"There is so much writing in English on Japanese cinema that can't be accepted at face value — not because the writers are careless, but because the differences in culture and language are just too intricate. When I see August Ragone's name on a piece of writing, it gives me permission to place my faith in it completely. Among Japanese fantasy film historians, he's the best working in English." —Tim Lucas, Video Watchdog

Showing posts with label Guilala. Show all posts
Showing posts with label Guilala. Show all posts

Wednesday, August 5, 2009

BANDAI's GIANT MONSTER APPAREL!
Designer Daikaiju from Yoshihito Sugahara

バンダイの大怪獣 Tシャツ!


Sugahara breaths new life into the original! ©1954 Toho Co., Ltd.


A dynamic design of the golden triple-threat! ©1964 Toho Co., Ltd.


The original flying terrapin of terror! ©1965 Kadokawa Pictures


Guilala from THE X FROM OUTER SPACE! ©1967 Shochiku

These amazing high-end t-shirts, designed and executed by noted artist Yoshihito Sugahara, have been commissioned by Bandai's apparel division, and are available online and through various brick-and-mortar outlets in Japan only. Sugahara has designed a number of shirt for Bandai; everything from Ultraman through Toei Heroes, and are pretty damned impressive. While they may be well-worth tracking down for the hardcore fan, be forewarned: they range in price from $30-$39 USD.

I'll be also be featuring more samples of Bandai and Sugahara's tokusatsu t-shirt designs in future posts — stay tuned!

Friday, May 2, 2008

Monday, April 28, 2008

CAN GIANT MAJIN TAKESHI "BEAT" KAIJU GUILALA?
It's the Ultimate War of the Colossal Beasts!

何だ? 大魔神たけし対大怪獣ギララ!?


Coming to your galaxy this summer!

While the details surrounding Minoru Kawasaki’s upcoming MONSTER X STRIKES BACK: ATTACK THE G-8 SUMMIT (Girara-no Gyakushu Toyako Samitto-no Kiki Ippatsu), a spin off of the Shochiku Studio’s one-shot monster movie from 1967, THE X FROM OUTER SPACE (Uchu Daikaiju Girara), keep getting stranger and stranger — it’s also becoming bizarrely sublime in both the casting and the unveiling of a new colossal character to combat the giant space monster. But, is that any surprise coming from a Kawasaki film?


Actor/Singer Kazuki Kato.

Under the radar of most people outside of Japan are the starring roles, filled by two veteran tokusatsu television actors. 24 year-old actor-singer Kazuki Kato plays a photojournalist caught up in covering the onslaught of the monster Guilala. The popular Kato rose in fame playing Keigo Atobe in the stage presentations based on "The Prince of Tennis" manga and his television role as Daisuke Kazama/Kamen Rider Drake in KAMEN RIDER KABUTO (2006-07). He most recently played Shiro Kazami/Kamen Rider V3 in Ryuta Tasaki’s KAMEN RIDER: THE NEXT (2007).


Actress/Model Natsuki Kato.

His love interest in the film is a plucky news reporter played by 22-year old actress (and professed anime fan), Natsuki Kato, who first appeared in BURN! ROBOCON (1999-00) and was prominently featured in Kenta Fukasaku’s BATTLE ROYALE II: REQUIEM (2003). She can also been seen in Naoyuki Tomomatsu's STACY (2001) and Atsushi Muroga's GUN CRAZY 4: REQUIEM FOR A BODYGUARD (2002). Kato is also notable for playing the first official female Kamen Rider, Kamen Rider Femme, in Ryuta Tasaki’s KAMEN RIDER RYUKI: EPISODE FINAL (2002).


Recent photo of actor Susumu Kurobe.

Kawasaki has also sprinkled in a couple of old veterans, who are no strangers to fans around the world — Susumu Kurobe, who is best remembered as Hayata from the original ULTRAMAN series from 1966 has a prominent role as a military official (Kurobe also appeared in similar brief cameos in the recent series of Godzilla films). Kurobe also recently reprised his role as Hayata in the ULTRAMAN MOEBIUS television series and two feature film spin-offs, the latest of which, Takeshi Yagi's DECISIVE BATTLE! THE SUPER 8 ULTRA BROTHERS, opens in Japanese theaters this September. Mr. Kurobe has always been one of my heroes.


Recent photo of actor Yosuke Natsuki.

While his last role in a visual effects film was more than two decades ago, as Professor Hayashida in Koji Hashimoto’s RETURN OF GODZILLA (1984), Yosuke Natsuki has been cast in a featured role in the new film. Under contract with Toho in the late 1950s, Natsuki was a popular young actor whom appeared in everything from comedy programmers to dramatic war films, as well as action potboilers and period dramas, such as Kengo Furusawa’s SIEGE ON FORT BISMARCK (1963) and Hiroshi Inagaki’s CHUSHINGURA (1962). He also appeared in two classic monster movies directed by Ishiro Honda, GHIDRAH: THE THREE-HEADED and MONSTER and DOGORA: THE SPACE MONSTER (both 1964). Natsuki recently played Shibahara, the Karate Master in Shunichi Nagasaki's excellent BLACK BELT (Kuro-obi, 2007).

But wait! There’s more!

