Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, September 17, 2020

Cleaning House and Enjoying It: Another Midwest Musing

 
Today I cleaned my office. Since the pandemic hit, it has gotten dustier and more cluttered than I usually let it get. Books on the floor. Notebooks leaning again the baseboard. CDs strewn across the desk. Yikes!

So today was the time to bring some order to this space where I spend so much time. It is a lovely place to be -- up on the second floor of our house, looking out over the woods that overlooks the prairie. And when it's neater and cleaner, I enjoy it more because I am sort of a neat freak. 

What I enjoyed most, though, beside the lack of dust and newly restored order, was looking over the eclectic collection that fills this room.

There are the books, of course, as evidenced by the photos. And some of them are ones I didn't write. Ha. There are books of poetry, humor, history, theology, fiction, comic books (old -- and I mean old! -- Mad magazines and DC comics), and more. 

There's a whole collection of ancient Wittenburg Doors. There's a whole section of shelves containing autographed books by friends and authors I've met over the years. 

But the shelves also hold a bottles of Winomycin Elixir (looks a lot like Sutter Home Chardonnay) prescribed to me by my late friend Dr. Phil Ball and some wild Guatemalan booze sent by Donna Higgins Smith. There's my collection of "Jesus Junk" ("Jeez-It's" sticky notes, "Messiah Mints -- Save Your Breath", etc.) and Quaker Crap (Fighting Quaker Puppet, Quaker Boy Moose Mate Call, Old Quaker Wiskey, and so on), along with assorted other goofy things. And memorabilia from my misspent youth in Columbus, Ohio. Oh, and a screaming flying monkey that soars across the room. 

Sitting on the shelves are various Snoopys, models I've built of British sportscars (including a replica of the 1966 Austin-Healey Sprite I once owned), awards I've won exhibiting my 1955 MGTF 1500 at various car shows, and old cameras -- including my dad's 35mm Vivitar and its lenses. Unlikely for a Quaker, there are also old cast iron tanks, a cannon, and a grenade cigarette light -- relics of time I spent with my beloved great-uncle Johnny Clemmens. Some of his Army medals hang on a wall.

The walls are covered with all sorts of photos and certificates. The old Ohio title to the MG from when 

dad gave it to me, a leaf from an early 17th John Bill Bible (a printer relative of mine), a 1973 National Lampoon Map of the World (very unpollitically correct, framed book covers, a painting of Quaker Mary Dyer by my friend Lil Copan. 

In the corner, tucked alongside two file cabinets topped by my dad's old chart chest, is my desk. I had it made almost 20 years ago and still love its aging oak patina. It hold my large format photo printer, laser printer, scanner, stereo speakers and computer. It's where I do almost all of my writing and thinking. 

When I was a kid growing up in Columbus, I dreamt of being a writer and having a space like this. I also was intrigued by the collections various adults in my life had -- Dad and his stuff, including fake business cards that said things such as "If I give you a going away present, will you go away?", Uncle Johnny and his model tanks and record collections, Mom and her books and boxes of family photos. For the past almost 20 years, I've been lucky to have had the writing space I always dreamed of and a place to put my weird collection of stuff. It's been a haven -- a little bit of normal (or abnormal in my case) -- in this scary, dangerous time. 

And a place to further reinforce their grandfather's craziness to my grandchildren. Though they do seem to enjoy playing with the toy cars, Woodstock and Snoopy, the marshmallow shooting air gun, et al. 

"See you 'round like a donut," they say when they leave. Wonder where they got that?


Monday, April 29, 2013

Learning to Trust What Shimmers -- A Guest Post by Christine Valters Paintner

 Learning to Trust What Shimmers
 
Our habitual ways of perceiving the world, which help us navigate things like stopping at a red light or stop sign, also stand in the way of seeing the world in fresh and new ways.
 
In my book Eyes of the Heart: Photography as a Christian Contemplative Practice, I find inspiration in the ancient practice of lectio divina, or sacred reading.  In lectio, we read scripture and listen for what word or phrase is shimmering. This practice is always in service of contemplative vision in daily life.  Lectio invites us to slowly see more and more of the world as a sacred text, ripe with possibility for meaning.  We can expand our contemplative practice to include a kind of visio divina, or sacred seeing, where we gaze on a painting or photograph we love and look for something that shimmers – perhaps a symbol, a color, a brushstroke, the play of light and shadow.  And in that shimmering we know there is a gift for us, even if we don’t fully understand its meaning in the moment.
 
