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Running A Secret Society No.20 is now on display at the V&A South Kensington, London, UK
https://collections.vam.ac.uk/item/O1292309/running-a-secret-society-no20-artists-book-batey-jackie/
Bristol Artist’s Book Event 2021
With restrictions due to Covid, we are hosting a ‘lost weekend’ version of BABE over the weekend of 17 – 18 April 2021 as an interim BABE in the run up to our usual larger event which we now plan to hold at Arnolfini in 2022.
For 2021, we will be showcasing videos made by artists about their books in Australia, Denmark, Finland, Iceland, Japan, The Netherlands, Norway, Poland, Russia, Sweden, the UK and USA. These will be shown online and in the auditorium. Arnolfini will showcase selected artists’ books in the reading room, host public workshops, interventions and pop-ups. Our aim is for the public to be able to visit over the weekend. We’ll also be organising some participatory events online so watch this space and check out Arnolfini’s website in April. (From https://www.bookarts.uwe.ac.uk/news/#babe21)
The Gallery’s programs strive to: present arts and visual culture exhibitions and events of the highest quality; enrich the University arts programs with cross-disciplinary collaborations; provide gallery educational experience to local and regional communities; strengthen collaborative relationships with Greater Newark’s artistic, cultural, and educational organizations; advance Paul Robeson’s legacy of encouraging cross-cultural artistic freedom and cultural democracy; emphasize the role of arts and culture in the shaping and functioning of society; reflect the spirit of the University’s diverse metropolitan context; and enhance the quality of life for the campus and Greater Newark communities.
The organizing committee announced a new project in the format artist's book titled "Winged phrases, maxims and aphorisms." This topic seems to us, it is of interest not only by the content, but opens before the artist opens up a wide range of technical and creative possibilities. Given the fact that this genre of literary work is brief, concise form, but succinct in content, does not require a large area for the realization of design, we decided to spend it in a miniature book format, that is no more than 100x75 mm.
This is due to the fact that this project, like the previous ones, we plan to show in other cities of the Kirov region and our neighboring regions, and a miniature format, facilitate as the transportation and placement...Each participant will receive a diploma, by the end of the exhibition and the electronic version of the Directory can be downloaded on the website.
'Artists’ books' is a term coined by Diane Vanderlip to describe the pieces gathered in an
exhibition that she curated at Moore College of Art in 1973. But the concept itself arguably dates back much earlier. Defying description and evading definition, artists’ books have generally come to denote works of art crafted as or from actual books. They emphasize physical qualities over literary ones and necessitate unconventional relationships with their “readers,” demanding interactions that are radically distinct from those of traditional books. The difficulty intrinsic to such interactions speaks to the nature of artists’ books as ergodic texts, texts that Espen J. Aarseth maintains require a nontrivial, extra-intellectual effort to traverse. Despite, or perhaps because of, their elusiveness and complexity, such books, including those fashioned by Brian Dettmer, Georgia Russell, Kaspen, and many others, challenge the presumed parameters of the
textual and the visual. In doing so, they raise and respond to urgent questions regarding art, literature, and readership.