Pinball: A Graphic History of the Silver Ball

I have read a bunch of comics by Jon Chad over the years, including his Science Comics entry about volcanoes, his Leo Geo books, and The Bad-ventures of Bobo Backslack. I have even checked out his multi-genre/multi-media collection Bad Mask, which is an inventive collection of texts. I have always been excited to experience his artwork and storytelling, both which usually press the boundaries of comics. Here, in Pinball, what he does is use comics to try to communicate the kinetic action and vibrancy of pinball machines while also telling their history.

I came of age in the 1970s and 1980s, so pinball machines are something I am well acquainted with. I spent many a quarter trying to keep silver balls in play while ringing up bonuses and being distracted by flashing lights. They seemed a relatively harmless entertainment, and I had no idea about their origins and links to organized crime and alleged juvenile delinquency. They were sort of the video games of their time, a new type of entertainment technology that got unjustly blamed for social ills. 

Pinball machines had a long ride as a popular amusement, and this book does a great job chronicling their rise and decline, with a good deal of information about their designers and technological advancements. It is a marvel just how much goes into making these machines, a complicated combination of engineering and computer programming. I learned so much about the technical and cultural aspects of pinball while reading this book, and it is a dense, rewarding account. I am not sure if the topic would appeal to everyone, especially the more technical aspects of pinball machinery, but I think that it has something important to say to any audience in terms of how popular technologies emerge and evolve.

All of the reviews I have read of this book have been positive. Publishers Weekly summed up their starred review, "Cracking this one open evokes the delight of snapping back the launcher in the arcade." Leonard Pierce wrote, "Pinball: A Graphic History of the Silver Ball isn’t going to set the comics world on fire. It’s a niche guide to a niche game," but he also called it a "a surprisingly deft combination of social history and how-to manual" and "downright charming." Brian Salvatore opined that it is "a lovingly crafted, expertly presented exploration into something that has rarely been thought of this deeply before."

Pinball: A Graphic History of the Silver Ball was published by First Second, and they offer a preview and more here. And if you want to learn more, Chad talks about his work on the book in this interview.

The He-Man Effect: How American Toymakers Sold You Your Childhood

I am a big fan of Brian "Box" Brown, a comics artist who uses a clean, minimalist art style to tell many a nonfiction tale. Here, I expected to get a story about toys and toy companies, but I got so much more. This book touches on many aspects of the social studies, including history, government, and psychology in explaining the arcane and calculated strategies that have shaped modern generations. This book begins with a look at propaganda from World War I and then traces how the strategies used to sell war to a population were turned to selling goods to people, notably toys, comics, and cartoons to children. 

Box Brown goes way-back to the roots of the propaganda.

Along the path of this explanation, Brown touches on many issues, including the work of psychologist (and Sigmund Freud's Nephew) Edward Bernays, a pioneer in the field of public relations; the evolution of public domain; the importance of children engaging in imaginative play; the great toy boom set off by the popularity of Star Wars, and Ronald Reagan-era policies that deregulated the connections between advertising and children's programming. As you can see, if you are interested in tracing a great many social issues about nostalgia, marketing, and public consciousness, this is the book for you. It critiques our modern culture, delving deeply into what shaped it and what we might do differently in terms of being a literate person in the 21st century. What could have been a trifling book about playthings turned out to have much more gravity.

This book's author Box Brown has drawn a number of nonfiction graphic novels. including ones about Andre the Giant, Andy Kaufman, Tetris, and Cannabis. He also published the fictional biography Child Star. Of late he is publishing a web-comic about the state of Cannabis in the USA, Legalization Nation, and is the midst of Kickstarter campaign to fund a print compilation of those strips. He speaks about his work on The He-Man Effect as well as a number of his other works in this article.

All of the reviews I have read of this book have been positive. Kirkus Reviews summed it up as "a boffo cartoon history of the deliberate manipulation of children's minds." April Spisak called it "another clever, sharp, and well-researched graphic novel that explores a pop culture non-fiction topic in close detail." Timothy ONeil wrote, "It can sound hyperbolic to call this book important, but it really is... The way nostalgia and brands have been entrenched in our culture is only growing bigger, and it’s important to understand how we got here."

The He-Man Effect was published by First Second, and they have a preview and much more information here.

