Emerging after My Long Period of Absence... Some Fall Colors in Winter, Some New Finished Paintings, and My Last Holiday Fair of the Season

Fall Colors, Little Cottonwood Canyon, Utah,

 Watercolor on Arches #140 Rough, 12"h x 9"w, WIP 1

Finally painting again! From October to December the Atelier work turned out more demanding as the projects get harder, and I will finally start chalk and charcoal next semester! It has seriously eaten into my watercolor painting time, and the busy holiday fair season did not help either -- between getting prints and small gift products ready for the shows and doing my charcoal drawings from life, I did not have much breathing room in the past few months... Hence the lack of new paintings here and no update on my blog (shame on me...) -- but, no more excuses, I am painting again! Yay!

Quicken Aspens, Park City, Utah,

 Watercolor on Arches #140 Rough, 8"h x 12"w, WIP 1

Here's a couple of landscapes I have started in Carl Purcell's workshop the past summer (really? It has been so long?...) and like everything started during a workshop, they did not get finished. I've started five of them and the closest one is about 70% done, but none of these. Maybe it is just me -- I always feel quite rushed in the drawing part whenever I am attending a workshop, and was not quite happy with the hard-edged shapes of the foliage on all these tree paintings. To me, a foliage clump in a painting needs to have very interesting and well-designed but natural-looking shapes and a blend of hard, soft and broken edges to really make it look like "foliage" instead of just "choppy brush strokes", and mine in any of these paintings certainly did not meet the standard. 

Quiet Meadows, Sonoma Pasture, 

 Watercolor on Arches #140 Rough, 12"h x 8"w, WIP 1

Not to worry -- off to the faucet! Arches paper can really take some abuse and that's why we love it! When the paper is soaking wet and the half-finished painting is not completely erased but with a lovely ghost image left on the paper, I took out the reference materials from the workshop and started to lay in colors wet in wet. Then I let them dry -- and I've liked these altered images much more. Next step is adding more definitions on dry paper, which involves some serious thought process on designs. Busy paintings filled with various shapes and colors (such as these depicting woods, forest, undergrowth, etc.) really needs succinct silhouette of the center of focus and some quiet areas to let viewer's eyes rest. For example, all the foliage clumps in "Quiet Meadows, Sonoma Pasture" are too symmetric and similar in size, which  is a residue problem from the not-carefully-thought-out initial drawings during the workshop, and therefore needs to be redesigned. I will do some sketch to figure that out... 

Summer Glow II, Watercolor on Arches #140 Cold Press Paper, 5"h x 7"w, 2013 #81

Sold!

Here's a couple of paintings I've finished but never had a chance to share with you on my blog. The first one is a second version of "Summer Glow"... All because I was stupid enough to want to repair a small smear damage on the first one, and you know what happens next -- the repairs have completely damaged the first version and the only thing I could do is to repaint it... I should have learned my lessons of not messing with a finished watercolor by now... Sometimes I really wonder what I was thinking...

Soar II, Watercolor on Arches #140 Cold Press Paper, 6"h x 6"w, WIP 1

This one is actually finished and sold to a collector in England. I just did not have a good photo of it -- accidentally dropped my camera and broke it so now I only have my ipad as a camera, which is seriously not adequate to take images of finished paintings... (WIP photos, maybe, but not finished works, especially not when a piece is flying out and I may never get the chance to see it ever again...) So I will be posting the finished image when I get my new camera, I promise ;-)

Finally, since I did quite a few holiday shows this winter, and the holiday fair season is drawing to a close, I thought I'd give a shout-out here for my last fair of the season... It is a very cool venue: I will be selling my Watercolors, Giclee Prints, Holiday Cards, Calendars and MORE in the SF Bazaar Zoo Lights Event at San Francisco Zoo Entry Village Circle, located at Sloat Blvd. & the Great Highway this weekend (both Saturday and Sunday), December 21st & 22nd, between 3:00pm and 8:00pm. So if you find yourself in the city over the weekend, or want to take your kids to see the animals in the San Francisco Zoo under the evening lights, drop by and get some beautiful, hand-made, animal-related art gifts for your holidays!

