Showing posts with label #texture. Show all posts
Showing posts with label #texture. Show all posts

Wednesday, October 14, 2020

Circular Texture Pin by Linda Hess


 Inspiration is all around us.  I mention that because this tutorial was inspired by my love of texture and ways to bring multiples together in an artistic way.  I hope you enjoy this.  As always, it is easy peasy lemon squeezy to do. 😄

Materials:

Creative PaperClay

a non-porous work surface

a roller (I used an acrylic roller, but a dedicated rolling pin would also work)

a circle cutter (mine is 2" round, but any size will work)

a knife or blade

texture sheets, stamps, mesh...the sky is the limit!

lightbulbs (the good, old fashioned kind) 

foil

Procedure: Part1

1)  Open the package of Creative PaperClay, pull off a bit, and place it on the work surface.  Rewrap the remainder of the package tightly in plastic wrap OR in a Ziploc baggie, squeezing the air out before sealing.  Using the acrylic roller, flatten the clay on your work surface to an even thickness

HINT: If you roll the clay between 2 popsicle sticks, then the final sheet of clay will have a uniform thickness.

2)  Use a circle cutter (mine is 2" round) to cut a few circles from the clay sheet.


3) Press texture into the clay circle.  The texture sheet will distort the circle slightly, depending upon texture used, so be sure to recut the circle to maintain uniformity in size.  Repeat with a variety of textures on the remainder of circles.






4) Gently lift each circle off your work surface.  Place onto the curved surface of a light bulb and press into place using the palm of your hand.  Repeat with each circle.  Let dry in place overnight OR (if you are an impatient sort) bake for 10-15 minutes @ 275 degrees.  

NOTE: You may have noticed in one of the pictures that I created a base for my lightbulb with a piece of foil.  This can be easily created by lightly crumpling a piece of foil, wrapping it around the lightbulb base, and flattening the bottom on your work surface.  It allows the clay circle to remain upright to dry rather than the possibility of a flat spot should it roll on the table.




That's it!  The first part is done.  After the textured circles have dried completely, pop them off the lightbulbs and continue on...


Procedure: Part 2

Materials:

Creative PaperClay

knife, blade, or Exacto knife

plastic paint palette 

assorted wires (aluminum 10g and Funwire 20g shown)

knitting or darning needle

scissors or wire cutters

Step 1) Use the knife, straight blade, or Exacto knife to cut each circle into 2 or 3 pieces.  If cutting is difficult, rock the tool back and forth to "saw" through the dried clay.  Rough edges can be carefully shaved away.  NOTE: Keep any shavings in the paint palette until later.  Arrange pieces, mixing textures, as shown above.

Step 2) There are 2 different ways to put the pieces together.  The first way is to roll a ball of Creative PaperClay (from the part set aside in plastic wrap or Ziploc), flatten the bottom slightly, and then arrange components on top of the ball.  Once you are happy with the arrangement, remove each piece, rub tacky glue on the inside, and place it back on top of the ball to dry.



The second way to put the components together is to (once again) roll a ball of Creative PaperClay, but instead of leaving it rounded, flatten the clay into a disc about 1/8-1/4" thick.  The disc can then be flattened inside of the cut, textured pieces.




Bet you thought we were done!  No way!  Now it is time to add some embellishments. 
 
Step 3) Again, there are options.  The first is to use a thick, aluminum wire (super easy to bend) to fill any channels or create another visual component.  Cut a piece of the wire longer than the length you will need.  Bend each end in and curve the wire, as shown below.

Curve the wire component and place it as desired.  Don't get frustrated if you need to rework the curve a few times.  Press everything together and set aside to dry as you work on the others.
NOTE: For this wire option, I used the first way to put together components (a solid ball behind the pieces).  The solid ball will give a better grip to the larger wire.

The second way to add wire is to use Funwire (or telephone wire).  Again, Funwire is easy to manipulate.  For this option, wrap the wire around a knitting needle, creating a tight coil.  Continue wrapping until the wire coil is longer than the space in which you would like to place it.  Leave the ends loose (see left photo).  These ends can be embedded into the back of the component.  


For this example, I used the hollowed back construction.  With that construction, I placed the piece on top of a lightbulb (smaller diameter than the initial one used) to dry.  Placing it on the lightbulb will also help to hold the wire in place (see below).


Step 4) Remember the shavings that were set aside in the paint palette?  Add water (a few drops at a time) to the shavings.  Allow the clay to soak up the water before pressing the mixture together to form a paste (add more water if needed).  You want the paste to be the consistency of tacky glue.

Use this paste to backfill any areas where there may be large cracks between the clay and wire components.  I am a big fan of using my finger for this process.  I usually press the mixture in with one finger and then wipe away excess with another.  If the paste smooths out any texture, use a fingernail or a toothpick or a turkey lacer to remove the paste and reveal the texture again.  Once you are happy with the piece's connections and look, set it aside to dry one final time.
NOTE:  It should not take as long to dry this time since you have applied such a thin layer.

Step 5) Almost done!!  Roll one final piece of Creative PaperClay into a thin sheet.  Cut 1 circle (same size as before) for each pin.  Press the domed component on top of the circle. NOTE:  I do this on top of a piece of paper or waxed paper so it will not stick to my work surface.
Cut or smooth away any clay that squishes out past the edges.  Allow the piece to dry flat overnight OR quick dry by popping the piece into the oven (250-275 degrees) for about 15 minutes.