Four-Fisted Tales: Animals in Combat

Four-Fisted Tales is a highly entertaining and informative book that taught me all sorts of things about animals in combat. Apparently, the US military has been using dolphins for all sorts of missions (allegedly, because lots of info about it is classified) for decades. Among the many things I also learned from this book are that World War I soldiers marshaled fireflies to help create natural light at night that did not give up their positions, rats can be trained to be highly effective at detecting land mines, and slugs were used to protect soldiers from mustard gas. Also, there are fascinating stories about animals like dogs and bears that not only served as mascots for specific units but also got involved as actual combatants. Truth is truly more fascinating than fiction. 

From a heroic tale about a messenger dog named Satan.

What really makes these tales work is the masterful artwork that portrays various species not only with accuracy but also feeling, as well as detailed depictions of vehicles, buildings, landscapes, and other realistic features that make the environs of each panel live and breathe. Consequently, Four-Fisted Tales invites multiple re-readings, as it is easy to breeze through the whole book due to its fascinating subject matter and clear storytelling, but it also features intricate artwork that can be pored over again and again. Additionally, the war stories are compelling in and of themselves, without sugar-coating so even the more whimsical tales remind readers of the grim realities of battle.

This book's creator Ben Towle is a professor of illustration at The Columbus College of Art and Design. He has been nominated for 4 Eisner Awards, and is known for comics that tell fantasy tales, like Oyster War, and others that are nonfiction graphic novels like Amelia Earhart: This Broad Ocean. He speaks about his work on Four-Fisted Tales in this interview.

A 2022 Eisner Award nominee for Best Publication for Kids, this book has been well-reviewed. Rob Clough wrote, "Towle tells stories that are cruel and absurd as well as frequently funny and even inspiring, and it’s important to acknowledge that it’s all part of the war experience." Greg Burgas opines that it illuminates "a neat aspect of a depressing part of history – war ." Publishers Weekly called it an "undeniably captivating book."

Four-Fisted Tales was published by Dead Reckoning, and they offer more information about it here.

I had the pleasure of getting a copy of the book from Towle at HeroesCon this past weekend. He drew a lightning bug in my copy, and he is a swell fellow!

Yummy: A History of Desserts

Yummy is the first graphic novel I have ever read where food sprites are the narrators. Our main host is Peri, and she has great enthusiasm for all things sweet. She embarks on a highly engaging, deep dive into the history of desserts that also spans the globe. There are chapters about cake, pie, donuts, ice cream, gummies, brownies, cookies, and macaroons, and I learned a lot about each delicious sweet as well as world history and even some science. What is more, she is accompanied by two other food sprites who give insights into major innovators in the worlds of desserts and baking, like Fannie Farmer, as well as dispelling myths or exploring legends about the origins of specific foods like chocolate chip cookies, waffle cones, and nun farts (for real). There are even recipes for delights such as ice cream, snickerdoodles, and blueberry pie.

Along the way, I also saw lots of insight into how sociocultural matters have influenced dessert. At first, they were only really for special occasions or available to those either lucky enough to live in places where specific ingredients like vanilla or sugar could be cultivated. Also, the time and energy put into making some of these foods also meant that they were likely only for those rich enough to afford bakers to make them. Over time, innovations due to increased trade and travel meant that some foods evolved, such as egg tarts in China coming from goods originally traded from Portugal or the Persian beverage sharbat evolving into Italian sorbetto and eventually American sherbet.

There is so much jam-packed into this book that makes it rewarding to read and re-read. I suggest that it be approached in chunks, as there is a lot to take in, even for enthusiastic readers. Also, some sections are a little text heavy, but the colorful illustrations and characters bring a great sense of joy and energy to the proceedings. This book is a delight to read as well as a treasure trove of information.

This is the debut graphic novel by Victoria Grace Elliott, though she is not a newcomer to comics. She is best known for her webcomic Balderdash, or a tale of two witches. She speaks more about her work on this graphic novel in this interview and is currently working on the sequel, Yummy: A History of Tasty Experiments.

All of the reviews I have read of the book have been positive. Jason Flatt called it "smartly crafted, adorably illustrated, wonderfully rich." Steven Thompson observed, "Although ostensibly about foods we know, we also learn a considerable amount of geography, ancient history, and even more than a smattering of science." Lisa Gullickson wrote that the book is "charming beyond measure, and that is what makes the message so effective."

Yummy: A History of Desserts was published by Random House Graphic, and they offer more information about it here.

Save It For Later: Promises, Parenthood, and the Urgency of Protest

We are living through "interesting times," and Save It For Later is a great collection of essays that survey much of what has been transpiring over the past decade, with a rise in fascism as well as the need for political action and attention to our environment. These essays do not offer easy answers, but they do offer insight into how one might speak to one's children about the world and how they should act in order to make sure that they have a future that is equitable and safe. It is a raw and emotionally direct book that elicits feelings of pain and anxiety that accompany difficult events. It is also a harrowing look at political movements that seek to silence many and enforce a single autocratic ideology.