Especially for this fair I have designed and made some holiday cards (yes, they are year-round good but I made this set of eight especially for the winter season). These little ones are printed on 3.5" x 5" sized Strathmore watercolor cards, and a set contains 8 different winter snow scenes, with name of the painting and my info printed at the back of the card. I have named it "Winter Wonderland" and will upload it for sale to my etsy shop soon, at a price of $20/set. I also have the same set of a larger size -- 5" x 7" for $25. Drop me an email if you are interested in having one!

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Summer Glow, Crimsonscape, and Art in the Park

Summer Glow, Watercolor on Arches #140 Cold Press Paper, 5"h x 7"w, 2013 #79

Sold!

I was quite busy over the past weekend, trying to finish some paintings for the "Art in the Park" event held in the central park of the lovely tri-valley city of San Ramon. And the show was a true blast! Not only did I meet some old collector friends, gained some new ones, I also got to meet a lot of wonderful artists working in a whole range of media from monotype and collage to pastel over traditional Chinese ink painting... The quality of artists are the highest among all the art fairs I have participated in, and they did a fantastic job organizing and marketing this event, providing booth sitters and helps for setup/take-down for people who are alone in their booth (like me) for free, and bringing some quality collectors who are not only knowledgeable about the process and difficulties involved in making a piece of art, but kind and appreciating in their personality. One of my collectors even stayed at the end of the event to help me pack my tent, since my hand was accidentally injured during the morning setup... I can't say how much I am thankful to them, and all the other wonderful people I met during the event!...

Crimsonscape - Red Poinsettia, 
Watercolor on Arches 140# Cold Press Paper, 6"h x 6"w, 2013 #80

Sold!

"Summer Glow" and "Crimsonscape" are two of the paintings I have sold during the event, and I have learned valuable lessons from the experience of selling them: sometimes it is not the best practice to go full out to greet your collector and try to strike small talks with them -- that could totally seem too eager to sell and thus scare away an interested customer. Instead, respect your collector's personal space, and let them look at the art at their own pace, consider about them, compare them, and only try to provide information when being asked, or after they have lingered in front of your booth for a while, and seems a little puzzled and in need of some information from you, is probably the best practice. Bring a painting with you to work on is also a good idea, so that people who are collecting your art would have an opportunity to see how they are created, and ask you questions regarding your process if interested. Also, working on your paintings can prevent you from staring straight at your potential customers when they are trying to study and compare your paintings and make a decision. That kind of stare can make both you and them quite uncomfortable and at times can become a unintended hint of "Please buy something or leave!", which is appreciated by no one.

I think for face-to-face sales like those made in an art fair, we as artists get a rare chance of meet and get to know our collectors, and make some good friends by sharing our life experience and love of what we do, why we do it with them. If a sale results from such communication, it's great; if it happens that the pieces showing are not exactly suited for them, we can still plant the seed of friendship and possible future sales. The most important part of making and selling art to me is to reach out and start a conversation regarding the good things of life, the beauty and kindness I experience everyday, a lot of times from totally unexpected encounters and total strangers. I am grateful for all of them, and really hope that through the art I create, I can share such sense of gratitude with everyone I cross path with...

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Petunia Done, Tulips Still in Progress... It's Almost Holiday Fair Season Again!

Rise and Shine, Watercolor on Arches #140 Cold Press Paper, 5"h x 5"w, 2013 #78

Bid at My DPW Auction (Starting Bid $35) 

Finishing up some little paintings for the upcoming holiday fair season, and my solo show in the gallery (more details in the next few days, stay tuned!... ;-). After completing this petunia, I thought it would actually make a nice pair with my earlier painting of morning glory... What do you think? Won't they be a cute little diptych together?