We can then expand our practice of sacred seeing even further to include what we see all around us in our daily lives.  What would it be like to move through our day, watching for what shimmers, waiting to receive these moments of revelation, and then savor them? 
 
A question I often receive from people cultivating the contemplative path is: How do I cultivate trust in what shimmers?  How do I know what I am drawn to is sacred? 
 
We are so used to moving through the world analyzing and judging, bringing our expectations to each encounter, planning for the next several steps ahead.  It can feel awkward to bring ourselves fully present and draw on intuition, wisdom, and experience, rather than logic and analysis, to see what is most true.  This heart-centered knowing comes through practice. 
 
The most essential way I learn to trust what shimmers, is to ask myself if this encounter increases my compassion.  Do I feel a sense of expansiveness toward myself and others?  When the holy shimmers before us, it is always in the service of greater love.
 
As I cultivate this practice of attending to the gifts the world has to offer me, to what shimmers, I am at the same time nurturing the opening of my own heart.  Our minds harden our defenses, but the heart softens and blooms forth slowly, so that we find ourselves looking with more compassion on those who annoy us, and perhaps later, those we actively dislike, and finally those we have previously ignored and not even allowed into our line of sight. When we discover ourselves surprised by love and grace, we come to trust what shimmers forth as gift.  We receive without needing to figure things out.  We begin to follow the thread of moment by moment revelation, not knowing where it leads, only embracing the call to see with eyes of the heart.
 
Christine Valters Paintner, PhD, is the online Abbess at Abbey of the Arts, a virtual monastery and community for contemplative practice and creative expression.  She is the author of 7 books on art and monasticism, including her latest, Eyes of the Heart: Photography as a Christian Contemplative Practice (Ave Maria Press). Christine currently lives out her commitment as a monk in the world with her husband in Galway, Ireland.

Thursday, April 25, 2013

"Eyes of the Heart" -- A Review

Eyes of the Heart: Photography as a ChristianContemplative Practice, Christine Valters Paintner’s latest book, is moving, helpful, challenging and inspiring.  Which is not surprising, given Christine’s record of turning out such books (two of my favorites are The Artist's Rule: Nurturing Your Creative Soul with Monastic Wisdom and Awakening the Creative Spirit: Bringing the Arts to Spiritual Direction).



Christine, besides being an author, is a Benedictine Oblate, writer, artist, spiritual director, retreat facilitator, and teacher. She’s also the on-line abbess for Abbey of the Arts, an amazing site that you should know about, if you don’t already.  I’m a regular visitor to the site and participant in her “Invitation to Photography” spirituality exercises.  She’s going to guest blog here soon!



As a photographer, as soon as I heard about Eyes of the Heart, I knew I wanted to read it.  I was not disappointed.  Christine is a wise writer and grand guide into the idea of combining contemplation and photography.  I appreciate this as I’ve been doing what I call “praying with my camera” for years.  In some ways, Christine’s concept is similar to Sybil MacBeth’s concept of “Praying in Color” -- an active, visual, and meditative form of intercessory prayer.



We find that the title comes from Ephesians 1:18 when Christine writes, “Photography as a spiritual practice combines the active art of image-receiving with the contemplative nature and open-heartedness of prayer.  It cultivates what I call sacred seeing or seeing with ‘the eyes of the heart.’”  Of course, this resonates with me – having written myself about learning to see deeply as a spiritual practice (Mind the Light) and the integration of body, mind, and soul to experience the Divine as we move through this world (Awaken Your Senses). 



Eyes of the Heart is filled with thoughts helpful and inspiring.  “For me, both art and spirituality are truly about tending to the moments of life: listening deeply, holding space, encountering the sacred, and touching eternity.  For a few seconds I touch time beyond time and in that spacious presence my heart grows wider, my imagination frees, my breath catches, and I am held in awe and wonder.  These are the moments that help to make life full of meaning.”  Indeed.  Words such as that are an invitation to experience God breaking through – via the means of a simple tool that many of us have in phones even, a camera.  It’s a gadget that is often thought of just as that – a gadget – rather than a entry into eternity and spiritual experience.  Christine’s book helps us broaden our spiritual horizons whether through phone camera or professional DLSRs. 