It would be easy to say that this book is a response to the rise of Trump, and now that he is gone many of the issues brought with his regime are gone with him. But these essays show that his presidency is but one manifestation of a slow, persistent political tide, where white supremacists and toxic masculinity have amassed political currency for hatred and authoritarianism. He also points out many ways that a progressive response to this should not be to ridicule or treat these movements as clownish, even when they might seem ridiculous, because the consequences of their actions can be harmful and even deadly. 

Still, the book is not all gloom and doom. Hope does lie in the future, with people who strive to find justice despite adversity, but it will take a lot of effort from many. Taking up the mantle of figures like John Lewis, this book is about how parents can talk to their children thoughtfully, discuss the political world, and act in ways that promote equity, equality, and freedom. It is not an easy book to read, but I feel it's an important one, especially right now.

This book was created by Nate Powell, one of the most accomplished graphic novelists of his generation. He is a veteran creator with a long list of praised works, including the Eisner and National Book Award winning March trilogy. He has also drawn a number of other graphic novels, such as The Silence of Our Friends, Swallow Me Whole, Any Empire, Come Again, and Run. He speaks about his work on these essays in this interview.

All of the reviews I have read about this book have been positive. In a starred review, Publishers Weekly concluded, "This sincere volume carries off parenting inspiration with gravitas." Henry Chamberlain wrote, "Powell manages to retain a certain level of rawness that adds authenticity. This is a real person who is just trying to figure things out, what’s best for him, his family, and his community." Hillary Chute called it "an absorbing reflection on intergenerational inheritance."

Save It For Later was published by Abrams, and they offer a preview and more here.

Turner Family Stories: From Enslavement in Virginia to Freedom in Vermont

Turner Family Stories is one of the most unique and interesting books I have read in recent times. It is a collection of comics that adapt an oral history recounted by 100-year-old Daisy Turner in 1983. These stories explored her family history, from her ancestors being abducted from Africa to her parents being slaves who eventually found freedom, as well as their way to New England, to her own struggles with equality throughout her life.

Of particular note, she spoke extensively of her legal battle with a white man who had promised to marry her but reneged and tried to destroy her life and reputation. Such first-hand accounts of history are powerful enough on their own, but here are made even more potent by translating them into comics.

As a collection of stories, this book employs a number of artists. I was highly engaged by the framing narrative, about two youth who speak to Daisy, leading to  separate accounts about her and her family, including the tale of how her parents made their way to Vermont, an adventure where her dad showed off his prodigious strength, and a supernatural episode when her mother needed help. The varying art styles, some more cartoonish and others more realistic, complement each other, lending a wide arrange of expression to the book. I think this collection is an excellent book as a teaching tool or for a fan of US or civil rights history. I hope that it is read far and wide.

Turner Family Stories was edited by Jane Beck and Andy Kolovos and features comics by Marek Bennett, Francis Bordeleau, Lillie Harris, Joel Christian Gill, and Ezra Veitch. The cover was drawn by Robyn Smith. It also couched well in history, with a foreward by Gretchen Holbrook Gerzina, introduction by Julian Chambliss, and preface by Jane Beck. There are interviews with artists Bordeleau, Harris, and Veitch about their work on this volume here.

I was not able to locate any reviews of this book online, though it did have a 5 (out of 5) star rating on Goodreads as of this writing. This superb book certainly deserves more attention!

Turner Family Stories was published by Vermont Folklife Center, and they offer previews and much more about it here.

History Comics: The Wild Mustang: Horses of the American West

The History Comics series began last year, and I was impressed with the initial offerings. This volume, The Wild Mustang, lives up to the great start, featuring a wide range of history that touches on matters of biology, plate tectonics, politics, and culture wars. The story begins hundreds of millions of years ago when horses first evolved in what is now North America. About 150 million years ago, there were none of these creatures left there, as they had all migrated to other continents and were isolated by continental drift. It was only with the re-introduction of the Spaniards and other colonial powers that these creatures returned to where they originated.

What I liked about this book was that it takes a long view of history but also makes sure to show how these animals were used for various social and political means. Aside from agrarian labor, they were used for war purposes, for the Spanish to conquer native people or the Comanche to dominate land and property. It counters a lot of the romantic thinking of some idealistic native species that embodies the spirit of the American West, showing how they have since propagated, been hunted and slaughtered, and later protected by various laws, many championed by Velma B. Johnston (AKA, Wild Horse Annie).