Fire Dance, Watercolor on Fabriano Artistico #140 Cold Press Paper, 6"h x 6"w, WIP 6

Can't believe I am still working on adjustments on this one... Sometimes I suspect it will never finish... I've darkened the upper right corner according to suggestions from you guys to my last update on this one. Now I am puzzling over how to make the center flower stand out more against the rest blossoms... Any suggestions? Please!...

A reminder to those of you who lives in the bay area: I will be at the Art in the Park event in the city of San Ramon this weekend. This two day event held at San Ramon Community Center located at 12501 Alcosta Blvd will be a showcase of local artist and artisan talents with live chalk art demonstration on location, and a great selection of live music, dance and theater performances. It lasts from 10:00 am to 5:00 pm for both Saturday and Sunday. If you are in the east bay - trivalley area and have some free time over the weekend, be sure to stop by and say hi!

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Awaken -- 30 Paintings in 30 Days Challenge (Round Two), Day 3, Some Thoughts on Why I Took the Challenge, and Show Updates

Dancing Tulip V, 

Watercolor on Richeson Zoltan Szabo #140 Cold Press paper, 9"h x 6"w, 2013 #54

Bid at My DPW Auction (Starting Bid $ 65) 

Day 3 of the challenge! I am still alive! When taking on this daunting challenge (again!) I was hoping that it could help me wrap up some difficult projects that has been lingering in my studio for way too long. So far it has been good -- I've managed to make paced progress on a few of such projects. In the mean time, I have also realized that the reason these project have been lingering without much progress is that I have been more or less stuck on one point of them or another. In other words, I've been having difficulties doing "finishes".

Finishes are hard... Starts are hard in a different way: that mental pressure of facing a blank piece of paper... But there would be a stage after overcoming the initial fear, that we (as artists) gradually let the piece sink in our mind, feeling really "at one" with it, and this middle stage is comfortable. Often, we (ok, at least I...) let this stage extend too long, subconsciously procrastinating on the difficult work of "finishing it up".

Why? Because finishing means you have to seriously look at the work in progress with critical eyes, and ask yourself: does this piece look like a coherent unit? Is there anything that stands out like a sour thumb? Can I adjust anything to add to it? If I add a stroke here, would it make the whole piece better, or is it just fiddling? You may have to stand back and try to evaluate from ten feet away, to see if the larger value pattern makes sense. You may have to look at it right under your nose, and decide whether any area is too empty therefore in need of a mark, a textural interest, a subtle color change... You may have to go back and fourth several times, until losing fresh sight of the entire process and cannot go on any more... Yet you are still not sure whether it is done finally!

It is mentally tiring. It is a lot of work. But learning how to finish is also a critical lesson of learning to be an artist. And I'm glad that I am now forced to do it every day because of this challenge. 

Maybe this is one of the real reasons why I took on this challenge again... How about you? What attracted you to it, my artist friend?

On a different note... I almost forgot to mention: I have an art fair coming up this weekend! It is organized by Silicon Valley Open Studio and as an artist participating in the open studio events, I was juried into this exhibition at Jennings Pavilion of Holbrook-Palmer Park, located at 150 Watkins Avenue, Atherton, CA. The show runs on Friday September 6, from 5 pm until 8 pm, and on Saturday September 7, from 11 am to 4 pm. Admission is Free! Painters, sculptures, watercolorists, and photographers, along with others will display and sell their latest (and finest) work. I will have two 6'x 4' panels to hang my framed watercolor paintings, as well as a 4' table to display smaller pieces. If you have time, please also join me on Friday evening for a reception and a chance to meet the artists participating in the exhibit and discuss their work. You can enjoy the refreshments and cast your ballot for the "People's Choice Award". When you are there, please do pay a visit both to the main exhibit in the Jennings Pavilion as well as to the Highlight Gallery Exhibit in adjacent Palmer House -- the print of "High Summer Dreams II" will be showing there as a selected piece by the juror, Claire Verbiest. Looking forward to see you at the exhibition, my friends!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Sun Dance (Take Two) Heading for the Filoli Exhibition!

