days that used to be

Back to the bookbench. So, after spending all that time doing all the work on the front (a lot more work than I'd anticipated as it just seemed to grow and grow and grow) I had to do it all again on the back.

Now, because I'm terrible at updating (or not updating?) projects, I just leaving them hanging midway like some cliff-hanger and annoyingly you never get to see the final episode, I thought I'd post the end result of my bookbench. Well, this isn't quite the end result, this the penultimate stage. So there's still scope for me to leave him hanging off that cliff.

These two photos, above and below, are a couple of moments that I like. Apologies for the quality of the photos. I took them all on my iPhone and have still not got to grips with the camera.

The drawing on the back of my bookbench was the tidier version of the one at the top of this post. Our girl has interrupted her reading to tidy up - by shoving everything under or behind the sofa.

And so, my bench also came with instructions (below). All the objects that you could see on the front of the bench can been found on the back, tucked under cushions, etc. You've got to search for them. Yes, I really did draw it ALL again. I like to bring that interactive element to drawings. It was what rocked my world, about books and illustrations, when I was a kid.

My bench is now actually out on display, with the 49 others, in London. There is a trail and map so you can go and see them all. Mine is on the Greenwich part of the trail in this churchyard. I've been told that the church backs onto a couple of schools, and they have already planned school visits to the bench. I hope the kids have fun finding all of the objects and stuff and nonsense.

I'll post the final stage soon; which was adding a little colour, and then the most nerve-racking bit of all adding the varnish. Until that point I had no idea how the marker pens would react to hard core varnish/resin. Would all that work bleed once the varnish hit it? Would the whole drawing be ruined? 

DUN DUN DUNNNNN!!!!

 

PS, if anyone is in London, and visits the bookbench, please take a photo of yourself there. I'd love to see it. Send it to me.

side-streets that you slip down

I've finally finished the drawings for the production of James and the Giant Peach at Buxton Festival.

These two drawings depict the two stages of completing a deadline.
Above; panic = trying to get all the work in on time.
Below; bliss = all work in on time (ish).

There are three performances of the James production, in early July,so, if you are close to Buxton then bring your kids along. I can't wait for it, myself. It'll be a new experience to see my work as backdrops. How exciting. I hope to post some photos from the event.

You can get your tickets HERE.

above the clouds

And now for something completely different. Different from all the sketch crawl stuff that I've been posting of late anyway. Here's a couple more from the James and Giant Peach project. These drawings will become the backdrops to the play. I find it quite difficult to not get sucked into all the details. After all, that's what I love to do.

The scene below is what goes on inside the peach on an average evening. As I was finishing it I was reminded of one of my favourite Spike Milligan poems which goes like this;

'Today I saw a little worm wriggling on his belly,
perhaps he'd like to come inside and see what's on the telly.'

I bloody love that.

fame is but a fruit tree

Fame is but a fruit tree. Isn't that a great line by the beautiful Nick Drake? I'd like to have known him.

Anyway, here's another of the backdrops I am illustrating for the Buxton Festival's production of James and the Giant Peach. I'm pretty happy with this one and though I might still add a little background I also liked it against the white.

Right, I'm off to do some more drawing whilst day dreaming about knowing Nick Drake. Sounds like a perfect afternoon. If only I didn't have to go to work. Ah well, you can't have it all.

Lots more on it's way this week.

it was set in a different life

 Here are another couple of drawings that I have been working on for Buxton Festival's production of James and the Giant Peach. This has been an interesting project to work on. It's quite different to what I'd normally do in that usually my work is all about the detail. This brief is almost opposite to that. These images will be the backdrops to the production and therefore should not distract from everything that is going on on the stage. So, with that in mind, I've tried to create them through colour and atmosphere.

