I happened upon this delightful series of images from the 2008 Hasselblad Masters book by fashion photographer August Bradley while poking about on DeviantArt a while back.
Admittedly, the first one caught my eye because I recognized Kojii, one of the models from the single season of Project Runway I indulged in watching (it was only for Louise Black, really!), but I was intrigued. I loved Bradley's painterly use of light and color, and the implied drama in the dreamlike pictures.
You can find a number of lovely interviews with him on the web ~ I particularly enjoyed this one, A Trick of the Light. With most of my favorite photographers, it's the ability to hint at a story behind the scene that captures my heart, and Bradley is adept at making the viewer feel like he's frozen a fable in time.
While the world of high fashion and its overly made-up, impossibly lanky women will always feel a bit alienating to me, I can't help but be charmed by the oddity of this series, the Depression-era-circus-meets-post-apocalyptic-fairytale mood.
The faux ravens, the decaying props, the unusual men mixed in with the leggy models... fine. I'll bite. I even found a very brief documentary on the project which reveals a bit of what goes on behind the scenes.
It seemed like a fitting month to feature this particular artist. So carry on, August Bradley, with your fantastical haunting visions. I look forward to seeing more of what comes out of your imagination.
8.07.2010
August Bradley's Haunting Imagination
By . c h o k l i t . at 3:41 PM 5 comments
Tags: art, photography, style
7.16.2010
CoutureLust: Steam Trunk Couture
I'm beside myself with excitement to bring you the latest CoutureLust profile ~ it's been some time in the making. Meet Juniper Lindquist Fletcher, who along with her husband Christian Fletcher, brings us Steam Trunk Couture!
I've long been enamoured of Juniper and Christian's excellent design-work ~ the attention to detail, perfect blend of modern tribal circus sensibility with vintage charm... every piece of theirs I've seen is glorious.
Juniper and Christian are currently hard at work on their latest creation... a baby, due any day now. Finger crossed that line of steamy baby-wear is in the works! And there are already heart-poundingly hot designs for men in their line ~ seen gracing the likes of Sidecar Tommy of Beats Antique.
Without further ado, the lovely Ms. Juniper.
How would you describe yourself and your style of work?
I consider myself a renaissance woman. Whether it is costume & clothing or painting & sculpting, I love the process of manifesting dreams into this plane of reality. These days with Steam Trunk at the forefront of my creative wiles, I design garments and accessories that embody facets of Victorian and Retro fashion, yet are modern and street smart for today’s fast times. Steam Trunk fashion can be noted as “Antique street-wear”.
Where do you find inspiration?
Fortunately all through my life, artists have surrounded me and craftspeople that support the belief that we are capable of creating anything our minds can dream up. Whimsical moments, vintage artifacts, beautiful textiles and the divine patterns of nature inspire me.
What do you do besides design amazing clothes?
I am also an illustrator, painter, costume maker, web/graphic designer, body modification artist and soon-to-be-mother!
What are three things that please you the most in the world?
Three things that please me the most in this world are: the exploration of consciousness, creating with my own hands, and reveling in the love of my husband and community.
How did you get your start making clothes?
I began making clothes for dolls and myself through experimentation and the help of my mother who is also a seamstress. After years of private tailoring, making costumes and having a small hand made line in Canada; I came to the USA to be with the love of my life, Christian. Together we began designing a vision for Steam Trunk in 2007 and produced small numbers of unique garments, which were sold at fashion events and a few local stores. In the years to follow, we were given great support through our community and also formed with the Five and Diamond Collective, who has been a strong factor in our growth as a company.
What piece of work are you most proud of?
I am most proud of my “Venus” Gown, which is a hand detailed couture silk and taffeta piece. This is a piece from a limited collection created in collaboration with Chrystie Cappelli and my husband Christian for the most recent fashion show we presented at the W Hotel in SF.
Where can we find your line?
Our line can be found at:
Five and Diamond
San Francisco, CA
Ceiba
San Francisco, CA
The Congregation Of The Forgotten Saints
Los Angeles, CA
Gold Bug
Pasadena, CA
Dark Garden Corsetry & Couture
San Francisco, CA
Delicious Boutique
Philadelphia, PA
Morning Glory
Burlingame, CA
Gothic Renaissance
New York, NY
La France
Tampa, FL
CANADA
Belle et Rebelle
Montreal, QC, Canada
Sanctuary Curio Shoppe
Edmonton, AB, Canada
Bia Boro
Nelson, BC, Canada
Thanks so much, lovely Juniper, for doing this interview despite the impending birth of your wee one... can't wait to hear about your further adventures!
