Thursday, September 4, 2014
Poster of the Week
Northland Poster Collective
Silkscreen, no date
Minneapolis, MN
19038
This week’s poster features a quote from Mary Harris “Mother” Jones, an Irish-American schoolteacher and dressmaker who became a tireless labor and community organizer. Mary Harris Jones began working as an organizer for the Knights of Labor and the United Mine Workers Union after her husband and four children died of yellow fever and lost all of her possessions in the great Chicago fire of 1871. She committed herself to the labor struggle for humane wages and working conditions and participated in hundreds of strikes across the country from the late 1870s through the early 1920s. In the 1890s, Mother Jones became an organizer for United Mine Workers in West Virginia, mobilizing miners’ wives to march with brooms and mops in order to block strikebreakers from entering the mines. When Jones was denounced on the floor of the United States Senate as the "grandmother of all agitators," she replied, “I hope to live long enough to be the great-grandmother of all agitators.”
Following in Mother Jones’ footsteps, this week, fast food workers around the country are planning a set of one-day walkouts, according to Fast Food Forward, an organizing group for the protests. The strikes will take place in 150 cities at restaurants such as McDonald’s, Wendy’s and KFC. Over the past two years, fast-food workers have been actively organizing the “Fight for 15” campaign to demand pay of $15 an hour—what they call a living wage—and the right to unionize. This past July, the National Labor Relations Board ruled that McDonald’s is jointly responsible for wage and labor violations that are enacted by its franchise owners.
On Monday, Mayor Eric Garcetti announced plans to raise the minimum wage to $13.25 by 2017. Los Angeles has the highest percentage of its population living in poverty, with 28% of Angelenos today living below the poverty line. Thirteen states increased their minimum wages at the start of the year by an average of 28¢, and the city of Seattle has approved a $15 minimum wage.
http://time.com/3223048/fast-food-strikes-150-cities/
http://www.latimes.com/opinion/op-ed/la-oe-broad-minimum-wage-20140902-story.html
http://www.fembio.org/english/biography.php/woman/biography/mary-harris-mother-jones/
Tuesday, March 25, 2014
Poster of the Week
When the National Farm Workers Association was co-founded by Cesar Chavez and Dolores Huerta, they accomplished what was thought to be impossible—the organizing of poor and uneducated farm laborers. Born on March 31, 1927, near Yuma, Arizona, Chavez was no stranger to the struggle of farm labor. His family lost their small farm during the depression and moved to San Jose, California, where they worked as migrant farmers. As a child, Chavez also worked in the fields to help out the family. His father had belonged to farm labor unions, and Chavez himself had belonged to the National Farm Labor Union. In the 1950s, Chavez became an organizer for the Community Service Organization (CSO), and learned grass root strategies. In 1958, he became CSO director for California and Arizona. Chavez became interested in organizing a labor union for farm workers, and tried to convince CSO to develop a farm labor union. When his ideas were rejected, Chavez resigned from the organization in 1962. He moved to Delano, where he and other activists including Dolores Huerta, founded the National Farm Workers Association (NFWA), which later became the UFW.
Wednesday, March 5, 2014
Poster of the Week
Wednesday, November 28, 2012
Poster of the Week
Bangladesh has about 4,500 garment factories that make clothes for stores including Tesco, Wal-Mart, J.C. Penney, H&M, Marks & Spencer, Kohl's and Carrefour. Although photos of charred Wal-Mart “Faded Glory” labels have been shown on television and the net, Wal-Mart is denying that they still used that clothing factory, saying that it was no longer authorized to produce merchandise for the company. However, the International Labor Rights Forum, which tracks fires in the Bangladesh garment industry, said documents and logos found in the debris indicated that the factory produced clothes for Walmart’s Faded Glory line as well as for other American and foreign companies.
When will we ever learn!
Friday, August 31, 2012
Poster of the Week
- El Pueblo, Unido, Jamas Sera Vencido The Workers, United, Will Never Be Defeated
- Work Not Dole
- We Require 8 Hours For Work 8 Hours For Our Instruction And 8 Hours For Our Repose
- 8 Hour Day
- The People's Flag Is Deepest Red, It Shrouded Oft Our Martyred Dead
- Debut D'Une Lutte Prolongee
- Pan Trabajo Y Libertad
Friday, July 27, 2012
Poster of the Week
- El Pueblo, Unido, Jamas Sera Vencido The Workers, United, Will Never Be Defeated
- Work Not Dole
- We Require 8 Hours For Work 8 Hours For Our Instruction And 8 Hours For Our Repose
- 8 Hour Day
- The People's Flag Is Deepest Red, It Shrouded Oft Our Martyred Dead
- Debut D'Une Lutte Prolongee
- Pan Trabajo Y Libertad
Wednesday, May 16, 2012
Poster of the Week
9809
Frontieres = Repression
[Borders = Repression]
Atelier Populaire
Silkscreen
Paris , 1968
In May 1968, 11 million workers went on strike throughout
The mass movement for social change began with a series of student protests and strikes that broke out at a number of universities in
The faculty and student body of the Ecole des Beaux Arts, were on strike, and a number of students met spontaneously in the lithographic department to produce the first poster of the strike. On May 16th, art students, painters from outside the university and striking workers decided to permanently occupy the art school in order to produce posters that would, "Give concrete support to the great movement of the workers on strike who are occupying their factories in defiance of the Gaullist government." The posters of the ATELIER POPULAIRE were designed and printed anonymously and were distributed for free. They were seen on the barricades, carried in demonstrations and were plastered on walls all over
Statement by the ATELIER POPULAIRE
"The posters produced by the ATELIER POPULAIRE are weapons in the service of the struggle and are an inseparable part of it. Their rightful place is in the centers of conflict, that is to say, in the streets and on the walls of the factories. To use them for decorative purposes, to display them in bourgeois places of culture or to consider them as objects of aesthetic interest is to impair both their function and their effect. This is why the ATELIER POPULAIRE has always refused to put them on sale. Even to keep them as historical evidence of a certain stage in the struggle is a betrayal, for the struggle itself is of such primary importance that the position of an "outside" observer is a fiction which inevitably plays into the hands of the ruling class. That is why these works should not be taken as the final outcome of an experience, but as an inducement for finding, through contact with the masses, new levels of action, both on the cultural and the political plane."
Johan Kugelberg, editor and Philippe Vermes, Beauty is in the Street, A visual Record of the May’68
Thursday, September 1, 2011
Poster of the Week

