Showing posts with label Charcoal. Show all posts
Showing posts with label Charcoal. Show all posts

Friday, December 27, 2019

Gandhi- Beyond Borders

My recent blog post on Artist K M Madhusudhanan’s (one of the eminent members of The Radical Movement, an avant-garde movement of the 80s) first Solo exhibition “Gandhi – Beyond Borders” happening at 1X1Gallery, Alserkal Avenue, Dubai was published in Nalini Malaviya's blog, Art Scene India. The exhibition is closing on 31 Dec 2019. It unmistakably explores the traces of melancholy, a sense of foreboding and inherent-volcanic-violence in today’s times. In case you are in Dubai and you haven't checked it out yet, do hurry.

It's been a great honour and pleasure to talk to this eminent artist about this particular exhibition and his earlier art phase as well. Thanks to Madhusudhanan Sir for his time.

You can follow this LINK to read about this exhibition.

Gandhi-Beyond Borders-K M Madhusudhanan-1x1gallery-HuesnShades





Monday, January 7, 2019

Where Art Happens - Enunciation of an Enigma - Juul Kraijer - Kochi Muziris Biennale 2018

One of the artists’ whose works I could relate to most at many levels is perhaps Juul Kraijer, the dynamic Dutch artist. Her works are mystical and quite uncanny and it’s hard to explain its effect on us; they have this haunting mystery about it. Juul Kraijer started with drawings, progressed into sculptures and extended into photography and even short films. The instant I stepped in and laid my eyes on her works I felt connected. They are pretty intense and amazing as they reflect the emotional perceptions of self (whoever is looking at it and most pertaining to women, I feel). I probably felt this deep connection more so because I myself am often exploring the inner realms and the emotional-spiritual space than the external one. That doesn’t mean I am doing the same kind of work but it is women’s psyche that I am pretty interested in. That said the inner self is not exempt from the outer one and is always a twisted-reflection of the exterior (not generalising, this is often subjective). It is those very actions that take it to the inner-most suggestions and experiences all through our explorations.


Juul Kraijer

The eloquence of my drawings I can't match with words. In spite of this, I'm asked so regularly and with such persistence to give a specific explanation, that I don't want to refuse out rightly doing so...Personally, I shrink back from interpreting my work, considering the fact that the meaning of a drawing is always ambiguous. If it were unambiguous, I would have chosen a more direct form than the poetic-associative one of visual art.” ~ Juul Kraijer


Photo-Archival pigment print on Hahnemuehle Museum Etching -38.6x50.7cm-2014-15

The awkward-contorted poses, the bleak-eerie look, the suggestions of duality, the connection of man and nature at the very core, the unusual juxtaposition of animals and self probably mentioning the basic animal instinct that man is supposed to possess, minimal and yet a taste of the elaborate is all served in one plate. Even when we try to understand others, we often fail to understand self. But then these days trying to understand others is not much in vogue; we often close doors at the slightest of misgivings. Only when we realize who we truly are will others stand a chance, I suppose. As it’s said: “How can you love others when you don’t love yourself?” It stands true for any other sentiment too.

I seem to be the type of artist who recognizes a small field as his or her domain, to be explored in depth and detail. In the drawings made during those twelve years, the main principles remain the same. Changes do not occur in the form of an abrupt break; instead, they appear as gradual shifts, leaving the core intact, like landscapes at the turn of the season.” ~ Juul Kraijer

Charcoal on paper/pastel on paper - 2013/2014

Juul’s drawings are in charcoal – sometimes with wiping and rubbing that traces the earlier patterns, her earlier drawings are less linear and her isolated forms loom out of emptiness or the black undefined background. Time, space and context remain absent in this landscape of the mind that just stretches far and wide, there is conciseness, lightness and brevity, female body borders on androgynous without explicit details like eyebrows, breasts and pubic hair, expressions are unmoved and reticent; a posture adopted for eternity, her forms are completely self-absorbed as if in a profound sleep or death, bodies are neutral and they mark the domain of the spirit rather than some reality and all that is there is ambiguous. Impermanence is the perpetual cohort or rather a confidante in Juul’s works. Some works also feature swarms and flocks that contours the human forms, and some have the twin form – the play of duality. Japanese, Indian and classical influences and that of Balthus as she herself mentions can be traced in her works.

