Showing posts with label writer's block. Show all posts
Showing posts with label writer's block. Show all posts

Plotting vs. Pantsing


A funny thing happened on the way to The End…

As a writer, I’m definitely a ‘pantser’ (as in, I write by the seat of my pants). Don’t get me wrong, I know how my story starts and how it ends, but I’ve always thought that the fun and creativity of writing was in getting from point A to point B.  It’s an adventure.

But for my last book, I was paralyzed by writer’s block to such a horrific extent that I *swore* I would plot out my next story down to the minutest detail. After all, one of my critique partners insists “there is no such thing as writer’s block, there’s just bad planning.” I’m not entirely convinced I believe that, but of one thing I was sure: I never again wanted to stare at a computer screen with one eye while staring down a publisher’s deadline with the other. That was an awful time.

So imagine my surprise two weeks ago when I started my newest erotic romance. I happily shut myself up in my home office with a hot cup of tea, fired up my computer, and pulled out my extensive plot outline.

The first line came easily enough:  “There was a dead body in my pool.”

After that… nothing. It didn’t seem to matter that I had the entire story sketched out on six pages sitting next to my keyboard. It didn’t matter that I knew my character’s names, their histories, their hometowns, their favorite color socks. In an insane trick of the Muse, the fact that I had already written out an abbreviated story of my story meant I couldn’t write my story!

I was on the verge of a nervous breakdown.

I settled for a Captain Morgan Spiced Rum and tonic with lime instead. (Actually, two of them.)

Once I relaxed, I began to feel better about my book. I knew how it started and how it was supposed to end, so I threw away the outline on those six sheets of paper and just let the words flow from my fingers. The spunky heroine. The uptight detective hero. The dead body that throws them together.

I’m happy to say that the story (so far) has elements of humor, intrigue, suspense, plot twists and sexual tension. LOTS of sexual tension. Oh, who am I kidding? I write erotic romance. There’s a lot of actual sex in this story. (The result of all that sexual tension.)

But at least there’s a story. I’m writing pages. Day after day, the words are coming. Maybe my Muse was trying to tell me that writing is a leap of faith. It’s hard work, but if you show up for it every day, your Muse will, too. I don’t need an outline, I just need confidence.

At least that’s what I’m telling myself until the next time writer’s block strikes.

What about you? Are you a plotter or a pantser, and why? I’d love to hear about your process.

Leigh Court
www.leighcourt.com

Starting A Novel

For me as an author, the hardest part about writing a novel is… starting. Where exactly do you begin? An introduction of your characters seems like the obvious place, but it risks boring a reader with details. Starting out with action is probably better, but then a reader might not know what the heck is going on or who these characters are.

See? Writing is hard.

Writing a sequel is even more intimidating.  Feedback from fans about my futuristic erotic romance Programmed For Pleasure has been wonderful, and more than one reader has asked for a sequel – specifically for Tau Cetus police agent Leith Wyatt, my Programmed For Pleasure heroine Jai Turner’s yummy male partner.

So that’s what I’m working on right now. Leith’s story will be called Programmed To Protect.

But I can’t figure out how to start the story with characters that some readers already know well. Do I recap Programmed For Pleasure through dialogue in the first chapter so new readers know the past history, or is that too much of an info dump?  Do I jump right into the action and then feed in teaser bits of the previous story so readers realize there was a Book One?

GAK! Writing is hard.

My gut tells me to start with the action, so that’s where I’m leaning. I plan to have Leith Wyatt fill the reader in on past events as he thinks about them throughout the book, which will serve two purposes: it’ll refresh the memory of readers who enjoyed the first story, and let new readers know the background of what went on before now in these characters’ lives.

Makes sense, right? But I’ll be darned if I can follow my own advice. I’ve already started Chapter One three times.

I’m tearing my hair out.

As a compromise, I’ve abandoned Chapter One for now, and jumped right into the action for Wyatt. By Chapter Two, he’s already had a confrontation with his antagonist and slept with his heroine. (Hey, I write erotic romance. The sex has to happen right away J)  To make things easier on myself, I’ve left the stress and angst of starting the book until later, maybe even until after I’ve finished the book.  It’s certainly given me free rein to immerse myself in the fun stuff – the story of how Wyatt will save the planet.