...Read the full interview...
By . c h o k l i t . at 9:23 AM 5 comments
Tags: costumes, CoutureLust, more, neo-victorianism, steampunk, style
6.21.2010
Saucy Swimwear for Solstice
O beloved readers, I have been utterly remiss in my long absence... rest assured I have a good reason, which will soon be revealed. In the meantime, my band, Baby Seal Club, has been in full gigging and recording mode. We have two shows coming up with watery themes: a giant warehouse party called Sand by the Ton and the Rivertown Revival.
All this nautical goodness has caused us to decide we need a full suite of turn-of-the-century-beach-wear to don for these gigs, and so our research for inspiration has commenced. We unearthed so many great images I had to share, especially on this, the first day of summer.
I just adore the theatricality of these suits. The Victorians wore wool suits that covered them almost completely ~ knickers, puff-sleeved dresses, stockings, and all. You can find more delightful pictures and history here. Things lightened up considerably in the 1920's.
Having no desire to squeeze into a modern bikini bottom myself, I rather like the idea of swimming-bloomers. And ah, the utilitarian silliness of the "bathing machine" ~ those stripey booths for changing from your long woolen petticoats into your long woolen swimsuit and bathing-cape.
And then there's the circus mood of these "Fancy Bather" cigarette trading cards. It appears that stripes and bathing suits go together... And it would seem parasols, oversized bows, and leg-ribbons are a must.
Stripes are de rigueur for the gents as well... this rather serious beefcake of a chap looks like his wool may be chafing his tender bits.
We are fortunate to have the help of our incredibly talented artist friend Else Olava to put together these outfits ~ she spent all weekend sketching madly as the band began recording our very first album. So we shall certainly see what comes of it all. Happy longest day of the year!
By . c h o k l i t . at 9:08 PM 7 comments
Tags: Baby Seal Club, costumes, events, history, ribbon, style
3.28.2010
La Fée Verte
The poet in his attic room paces by the dim glow of the oil lamp, fevered ~ again he is walking the thin line between genius and madness, waiting for his muse, a faceted goblet of potent green liquid in his pale hand.
But La Fée Verte is a capricious and cruel mistress ~ she murmurs promises of glorious lucid visions in your ear... but then overwhelms her acolytes with feverish passion for ever more until one sip too many ~ and she is gone in a vaporous flurry, leaving them muddled and weak. Still, the poet drinks… and dreams…
I am beamingly proud to introduce my newest design ~ Absinthe, with model shots by the brilliant Revel of Aesthetic Alchemy. Every time I look at this photo-set I fall in love again ~ the lighting, the mood, the grace and glorious beauty of the model, Ariel Collins...
I've had this one dreamed up for quite some time. In fact, the whole concept of Adornments for Tarts was born from an absinthe-themed gown ~ I made it for myself, and then needed really spectacular, unusual accessories to go with it... so I invented them. And thus it's extra special to me that I was able to use that very gown in these phenomenal images.
Some other bits and bobs of news: my Web site now has a Facebook "share" feature on nearly every page, courtesy of my impossibly talented Web designer husband, of Sassy Monkey Media, so you may easily share links to your favorite adornments. There's also a new interview with me on the lovely Gale's Tattered Rouge blog, where more details of the Absinthe gown story are revealed.
So... drive them mad in the Absinthe adornments, now available in my Etsy shop.
By . c h o k l i t . at 11:56 AM 11 comments
Tags: absinthe, adornments for tarts, collars, costumes, cuffs, earrings, Etsy, photography, shopping, style
3.23.2010
Tarts Love Dollymops
Among the many lovely new things to be discovered at the Nova Albion Steampunk Convention where I was vending a few weekends ago, there was one towering standout, in my estimation: the new steamily-themed collection, from corsetier nonpareil Dark Garden ~ Dollymop Designs.
This glorious new line was unleashed upon a reverent crowd in a fashion show leaning more to performance art than catwalk. A parade of proud and ravishing creatures ~ gorgeous women, dashing men, and one capering child ~ made their way through the crowd in a sort of serpentine formal promenade.