Japanese press sources have just announced that world-renown actor and director, “Beat” Takeshi Kitano, is appearing in the film as “Takemajin” (pronounced “tah-kay mah-gene”) — a guardian deity who grows to enormous proportions to take on the intergalactic interloper. Loosely based on the deity Fudomuyo-Oh, the new character first appears in the film as a 50 cm edifice (holding an umbrella in one hand and a fire extinguisher in the other). But, when things look their darkest, the statue comes to life as a 50-meter tall, 10,000-ton colossus. Kitano will actually don the suit of Takemajin.


Early design for Takemajin.

Director Kawasaki thought that this would be a perfect role for Kitano, who is no stranger to comedy or elaborate costuming, since he used to play the Ultraman-like character, “Take-chan Man,” on the old “Ultra Quiz” game show, as well as wrote and starred in the “Uchimura Seven” sketches, which were parodies of the old ULTRAMAN television series. Kitano is also known by Japanese audiences for his penchant for dressing up in wacky costumes on the most inconspicuous (or inappropriate) occasions.


Kitano's mug on the statue of Takemajin.

In the story, the mystery surrounding Takemajin — which is also a take-off of Daiei Studio’s beloved DAIMAJIN trilogy from the 1960s — is at the center of the drama, and the avenging deity will make his dramatic appearance at the climax of the film. Kawasaki teased, “This is the culmination of Takeshi-san’s professional career... and in the last scene, there will be a shock similar to [the final duel] in Akira Kurosawa’s SANJURO.”


Who will prevail? Takemajin or Guilala?

MONSTER X STRIKES BACK: ATTACK THE G-8 SUMMIT goes into nationwide release in Japan this July. Personally, I can’t wait to see this film — it’s either going to be glorious or a glorious mess!

Friday, February 1, 2008

IT MUST BE SNOWING IN HELL... THE "X" RETURNS!
Guilala Strikes Back for Director Minoru Kawasaki

川崎実監督の「ギララの逆襲 洞爺湖サミット危機一発」登場!


The infamous Giant Space Monster and Director Kawasaki (right).

TOKYO: After 40 years, he's back! The extraterrestrial creature Guilala from Shochiku’s infamous 1967 feature GIANT SPACE MONSTER GUILALA (Uchu Daikaiju Girara), better known as THE X FROM OUTER SPACE, will be featured in an all-new film from director Minoru Kawasaki, GUILALA STRIKES BACK: CRISIS AT THE LAKE TOYA SUMMIT (Girara-no Gyakushu Toyako Samitto Kiki Ippatsu, 2008). While the original film, directed by Kazui Nihonmatsu, is somewhat of a "forgotten" title in Japan, THE X FROM OUTER SPACE was a frequent staple of US television syndication for two decades via American International Television. Currently, the North American rights are currently held by Janus Films/Criterion (maybe its time for "Criterion Collection" special edition?).

On January 29th, Shochiku held a press conference to announce the production of GUILALA STRIKES BACK: CRISIS AT THE LAKE TOYA SUMMIT with Director Kawasaki (pictured above, right) and several of the cast members in attendance. In this new kaiju eiga (monster movie), the greatest scientific and political minds in the world gather at the G-8 Summit at Lake Toya in Hokkaido, Japan -- but disaster strikes when a Red Chinese spacecraft plummets to earth, carrying spores of the space monster, and crashes near the city of Sapporo. Soon, Guilala grows, rising from the wreckage, and begins to terrorize the countryside, threatening the G-8 Summit. Kawasaki declared his hopes to ignite a new Kaiju Boom and help spawn the revival of the Japanese monster movie genre.

Director Kawasaki is a lifelong kaiju fanatic, and has directed a number of independent low-budget features, all of which were infused with his own brand of humor, such as IKO-CHAN: THE EARTH DEFENSE GIRL (Chikyu Boeigun Shojo Iko-chan, 1987) and the long-running DEN ACE series. More recently, he has been garnering global attention via international festivals with his left-of-center comic sensibilities in titles such as THE CALAMARI WRESTLER (Ika Resurâ, 2004), EXECUTIVE KOALA (Koara Kachô, 2005) and THE CRAB GOALKEEPER (Kani Gôrukîpâ, 2006) -- of the latter, Kawasaki said, "It's like Forrest Gump, but with a crab." Shochiku decided to let him have a go at reviving their Guilala after seeing his parody of Shinji Higuchi's THE SINKING OF JAPAN (Nippon Chinbotsu, 2006), THE WORLD SINKS EXCEPT JAPAN (Nihon Igai Zenbu Chinbotsu, 2006).

Not one to waste time, Kawasaki has already cast members of the "Social Satirical Short Story Group," The Newspaper: Matabei Watabe, Akira Matsushita and Hide Fukumoto, who are already quite familiar to the Japanese for their satirical impersonations of real-life Japanese politicians. Matsushita (pictured above, left) will be reprising his famous "Prime Minister Junsaburo Koizumi," a parody of the real former Prime Minister, Junichiro Koizumi. Watabe and Fukumoto are also aping real-life Japanese politicos attending the film's summit when Guilala strikes. Kawasaki himself shares his name with a member of the House of Councillors, so could this film be a personal statement?

Forget CLOVERFIELD, GUILALA STRIKES BACK: CRISIS AT THE LAKE TOYA SUMMIT commences lensing in March with an eye for a nationwide release in July (to coincide with the real-life G-8 Summit at Lake Toya). But, will a real monster crash the party at G-8? Can life imitate art? Ah, only in the movies...