And who knows? Maybe Chapter Two will become Chapter One, and I won’t have to worry about it at all.

Or maybe not. Maybe the story needs to be grounded somehow at the beginning…

Jeez...writing is hard.

What about you? Ever have trouble with the beginning of a story? Tell me! Misery loves company!!

Jenna Ives
www.jennaives.com


HOW TO CRACK YOUR WRITER'S BLOCK



Hi Fierce Friends!

I’ve been teaching writing workshops since I was first published in 1993 and many of my students have asked me about having Writer's Block. I didn't even believe in Writer's Block until a couple of years ago, but boy am I a believer now! Now I know that even seasoned writers butt their heads against a wall from time to time, and I’ve sure had my share of days like that. After my father passed away in 2006, I had a really hard time focusing on getting out my next book. I had never experienced real Writer’s Block before in my life, and when it hit me, it was pretty devastating. What to do, what to do?

Well I moaned and groaned a lot. Whined a great deal. But finally I came up with a way to get myself jump-started and believe it or not, it really helped me on days when all I could seem to do was stare at my computer in despair. So for any of you who are struggling out there, here it is, in a nutshell. It’s not a magic wand to wave and isn’t good for the long haul, but is a realistic way to get started when you feel stymied by fatigue, stress, the lack of a muse, indigestion, unpaid bills or crying children.

HOW TO CRACK YOUR WRITER'S BLOCK
copyright Tess Mallory 2008


1. Choose a scene you have already planned. Write the dialogue first. No descriptions, no action, just words in quotes and ‘he said, she said’ or in this case, ‘George said, Elaine said’.

Example:
“I know that dog is around here somewhere,” George said.
“We’ve searched the entire yard,” Elaine reminded him.

(Note: Try to write an entire page of dialogue before moving on to the next step. )

2. Next insert brief character actions and revise.

Example:
“I know that dog is around here somewhere,” George said as he stared down at the ground.

Elaine shook her head. “We’ve searched the entire yard,” she reminded him.

(Note to New Writers: A person ‘looking’ or ‘gazing’ is an action. Notice how I rewrote the second sentence, putting Elaine’s action at the beginning and changed ‘Elaine’ to ‘she’.)

3. Now, insert a brief description of setting.

EX:
“I know that dog is around here somewhere,” George said as he stared down at the ground. Fido’s favorite squeaky toy lay at his feet, just a few inches from the red and blue doghouse in their backyard.

Elaine shook her head. “We’ve searched the entire yard,” she reminded him.

(Note to New Writers: Little details like the squeaky toy I put in make the characters seem real, as well as the setting.)

4. Insert brief description of people from ONE POV.

EX:
“I know that dog is around here somewhere,” George said as he stared down at the ground. Fido’s favorite squeaky toy lay at his feet, just a few inches from the red and blue doghouse in their backyard.

Elaine shook her head. “We’ve searched the entire yard,” she reminded him. With a sigh, she turned toward her husband. His dark brows were knit together in concern and he dragged one hand through his too-long brown hair.

(Note to New Writers: Once you start a POV in a scene, this is the POV you should stick to. You would not, after this last sentence, write a sentence from George’s POV giving a description of Elaine. What did I change in this version? Why? )

5. Insert character emotion into the scene.

EX:

“I know that dog is around here somewhere,” George said. He stared down at Fido’s favorite squeaky toy lying near his feet, just a few inches from the red and blue doghouse in their backyard. His thin lips pressed together as he kicked the ground with the toe of his work boot.

Elaine shook her head. “We’ve searched the entire yard,” she said. With a sigh, she turned toward her husband, hands on her hips. His dark brows were knit together in despair. He dragged one hand through his too-long brown hair in dramatic concern and she closed her eyes.

“If anything’s happened to that dog—“ he began, then broke off, almost sobbing.

Typical. He was the one who had left the gate open, but she’d be the one left picking up the pieces.

(Note to New Writers: Notice the rewriting that has happened in the this scene. Why did I change the things I did? How did I add emotion?)

Until next time -- Keep Writing!!


Writers Block Cat