Rounding out the series, "Fruits into the Underground", is Beets: A Collection of Jazz Songs. But not just any jazz songs. One's performed by Snakefinger, Winston Tong, Eric Feldmen, Sun Ra, and others posted by Psychic Hut. I just downloaded it myself (Thanks Lucky!).
Here's another Ralph Records sampler; Potatoes, A Collection of Folk Songs posted on WMFU. The line-up includes The Residents (of course), Renaldo and the Loaf, Half Japanese, Snakefinger, Negativland, Bongwater, and others. It's also out of print. One of the comments left on WMFU mention's Graham Kerr's cooking tips. I'm listening to this for the first time too.
",,, another crazy comp. not really kids music. can be creepy and experimental. if you like "key of z", you'll love this" -- Amazon reviewer
And if you missed the reference on WMFU, they also have another Ralph Records posted called, Goobers, A Collection of Kids Songs. The Residents are missing on this one. But in their place are Half Japanese, Tiny Tim (!), Daniel Johnston, Penn Jillette, Space Negros, Eric Feldman and quite a few others. I doubt if this CD was played during the average kindergarten. What a nice find (thanks to Lucky for pointing me in the right direction).
Frank Johnson is The Resident's computer and that's who picked these favorites! C'mon, doesn't everyone name their computer? You can find this Ralph Records sampler at Psychic Hut. This includes the "B" sides to some of the popular singles Ralph has released up to 1980. So unless you have all their singles, then you don't have these either. Enjoy!
Live at Melbourne University 05/03/80. This bootleg is well done and it's such a treat to hear Snakefinger live. Every song sounds new. But other than that, I don't have any more information on where this recording came from. So all I can say is, "Thanks to the original uploader" and enjoy!
If your not familiar with Snakefinger, do a search of this blog and you'll find more.
Snakefinger: Live at Melbourne University 05/03/80 Trashing All Loves Of History Don't Lie Living In Vain Magic And Ecstacy I Love Mary The Golden Goat Picnic In The Jungle Jinx Kill The Great Raven Corrupted Man Man In The Dark Sedan Who Is The Culprit And Who Is The Victim Jesus Was A Leprechaun What Wilbur The Spot Everybody Needs Somebody To Love
Grab it here. It features MX-80, Snakefinger, Tuxedomoon and The Residents with great artwork by Gary Panter. I've never seen one of these samplers posted before. Thanks Filthy Sick Blog!
"This album is a rethought excursion into the twisted and depraved minds that spent twenty years creating a bunch of music -and then, for some reason, decided to spend another few months dissecting that very same music and gluing it together in strange new ways" -- from The Residents blog
"The Residents shunned the typical idea of a 20 year retrospective of greatest hits in favor of remixing their own material. This is cut and paste revisionism, with a melody line from one song, bass parts from another and lyrics from yet another. "Jungle Bunny", for example, meshes together the Snakefinger song, "Picnic in the Jungle" with "Monkey and Bunny" written by Renaldo & The Loaf, which brings out more humor. The song "Ship of Fools" takes apart "Ship's a Goin' Down" and places it underneath Mark of the Mole's "Worker's Hymn", switching over to God in Three Persons for the chorus." -- from AMG
The eighties are a challenge to put together with The Residents starting to issue their back catalog, releasing cd's on more than one label and doing joint projects like this one. Snakefinger also plays on this cd. I thought I had "Title in Limbo" and I didn't. But I did find it posted here (lots of interesting things there). If your not familiar with who Renaldo & The Loaf were, the Wikipedia has a good write-up.
There are several versions of the 13th Anniversary Show: Holland / Tokyo / Japan / USA (which also contains the eulogy for the missing eyeball mask stolen in L.A. and introduces Mr. Skull, which I don't have). Snakefinger toured with The Residents for all of the shows.
The liner notes for Eskimo claimed The Residents attempted to recreate "a living context" for the Eskimo's unique culture, songs and ceremonies that had been passed down for generations. The result was more like live-action stories without dialog rather than traditional songs. Eskimo received widespread praise from critics and the public (still does).
But the reality was that the "Inuit" chants were actually advertising slogans for various products like Coca-Cola, Charmin' bathroom tissue, etc. The Residents had read a negative review of their Duck Stab album, claiming that kids would not like it, there was no beat, couldn't dance to it, etc. The Residents didn't think kids were as dumb as the reviewer implied they were and they decided their next album (Eskimo) would be "of wind noises and grunting" to prove it. The album out sold Duck Stab.