And then, to various snippets of delightful sepia-chord style music, they arranged themselves into playful tableaux, in pairs, triplets, and quartets, as if they were allowing us a glimpse of an elaborate pageant. The effect was nothing short of breathtaking.
The vision of Dark Garden seamstress Kalico Delafey, the Dollymop collection was simply stunning on every facet. The muted tones of browns, khakis, blacks and grays made one feel one was looking upon antique portraits.
The whisper of military stylings, along with the structure of the corsets, lent a regal air to the models, tempered by elegant touches like feathered hats, ruffles, and furs. And there were skirts with big pockets!
The designer describes the line thus ~ "Inspired by the natural world, Dollymop designs are reminiscent of a bygone era with a whimsical nod to the subversively romantic." Dollymop also happens to be Victorian slang for an amateur lady of the night... not terribly far off from a tart, I'd say... which might have accounted for my instant and unfaltering adoration of the line.
See more images of Dollymop Designs here, including some from the very fashion show I attended... All lovely images on this post used with kind permission from photographer jules cisek, taken at various shows and events.
By . c h o k l i t . at 11:01 PM 3 comments
Tags: costumes, events, neo-victorianism, shopping, steampunk, style
3.02.2010
Dark Grace: The Photography of Revel
I have just sent off my Absinthe set of adornments to the stunningly brilliant Revel to be photographed. I discovered Revel while doing the CoutureLust feature on Blasphemina's Closet, and upon visiting her web site, Aesthetic Alchemy, I was smitten.
I am all aflutter with anticipation at what the results of this endeavor will be. Revel's vision is tantalizing ~ a world of dark and capricious creatures, equal parts fetish wickedness and Lolita innocence.
Her styling is dangerously bold, with splashes of color and textures seemingly at odds... leather and silk, velvet and latex.
Revel meticulously builds and collects all of her props and sets, conceiving each image as a story to unfold and capture ~ the gloss of high fashion meets the curious sinister side.
Many of Revel's images are self-portraits, which adds to the intrigue. Her haunting gaze and lustrous pale skin are otherworldly, like a creature out of time, out of the ravages of reality.
Indeed, I was struck by a quote I saw in one of Revel's online profiles, and how aptly it describes her dreamy oeuvre... from the incorrigible Oscar Wilde: It is through art, and through art only, that we can realize our perfection; through art and art only that we can shield ourselves from the sordid perils of actual existence.
I'm thrilled to be able to have Revel take some of my treasures away from the sordid perils of actual existence ~ and into her rich imagination.
By . c h o k l i t . at 11:47 AM 6 comments
Tags: adornments for tarts, art, costumes, lolita, neo-victorianism, photography, style
2.24.2010
CoutureLust: Quaintrelle Couture
One of the glories of the Edwardian Ball is meeting brilliant like-minded people... such as the stunning and incredibly talented Calamity Lulu of Quaintrelle Couture, who I lured to my booth with 80% dark chocolate.
And what, you will ask, is a quaintrelle? On her Web site, Lulu quotes Wikipedia: a woman who emphasizes a life of passion expressed through personal style, leisurely pastimes, charm, and the cultivation of Life’s pleasures... Dear readers, imagine my pleasure upon finding that a word existed that so splendidly summed up my tendencies! I immediately knew Lulu was a woman after my own heart, and was delighted that she agreed to share some more about her work here.
How would you describe yourself and your style of work?
Frippery as philosophy. Fabric-based alchemy without any gold -- not in the sense of money or colour, but rather, the narrow mindset of boiling down elements for a highly specific and defined objective. In alchemy they say the Masterwork is achieved only when the alchemist forgets about gold and loses himself and his aim in the purification process. When I design, I usually don't have any picture in my head when I put the pencil to paper, and I try not to get caught up doing one style--I don't want to make variations of the same piece over and over again, so my "style" is chameleonic and as mercurial as I am. Fashion for shapeshifters.
Where do you find inspiration?
The usual suspects: history, architecture, the human form, but I'd say my number one inspiration is the material itself. I frequently feel like fabric has an intent of its own, as if it knows what it wants to be when it grows up, so I try to listen to its little whispers. (I see fabric fulfilling its destiny in Adornments for Tarts, so I think you intuitively do this too!)
What do you do besides design amazing clothes?
