Trust the writer/director of 2020’s Promising Young Woman to follow that with an even edgier premise.
The result is mesmerizing, in a macabre way ... although you’ll likely feel guilty — and dirty — the following morning.
English boarding schools have been the setting of class-based horror stories ever since Thomas Hughes wrote Tom Brown’s School Days back in 1857. The formula remains unchanged, although modern tastes have allowed the depiction of increasingly deplorable behavior.
The year is 2006. Oliver Quick (Barry Keoghan) begins a term at Oxford as a working-class fish out of water, wholly unable to blend with the university’s predominantly wealthy, entitled young men and women. He’s singled out by another outlier, Michael Gavey (Ewan Mitchell), a nerdy math savant, but this “friendship” isn’t destined to last long; Michael is pushy and much too intense.
Oliver instead longs to bond with the charismatic and immensely popular Felix Catton (Jacob Elordi), but the class divide seems insurmountable. Even when fate grants Oliver a chance to do Felix a much-needed favor, the latter is unable to repay the gesture with inclusion in his circle of friends.
“He’s a scholarship student,” one contemptuous girl snaps, putting dismissive emphasis on the descriptor. “He probably buys his clothes at Oxfam.”
Oliver overhears this.
His anguish is palpable; Keoghan’s expression and bearing are beyond woebegone. His slumped posture feels utterly lost, misery hovering over him like a dark cloud. We must remember that he was nominated for a well-deserved Supporting Actor Oscar, for his heartbreaking performance as the abused son of the local Garda, in 2022’s The Banshees of Inisherin (and he was one of the best parts of that film).
Felix actually isn’t as contemptible as most of his peers; we can see, in Elordi’s eyes, that his sympathy is rising. He finally punches through his clique’s intolerance and gets Oliver a seat at their cherished pub table, but that almost proves worse; the younger man now is overwhelmed by his unfamiliarity with unspoken “rules” and mocking “politeness.”
Much of that comes from Felix’s American cousin Farleigh (Archie Madekwe), who makes no attempt to hide his snobbery (totally ironic, once we learn more about him ... but his attitude also makes perfect sense).
Toward the end of term, when a family crisis rips Oliver’s world apart, Felix impulsively invites him to spend the summer at his family’s estate, Saltburn ... much to Farleigh’s annoyance, who fancied himself the sole guest.