I frequently have the feeling that I am no more than a conduit.” ~ Juul Kraijer

Photograph-Archival pigment print on Hahnemuehle Museum Etching-2014-15 edition

The eeriest, however, is her works with creatures. The medusa-like figures, the bugs, scorpion, snakes, owl and chameleon crawling, slithering or standing over, the face with tiny faces on it. The woman with her half-snake hidden face teases our senses. It could be facing our inner fears while baring ourselves to the world for them to see and yet stay aloof, impenetrable. There is a kind of violation in her images that is always endured and accepted. It most certainly raises the question of “Why such disconcerting endurance?” The inner turmoil while maintaining an external inertness is all too evident. The presence of these sinuous creatures seems to accessorise and become an inseparable and inevitable part of the form also indicating the beast within us. Juul’s figures evade gaze as they are in their own realm, pre-occupied, in monotone surroundings mostly black and luminous white. Her mutating figures may speak a thousand tongues and yet be silent, oblivious to our visual investigation.


Sculpture in bronze - 2007-8 edition

The world is miraculous without our filter of rationalism, but as soon as you try to express that in words, it immediately turns into mysticism.~ Juul Kraijer

In photography, Juul is inspired by Surrealist photography where she can employ alienation, mirroring, fusing of incongruent beings, objectifying body parts and/or casting an incredible snare of shadows. She is also inspired by *fin-de-siècle (end of the century especially nineteenth century) medical photography and Julia Margaret Cameron photography. For some photo shoots, Juul hired animal trainers to supply the reptiles, snakes and owls as they were specially trained to be draped on bodies and not be provoked by the human presence or of the glares of the photo shoots. Her photography like her drawings are concise and share the qualities mentioned earlier.

Photograph-43.6x34.5cm-2013edition

Juul’s figures are more of an abstraction or an apparition than an individual in flesh and bones. They are in a transitional zone somewhere between the transient and the timeless. It could probably be that searing desire to unite with the Universe which of course is unattainable unless one conquers the discord within.


*fin-de-siècle medical photography – In the second half of the nineteenth century the new media of photography and film gave way to a new understanding about mind – psychology and psychiatry. They became the mirrors of the unconscious, capturing the inner state of people who were troubled which paved way for an indulgent understanding of consciousness and sanity. 

An Update as received from Juul Kraijer on 14-01-2019:

Happy to announce to my readers that Juul Kraijer has won the 3rd place in the Lensculture Black and White Awards 2018 for this series:


In April there will be an exhibition with works by the winners and finalists at Aperture Gallery in N.Y.C.


This is my second post for "Where Art Happens - Kochi Muziris Biennale 2018 series". The first post can be read HERE.

You can send your feedback to mail.huesnshades@gmail.com



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profile pic- www.fondationdfguerlain.com
Ref & Images: http://www.juulkraijer.com/
(I've edited the first and third pictures for the post.)
some info from Lensculture and cttheory.net






Saturday, August 4, 2018

Carpe diem!

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Some posts are more organized and some just happen and this post belongs to the latter. Not a very happy post, let me say beforehand...Sometimes when there’s so much chaos around, you enter a state of mental ramblings...and you discover things you didn’t know existed. They may not have any particular form and yet they are very much there; if I am making sense! Our world now is so preoccupied with hatred and violence of all kinds and intensity that one feels agonized and repulsive to the core. Yet each one of us, I know, Hope...for something good and better. And it does exist in quintessential pockets in this very life...nuggets of happiness. As Horace said, Carpe diem (Seize the moment)! However, I don't think Horace meant to ignore the future but rather to be more aware of the present for a better future.

Before getting to those, let me thank each and every one of you who visited, took the time to comment and left me more inspired last week. Thanks to Nadya King for leaving such a beautiful link, info and comment. I immediately had to check them and what a beautiful story of Henrietta Leavitt! There are such gems and indeed that's one such nugget of happiness (for me!). In case anyone wants to check that out, here's the LINK.