Procedure: Part 3

Materials:
Plaid paints in choice of colors (I used Folk Art Multi-Surface Metallics in #2966 Bright Gold, #6310 Malachite, #6313 Tanzanite, and #6308 Garnet)
Small paintbrush
Bar Pinbacks
Superglue

1) Use the paintbrush to paint each section of the domed pin with one layer of your chosen colors, making sure to get down into the embedded textures.  Once the first layer dries, a second layer in an alternate color can be rubbed gently over the surface.  I used Tanzanite, Garnet, and Malachite to paint the first layer, then rubbed bright gold over the top.   Be sure to wipe away any paint that may cover the wires. 
2) Use super glue to attach a bar pin to the back of each pin.  
ENJOY 😁















Wednesday, May 27, 2020

Quick & Easy Texture with Creative PaperClay

Quick & Easy Texture with Creative PaperClay
by Linda Hess


One of my favorite things to do with Creative PaperClay is to turn it into a "sludge" and use it for texture!  Here is a quick and easy tutorial so that you too may use it for eye-catching details that have people asking "How did you do that?"

Materials:
Creative PaperClay
water
container for making "sludge" (I used a metal lid)
stencil or texture sheet
plastic wrap
surface to layer paste on (watercolor paper, canvas, wood, etc.)

Step 1:  Open the package of Creative PaperClay and pull a small amount off.  Place into the container for making "sludge".  Wrap the remainder in plastic wrap taking care to press the air out or you may be sorry!


Step 2: Add water a little at a time and mix into the clay.  
NOTE:  I have a spritz bottle that I purchased at the Dollar Tree (a set of 3!) that makes it very easy.  I use my finger to mix, but if you don't like getting messy use a popsicle stick or the back of a spoon.  Mix the water in like you are kneading a loaf of bread.  Add more water as needed.  Make the "sludge" too watery and it will flow under the texture or stencil.  Keep it too thick and it won't spread smoothly.  Once you are happy with the mix, it will be time to move on to the next step.


Step 3:  Place the texture sheet or stencil in place.
  

Begin smearing (yes, that is the technical term) the "sludge" over the texture, pressing it into the nooks and crannies.  I find that spreading in one direction and then coming from the other direction makes it easier to fill.  



Step 4:  Check to make sure all desired areas of the texture/stencil are filled.  Then carefully remove the texture/stencil to reveal the raised design below.  
NOTE:  Sometimes there will be a little overflow into areas where you may not want the texture to be.  Easy peasy, lemon squeezy fix!  Just use a fingernail to gently remove the extra OR press the overage over.  For the design below I wanted the texture to remain in the one rectangle area of my painting, so I gently pushed the "sludge" over into the rectangle.  In a couple of other areas, I simply removed it by scraping it off the page.


That's it!  Set your project aside to let the Creative PaperClay dry.  I used watercolor paper for my design.  Once the Creative PaperClay dried, I painted the rest of the project.




I hope you have enjoyed this quick & easy tutorial.  

Have fun creating!



Wednesday, March 4, 2020

Painting a Creative Paperclay® Art Doll Bust


Painting a Creative Paperclay Art Doll Bust



Today I will demonstrate my painting techniques for a Creative Paperclay® Art Doll Bust.

Here is a list of tools and supplies that you will need:

Creative Paperclay® Art Doll Bust
Black Gesso
Acrylic Paints - I prefer heavy body for full coverage
Carbon Black  

Titanium White

Burnt Umber
Titan Buff

Quinacridone magenta
C.P. Cadmium Yellow Medium

Phthalo Blue
Prism Violet
Fixative/Sealant - Krylon (or Hairspray) Acrylic Gel Medium or Mod Podge (Optional)
Assorted paint brushes.  

At least some fine detail brushes and some flat for dry brushing
palette knife - for mixing paint colors
palette - a ceramic tile or paper plate will work
receptacle for water and a couple of rags for clean up.




This is a hand sculpted Creative Paperclay Art Doll Bust based on a design by my friend Linda Misa.  She came to teach in my Northern California studio all the way from Australia!  That's really far away!  Anyway, it was a wonderful workshop!  If you get the chance to sign up for a class with her, jump on it!  She is super generous with her knowledge and ensures that everyone is successful with their project!

At this point the bust is dried and lightly sanded.
The texture on her bodice was done with a beautiful silicone texture sheet by my friend Victoria James. Click on the link to check out her great designs. She will ship them anywhere within the continental U.S. for FREE!

http://www.victoriajamesart.com/realtextures/

First I add a coat or two of black gesso.  I used Golden brand.  You'll notice the streakiness.  That was because I started painting her and didn't like it so I covered her up with more black.  I was also really impatient to get back to painting.  You can always sand yours down to smooth things out. 400 - 600 grit sandpaper is good.  I'm going for a more primitive look so I won't do that here. 



Supplies and intro


Flesh Tone Underpainting

Shadows and Lowlights - I use some weird colors



Flesh Tone Highlights

Highlights, eyeliner, eye whites, blush, lips, and brows
Eyes
Once you get the eyes in she starts coming to life

Final Face paint.  Isn't she a cutie?  I darkened her eyebrows to go better with her dark hair.  
I painted the bodice and hair black.


Eyes, Pupils, Hair, & Bodice

Here are the final photos.  
The bright lights washed out her complexion a bit 
but, you can see the highlights in her hair and dress this way.