Ballroom dance, burlesque, travel, psychological treatises, study foreign languages.
What are three things that please you the most in the world, and why?
Fabric. I'm a sensual hedonist, and I can't even begin to explain the joy of a beautiful silk, velvet, wool, or linen on skin. A truly perverted fabricphile, I even like to smell it. The smell of silk: mmm.
Books and intellectually stimulating conversations, because I am a nerd. A big, fancy nerd.
I lack a precise word for the third, and perhaps most significant, thing that pleases me (undoubtedly the Germans have the perfect one). Art, perhaps, because it involves creation; and also the kind of passion that leads to meticulous attention to detail and perfection of one's craft; or love, because it has to do with developing one's sense of joy without root in attachment to stagnant things; or learning, perhaps, because it involves the evolution of the mind... that's it: I'll use Evolution. Nothing pleases me more in this world than evolution -- feeling myself evolve and seeing others evolve.
How did you get your start making clothes?
I was born a quaintrelle. From the time I could hold a crayon, I would almost exclusively draw women in fancy dresses, and would always design some monstrously complicated costume for Halloween months in advance and give it to my mother, an accomplished seamstress herself, to make for me. She'd take my drawing and move a seam somewhere more convenient, and I'd take the drawing and move the seam right back, so she decided I should learn myself pretty early on. I had my first machine -- a child's Singer with only one function -- at the age of six, and being an independent little chit, I worked things out more or less for myself over the years.
What piece of work are you most proud of?
I'm a ghastly perfectionist, so I always feel like my work could be better! I am a little proud of the stomacher I made for my silk mantua -- raw silk, gathered in three rows, embellished with organza trim of a delicate fawn colour (though it looks rather pink in the photo), beaded all over and with cording couched with decorative crosses in silver embroidery floss. On the mantua, which is as lovely sage green with a baroque acanthus print in gold, it has a look that's both opulent and organic.
Where can we find your line?
For the moment, exclusively through my website by commission. I haven't quite been won over to the idea of prêt-à-porter, since absolutely nothing makes someone feel as luxuriously well-dressed as a custom-tailored garment, but I'd like to offer at least ready jewelery or accessories on my website -- once I find time to set it all up!
...
Thank you, Lulu, for sharing your inspiring vision and your delectable creations... and this quaintrelle is looking forward to seeing more from you!
...Read the full interview...
By . c h o k l i t . at 2:41 PM 5 comments
Tags: costumes, CoutureLust, more, style
2.09.2010
Things That Please Me: Arts & Crafts Wallpapers
I must confess that I am a hoarder of fine bits of paper. I am reminded of this each Valentine's Day, as I pull out my many bins full of scraps to make cards. I love textured paper, brightly colored hand-made paper, and translucent vellum ~ but most of all I love patterned paper.
So imagine my delight when I found a trove of reproduction wallpapers online at Trustworth Studios, which sent me down a rabbit-hole searching for the original illustrations. I am quite sure that could I afford to, I would be squirreling away rolls and rolls of it. Oh, such complex valentines I would make, with the rich and intricate repeating patterns!
I have always loved the style and sentiment of the Arts and Crafts movement ~ the modern steampunk movement has borrowed much of that doctrine, certainly in the appreciation for the finely crafted and the hand-made. While it's the organic curves and sensuality of Art Nouveau that inspire me most, there's something glorious in the simplicity and utility of Arts and Crafts that is dear to me as well, and in some designs, as the ones here, the line between the two is blurred.
Most of these wallpaper designs are by British architect C.F.A. Voysey, who had an eye for whimsy and playfulness that I find irresistible. In his late career, Voysey focused almost completely on fanciful designs for children's nurseries.
Design movements aside, I could just lose myself in the worlds of these papers, like this seemingly odd and lovely combination by French designer M.P. Verneuil, of bats and poppies ~ which were both motifs used to suggest altered states of consciousness...
Learn more at The Textile Blog or the Arts and Crafts Home.
By . c h o k l i t . at 11:02 PM 9 comments
Tags: architecture, art, history, pleasing things, style
12.14.2009
CoutureLust: Blasphemina's Closet
I'd harbor a guess that many of my readers are familiar with the Lolita style. If not, meet Samantha Rei, proprietress of Blasphemina's Closet. Samantha takes the girlish ruffles and neo-Victorian sensibility of Lolita style and makes it sumptuously couture.