Now leaving you with some of my ramblings in images and words...because I know not any other way...
{these are quick drawings done (within 2 or 3 minutes) without much thought...}


As if everything is not enough
From things around us
Now we pile violent hatred
Heaps and heaps on
One another for no reason
It’s as if the ‘new natural’
Why? I can’t contemplate

darkforces-HuesnShades

Everything is ‘taken into account’
And ‘acted’ upon
Why? I can’t contemplate
Even a simple smile
Is twisted and twitched
To suit ‘the other’ perspective
Why? I can’t contemplate


grim1-HuesnShades

Why can’t people be what they are?
And the rest be whatever they want to be
Accept and be!
Live and let live!
Is it so hard to just ‘be’!


grim2-HuesnShades

We can learn a thing or two from nature
Where everything grows, exists and die
Where ‘collective consciousness’ is not hypnotised
By outward sources or any ideology
It’s just accepting and be.


grim3-HuesnShades


Linking it to PPF Girls! 



Monday, January 22, 2018

Meet An Artist - 100 Faces of Alicia Chen

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Faces are fascinating. Each face has several stories to their credit. Meeting her in Instagram was a happy accident at a time when I myself had caught up with the obsession of drawing and painting faces. I am captivated by the subtle nuances of each expression and the stories they hold within. It was when I found the same chord in the drawings of this particular artist that I decided to know more about her and her art. Her drawings are intense, expressing a never-die spirit and a warmth the people hold onto, veiled in melancholy vein . She is a Taiwanese artist engaged in drawing 100 faces called the 100 Faces Project. She has stories to tell of struggles, hardships, intense pain and sorrow ultimately overcoming these and attaining individual triumphs...a personal tale of life's adventurous journeys, crossing each obstacle and finally leaping with faith to hold onto life and loved ones. She is Alicia Chen.


AliciaChen-quote-HuesnShades

Deepa Gopal Sunil: A little brief about yourself and your background.

Alicia Chen: I was born in Taiwan and became a new immigrant to Canada in 2015. My art journey started internationally from Taipei to Vancouver, New York to Toronto, where I currently reside. I spend much of my time collaborating and working with art professionals from recognizable institutions and building strong relationships within the art community. Based on my rich and unique life experiences as an artist, art educator, young business entrepreneur and curator, I create artworks cemented in the act of storytelling, showing unique capability for capturing the essence of my subjects. For me, art is a way of visually documenting my life through the connections I form and infusing it with meaning. Art is a way of evolving oneself and empowering the minority.
I am also an active curator in Toronto’s Asian Canadian communities involved in conducting and coordinating cultural events and film festivals between Taiwanese bureaucracy and Toronto-based charity and non-profit organizations where I aim to bring diversity together and to make social changes.


Alicia Chen-45/100-HuesnShades
Maria

click on the picture to see it large


Each face has a story and you have put that so beautifully. How did you start this project? What’s the story behind it?

I started it in search of happiness and connecting with people in a new city. Surprisingly people like to share their stories, some are more enthusiastic than the others.



Do you meet each individual that you draw the portrait in person? Do you get to know them personally?

I meet most of them or I go through a deep conversation online.


How many faces have you done so far?

I have done 50/100 faces.


Favourite medium

Graphite, charcoal and pastels on paper.


Alicia Chen-28/100-HuesnShades
Paul

click on the picture to see it large


Do these amazing people that you draw feel intimidated at any point of time when you say that you would like to share their story with their portrait?

A few have chosen just to share one line or two when they were not sure about being so open in the public.


What is your intention and motivation behind the 100 Faces project?