Make no mistake.  This is no book solely for photographers.  It is for anyone who desires a fresh way of connecting the visible daily life with the often unnoticed Divine presence in it all.  It opens a new way of seeing God at work in and around us.  We behold beauty, life, truth and love as we learn to notice – as we accept Christine’s invitation to “see with the eyes of the heart.”

Sorin Books (2013)
152 pages, paper, $15.95

Saturday, February 27, 2010

Quaker Wisdom for Today

"For communication with art helps us to see. Unless the artist in us functions readily—as it did for Jesus, St. Francis and George Fox, for instance— we actually see very little in life. We recognize, we identify, we evaluate: we see what we remember, usually distorting what we see to fit the pattern of memory. Ordinarily, we see with scales of habit on our eyes. Art teaches us, as Blake puts it, to see through, not with the eyes. We see from a depth within us, and therefore see the depths in things. Clive Bell said that art grasps the universal within the particular. This implies, not Pantheism, but the world as the language of God, wooing the human race, awakening that of Himself within persons."

-- Dorothea Blom

Friday, October 23, 2009

Quaker Wisdom for Today

"The truth which the artist seeks and which he expresses through his Art is part of the Universal Truth, just as the truth sought and expressed by the philosopher and the scientist and the theologian is part of the Universal Truth. The man who can only see the significance of his own specialised field of vision may not mar his own contribution, but inevitably he will impoverish it. Happy is the artist, the philosopher, the scientist or the theologian who recognizes that all Truth is one."

-- Elfrida Vipont Foulds

Friday, September 04, 2009

Quaker Wisdom for Today

It appears to me to be one important means of helping the human mind in a healthy state, that in recreations which are needful for it, it should be trained as much as possible to look to those things that bring profit as well as pleasure with them. ... Surely He who formed the ear and the heart would not have given these tastes and powers without some purpose for them.

-- Elizabeth Fry (1833)

Wednesday, July 01, 2009

The Art of Faith: Awkening Your Senses to the Wonder of God

If your faith has flat-lined, if you're bored with church, if you're weary of words -- then come and recharge your spirit by participating in The Art of Faith workshop that Beth Booram and I are co-leading this fall in Indianapolis.

Using a creative blend of artistic elements, contemplative exercises, and interactive activities, The Art of Faith will breathe fresh life into your soul and awaken all your senses to the wonder of God!

The Art of Faith workshop helps people of faith learn how to experience a daily round of beauty through their five senses and the fine arts. Its purpose is to enlarge our souls in a way that cannot happen merely through participating in a weekly worship service. The workshop's aim is to introduce participants to experiences of the God who created us soul and body – and to see our bodies as transmitters of spiritual wisdom and experience.

This is a workshop where participants don't just talk about meeting God, instead they experience the Divine in ways that are sensory and participatory, using various artistic mediums to help them encounter God. The content and presentation are highly creative, utilizing artistic elements, contemplative exercises, and engaging interaction.

The first "Art of Faith" workshop will be held Saturday, October 3, 2009 from 9:00am - 3:00 pm at Trinity Church (6151 N. Central in Indianapolis, IN).

Sessions include:

  • I. Sensual Spirituality: Awakening All Five Senses to the Wonder of God
    Activity: Touching, Smelling, Seeing, Hearing and Tasting the Divine
  • II. Picturing the Face of Jesus, The Face of Welcome
    Activity: Art Contemplation and Imagining Prayer
  • III. Paying Attention in Love
    Activity: Interactive stations
  • IV. Picturing the Face of Jesus, The Face of Compassion
    Activity: Collaborative art

The Art of Faith costs $35 if you register before September 26. The cost rises to $45 after September 26.The registration fee includes snacks, lunch, materials, and four workshop sessions. Online registration will begin soon and space is limited.

For those of you who don't know Beth, she's is an exceptional communicator who has authored a number of excellent works, including The Wide Open Spaces of God and Picturing the Face of Jesus: Encountering Christ Through Art.

I hope you'll join us on October 3!

-- Brent

PS We hope to take this "show" on the road -- so if you know somebody or someplace you think would be interested in hosting "The Art of Faith" please let me know!