Classic Bohemian Girl

I've been on "Standby Service" for the Sacramento Superior Court all this week and have been checking the court's website every evening after 5 p.m. to see if they want me to report to Court the following day.  So far, I haven't been called in, so I've been catching up with projects I haven't finished and have been digging into the serious mess that is my studio.  It's like a treasure hunt when you clean up, and I struck gold when I found a little bag containing these meltingly pretty polymer clay teardrop charms by Helena Benkoczka of Areto Beads and Jewellery.  

So, with an eye to an imminent spring (and then a hot summer), I decided to use Helena's pretty charms to make one of my favorite fiber-wrapped designs, one I've made many times.  I love this design and enjoyed gathering the ingredients:  pretty purple Czech glass Saturn beads, turquoise Czech glass discs, little purple faceted rondelles (also Czech glass), and 8/0 purple-lined seed beads.

I hadn't made a wrapped design in a while, so I especially enjoyed the wrapping part of making these earrings: the tension needed to keep the beads at the top straight and strong, then the precise wrapping at the tops of the charms, adding the tiny 15/0 beads that nestle inside the teal rings, tying the thread off at the back, and covering the thread with matching colored paper and glaze.

Interestingly enough, as I'm finishing my blog post, I find out that I have to report to Court tomorrow morning at 8 a.m.  I guess duty calls!

Thank you so much for reading!  I love you guys, and I'll see you all again in two weeks.  💗

xoxo
Meridy

My shop

My FB page

Bound and Twined

A couple posts ago I mentioned how I have been further exploring the use of fibers in my pieces to add textural and tactile variety. I use a lot of "hard" components---stone, metal, ceramic, glass, etc. So in the ever-present quest for balance, I like to add in some "soft" ingredients, as well. 

The problem I have with so many textile-based materials is that they wear too easily. Either that or they discolor or soil, like sari silk, and are almost impossible to wash when incorporated into a larger piece. So I've found myself turning more and more to waxed twines made of durable material, such as hemp, flax, and nylon. 

I'm such a fangirl of the magical and talented Rey at greybirdstudio and have always appreciated the way she wraps, weaves, and melts fibers into her intricate, organic pieces. So when she started offering her hand-waxed, dyed Belgian flax twine for sale to other makers such as myself, I squealed with excitement. The process she goes through to create the soft leathery finish is painstaking yet without a doubt worth it. I had the good fortune of snapping up a bundle of it one day---if you follow her work, you'll know how quickly things fly out the door! 

The twine is very fine and has a nicely tacky quality to it, allowing it to stick nicely to itself when overwrapped, as I did on the "bead caps" in today's pair. Bonus points that the fibers will not discolor with wear and contact with our skins' natural oils. I took a matched set of beautiful blush chohua jasper---one of my favorites---and knotted and wrapped and knotted and wrapped and knotted and wrapped and...well, you get the picture. 

I was at the Field Museum of Natural History in Chicago last week and was amazed at the ancient jewelry from many of the native tribes of North America. OK, amazed is an understatement. My husband had to restrain me at certain points. But the underlying technique and overall aesthetic of today's earrings remind me of some of those pieces. Art influences art, always!

Happy Wednesday, 
Nikki
LoveRoot on Etsy