Sun Dance II, Watercolor on Arches #140 Cold Press paper, 12"h x 12"w, 2013 #51

Bid at My DPW Auction (Starting Bid $195) 

So -- here is my main piece for the exhibition at Filoli Garden - "Nature’s Many Splendors: Farms, Gardens and Woodlands". I just took it down there today to be hung, and saw many splendid artwork by other artists in the show -- if you are in the bay area, this show is definitely worth going to! Lots of gorgeous floral, lovely landscape, and amazing photographs. As of "Sun Dance", I've painted it at a smaller size, and sold it during last year's Filoli show when I was still working on it as an on-site demo. I really love the different problems presented by this project, such as creating glowing shadow on a yellow flower -- yellow itself is too light for any shadow area, so the shadows on a yellow flower is never actually "yellow"; yet this flower is largely in shadow, so to maintain the impression of it being an "yellow" flower in this case is especially difficult. Also, I was practicing wet-on-dry thin glazes of limited color palette this year, and thought this could be an interesting one using such method. So I gave it a second take, and was quite happy with the results: I feel this time the yellow glaze applied in very thin coats really retained the color variation of the underpainting without deadening it, and the flower center painted wet in wet to made it appear much less rigid compared to last time. I would like to practice more mainly yellow paintings to try out a couple of other methods, such as one without purple underpainting, to compare the results. But for now, I will switch to some slightly less difficult projects for the next couple of days...

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Exhibition at Filoli Garden, and Thoughts on Chinese Painting Philosophy

Fighting with my jetlag and trying to finish some small pieces for the exhibition at Filoli Garden - "Nature’s Many Splendors: Farms, Gardens and Woodlands". The show runs from August 27th through October 27th, at the art gallery area in Filoli Garden, which is located at 86 Canada Rd in the lovely town of Woodside, California. The garden opens every Tuesday through Sunday from 10:00 am to 3:30 pm. Besides the art exhibitions, Filoli's other attractions include a lovely greenhouse with constant blooming flowers, and more than 600 acres' nature preserve with beautiful grassy hills and woodlands abundant with wildlife -- from turkey to deer. It is a great place to spend a family weekend to hike, bike, play and relax. There would also be an "Meet the Artists Day" event during the weekend of Saturday, September 14th and Sunday, September 15th. On this special art-festival-like weekend, visitors can meet the artists in the show, watch them doing art demos, chat with them and learn what has inspires them to create their art pieces. Framed pieces, prints, note cards and other items will be for sale both during the show and at the "Meet the Artist Day" event. I will show my main piece in the next few day's posts. For now, I'm working on a few other pieces that will be available for sale during the show and at the "Meet the Artist Day" event, and I will share the progress of some of them here with you, my friends:

Fire Dance,  Watercolor on Fabriano Artistico #140 Cold Press Paper, 6"h x 6"w, WIP 2

"Fire Dance" has been in the works for quite a while, off and on since the end of last year, and is nowalmost complete. I am currently adding darks to the center flower in focus to model its form. I thought the background may need another coat of darker mingled colors to bring the flowers forward, but not very sure. What do you think, my friend?

Orange Freesia, Watercolor on Arches 140# Cold Press Paper, 6"h x 6"w, WIP 2

For "Orange Freesia", I am still playing with thing glazes and wet-on-dry mingling of color for modelling. I am fighting the temptation of going too dark too soon and using saturated color in one go wet-in-wet, because of the delicate and subtle colors that I have in vision for this particular painting. Also trying to play with abstract shape more in the background -- like playing with a puzzle -- it's really quite a lot of fun!