They Plan for Profits…Let Us Plan For People
International Union, United Automobile, Aerospace, and Agricultural Implement Workers of America
Offset, no date [pre-1994]
United States
CSPG’s Poster of the Week honors Labor Day. In the U.S., Labor Day was started in September of 1882, and quickly became an official holiday at the same time May Day spread throughout the world.
The first May Day, in 1886, was a call for eight-hour workdays by the workers in many American cities; it is now mostly associated with the Haymarket Martyrs.
Labor Day is a time to celebrate the contributions American workers had given their country, unlike May Day events, which focused on the international class struggle.
Source: http://dissidentvoice.org/Articles4/Cobban_MayDay.htm
Saturday, April 30, 2011
Poster of the Week

In light of the escalating attacks against immigrants and workers, from Arizona to Wisconsin, CSPG’s Poster-of-the-Week shows how these issues were combined over 35 years ago. After years of keeping their demands and demonstrations separate, May 1, 2011 will see the joining of immigrant rights and labor rights groups in demonstrations from Los Angeles to New York.
International Workers Day
Peace Press
Offset, 1975
Los Angeles, California
By demanding Jobs For All, End Deportations, U.S. Out Of Indochina & Puerto Rico this 36 year old poster links the same issues facing us today: lack of jobs, scapegoating immigrants and foreign wars. And Puerto Rico continues to be the last remaining U.S. colony.
The poster was printed at Peace Press, an anti-war Los Angeles print collective which will be the subject of an exhibition premiering September 2011 at the University Art Museum, California State University, Long Beach. Peace Press Graphics 1967 – 1987: Art in the Pursuit of Social Change is part of the Getty Foundation’s initiative, Pacific Standard Time: Art in L.A. 1945-1980. The exhibition and catalogue are a collaboration between the Center for the Study of Political Graphics and the University Art Museum at CSULB.
History of May Day as Worker’s Labor Day
May Day as a worker’s labor day, began in 1886, in Chicago, as a movement for the universal adoption of the eight-hour working day. (Workers had secured a limit of ten hours to the working day only a few decades earlier.) In Chicago, the center of the movement, workers had been agitating for an eight-hour day for months, and on the eve of May 1, 50,000 were already on strike. 30,000 more swelled their ranks the next day, bringing most of Chicago manufacturing to a standstill. In a notorious riot that followed (the Haymarket massacre) the 8-hour movement failed, but the Chicago events figured prominently in the founding congress of the Second International (Paris, 1889) to make May 1, 1890 a demonstration of the solidarity and power of the international working class movement. May Day has been marked ever since by parades, red flags, and an affirmation of union power and pride. Ironically, this Chicago-born holiday is celebrated more internationally than in the United States.
Wednesday, February 23, 2011
Posters of the Week