She curates the annual Schoolgirls and Mobilesuitsfashion show, and her luxe creations can be seen at New York's Dances of Vice. And good news for dandies... she's got a men's line, too.
Samantha is based in Minneapolis, and along with previous CoutureLust featuree Heather Luca of Scoundrelle's Keep and Megan Bishop of Apatico, founded the Libertine Asylum, a "society for the spread of fanciness, hedonism, indulgence and beauty." Ah, ladies after my own heart. Let's see what's behind the flounces in Blasphemina's Closet...
How would you describe yourself and your style of work?
I generally stick to classic and gothic lolita. Lolita fashion is a style that gained popularity in Japan and has taken hold as a relevant subculture worldwide. It has a lot of basis in Victorian and Rococo fashion as well as certain other influences like stories, sweets and other subcultures.
Two of the best sites for info are Avant Gauche and Lolita Fashion.
I also tend to do neo-Victorian and aristocrat menswear and for fun and friends, wa-lolita.
Where do you find inspiration?
Books and movies. Usually, whatever I'm reading at the time or movies I've been enthralled with each season inspire my next line. Music, too. I'm not really into sweet style, and since that's what's in right now, I don't tend to be inspired by the Japanese brands as much as I used to.
This year, I've been inspired by Snow White as illustrated by Arthur Rackham (he's a HUGE inspiration in my life), Little Red Riding Hood, Josephine Bonaparte, story book villains, the poetry of John Wilmot, the films Gangs of New York and From Hell, Japanese illustrator Mihara Mitsukazu, regency era fashion plates, Valkyries, and as always, Alice in Wonderland.
(Find more links to Samantha's favorites at the end of the post.)
What do you do besides design amazing clothes?
I make fascinators and jewelry. I love that! It's one of those things where I do it in my spare time, then sell it later. I can spend time making one piece pretty. It's like meditation. Also, I love to read. If I'm not working, which is most hours of most days, I'm reading or watching crime shows.
What was the most challenging piece you've designed / made?
I had to make five bridesmaid and one flower girl dress out of bright red dupioni silk. They all needed to look the same, but be made to fit each girl. It was very tough, because half the girls didn't actually live in town. I was working on this while finishing a piece for my best friend to wear at her wedding and her sister's bridesmaid dress, all had to be done that week because they were both getting married on the same day. That was stressful, but everyone was beautiful!
What are three things that please you the most in the world?
Books, history and family.
How did you get your start making clothes?
My mother taught me to use a sewing machine when I was about 13 (early 1990s). I got into design shortly after that. I used to hand sew clothes for my Barbies for something to do. I didn't really "play Barbies" right. But I really got gung-ho into designing when I was in early high school. I started with my own clothes, then with practice styles, then made prom dresses for friends. The first year I did that, I made two dresses for friends for like $100 each. I was so proud! Shortly after beginning college, I started my Web site :)
What piece of work are you most proud of?
It's a tie between showing my collection PULP at Dances of Vice in Spring of 2009 and a black and blue silk wedding dress I made for a Halloween wedding this year. I was so proud of that collection, I hadn't done a gothic line in ages and it looked so cohesive and elegant. And the wedding dress made the bride look radiant. I love creative clients who just let me go! I can't choose...
Where can we find your line?
On the internet, at conventions (check out my ongoing con schedule for 2010!) and every once in a while in spots around Minneapolis.
List some of the top books, music, and movies that you've enjoyed recently...
Books!
Monster Blood Tattoo
Valiant:A Modern Tale of Faerie
Barnaby Grimes
A Lion Among Men
Seeing Redd
A Series of Unfortunate Events
Spiderwick
Musical inspiration this year!
World Inferno
Rasputina (My favorite band since high school!)
Voltaire
Circus Contraption
Gogol Bordello
Amanda Palmer
Dr. Steel
Emilie Simon
The Builders and the Butchers
Movies!
Gangs of New York
From Hell
Quills
The Libertine
Perfume: The Story of a Murderer
Moulin Rouge
Thanks so much, lovely Samantha! We'll be off down one of those fabulous interwebs rabbit holes now to find more inspiration from your links... just like Alice.
...Read the full interview...
By . c h o k l i t . at 10:48 PM 3 comments
Tags: costumes, CoutureLust, dandyism, lolita, more, neo-victorianism, shopping, style