Heliconia Dance,  Watercolor on Arches 140# Cold Press Paper, 7"h x 5"w, WIP 4

For "Heliconia Dance", I have put it away for a while and just recently started working on it again. Looking at it with a fresh eye, I think it still needs a final application of wet-in-wet on the background to soften it, and add some "punch" of darks -- to reach that balance between "too similar to the photo reference" and "too abstract from the reference"... Ah, maybe I should start from the beginning of the story: Last night I was reading ancient Chinese literature, and one passage of art critique says, "If a (realistic) painting is too identical to the scene in front of the artist, it is not great art because it's kitsch; on the other hand, if it is just haphazard slapping of color on paper without enough reference or similarity to the scene that inspired it, it is also not great art because the artist is on the suspicion of trying to hoodwink people with insufficient skills and gain fame that they don't deserve. Therefore, the best type of (realistic) paintings always walk a tightrope between "similar" and "dissimilar" to its original inspiration." (bear with my terrible translation -- the original was much more poetic: "画太似为媚俗，不似为欺世。画之大妙也，在乎似与不似之间。") 

Reflecting on my own painting practice based on this standard, I think I am still leaning too much on the "too similar" side to my photo references. Therefore, I've decided to consciously challenge myself to break away from this tendency, and design my shapes -- especially those away from focal areas and in the background -- more deliberately, not so "carbon-copy" of the shapes in the reference material. It takes some effort to get used to new working methods, but I'm very excited about all the different possibilities this may lead to... For the starters, it makes the painting process much more exciting! 

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Celebration (Finished!), and Silicon Valley Open Studio Events!

Celebration,  Watercolor on Arches Cold Press Board, 6.5"h x 10"w, 2013 #41

Bid at My DPW Auction (Starting Bid $75) 

or, Buy It Now from My Website ($135)

Silicon Valley Open Studio is here! From this weekend on there would be Free Self-Guided Art Studio Tours all through the South Bay area, from Los Gato all the way up to Burlingame. If you are in Palo Alto any of the next three weekends (including this one), come by Great American Framing Company & Gallery at 229 Hamilton Ave. to say hi! I will be there showing my watercolors with 5 other talented painters, mosaic artists and jewelers, including one that cast natural leaves and flower petals into silver jewels! The schedules for each weekend is:

Saturday, May 4, 2013 from 10am to 4pm and

Sunday, May 5, 2013 from 11am to 4pm

Daily art demonstrations will take place throughout the weekend. You can view the complete schedule of days, times and subject matter in the brochure or on the website. Or you can pickup a directory with map at any open studio site, including ours! If you happen to see a big "Silicon Valley Open Studios" yellow poster when strolling down the streets of any bay area cities this weekend, feel free to follow the arrow signs and enjoy a free are show!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Purple Hibiscus - Sold, and Something I Learned in My First Art Fair

After putting this one aside for a couple of days and work on minor adjustments here and there today, I decided that nothing I do would add to it further, and instead I am just "fiddling", which is a dangerous thing to do and may cause a painting to lose its freshness. So, I signed it, and pulled it from the gatorboard -- another one finished!

Purple Hibiscus, Watercolor on Arches 140# Cold Press Paper, 6"h x 6"w, 2012 #44

Sold!

I was hoping to get it done before the weekend, but was not able to because I had to do a lot of matting and wrapping for my first art fair event -- the "Meet the Artists Day" event held at the beautiful Filoli Garden. It turned out -- the event was totally worth all the effort! I had a blast meeting all the wonderful artists exhibiting in the same event, learned tons of tips and tricks regarding photographing, printing, making note cards and organizing my exhibition booth/table area. Everybody was very friendly and helpful, and I sold several small pieces of painting, including "Across the Bay"...

Across the Bay, Watercolor on Arches 140# Cold Press Paper , 5"h x 7"w, 2012 #38

Sold!

I made the interesting observation that most of things sold at such art fair events are items that are simple and "painterly" -- most of my paintings that got sold are very simple small landscape pieces. The more complicated flower paintings got lots of compliments, but not purchases. Is it the price? I did notice most of the items sold are below $40 - $50, and it seems anything beyond $100 tag is a hard sell. Or is it the style? Are people looking more at paintings that look more like "paintings" instead of photographs in an event where painters are exhibiting side by side with photographers like this? I am really intrigued. I have two other art fairs coming up in October this year, so I will keep on making my observations. What is your experience? Please share with me!...