Anyone interested in attending the production can find the details here. I'll be there on for the Monday afternoon (9th of July) performance and the original drawings will be displayed in the foyer throughout. I'll linger in that area before the show so come and say hello.

little by little

You may remember that some time back I created this drawing, above, as the publicitiy image for Buxton Festival's production of James and the Giant Peach.
Well, they kinda liked it and asked if I would do a series of illustrations that would become the back drop for the actual prodcution. I've never done anything like that before and I thought it would be cool to see my illustrations become something bigger, so to speak.
I thought it might be interesting to blog this process, starting these are the first rough sketches. At this point I am just mapping out the drawings.
I was a Roald Dahl freak when I was young. In fact, Danny Champion of the World is still in my top ten favourite books (maybe even top 5). I have a vague memory of reading James, but I've never seen the film. I did consider watching it but decided against it in the end. I don't really want to be influenced by anything else.
I shall watch it after the event. Which will be a nice way to end a project. I'll post all ten (!) of the drawings as I complete them.

when we got to the top of the hill

A quickie post. Here's a little drawing I made at the beginning of the year for a local project. I wanted to show something of the Derbyshire landscape in the drawing, and had the idea of making the procession of children resemble a dry stone wall as it fades, over the hills, in the distance. Not sure if that was successful but I tried!

Click on drawing for a better view.

you're here in my head, like the sun coming out

I recently completed a couple of drawings for the Buxton Festival's 2012 brochure. This one is, obviously (well, at least I hope it's obvious), for a production of James and the Giant Peach.

I do believe this is the first time I've actually made a drawing from a subject that is already so famous (I could be completely wrong, I have a rotten memory). I didn't really let that bother me, I just tried to, as every 'judge' of every tv 'talent' show says every five minutes, "make it my own". Yuk.

I can't tell you how much I want to scribble 'James and the Giant Peach' in big scratchy writing in the left hand corner of this one. I suppose now it's scanned.......

a two way street

This was a nice little surprise in my mail box today. I sold this drawing earlier in the year. It was destined for a little girl's bedroom wall on the other side of the world to me. How great does it look all mounted and framed? I would never have considered such vibrant colours or patterned mounts ('matts' in the US?). I probably would have gone with white. These photos make me totally reconsider how I'll frame my drawings in the future. I think it looks fabulous.

Do you have any of photos of my drawings in your homes? I'd love to gather some together for a future post.

Thanks, Oli, for these lovely pics.

and again and again and again

'have you tidied that room yet?'
'er...'

Remember THIS POST? That was a lot of fun.
I must do something similar soon.

When I made this pair of drawings I was thinking back to being a kid, and being told to tidy the room. I would literally just shove everything behind the sofa and feel that that was a job well done.

Also, you know that infamous little cat toy in the bottom right hand corner of the top drawing? Yeah? Well, can you spot it in the drawing below?

'...yeah, it's done.'

remember when you were young?

Well, folks. I've been busy drawing away but this, yet again, is another secret squirrel project. For now, anyway. This is a little snippet (isn't that a great word?) of the illustration I have been working on. It's a one-off drawing from a children's book. I'll reveal it all when I get the go ahead. Also, I believe that this image should be available in some form or other (postcard, I think) in the near future. Not sure how much more I'm allowed to say so I'll keep my trap shut. 'Cos, you know I'm good at that.

rapping on the windows, whistling down the chimney pot

There's a new little post over on my children's book blog. Find out everything you need to know about the owner of this keyring HERE.

A new drawing on this blog will magically appear tomorrow. I think it's magic, anyway. Clicking on some magic buttons and then my drawings are whooshed all around the world (that's how the internet works in my mind). Now that's magic.

dragging a dragonfly

Well, here's the thing. About a month ago I made some half arsed attempt to lay down some plans for this year. Some drawing goals. But, the main one, the burning one, the one that I've been wanting to do for the best part of a decade I never even mentioned. It just seemed like such a massive job. I didn't know where to start. But I just cannot let another year pass without giving this a shot. I just cannot. It'll drive me insane. More insane.

So, I have to make a start. Right now. I've told you about this project before. In words and in drawings. It is the children's book that has been cluttering up my head for the last decade. It's not exactly a story but a whole world I want to share with you.

I think that the way I am going to do that is by starting a new blog just dedicated to the book. There I can reveal the whole story of how I happened to find out about this world and, essentially, begin to publish the book online. Until a publisher picks it up, that is.