This book is dense with facts, but it is still very readable and engaging. Plus, there are plenty of resources for further information in the end papers of the book, making a great starting point for eager readers. I think it would be attractive to people who love horses but it's also good for a general survey of US history and a great model for what historical research focused on a specific subject can look like. The artwork captures the energy of the animals and also communicates many shifts in scenery and tone, from pastoral plains to meat packing plants to villages to courtrooms. It's a excellent text to teach about the complexities of history in an entertaining and relatable medium.

This book's creators, writer Chris Duffy and artist Falynn Koch, have created a number of other graphic novels. Duffy has written or edited a number of anthologies, including Fairy Tale Comics, Fable Comics, Nursery Rhyme Comics, and an anthology of World War I poetry titled Above the Dreamless Dead. Koch has drawn a couple of entries in the Science Comics series, Bats and Plagues, as well as a Makers Comics book about baking. Koch speaks about her work on this book in this interview.

The reviews I have read about it have been mainly positive. Kirkus Reviews called it "A surprisingly comprehensive history of wild horses." Brett at Graphic Policy called it "a little weighty at times" but "well worth it." As of this review, it has a 4.05 (out of 5) star rating at Goodreads.

The Wild Mustang was published by First Second, and they offer a preview and more information about it here.

Not A Place To Visit

 

Earth Day is coming up soon, and I could think of no better book to review at this time than this great collection of visual essays Not A Place To Visit. All of the works in these pages explore the environment and how people have transformed it (usually for the worse). All of these essays have some basis in the author's experiences, from his childhood in Colorado, when he lead a privileged life due to his parents both being employed by the petroleum industry.

To his later life when he takes on all sorts of jobs, including working on a paddlewheel cruise ship on the Columbia River, catering to wealthy tourists.

Among the many topics he covers in these essays are the effects of fracking, dams, earthquakes, and floods. He also looks at the impact of industry on the salmon population and California’s Salton Sea. The illustrations are straight-forward and bold, a combination of black & white and color images rendered in pencils. They suit the text passages very well, and both combine to convey a train of thought about how changes in the western United States reflect those in the entire country and also the world. 

All of these considerations have serious implications for the future of how people will have to adapt, but I also appreciated how the past is not shown to be simply "the good old days." Humans have always had some sort of impact on the Earth and its ecosystems, only that the affordances of contemporary technology have hastened and heightened these effects. Also, there are certain trajectories that are tied to capitalism, with those from lower SES groups feeling the brunt of pollution and environmental change. This book is not only informative, it is important for our potential future on Earth.

Not A Place to Visit was created by T. Edward Bak. He has created a number of comics over the past decades, with many appearing in prominent anthologies and sites like The Nib. He has also worked on a longer work, Wild Man, The Natural History of Georg Wilhelm Steller. He speaks about his many comics projects in this expansive interview.

The reviews I have read about this book have been positive. Publishers Weekly called it a "quiet but inspiring dispatch." John Seven wrote that he appreciated Bak's combination of commentary and science and opined that this book "is an excellent primer to where he might be headed and I hope he gets the chance to move further in that direction because I think comics could benefit from his voice." This book is currently rated 4.04 (out of 5) stars on Goodreads.

Not A Place To Visit was published by Floating World Comics, and they offer a preview and more info about it here. Bak also has a Patreon here.

Maker Comics: Grow a Garden!

Happy 2021! It's a brand new year, and some people like to take this time to do something new with their lives. For instance, you might want to do something productive like take up gardening. Well, luckily for graphic novel fans, the Makers Comics series has got you covered. Grow a Garden! has all sorts of helpful insights on how to begin a garden, both inside and outside, with directions on how to plant specific crops, set-up an indoor lighting system to foster seedlings along during weather, and tips on how to compost and create your own rich soil. Overall, I think it's a handy introduction to the rudimentary aspects of gardening. I certainly learned a bunch from it, most notably the need to pay close attention to the specific needs of specific plants.

As you can see from the excerpt from the opening of the book, the artwork is clean and attractive, a style that is cartoonish and inviting to read. It also feels like a book aimed toward younger readers, as a sizable aspect of the book also focuses on setting up the book's premise, namely that there is a bunch of students learning about agriculture at Garden Gnome Academy. I think this premise is clever, but I also feel that it is overly developed for a book such as this. A lot of space goes toward crafting a narrative where the apparent nebbish, instructor Mr. Butternut, is in actuality a superhero named Captain Compost who eventually saves the school from the schemes of fellow teacher Mr. Thorn and his mad experiments with carnivorous plants. In (too?) clever fashion, the students spent a lot of the downtime waiting for plants to grow by reading Captain Compost comic books, so the reveal is a big surprise. 

