Showing posts with label Lavinia Fontana. Show all posts
Showing posts with label Lavinia Fontana. Show all posts

Sunday, January 26, 2025

Weekend Links

 Welllllll, it has been a week!  A week that feels like 10 years.  I think  we deserve to snuggle down in the Ritz Bar, have a Hemingway Daiquiri (or whatever you like), and read some distracting articles.  What have you been doing this week?  read anything good?  (I'm just finishing Dan Jones new bio of Henry V...)


What French women are shopping for

Newly discovered Lavinia Fontana portrait discovered

Virginia Woolfe's birthday was last week!  (along with mine, different years, natch)  Look for a Heroine of the Weekend post on her next week


It was also Burns Night!  I celebrated with a few Scots friends with some bagpipe music and copious bottles of Laphroaig, which might by why I am a wee bit slow today...

A new TV drama is coming about the tragic Queen Ena, if you need a "Crown" fix


A ranking about the best Girl Scout Cookies (I am a Thin Mint girly myself, but would never say no to a Tagalong or Samoa...)

Dame Joan Plowright died (Enchanted April is one of my very favorite movies, and if you haven't seen "Tea With the Dames" go and watch it right this moment!)



An exhibit of Sargent portraits of the "Dolla Princesses"  (I'm very interetested in this as I dive into a Gilded Age book...)



Saturday, August 22, 2009

Heroine of the Weekend

Today's heroine of the weekend is Italian Renaissance artist Lavinia Fontana, whose birthday falls on August 24! Fontana (August 24, 1552--August 11, 1614) was born in Bologna, the daughter of artist Prospero Fontana, who was her earliest teacher. (The few female artists of the time almost always had fathers or other close relatives who were artists, and thus were able to follow in the "family business").

Not a great deal is known about her early life. In 1577, she married Paolo Zappi and went on to have 11 children, though only 3 outlived her. Unusually, after her marriage she kept on with her painting to support the family and her husband took charge of the household. He also served as painting assistant to his wife, doing minor background elements like skies and draperies. (I would love to more about the family dynamics there!). They moved to Rome in 1603 at the invitation of Pope Clement VIII, where she prospered and gained many clients. She was elected into the Accademia di San Lucia of Rome (a rare honor for a woman) and died in that city in 1614.

Her earliest known painting, Monkey Child, (1575) is now lost, but another work from around the same time, Christ with the Symbols of the Passion, can be found in the El Paso Museum of Art. Though religious art reigned supreme in this period, she worked ina variety of genres, and gained the most renown and income in painting portraits of upper-class denizens of Bologna and Rome.

Over the years, some of her portraits were sometimes wrongly attributed to Guido Reni, including The Virgin lifting a veil from the sleeping infant Christ and The Queen of Sheba visiting Solomon. Her famous self-portrait still belongs to her descendant, Count Zappi of Imola. Only 32 of her signed and dated works are known today, though over 100 are documented from early sources.

Some good sources on Fontana's life, and the careers of women artists of the time, are:
C.P. Murphy, Lavinia Fontana: A Painter and Her Patrons in Sixteenth Century Bologna
Whitney Chadwick, Women, Art, and Society
Anne Sutherland Harris and Linda Nochlin, Women Artists: 1550-1950