away.
The old man leaned against a piling, noting that the moon was visible in the cerulean sky. Boats made their way up and down the creek. Sunlight gilded the tops of their masts. An osprey raised a keening cry from out on its nest in the channel. The old man was contemplating what life must be like living in a pile of sticks on top of a post when he heard a furious flapping and splashing coming from the next pier over. It was a duck. Its wings beat the water in a rush, yet it was unable to move forward or take off.
The duck grew increasingly frantic. The old man stared for a minute or two. He though perhaps the duck was being attacked by a large fish or some other creature, but it did not go under. He reckoned it would not be long, because the duck was in overwhelming distress.
The old man jogged back to the main deck, then cut across and hurried up the other pier. The duck was out at the far end, still thrashing furiously and quacking at high volume. He bent down to look over the edge of the pier.
It was fishing line. An old line left tied to a piling. The hapless duck, a female mallard, was entangled in it by its right foot. From what the old man could see the line was wrapped in a tight helix around the leg. There was no way the duck was going to unwrap it or break the line.
The old man lay down on the deck boards. They smelled of seawater, bait and crab shells. He reached down to grasp the monofilament line and hauled the duck up as gently as he could. The duck was terribly frightened by this. Its thrashing sent a spray of water up into the old man's face. He sputtered and tightened his grip on the line.
He grasped the duck by its leg. It felt like cold leather, and the duck struggled mightily to free itself. He spoke softly to it, telling it things would be okay, just hold on, I'll get you out of this. To the old man's surprise the duck settled down. It barely moved as he held it head down over the water while unwrapping the fishing line from its foot.
There was moment of panic as the line became snagged on what looked like a small spur. The old man hefted the duck up higher and with the precision of surgeon unhooked the line from the spur. The duck spun itself as the line unreeled from the foot. With a tremendous splash, rapid fire quacking, and a blur of wings it launched itself across the open water between the piers. It came to rest a few yards away from the old man. It began flapping its wings, quacking and acting as if nothing had happened.
The old man stood up. He wiped his hands on his pants and brushed flecks of wood and dried bait from his shirtfront. It was an unexpected turn of events, after dinner on an evening by the summer bay, that turned his mind over to the sea.
He looked up again at the blue sky, the moon, the drifting boats. It was a talent, he knew, to find tragedy in a sky of cotton candy and horsetails. But not tonight. Tonight he had found grace in the saving of a duck. Cotton candy and horsetails never looked better.
Labels:
animal nature,
based on a true story,
grace,
sea stories
13 August 2017
Cooking for One
One good thing about teaching yourself to cook is that it is a portable skill. As long as you can get your hands on food, heat, and at least a pot, you can feed yourself anywhere. Keeping the wolf of hunger away from the door is an imperative of survival. We all should cook at least to survive. I do, sometimes. By such means, live long I might. Prosper? I lack confidence in prosperity.
Outside the cottage tonight the sea is calm. Weeks of rough surf, waterspouts, seventh waves that hit as second and even third waves have left the headland in a bedraggled state. Watered gold sunlight is casting deep shadows upon the beach debris. Clear enough and comfortable enough for a post-prandial stroll along the strand, I think. Flotsam and jetsam capture my imagination.
Time enough to amble, that is, if I can swallow what remains on the plate before me. Finishing the meal seems iffy at best. One of my favorite dishes, chorizo and eggs, getting cold on the side table by the window. Ordinarily that plate would have me in the kitchen on the run. I find its scent tiresome this night. The storms that pounded the cottage pounded something out of me. Arms like lead, a belly gone indifferent. Still, the prime directive commands me to eat. Chew. Swallow. Mechanical.
The plate and fork go in the sink. Later, I'll pump some water in, do some cleaning. For now I am content to step outside. The sand damp and cool under my feet. A breeze rests its hands on my stubbly cheeks, redolent of brine, iodine, and the death-odor of small creatures trapped in seaweed. Like pluff mud to a Lowcountry native, it is a scent that brings me somewhere closer to home. A compass to the rudder of my soul.
The beach is pocked with moguls of seaweed, foothills of sand and samphire. Nearing the tide line pebbles and fragmented shells dig into the soles of my feet. The sensation brings to mind that I should hunt for shells, sea glass, items of interest. My daughter and I, we have a hoard of found delights and curios we have collected over the years stretching back to her early days of walking with me along the rivers, creeks, and oceans I adore. A well-preserved scallop shell or dusky gem of glass is a wonder to hold in the palm of one's hand.
At the water's edge cold foam beards my toes. A quietness emanates from the surf. Unsettling, welcoming. How can this be? The storms, of course. Or was it one long storm oscillating its ferocity over what seemed like months? Either seems equally plausible. I kneel to dip my fingertips in the water, raise them to my mouth. The liquid is chill and gritty. It also tastes tired. No vitality in the brine. I imagine a vampire would say the same of my blood. Bad weather begets bad blood, whether in the veins or in the ocean.
I understand the sea in its loss. Fury and sorrow are exhaustion incarnate if they come for a protracted stay.
A lone gull flutters to the sand opposite a clump of seaweed between us. Beady eyes offer up a quizzical stare. The gull blinks. It opens its beak in a silent cry, leaving me to wonder if it had a question for me. Or an answer to a question of my own.
Tell me, friend gull, does the sea grow tired of crashing upon the shore? Turbulent, voracious, yet never sated? Does the sea lose its appetite when left to cook alone?