I  enjoyed reading and learning from this book , and I don't want to poo-poo its whimsical narrative, but I also think it could have used some streamlining. There are a number of places where I think text dominates the narrative flow, and I can't help but wonder if some of the superhero/fantasy story could have been pruned in the interest of delineating more visual directions for gardening.  I have read many books in the various nonfiction series that First Second publishes, and this volume just seems to not maximize its potential for being informative. It is charming, but I also feel that its premise sometimes detracts from its content. The combination of fiction and nonfiction is not harmonious.

This book's creator Alexis Frederick-Frost is best known for his work on the Adventures in Cartooning series, and he's no stranger to fantasy comics aimed at younger readers.

The reviews I could locate about this book often express disappointment. Johanna Draper Carlson concluded, "All this background material means we don’t get to see the gnomes actually grow or harvest much of what they start. Just as the part I’m interested in is beginning, the book ends. Instead of seeing the outcome of a successful garden, we get a superhero battle out of nowhere. I also hoped that there would be more information on fixing or avoiding problems with plants, but there are only a couple of pages on how to recognize when something’s wrong." Melissa McCleary wrote, "Overall, this installment of the series fails to meet its basic goals of both educating readers and presenting an enticing story; the structure ultimately cancels both out."

Grow a Garden! was published by First Second, and they offer a preview and more info about it here.

Dragon Hoops

If you have been reading graphic novels (or this blog) for any length of time, you are probably familiar with this book's author Gene Leun Yang. He is one of the premier comics creators working today and a former National Ambassador for Young People's Literature. Additionally, he was awarded a MacArthur Fellowship and has also won the Printz Award for his graphic novel American Born Chinese. He also has won multiple Eisner Awards. He has explored themes of immigration, belief, identity, and growing up in his many works, including The Eternal Smile, Level Up, The Shadow Hero, the twin volumes Boxers & Saints, and New Superman. And (fun fact), I'll be talking with him this week about Superman Smashes the Klan.

 

The work on hand here, Dragon Hoops, is a rather personal one, about the 2014-2015 Bishop O'Dowd High School basketball team and their march toward a state championship. At the point of this story, Yang had worked at the school for 17 years but was not really much of a sports fan. Part of what drew him to the tale was the fact that the school had made the championship game before and was 0-8. Coach Lou Richie was an alum who played in one of those games and had coached teams in a few more, so his deep involvement and passion are palpable. Further, Yang was fascinated by the collection of players, a diverse set of high school boys with different viewpoints and goals, and how they came together as a team. So, there are lots of people to root for and engage with in this book. As a slight spoiler, Yang becomes a sports fan at the end of the book.

He does a superb job of tackling individual games and the drama they contain. His storytelling in these instances is as powerful as any sports narrative I've read or seen. But this book goes beyond the games. It lets us get to know the students (at least the ones who let Yang get to know them). It shows a side of what being a student athlete entails, with a nuanced exploration of race in multiple arenas. It also dives deep into history, giving background on the school, Catholic schools in general, and the history of basketball going back to Dr. Naismith. The coloring by Lark Pien further makes the games dynamic but also elucidates the many facets of the story. The work on this book is clearly extensive and beautifully presented.

Pushing beyond the boundaries of the sports narrative is a long thread of Yang making explicit that this book is a comic that he is composing. As such, it is full of omissions, biases, and intentional choices to force a certain type of narrative on the proceedings. It is fascinating to see him struggle with the decision to include Coach Phelps, a legendary figure at the school, because of unsettled allegations of sexual misconduct. It is also interesting to see him wrestle with two large decisions, one of whether to quit teaching and focus on creating comics full-time, the other whether or not to accept the position to write Superman for DC Comics, which is a lifelong dream. I also liked some of the metanarrative flourishes, such as when he discusses the specific ways that a student-athlete wants his hair to be depicted, with the conversation literally drawing out his options. This book is clever and self-aware, as much a meditation on the creative process as it is a product of said process.

I can say with authority that this book offers much to a wide array of readers, whether they are sports fans or not. It is a long book but so compelling that I devoured it. Giving more insight into potential audience, reviewer Esther Keller opined, "I think the storytelling style is a bit sophisticated and better suited to high school students, but some middle school kids, especially those into basketball, can and will enjoy the story."

