Showing posts with label limited palette. Show all posts
Showing posts with label limited palette. Show all posts

Sunday, April 17, 2011

Storyteller Progress

Some classes are finished constructing their storyteller sculptures...

A week or two to dry and bisque fire then we can begin to paint. I'm thinking I'll keep them to a limited palette of browns, black, white and maybe turquoise...


And another view...


I think the animal figures have turned out much better than the human figures this year...


but we'll see what happens after the bisque firings...hopefully there will be no explosions or other surprises in store for me!

Monday, January 24, 2011

Storyteller Dolls Part 2


Sorry for the delay in posting Part 2 but I had inadvertently left my camera at school so had to send someone to retrieve it. Steps are illustrated using Play Doh which has not been in our house for YEARS now so please excuse the poor construction details - ceramic clay is SO much easier to shape and blend....

To build a storyteller, students begin with a slab for the base, a coil/cylinder of clay for torso, smaller coil/cylinders for legs/feet and arms/hands with a sphere for the head. Hair could be painted on later in the process or made of clay - many chose to make braids or buns for the human figures.

Step 1: Use a ball of clay and press it into a small slab for your base. (While students could choose to do a standing figure, none of my 4th graders did it successfully without a base to balance their sculpture).


Step 2: Build a thick cylinder for the torso and attach to base. I use a 'score, slip, press' method for attaching my clay pieces.


Step 3: Make 2 cylinders for legs. Attach to bottom of torso AND base with 'score, slip, press' method. Form ends into feet shapes.


Step 4: Make 2 cylinders for arms. Attach to top edges of torso AND tops of legs where they will rest with 'score, slip, press' method. Form ends into hand shapes.

Step 5: Form a ball for head shape. Attach to top of torso with 'score,slip, press' method. Make sure students then blend the 2 pieces to make a neck transition between pieces so it looks more natural (hard to do with Play Doh...)


Students went on to adding details to their main figure: hairstyle, facial features, clothing, drum, bowl, etc. When ALL details were finished AND assessed by me, they could begin adding the smaller figures.

Smaller figures (children or small animals) were made using small coil/cylinder and ball shapes. Make a short slit at the top and bottom of the coil/cylinder and bend into arms and legs. Attach the ball as the head. Add details.


Attach smaller figures with 'score, slip, press' method in various places on the main figure. Some students were adept at creating clay details for the children but most just used paint to add detail. All my students were expected to have at least one small figure attached for the work to be considered 'finished'. Most had many more than that...


Some students opted to have animal storytellers - so they needed to develop a plan for the major body shapes needed for the figure. Popular main animal figures were bears, turtles, or dogs.

Once again, remember that small figures, whether children or small animals, are made when ALL details on main figure are completed.

When constructing the sculpture it's important to remind the kids that ALL views should be interesting in a 3D artwork.




This was a lengthy project but the kids were very engaged from start to finish. Due to the thickness of some pieces, the artworks were left to dry for 2 weeks before firing. When I labeled the greenware on the final day of completion, I used a 6" weaving needle to pierce the thickest sections (in a hidden area) to enable quicker drying and lessen the chance of explosions during the firing.


Students later added color with watercolor paint - brown for skin areas and limited colors for clothing. Animal figures are painted in realistic colors. I've also seen student work done using only black, white and tan for the color palette.

I think glazes would be more appropriate for older students who have better fine motor skills. I did allow my students the option to add facial features with a fine, black felt-tip marker, which turned out quite well.

I hope to repeat last year's success and will be sure to post pix as we go along this year. Enjoy!

Sunday, January 2, 2011

Self-Portraits in the style of Jean Dubuffet

Earlier this year, I wanted something new to get across the differences in directional LINE (horizontal, vertical, diagonal) for my third graders. In the past, I used the many wonderful works of Mondrian to teach horizontal & vertical lines but as much as I LOVE the results, I was ready for a change.

I was reading through my weekly email from Art Knowledge News when I ran across an example of the work of Jean Dubuffet. His work intrigued me and his self-portrait had just what I needed!



The materials for this project are simple: 12"x18" white drawing paper, pencil and eraser along with colored markers. It's a lengthy project - at least for me as I have 45 min. classes held once a week. But the results were wonderful!


To start the project, I created a Keynote presentation/slideshow of Dubuffet's work. We discussed his use of LINE (straight, curve, angle, broken), SHAPE (organic, geometric) and COLOR (predominately black and white with a few other colors).

Following the intro discussion, we began the self-portrait using pencil. Students were instructed to draw a large oval shape with curve lines to designate neck and shoulders. To ensure that the head size was large enough for the detail work to come, I checked each drawing closely at this stage and had the students make size adjustments where needed. Next up was basic portrait proportions while referring to Dubuffet's style. So the eye, nose, mouth shapes were similar to his while reflecting the student's own facial features. Hairstyles were added along with a personal clothing/shirt choice.

Next up - using line, students divided the open SPACE to show Dubuffet's style once again. Watch closely at this point - most got carried away and needed some time for erasing.

When the pencil drawing has been assessed and corrections made, students traced all pencil lines with a black marker.

FINALLY we got to the best part: COLOR!! Following Dubuffet's example, my kids chose a limited palette - adding only 3 colors to the black (marker) and white (paper). At least that was my direction but, as usual, some got carried away and used just about all the colors in front of them! Next time, I'll eliminate the temptation so they only have their 3 color choices in front of them.

In addition to using those directional lines, they also had to BALANCE the striped areas with both solid and white spaces to show UNITY throughout their work as did Dubuffet. This was the hardest part for 3rd graders - next time we'll slow down and spend some time clarifying and modeling correct balance...

Once the drawing is complete, it's cut out and glued to a black 12"x18" background.
We packed a lot into this project and the kids were quite proud of their work when all was said and done!








As usual, students added their own unique twists to the requirements (in spite of my specific directions to the contrary, in some cases) and I loved the results (in most cases). They've given me some new ideas for next time around...There were enough excellent successes to completely fill our office bulletin board. This project is definitely a keeper!!!

Monday, May 17, 2010

Woven Pouch

My third graders are beginning to complete their woven pouches. Thought you’d want to see some pix. The students chose a limited palette of 5 colors of yarn. It’s always fascinating to see how the color combinations they choose match their personalities!



The lesson was adapted from the book You Can Weave! Projects for Young Weavers written by Kathleen Monaghan and Hermon Joyner. We used the cardboard from cereal boxes to build our looms.



I have found that using a template to guide the cutting of warp spacing for the loom saves a lot of time. I used to be a purist & taught them how to use a ruler to measure the spaces. I stopped doing that when I realized we were using an entire 45 min. period just for measuring!

I color code the templates so each class has a different color - keeps me from mixing them up! Another tip I use to help speed things along is to pre-cut the yarn into 24” lengths. They really enjoyed using some of the variegated yarns I borrowed from the 4th grade braiding projects.

I’ll be teaching the woven pouch project at our state conference this fall so it’s nice to have these great examples…If you’d like the lesson plan, email me & when I write it up this summer, I’ll send you a copy!

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