(Both Eskimo and Duck Stab have been recently re-released by Ralph Records,) "Buy or Die".
There was a companion album released in 1980 called Diskomo, which featured re-mixes of Eskimo backed by disco beats. Sorry, but I don't have that one ...
To prove their point, The Residents followed up with their "Commercial Album" in 1980. From the liner notes:
"Point one: Pop music is mostly a repetition of two types of musical and lyrical phrases, the verse and the chorus.
Point two: These elements usually repeat three times in a three minute song, the type usually found on top-40 radio stations.
Point three: Cut out the fat and a pop song is one minute long. Then record albums can hold their own top-40, twenty minutes per side.
Point four: One minute is also the length of most commercials and their corresponding jingles.
Point five: Jingles are the music of America.
Conclusion: This compact disc is terrific in shuffle play. To convert the jingles to pop music, program each song to repeat three times." - - Taken from The Residents website.
With their increasing popularity, The Commercial Album out sold Duck Stab and Eskimo, proving The Residents had been wrong about kids. It also probably made The Residents the only band that was disappointed by their success with an album. And I think it's a great album.
"Meet the Residents" was the public's first introduction in 1974. They offered the album by mail order for half-price. One of the more notable tracks on this album is "Smelly Tonques". Many people bought it for the cover art even though they only sold 50 albums at the time. And they were probably the first group to get in trouble with copyrights.
In 1976, The Residents continued to deconstruct popular 60's music that had made it to the top 40 with Third Reich 'n Roll, taking aim at the music industry and mass-consumption. They used loops (samples didn't exist yet) which included more copyright problems. The Residents also produced one of the first music videos with this album, which has been widely seen on UTube.
Snakefinger is slithering all over this album as well. After Not Available was recorded (already posted), Duck Stab and Buster & Glenn were released in 1978. Of these three, this is the one I'd pick for someone who has never listened to The Residents before. Several bands (including covers from Primus) list this album as a favorite.
This is a collection put together by the fan club, UWEB (Uncle Willie's Eyeball Buddies), of outtakes and previously unreleased material. Three tracks (the first, second and last) were live performances of material that he was working on for his next album and an indication of the direction his music was heading. "Death Collage" was assembled by The Residents in tribute to Snakefinger. The material spans his work from 1971 - his last show in 1987 and to my knowledge, is out of print.
Snakefinger had joined The Residents for this album and his influence can be heard. With the cd release of "Fingerprince", The Residents were able to put all the material for their opera (Tourniquet of Roses) onto a single format, the way it was originally conceived. Previously, it had been divided between a double album, called "Fingerprince" and another called "Babyfinger" due to the length. This was a pivotal transitional album for The Residents and many of their later works were extended from "Tourniquet of Roses".
For anyone reading this that isn't very familiar with The Residents yet, the first thing you may realize is their material requires listening to more than once and more than one release. They are not like anything else you may have thought you knew about music or life. Once over that hump, the next stage seems to make listening to anything else dull in comparison. There's plenty of material to choose from due to the history of The Residents spanning over 30 years with over 60 + releases. Their website, http://residents.com/historical/index.html, has more explanations of the themes and lyrics found in their music. Ralph Records also announced they are re-releasing some material that's become hard to find.
"Six Things to a Cycle", which is a ballet. The plot outline was provided by The Residents reads: "Man, represented as a primitive humanoid, is consumed by his self-created environment only to be replaced by a new creature, still primitive, still faulty, but destined to rule the world just as poorly." -- Cryptic Corporation
This is Snakefinger's first full length album which was co-written with The Residents and produced by their label, Ralph Records. It seems that Philip Charles Lithman (Snakefinger) has been a very busy guy lifting himself out of obscurity over the last couple of months with a My Space page, an excellent overview (including his first single, "The Spot") and another website listing several other releases. I suggest you grab them. Even though "Chewing Hides The Sound" has been posted elsewhere, I'm going to list it here as well because it's just that good.
This is Snakefinger's most mature work. He died the same day "No Justice in Life" was released as a single and left a huge void in music. See the previous post for more about Snakefinger. I would love to hear the live cd recorded in Chicago by the same name.
Snakefinger (Philip Charles Lithman 1949-87) was also known as the 5th Resident. He got his nickname because his fingers looked like snakes when he played guitar. Both his guitar work and imagery are very imaginative, vibrant, and unique. There will never be another like him.
This blog is my little corner of the web. My intention is to explore creative, obscure, overlooked, or out-of-print non-mainstream music. Let me know what you think, have anything to add, or run into any problems with the links, Enjoy!