The reviews I have read about this book have been glowing. Michelle Falter wrote, "I love how this book is a sports novel about a coach and his team trying to win State for the first time, but also it delves into so so so much more. It deals with everything from fitting in, microaggressions and racism, to self-doubt and taking chances." In a starred review, Publishers Weekly concluded, "Using a candid narrative and signature illustrations that effectively and dynamically bring the fast-paced games to life, Yang has crafted a triumphant, telescopic graphic memoir that explores the effects of legacy and the power of taking a single first step, no matter the outcome." Jerry Craft wrote, "Framed from the start as a book about the struggle to create a book, Dragon Hoops animates the inner conflict between Gene Yang, computer science teacher; Gene Yang, family man (his wife and four children appear throughout); and Gene Luen Yang, graphic novelist. Is it possible to do all these things simultaneously without literally being Superman?" Kirkus Reviews wrote, "This creative combination of memoir and reportage elicits questions of storytelling, memory, and creative liberty as well as addressing issues of equity and race."

Dragon Hoops was published by First Second, and they offer a preview and more information about it here.

A Fire Story

On Monday, October 9, 2017, Brian Fies and his wife Karen grabbed some things and got in their car for what they thought were precautionary measures because of wildfires. Hours later, they were homeless. 

The fires they escaped were some of the most destructive this country has ever seen, and they ravage Northern California. This book is an intimate look at lives forever changed, how people deal with large-scale destruction in terms of emotional reactions and the practical matters of dealing with relief agencies and other institutional entities. One of the parts that sticks most in my head is Fies dealing with the utilities company, whose representative keeps asking inane questions about whether workers would have clear access to the meter. "Unlimited access," he deadpanned, "but there's no gas meter there anymore." 

The wide array of emotions and somewhat surreal situations that accompany such loss make this book memorable. The personal tale packs a wallop, especially when it is accompanied by several other text pieces told from the perspective of others that the fires affected. As a whole, this book is a wonderfully detailed mosaic of the resilience of the survivors and how some begin to rebuild their lives. This book is moving and informative, giving great insight into how people cope with and survive a natural disaster.

This book's author, Brian Fies began this story as a 18-page comic he published on his blog, adapted it into a Emmy Award-winning animated short, and then expanded it into this graphic novel version. He speaks of the entire process in this video. He also speaks about sharing his story as a graphic novel in this interview. Fies is an Eisner Award winning creator who has created a couple of other graphic novels, the autobiographical Mom's Cancer and the nonfiction long-form essay Whatever Happened to the World of Tomorrow? I also had the honor of being on a panel with him at the 2019 Denver Pop Culture Con.

I was very moved and impressed by this book, but some of the reviews I have read have been more critical. Caitlin Rosberg opined, "It’s a heartfelt, emotional read that has just as much historical and social worth as it does personal value, and a reminder of the best and worst parts of what people can be." Alex Hoffman wrote, "The full book feels scattered, unable to hold the weight of Fies’ trauma." Josh Kramer thought that perhaps the book was rushed and called it "good memoir and inadequate journalism."

A Fire Story was published by Abrams, and they offer a preview and more about it here.

Big Ideas That Changed the World: Rocket to the Moon!

The first book in a new series Big Ideas That Changed the World, Rocket to the Moon chronicles the early days of space travel and ends with a long look at the Apollo 11 mission that landed on the Moon. It is narrated by Rodman Law, an obscure figure to be sure. He was a daredevil, parachutist, and stuntman in the silent film era of cinema.

One of his stunts was to launch himself in a rocket, which gives him insight into the efforts to propel objects and people from Earth. His inclusion is also emblematic of the sort of interesting facts, figures, and events included in this very accessible and engaging book. There is even one notable scene of an astronaut having to track down a stray piece of feces in a space capsule, which is gross and riveting. Try finding that tale in a textbook!

I think that this book does an excellent job of balancing information with entertainment. It certainly tells its story with verve and a sense of humor, but also does not steer away from revolting realities like the sexism evident in early space programs or the role that Nazis played in researching rocket flight. I think that the artwork is detailed and well-researched, and the pacing and story-telling allows ample space in some wordless sections for the narrative to breathe and the grandeur of the larger events to be highlighted.

This book's creator Don Brown has a sizable number of publications under his belt, focusing especially on nonfiction and biographies for school-aged readers. He is known for the Actual Times series as well as the graphic novel The Unwanted: Stories of the Syrian Refugees. He speaks extensively about his work on Rocket to the Moon! in this interview.

