Showing posts with label sam hawken. Show all posts
Showing posts with label sam hawken. Show all posts

Monday, 26 January 2015

Disorder and Reorder

This image (from The Belfast Telegraph website) hints at the subject of DISORDER

I'm still a little discombobulated following the completion of my novel, DISORDER. Now, I say completion, but there will be more work, no doubt. Even if my PhD supervisors, by some great miracle, consider it a work of genius, they'll have suggestions for improvement, as will the small band of beta readers who have received the manuscript over the weekend. That's the thing with books. You'll find something to tinker with right up until the day it's published, and sometimes after that.

But back to the discombobulation (I'm getting my mileage out of that word -- yeah spellcheck, it's real). I happen to be a good chunk into another manuscript already and have ideas for another book that I'd like to start and finish this year. There are other projects in the works as well, but since the best way to hear God laugh is to announce your plans (hat-tip to Sam Hawken for that little pearl of wisdom) I'll not go into any detail about what they might be or how quickly I need/want to complete them.

So what's the point of this post? I don't know, really. Maybe I just want to mark the occasion of having completed another novel. Could be I'm procrastinating because today is the day that I plan to get neck-deep in my other novel-in-progress. Most likely I just want a reader or two to give me a virtual pat on the head and say, "Well done, Gerard."

In other news, my reading pile is diminishing at a quicker rate than it did in 2014. That was an example of God laughing at my plans, I think. I'd set myself the task of reading 100 books in that year. I stopped counting about five months in because I was running way behind schedule, but I'm sure I didn't make it to 100. Probaly closer to 50, truth be told. I did start reading faster after I stopped counting, though. A revelation that probably means something. I should note a few stand-outs that I never got around to reviewing. Just the NI ones for now:

Blue is the Night by Eoin McNamee

The FANTASTIC conclusion to McNamee's 'Blue' trilogy. I'm not sure what McNamee has planned next, but I feel like I could go back to the start of the 'Blue' trilogy and read it again before his next work of genius comes out anyway. There was a distinct closing of the circle at the denouement of this novel that drew my mind back to the The Blue Tango and Orchid Blue. I just wonder if I'll get around to that reread before the next McNamee becomes available to me.

The Final Silence by Stuart Neville

The Final Silence is the fourth of what has been dubbed the 'Belfast' series. I read this one during a busy time (hence the lack of review), and blazed through it. Neville publicly 'fessed up to a long bout of writer's block a little after the release of this novel. It was The Final Silence that bore the brunt of his dry patch. I'll not make light of the difficulties he experienced (which Neville outlines in this very honest blog post), but what I will say is that The Final Silence eventually became an excellent novel. A fine example of how to write a thriller. In fact, it's my favourite of his works now, a spot previously occupied by Collusion (which Neville also had trouble completing, if I remember right). The Final Silence very recently picked up an Edgar nomination. It seems I'm not alone in realising that this is a particularly strong book.

The Blame by Michael Nolan

Nolan does not see himself as a crime writer, and neither do I. However, due to the subject of The Blame (the aftermath of a bad batch of Ecstasy tablets), the work cannot help but touch on criminal activity in Northern Ireland. But this novella is not about the crime. It's about the protagonist trying to figure out if he is to blame for the death of a friend. And it's not just himself he has to convince. The question still remains unanswered for many in his circle of family and friends and those within his wider community. It's a fast and energetic read and a wonderful showcase for Nolan's developing writing talent. I hope to see a novel from him in the near future.

There may have been other NI novels that I failed to review, but they've yet to occur to me, and this post is getting too long as it is. In my next post, I'll simply list the books that inspired and facilitated the writing of DISORDER.

Currently reading The Dead Ground by Claire McGowan, by the way. I'd started it before the new year. Before I went to LA, in fact. The only reason I stopped after the first few chapters is because I didn't want to bring it on my journey to Bouchercon. It's a signed hardback, y'see. More on that one when I finish it.

Friday, 10 January 2014

Talkin' to Sam Hawken


What attracted you to Fight Card MMA?

I like boxing and have watched it for decades, but my interest in it had cooled over the last ten years in favor of MMA, which I find to be a deeper and more technical combat sport. MMA also continues to evolve and improve as the years pass, which makes watching it an exciting prospect because you never know exactly what you’re going to get and at what level.

Whatever the case, I had already read several Fight Card releases in their main line (the one set in the ‘50s), because in addition to being a fight fan I’m also a student of pulp fiction, especially Robert E. Howard. For those who don’t know, Howard was a prolific sports-pulp writer and was well known for his boxing stories. Fight Card’s traditional boxing tales hew very closely to the Howard model, though I notice less humor in them. They make for entertaining reads, but I didn’t feel as though the period setting was right for me.

In December of 2012, Paul Bishop — one of two men, including Mel Odom, who started the Fight Card line — posted a mockup cover of an MMA release that showed a woman in mid-punch, along with the title Rosie the Ripper. MMA, as I mentioned, was a growing interest of mine and I found myself particularly intrigued by women’s MMA, where some intense and creative fighting was going on. Immediately I thought this could be something I could do, but I had no instantaneous ideas and it was almost a year later when I came up with something and shared it with Paul, who went for it. I have a long (possibly boring) version of this story on my blog

Have you got any fight experience?

The short answer is no. I trained in boxing when I was in my mid-20s, but never even progressed to the point where I was safe to spar with other students. I found it a gratifying experience, but it costs money to train and I’ve never been exactly flush with cash. Consequently I have never gone back, even though there are a couple of excellent boxing and MMA gyms near my home.

Other than watching MMA, did you need to do any more research for the fight scenes?

Watching and reading are the biggies. Not just televised fights, but training videos on YouTube and all the other wealth of things available to those interested in the sport. A particularly helpful book is Mixed Martial Arts for Dummies, by Frank Shamrock. It may seem like it’s too basic for those who know MMA, but the step-by-step instruction and explication of the thought behind the techniques provides great value for a writer seeking authenticity. Which is to be expected, seeing as how it comes from Shamrock, one of the greats.

Who is your favourite MMA fighter (you can have more than one)?

As I say, WMMA is my thing, but I am going to shock a lot of people when I tell them Ronda Rousey is not my favorite fighter. Sure, she has great mat skills, but she seems like an awful human being and I like the fighters I follow to be decent people as well as athletes. Miesha Tate, who is one of my favorites, may not have the skill-set to be a champion anymore, but she’s generous to her fans, supportive of other athletes and generally a nice person.

I follow a few WMMA fighters online and have interacted with some of them. Fighters like Bec Hyatt, Cassie Robb, Michelle Waterson, Raquel Pennington and Roxanne Modaferri. Most of them aren’t stars, but they come to the sport the way I prefer fighters to come to the sport, and so they get my support.

On the male side of the equation, I have great respect for Johny Hendricks, who I think really ought to be the UFC Welterweight Champion right now. I’m also impressed with Travis Browne, who’s a real monster in the cage.

During a recent visit to No Alibis, David Torrans told me he'd love to have you over for an event. You tempted? Maybe for your next Serpent's Tail release?

Given that the majority of my fanbase, if such a modest audience can be called a fanbase, is in the UK and Ireland, I would absolutely love to cross the pond and meet everyone. When The Dead Women of Juárez was shortlisted for the Crime Writers Association John Creasy New Blood Dagger, and it looked as though I might win, Serpent’s Tail intimated that they’d fly me over, but obviously I didn’t win and that never materialized. I do have a passport, though, and I’m prepared to use it at a moment’s notice.

Thank you, Sam Hawken!