This record on Aristocrat (the predecessor of Chess) came from Oett "Sax" Mallard's first session as a leader. He already had considerable musical experience, starting out with the big band led by his high school class mate Nat "King" Cole which toured with the "Shuffle Along" review in 1937 and ended up stranded in California. Nat opted to stay out on the Coast which proved to be a fortuitous career move, while Sax worked his way back to the Windy City.
Mallard's subsequent career included spells in the big bands of Duke Ellington and Floyd Campbell before becoming part of the early R&B scene in Chicago as part of the "Jump" Jackson band from 1946 onwards. Full discographical and biographical details are on that unrivalled repository of all things to do with Chicago R&B history, the Red Saunders Foundation website. The lengthy page devoted to Sax Mallard is here:
http://hubcap.clemson.edu/~campber/mallard.html
The history of the Aristocrat label is here:
http://hubcap.clemson.edu/~campber/aristocrat.html
"Let's Love Again" / "The Mojo" was released in March 1948 and sold well in Los Angeles but failed to make the local charts in Chicago or New York. The A Side is a pleasant ballad nicely interpreted by Jimmy Bowman. Unlike some ballad sides from this era it hasn't dated too badly, in my opinion. It has a certain coolness a la Nat "King" Cole. "The Mojo" is a piece of instrumental exotica with good "growl" trumpet and fine guitar work.
Once again we must pay tribute to El Enmascarado for his sterling work in reviving these sides from very worn shellac. The Masked One says: "Before cleaning I couldn't get the B side to play through at all. I especially like how at :10, Sax's guitar player slips and unintentionally hits the open E and B strings on his guitar. They kept it ..."
There you have it - musician, record collector, reviver of battered shellac and masked wrestler. A CV that yells defiance against this crazy corporatized world.