All of the reviews I have read of this book have been positive. In their starred review, Kirkus Reviews called it "a frank, often funny appreciation of our space program’s high-water mark." Publishers Weekly wrote, "Brown’s visual storytelling offers humor, vibrancy, and a wealth of historical insight." Esther Keller noted that "Brown creates his own sense of style that will appeal to middle grade readers."

Rocket to the Moon! was published by Amulet Books, and they offer a preview and more here. The second book in the series, about computers, was recently published.

The Nib, Issue 5: Animals

The latest issue of The Nib magazine came out a few weeks ago, and its theme was animals. Not only was I treated to a variety of art styles and tones, I learned a lot from reading this book, including the fact that in the 1930s there was a supposed talking mongoose(!), most fur for clothing comes from a raccoon dog(!!), and Mickey Mouse wearing gloves comes from a minstrel tradition(!!!). I also got to see lots of other interesting information, including distances and migration patterns of various creatures and drawings of a series of endlings, the last known individuals of a species.

Among the more lengthy feature articles, two particularly stood out to me. Arwen Donahue wrote and drew an thought-provoking piece about raising, milking, and butchering goats and how that squares up with her views of vegetarianism, environmentalism, and community. It is not a very cut-and-dried issue, and I appreciated just how much she elucidated a debate about the ethics of farming and raising various sorts of livestock.

Writer Dorian Alexander, journalist Sarah Mirk, and artist Levi Hastings collaborated on an article about the economic and ethical dilemmas regarding smuggling and selling parrots from tropical locales. It is a big business for some, with an impact on local ecologies as well as the people looking to profit from these birds. Not to mention that the birds themselves also suffer because of these practices. What I loved about both of these works was how they mingled personal experiences with research and journalism to make some very impactful writing.

And just to remind people that not everything in this magazine is so heady and complex, there are also a series of gag strips as well as illustrated letters to the editor that round out this collection. I truly feel that the contributors at The Nib are making some of the best comics right now. Herblock Prize-winning, Pulitzer Prize-nominated editor Matt Bors has assembled another murderers' row of creators here.

The reviews I have read of this volume have been positive. Zack Quaintance noted "that that reading experience was quite good, adding that journalism done via this medium is so rare that whenever I come across some of this quality, it tends to linger with me for days (and days...and days)." You can see a bunch of other reviews at Goodreads, where it has a 4.40 stars (out of 5) rating as of this blog.

Content for The Nib is published regularly online, though the print version features exclusive content and comes out about three times a year. You should consider becoming a member and supporting their high quality, independent artistic and journalistic endeavor.

Astronauts: Women on the FInal Frontier

Jim Ottaviani and Maris Wicks are two of the best graphic novel creators who work in the arena of science. They collaborated years ago on Primates, which is one of my favorite books about biology, and here they combine forces again to chronicle the history of women and space flight. They chose to do it through the eyes of Mary Cleave, a veteran of two Space Shuttle flights, which I think gives the whole enterprise a specific and detailed account that makes everything more personal and engaging, even funny at times.

Cleave was involved for a good while with NASA, and so she had all sorts of information about the prerequisites for being an astronaut, the laborious application process, and the intense training program. Along the way, we are privy to info about how astronauts go to the bathroom in space, how they eat, and how they learn to live together in the confinements of their vehicles. I really like how the science here is well balanced with mundane features of space travel. And I got a good look into the workings of the Space Shuttle program as well.

Those looking for general information about women astronauts will also not be disappointed. Even with all the specificity, this book is chock full of other information, including a look at the Soviet space program and Valentina Tereshkova, the first woman to go to space (in 1963!). It took a long while for the US to involve women as astronauts in the space program, mainly due to sexism and relatively few women trained as pilots or engineers. And we get insight into this era also.

The artwork is very attractive and colorful. This book features strongly rendered characters as well as lots of technical details. Emotions shine through well, and we also get to see all the buttons, gadgets, and other doo-dads in clear fashion. It is a substantive and entertaining book that I could see being used for lots of purposes, in a classroom as well as for a free reading choice for the science-curious.

In addition to their collaboration on Primates, these creators have a sizable corpus of science-themed books. Ottaviani has written a number of great graphic novels about scientific inquiry including ones about the early days of paleontology, the space race, physicist Niels Bohr, women science pioneers, and the biographies Hawking and Feynman. Wicks tends to focus mainly on biological topics like Coral Reefs and Human Body Theater.