The synchronization of the waves with my heartbeat lead me to believe this may be true. The sea piled on the sand all the wrack which it could not bring itself to consume, left to decay under the sun. The gull has been watching me as I mumble these things to myself. It lets loose an aural shard of a shriek while launching itself into the purple sky of sundown.
The shriek rings a bell. Realization in a flash. In the rays of dusk it is no longer the belly that cannot bring itself to eat. It is a heart sated with love gone wrong that has no appetite. It is full, it cannot swallow. Not yet. This is a matter for time to decide.
I was unaware my face was buried in my hands. I peeked between the fingers, half expecting to be swept away by a rogue wave. Yet the sea remained sluggishly undulant. It was then I saw the shell before me. Buried hinge end down, the rippled edge of the scallop beckoned me forward. I tugged it gently from the sand.
The scallop shell had survived the storms intact. A smoothness upon the surface indicative of a long tumble in the sand only hinted at the recent turbulence. I traced my fingers over my face and arms wishing I could say the same. The shell I rinsed in the surf, its destination the treasure jar belonging to my daughter as a fine addition to our volumes of history.
We would share the shell when I saw her next. The vision of her delight at its muted otherworldliness would sustain me until then, I thought. Perhaps then my heart would be less full. She and I would not speak of cooking for one. Instead, we will write a story of beauty found in the calm after the storm, casting loneliness aside as it decays in light.
Outside the cottage tonight the sea is calm. Weeks of rough surf, waterspouts, seventh waves that hit as second and even third waves have left the headland in a bedraggled state. Watered gold sunlight is casting deep shadows upon the beach debris. Clear enough and comfortable enough for a post-prandial stroll along the strand, I think. Flotsam and jetsam capture my imagination.
Time enough to amble, that is, if I can swallow what remains on the plate before me. Finishing the meal seems iffy at best. One of my favorite dishes, chorizo and eggs, getting cold on the side table by the window. Ordinarily that plate would have me in the kitchen on the run. I find its scent tiresome this night. The storms that pounded the cottage pounded something out of me. Arms like lead, a belly gone indifferent. Still, the prime directive commands me to eat. Chew. Swallow. Mechanical.
The plate and fork go in the sink. Later, I'll pump some water in, do some cleaning. For now I am content to step outside. The sand damp and cool under my feet. A breeze rests its hands on my stubbly cheeks, redolent of brine, iodine, and the death-odor of small creatures trapped in seaweed. Like pluff mud to a Lowcountry native, it is a scent that brings me somewhere closer to home. A compass to the rudder of my soul.
The beach is pocked with moguls of seaweed, foothills of sand and samphire. Nearing the tide line pebbles and fragmented shells dig into the soles of my feet. The sensation brings to mind that I should hunt for shells, sea glass, items of interest. My daughter and I, we have a hoard of found delights and curios we have collected over the years stretching back to her early days of walking with me along the rivers, creeks, and oceans I adore. A well-preserved scallop shell or dusky gem of glass is a wonder to hold in the palm of one's hand.
At the water's edge cold foam beards my toes. A quietness emanates from the surf. Unsettling, welcoming. How can this be? The storms, of course. Or was it one long storm oscillating its ferocity over what seemed like months? Either seems equally plausible. I kneel to dip my fingertips in the water, raise them to my mouth. The liquid is chill and gritty. It also tastes tired. No vitality in the brine. I imagine a vampire would say the same of my blood. Bad weather begets bad blood, whether in the veins or in the ocean.
I understand the sea in its loss. Fury and sorrow are exhaustion incarnate if they come for a protracted stay.
A lone gull flutters to the sand opposite a clump of seaweed between us. Beady eyes offer up a quizzical stare. The gull blinks. It opens its beak in a silent cry, leaving me to wonder if it had a question for me. Or an answer to a question of my own.
Tell me, friend gull, does the sea grow tired of crashing upon the shore? Turbulent, voracious, yet never sated? Does the sea lose its appetite when left to cook alone?
The synchronization of the waves with my heartbeat lead me to believe this may be true. The sea piled on the sand all the wrack which it could not bring itself to consume, left to decay under the sun. The gull has been watching me as I mumble these things to myself. It lets loose an aural shard of a shriek while launching itself into the purple sky of sundown.
The shriek rings a bell. Realization in a flash. In the rays of dusk it is no longer the belly that cannot bring itself to eat. It is a heart sated with love gone wrong that has no appetite. It is full, it cannot swallow. Not yet. This is a matter for time to decide.
I was unaware my face was buried in my hands. I peeked between the fingers, half expecting to be swept away by a rogue wave. Yet the sea remained sluggishly undulant. It was then I saw the shell before me. Buried hinge end down, the rippled edge of the scallop beckoned me forward. I tugged it gently from the sand.
The scallop shell had survived the storms intact. A smoothness upon the surface indicative of a long tumble in the sand only hinted at the recent turbulence. I traced my fingers over my face and arms wishing I could say the same. The shell I rinsed in the surf, its destination the treasure jar belonging to my daughter as a fine addition to our volumes of history.
We would share the shell when I saw her next. The vision of her delight at its muted otherworldliness would sustain me until then, I thought. Perhaps then my heart would be less full. She and I would not speak of cooking for one. Instead, we will write a story of beauty found in the calm after the storm, casting loneliness aside as it decays in light.
Labels:
appetites,
based on a true story,
heartbreak,
love,
sea stories
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