For All These Rights We've Just Begun to Fight
Ben Shahn
CIO Political Action Committee
Lithograph. 1946
New York, NY
Ben Shahn (1898 –1969) was a Lithuanian-born American artist, whose paintings, graphics and posters cry out for social justice. His work covered some of the most controversial issues of the day. In 1932 he completed a series on the still controversial trials of Sacco and Vanzetti, Italian immigrant labor organizers and anarchists who were executed in 1927. During World War II he worked for the U.S. Government Office of War Information (OWI) designing propaganda posters. Because his work lacked the preferred patriotism of the day only two of his posters were published. But both were memorable, especially a 1942 poster about Nazi extermination of the entire Czech village of Lidice. After the war, his work ranged from opposing nuclear weapons to supporting civil rights.
CSPG’s Poster-of-the-Week was done shortly after WWII. The enemy was no longer the Nazis, but attacks on working people and unions by the reactionary right in the U.S. Just like now. We dedicate the Poster-of-the-Week to the public employees and their supporters in Wisconsin who are fighting back, in some of the most creative and spirited ways we’ve seen in years. One protester even credited the Egyptians for inspiring the actions in the U.S. And the Wisconsin actions have in turn inspired actions in Ohio, Indiana, and support demonstrations around the country.
If you have posters about this or other issues, please send them to us.

Posted by Bruce Benidt on February 22, 2011 on http://thesamerowdycrowd.wordpress.com/
Thursday, October 28, 2010
Poster of the Week

Vicente and Antonio Larrea
Offset, 1972
Santiago, Chile
Thursday, September 2, 2010
Poster of the Week

Mark Orozco Justiniani and Joy Mallari
Offset, 2005
Los Angeles, California
About the Artists:
Mark Orozco Justiniani and Joy Mallari are both award-wining Filipino artists whose work has been exhibited internationally. Justiniani first gained critical acclaim when he won the grand prize in the Metrobank National Painting Competition in 1990. Mallari was a finalist in the Osaka Triennale and a top prize winner of the Philip Morris National Art Competition. They received critical recognition from the LA Times for their work with the DejaDesign Gallery in Los Angeles.
Wednesday, April 28, 2010
Poster(s) of the Week

Primero de Mayo de 1947
[May Day 1947 Only a conscious, united, and honest labor movement can successfully defend the interests of the workers, and help Mexico prosper.]
Pablo O'Higgins; Alberto Beltrán; Taller de Gráfica Popular
Linocut, 1947
Mexico City, Mexico
The celebration of May Day as a labor holiday marked by parades and red flags began on May 1, 1886. Behind the campaign was the universal adoption of the 8-hour working day, an improvement on the recent fight for a ten-hour day. In Chicago, the center of the movement, workers had been agitating for an 8-hour day for months, and on the eve of May 1, 50,000 were already on strike. 30,000 more swelled their ranks the next day, bringing most of Chicago manufacturing to a standstill. In a notorious riot that followed (the Haymarket massacre) the 8-hour movement failed, but the Chicago events figured prominently in the founding congress of the Second International (Paris, 1889) to make May 1, 1890 a demonstration of the solidarity and power of the international working class movement. Ever since, May Day has been celebrated globally as the international workers’ holiday.

May Day 2006
Ami Motevelli
Self-Help Graphics and Art
Silkscreen, 2006
Los Angeles, California
Thursday, April 8, 2010
Poster(s) of the Week

Support the Pittston Strikers!
Carlos Cortez
Linocut, 1989
In 1989, the United Mine Workers (UMW) in
As President Obama tries to convince people that “clean coal” is possible, two coal mining disasters just took place.
· Last week, an explosion in
· At least 29 coal miners died this week in
The

I Pledge Allegiance
Louis “Lou” Dorfsman
Offset, 1970
Martin Luther King, Jr. was assassinated April 4, 1968 and the featured poster commemorates this American tragedy in an ironic and provocative way. It was originally designed as a full-page newspaper ad for CBS’ “Of Black America,” the first network series on black history. The six episodes were broadcast July 2-September 2, 1968. Designed soon after King’s assassination, the mustached model has a strong resemblance to the martyred civil rights activist. Two years later, the image was made into a now iconic poster featuring words of the Pledge of Allegiance. Where the 1968 design evoked King’s assassination, the 1970 version evoked the Viet Nam War, and the disproportionate number of African American soldiers who both served in and died in this war.