Hopelessness, isolation and disconnection lurk underneath the surface of everyday life. It is these core, but lesser vocalized human experiences that form the epicentre of my visual world, and serves as building blocks for my people-focused artistic studies. My works document the extraordinary personal histories of my subjects and translates them onto the page with painstaking detail. With each portrait, I probe the triumphs and struggles faced by everyday people in their everyday lives against the backdrop of a rapidly changing social landscape. The face being the most basic line of connection, ‘100 Faces’ project is an effort to depict the human face, as it really is, so that it can serve as a powerful mirror through which our internal states can be shared with others. In the course of my life, I’ve overcome tremendous hardships and as such have spent my life seeking out encounters with people whose lives are steeped in tales of personal growth. Invariably, I found that above all, it is our faces that wear these experiences— which conceal and reveal who we are in the profoundest of ways. Portrait by portrait, I try to uncover the history behind the lines and imperfections etched in their faces. I hope to do my part in constructing an honest reflection of Toronto’s rich and variegated contemporary political reality through this project.


Alicia Chen-38/100-HuesnShades
Khaled

click on the picture to see it large


Where do you want to take it? What is the next level?

When it's done, I want to host a talk and invite my models as speakers.


How do you choose which person to draw/which story to portray?

I have chosen people who inspired me from all walks of life and all races.  Age 23 and up. No students. I'm especially drawn to people who overcame or found a way to deal with their struggles.


Alicia Chen-2/100-HuesnShades
Shiloh


click on the picture to see it large


How do you think has this project helped to shape you eventually? Has there been an unconscious or conscious moulding in you – as a person, an artist, as a citizen or in any other way?

As a practicing artist, I've met some incredibly successful people who taught me to work with people, go with the flow and do things faster than waiting for it to happen. I've summed up what caused people's depression/anxiety and I try to avoid falling into that pattern. 


If it’s not intrusion, what is your next project?

As I'm evolving with the project, I can't say too much or predict too far ahead so let's see how it goes! My project is always centered on the topic of humanity. With the rapid growth of technology, I want to capture and document the trace of human.


Alicia Chen-26/100-HuesnShades
click on the picture to see it large


Where all can my readers find you?



Alicia Chen-35/100-HuesnShades
click on the picture to see it large


Portraits and description courtesy - Alicia Chen
I have photoshopped it into boxes for convenience of display here.

To read about other interesting artists and what they have to say click here.





Friday, June 2, 2017

Sketches, Some more.

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Being in Dubai for a month provided me with some ample time for sketches. It had become a routine. Now that I am back and got hold of the other necessities a family environment demands particularly with buying a new space and settling in, I hadn't been able to post anything new for sometime now. A continuation of the previous post...these are sketches from Dubai, from magazines, photos and the right-hand down is a reproduction of the renowned Nikolai Roerich's .

These are called E26 series named after the number of our residence in Dubai.

People

Forms and faces
In multitudes
Dance in awe
The repeated shackles
Of mundane existence
Caught up in
Neck-tied situations
Perspiring from morn
To night
To make ends meet
Some luxuriously
Some laboriously
Some with smile
Some with wry smirk
Some with plain face
Yet there’s a smile
Born every now and then
Reigniting, reinventing
The little joys of life.


E26-Sketches2-HuesnShades


Friday, April 28, 2017

Sketching people

I have been in the practise of doing art almost daily until and unless I am travelling. I like to paint more than I sketch but in the last couple of days I am sketching more because I have been travelling and all my supplies aren't easy enough to carry. And know what I am enjoying this process too!

People are one of the most interesting to observe. Sometimes our own detached selves! It is interesting not only to note the expressions and mannerisms but also the fact that what we perceive would be different from what they really are. Every person would have parallel stories taking place in their lives. Not all stories would be known to the people knitted in their lives; each story known perhaps to a certain number of the close ones alone. It’s amazing when you think how many stories are going on right at this moment in this whole world. Truth is stranger than fiction!

Except for the first and the last the rest are from life. The first one is a reproduction of Jenny Halstead which is the picture on my Derwent charcoal box. The last one is an image I came across in google. The rest from pictures I shot. I had bought a moleskine some 2 years back and wasn't brave enough to use it lest it should go wrong!! Finally, it's moleskine time! Second and third are on Derwent sketch book.

These are called E26 series named after the number of our residence in Dubai.


E26-Sketches1-HuesnShades


charcoal, pen and pencils

So, what's going on at your end? What do you like to capture? What do you carry while travelling - pens, pencils, paints?