All of the reviews I have read of this book have been glowing. It received starred reviews from Kirkus Reviews and Publishers Weekly. KR summed it up, "Exhilarating—as well as hilarious, enraging, or both at once depending on the reader." PW remarked positively on Cleave's "colloquial storytelling, humorous observations, and asides are highlights—Wicks and Ottaviani skillfully capture Cleave’s infectious enthusiasm up to the last page." Corey S. Powell wrote, "Its only real shortcoming is that the book leaves you wanting more; fortunately, it ends with a helpful bibliography and list of resources."

Astronauts was published by First Second, and they a preview and much more here.

The Nib Magazine Issue 4: Scams

I just read the fourth issue of The Nib print magazine, and it is a top notch collection of political cartoons, tales, and reports by excellent writers and cartoonists. I am a huge fan of The Nib, as a magazine and as a website that updates fairly regularly (practically daily). As of July, the entire enterprise is independent and reliant on the support of its readers, and I am glad to take this time to highlight what I feel is an excellent source of comics goodness.

This particular issue focuses on Scams, and it covers multiple topics, including the classic Nigerian Prince email swindle, ways that refugees are robbed by supposed help agencies, various Ponzi schemes, seemingly criminal real estate practices, good-old-fashioned counterfeiting, and electronic fraud. The stories are current, topical, and fascinating. Also, many also feature a good dose of humor. I love nonfiction comics, and this book is full of them.

Stand-out stories in this book include:

Emi Gennis's account of John Romulus Brinkley, "The Goat Gland Doctor" who was an infamous huckster with a huge radio signal.

"My Heart Burns" by Yazan al-Saadi and Tracy Chahwan, about smugglers and how they fleece Syrian refugees who are most vulnerable and desperate.

Josh Carter and Liz Enright's "Secret Agent Man," about one father's search for a big online score and its aftermath on his family's lives.

These stories are profoundly moving as well as eye-opening. These are the best kinds of comics: educational, informative, funny, and emotional. There is something here for everyone.

The Nib's website, where original work is regularly published, is here. Memberships to The Nib are available here. Rates start at $2/month, and the print copy costs $4/month. It's well worth it!

They are also currently running a summer fundraiser, if you are just inclined to make a donation, I say it's for a great bunch of folks.

Cannabis: The Illegalization of Weed in America

First off, I meant to have this post up for April 20, but life has been hectic lately, and as you might tell, I have not been posting as regularly as accustomed. Hopefully, this is the book to get me back on track. I am a big fan of Box Brown's work, and in the past his stuff has appeared on my "Best of" year-end lists. This book is unique though in that I am not really that familiar with the topic and it's not something, like professional wrestling, video games, or comedy, that I have been a fan of. So this book was more of a learning platform for me. Cannabis: The Illegalization of Weed in America covers a lot of ground and includes lots of different insights. It shows, among other things,

the science behind getting high on marijuana

an origin myth from the Hindu tradition

a history of false assumptions and spurious science.

And I gleaned much here. For instance, I had no idea who Harry J. Anslinger was before I read this book, let alone that the man almost single-handed created the "war on drugs" as we know it. It is horrifying to see how much he relied on false claims, racism, and prejudice against immigrants to push public policies that have led to decades of abuse, misinformation, and incarceration. A large portion of the book focuses on his work, and he definitely comes off as a villain, which seems appropriate and sadly familiar to some contemporary voices I hear.

There is a lot going on in this work, and it is well researched, with a huge bibliography at the end. I think it may have benefited from some chapter headings to help steer the reader, but overall I feel it does its job well. It contains all sorts of disparate information and weaves it together into a portrayal of the modern take on marijuana use. It also makes a strong thesis for why current policies and views are misguided and wrong. I feel it is a strong piece of comics rhetoric and history, and I highly recommend it.

This book's creator Box Brown has left a big footprint in comics already, founding the indie imprint Retrofit Comics. He has also created a cavalcade of comics, mini-comics, and graphic novels, including his biographys of Andre the Giant and Andy Kaufman as well as his history of Tetris. He speaks about his work on Cannabis in this interview as well as this NPR interview.

The reviews I have read of this book have ranged from good to lukewarm. Jonathan O'Neal wrote, "Brown’s book presents an impassioned case for continuing the discussion over this very complicated issue, and with “Cannabis: The Illegalization of Weed in America,” Brown becomes an important voice in that conversation." Henry Chamberlain called it "a most remarkable book in how it packs together a disparate clump of facts and myths and makes sense of it all." Kirkus Reviews summed up, "Not as engaging as the author’s bio of Andre the Giant, but his uncluttered drawings suit his straightforward argument."

Cannabis was published by First Second, and they offer a preview and much more here.