What do YOU think of that? Does it sound like a good idea to you? I would be really very very grateful for any feedback about the idea. If I don't start asking these questions and making these steps now I might never do it. And, then all these field notes will go to waste or just continue to clutter up my already dazed and confused head.

Thanks in advance.

open up your door

This didn't really go to plan. I had something quite different in my head. And, the perspective is all over the shop. However, considering this is actually a drawing of a pixie's bunch of keys I think that bad perspective is the least of my worries, don't you?

Yes, I live alone.

i'll be whistling down the street

Click on drawing to view.

There's one thing to be said for swine flu and not being able to leave the house; there's bugger all else to do but draw. Five days it's been now. Five days of having to stay in, and no end in sight yet. And, I'm running out of Nutella.

Still, despite the sore throat, the hacking cough and having no energy to even get out of the chair, I look at what I created here, in a couple of days, and feel quite excited by that prospect.

i'll be back again and again and again and again and again...

....with a little help from my friends (you know, I only ever speak in song lyrics these days). So, a little while back I asked if anybody fancied colouring in my black and white drawings of this girl. And to my amazement some of you did! And, with the most fabulous results, too. Way better than my attempt. So without further ado...

Kathleen (age; post adolescent):

Hannah (age; 10 years):

Beth (age; 9):

Jeanne (age; 60):

Laurel (age; 7):

Grace (age; 13):

Gianluca (age; 29):

Andrea Joseph (age; no spring chicken):

And, finally...

Lara the cat. Age; what's it got to do with you?

Thank you all so much for taking part, guys.

Psssst, also check out Pippa's gorgeous blog for her versions and a bonus story about my girl and her mess; HERE.

you been going through changes

I'm happy with this one. I hope you like it, too.
You have to click on this drawing to view it. Stick your beaks right in and have a proper rummage around.

blink and you'll miss it

Hey, guys and dolls. I am drawing. Really I am. Here's the proof. It's just that I've suddenly taken to drawing on A3 paper, and I don't own an A3 scanner. I'm loving this bigger paper, though. Just what I needed, double the size paper to fill with the tiniest most intricate of details.

Also, I now have to go to the print shop to get my drawings scanned. I'll have to post photos until I do that. Or, until I (can afford to) invest in an A3 scanner.

Something else I love is making life more complicated for myself.

like some kind of magic

Well, guys, I'm going to shut up shop for a week. I had been hoping to squeeze a cheeky one in(drawing, that is) before leaving for the Bologna Chilren's Book Fair, but that isn't going to happen. In fact I don't think I've drawn since finding out I'd been selected! I'm so excited about this trip. In fact, I feel really excited about things in general right now. It feels like something is happening, I don't know what. Some kind of shift.

My very favourite illustrated children's book is called The Red Tree by Shaun Tan. I've bought so many copies of this book for people (never for a child, though!) over the years. There cannot be another person on this planet who has bought as many copies of this book than me. It's beautiful and perfect. I can't recommend it enough.

Anyway, the reason I'm telling you this because when I was perusing the list of selected illustrators for Bologna 2009, for the millionth time, whose name do you think I found? Yeah. Shaun Tan. Only Shaun Tan. Me and Shaun Tan on the same list. My life is complete.

Some years ago, before I began blogging and drawing daily, I entered a drawing into a competition at the Sheffield Book Festival. You had to draw a character from a children's book. I won the competition, and amongst the prizes was a signed Quentin Blake book. The book is called Angel Pavement and is about a drawing competition! The book ends with this line, that never ever fails to make me feel totally utterly warm and fuzzy inside;

You can't though, can you?

Bye, folks. I'll try and post some photos from Bologna over the next week. And, maybe, I'll draw soon, too. Cheerio, my ducks.

all the weaving of my dreams

Well, sorry to leave you hanging like that. I've been a little busy. And, I've been struggling with this drawing. It's been a love hate relationship. I've given up on it a couple of times, then I've given in and worked on it some more, then finally, after a couple of weeks, I finished it. It's another drawing from, erm, 'my book' (!). Which is another reason I've been away for so long - getting ready for Bologna. Yikes, folks, it's getting close.

So, click on the drawing to get a better view. Go on, stick your beaks in.