Chariot at rest

We have read of the Parthasarathy Temple earlier, with its tower in the distance, or about its chariot festival. And we also got to see the chariot's wheels up close. 

So here is the chariot itself, decked out with the thombais and the thoranams, the final touches being put in place by the priests.

I've always felt that, much more than for any chariot festival of other temples, the one at the Triplicane must be special. After all, the deity is Himself a chairoteer, right?

Playful pundits

These kids are all dressed up to be a part of the procession reciting the nalayira divya prabandham at the chariot festival of Sri Narasimha Swamy at Triplicane. Once the procession started, it was difficult to spot these kids - they were lost in the fringes as the older men took over the vanguard of the procession.

While they were waiting, the boys were doing what every Indian boy would do. Discuss cricket. Demonstrating the art of bowling. And maybe reciting the vedas while doing so; that is not unusual, at least not for Triplicane's cricketers!

Wheels

Jagannath and Parthasarathy are but two manifestations of Krishna, an avatar of Vishnu. One of them has given a word to the English lexicon. A word that was used by Charlotte Brontë in Jane Eyre, and by Robert Louis Stevenson to describe Mr. Hyde trampling over a child. 

There. Even without the clue, you would have guessed by now that I am talking about 'Juggernaut', which came from a description of the chariot of Puri Jagannath, at the wheels of which, it was claimed, Hindus sacrificed themselves. 

These wheels, though, are from the chariot of the Parthasarathy temple at Triplicane. They may not be as big as that of Jagannath; yet, you had better be careful to not get in their way, upon pain of creating a synonym of juggernaut!

Memorial to a poet

The Bharathi Ilakkiya Mandram is one of the innumerable groups that celebrate the life and works of Mahakavi Subramania Bharathi. Bharathi was one of modern India's greatest poets, a firebrand nationalist who considered prejudices as great an enemy as the British. His poems were therefore as much exhortations against the imperial rule as they were against social practices which marginalized women. 

Born at Ettayapuram, educated at Tirunelveli, widely travelled across India, Bharathi's involvement with the freedom movement was in the company of the more strident nationalists like Tilak and Chidambaram Pillai. That brought the British police on him and he moved to Pondicherry, then under French occupation. He came back to British India in 1918, was arrested and imprisoned. Though he was released within a couple of weeks, he had to sign an undertaking that he would show his works to the DIG of police before publishing them. Obviously, this cramped his style considerably and the stress led to his health breaking down.

His last years were spent in Triplicane. Living in a house near the Parthasarathy temple, he regularly visited there, and got into the habit of feeding Lavanya, the temple elephant. One day, in a spirit of playfulness, Lavanya knocked him down; already frail, this blow was quite debilitating to the poet. He survived for a few more months, house-bound. After he died in 1921, he was never forgotten, but rarely celebrated, either, for a long time. The owners of the house he lived in at Triplicane, were loath to turn it into any kind of memorial. It was only in 1993 that the Bharathi Ilakkiya Mandram succeeded in having the government take over the building and turn it into the Mahakavi Subramania Bharathi Memorial House, making it one more memorial to the poet in his home state.  Among the many pieces of memorabilia here is a two line letter, blessing the opening of the memorial at his birthplace in 1947, from Mahatma Gandhi - written in Tamizh!

Chariot procession

Many translations of such events refer to them as "Car" festivals. Yes, it is a vehicle no doubt, but I prefer to translate தேர் as 'chariot' rather than a pedestrian 'car'. This one is part of the Bhramotsavam of Sri Narasimha Swamy at Triplicane's Parthasarathy Swamy Temple. On the seventh day of the Bhramotsavam, the decorated chariot is taken around the streets encircling the temple, pulled by devotees. 

Ahead of the chariot is the phalanx of mamas, in traditional Iyengar garb, reciting verses from the நாலாயிரத் திவ்வியப் பிரபந்தம் (Nalayira divya prabandham, four thousand divine codices). Ahead of them, maamis rush to put the final flourishes on their kolams before the கோஷ்டி reaches their doorstep. 

It is a formidable sight, with the chariot being pulled at what can be considered break-back speed trying to catch up with the chanting crowd, while devotees prostrate before the கோஷ்டி or before the chariot, falling down and getting up at speed, without getting in the way of others. In times gone by, this procession would probably have taken half-a-day, stopping at several points along their short way. Today, it was over in a relative flash, within 90 minutes or so; that must have been a very rapid recitation of the divya prabandham!