Showing posts with label landscapes. Show all posts
Showing posts with label landscapes. Show all posts

Thursday, December 08, 2011

Highlights from the Royal Institute of Oil Painters Exhibition (Under 35 Category) 2011

Once again I am thrilled to highlight this category which is known as the Winsor & Newton Young Artists Award, It's a major part of the Annual Exhibition of the Royal Institute of Oil Painters, which opened yesterday to the public at the Mall Galleries and continues till Sunday the 18th of December. It was opened by the President, Peter Wileman and The Rt. Hon, Michael Portillo. This years crowd at the opening is the largest I have seen since I started attending this exhibition!


Natalia Avdeeva with her Self Portrait which won the First Prize in this Category.


These are just my personal highlights, as much as I like painting, I also like looking at paintings and writing about artists whose works I love. It is simple as that. This category had 20 paintings by 16 wonderful artists- I am only highlighting nine of them, you just need to get to the Mall Galleries before the show runs out to see the whole show! It's a fantastic exhibition!

1.NATALIA AVDEEVA



Natalia won the First prize in this category. I wrote about her work in 2009. I also highlighted the fact that she won a prize during the Open Painting Evening that same year. She graduated from Heatherley's and is fast becoming a painter of great acclaim!
Her winning painting which is a self portrait is simply sublime. Never have I seen one done in a round frame, so I asked her, "Why?" and she said, "It's a format that has so much positive energy going round it, something the four corner format holds back." I love the muted colours laid side by side with deft precision. Someone once said,"It is the grays that make a painting sing" and this piece generates a beautiful harmony of grays for me! I also love the fact that since there's back-lighting, her facial features are not apparent but one almost believes they are there. It's what the mind does, it fills in the gaps.

2.IRENA CHMURA



Irena is a new discovery for me. She won the Phyllis Roberts Award of £2,000 to encourage and support a young painter.
Her Painting, "Joanna" captures the mood of someone in a deep thought. She is almost absent from the painting. It's executed in a naturalistic manner with an impressionistic touch, which keeps the viewer fully engaged with her limited use of colours.

3.NATHAN FORD



Nathan is a star of this category-he won it last year to cap up a hat trick of First place Awards in this section.
His entry this year is what I call, "FIREWORKS". There is no dull moment in his piece titled "Gresleys". I spent a while in front of this piece. He is a artist that combines the act of painting and drawing in such a profound manner, leaving the raw linen canvas and the paint to interact in a fluent combination. This painting was my best piece in the whole show!

4.SALLY JANE FUERST



Another discovery! I really love her entry, titled, "Rainbow Bear". The composition clicks just right for me. She accentuates the image on the models shirt with the flow of the balloons in the air. But what really got me hooked and absorbed in this painting was the treatment she gave the models legs. Her legs, especially from her knees down, have such elegance and as Tim Benson also said, "They carry the weight of the body so well." I feel it also reads well amidst a dark ambiguous background. The cool colours she has used here just compliment the jump in the upper half. Splendid to behold!

5.LAUCHLAN GOUDIE



He won the second prize in this category and he is another new artist I've discovered! I spent some time trying to figure out how he managed to control such a busy painting with vibrant colours without it looking chaotic. Now, that's the trick, he is a master, I love his take on still life, it has no figures but almost feels as if it has figures present.

6.JOHNNY MORANT



I wrote about Johnny two years ago while reviewing this exhibition, where he had a fluent Rush Hour Scene of Villiers Street. I always knew he had more stuff under his sleeves. This year he had 3 paintings in this section-Which isn't any easy feat! I loved all of them, and because I am plein air painter I was tempted to add the 2 wonderful paintings he did of plein air painters in action-but I just decided to follow my heart and I have chosen this landscape piece which is simply magical! It's in no way a static landscape but radiates with some sort of vigorous explosion!
I met Johnny last week at the New English Art Club Annual Exhibition, where he had another beautiful painting accepted, and he comes across as a very passionate young painter. He is surely one to watch in the future!

7.FEDOR GRIDNEV



He won the Third prize in this category. This is the first time I have got to meet him. He has won this Award in the past and recently won a top award in the Royal Society of Marine Artists Exhibition.
This painting is what I call "The Beauty of Alla Prima"-There's nothing hidden, you can almost tell how everything was painted, he shows you his hand. The subtle washes are left to suggest what the viewer already knows. It's a typical illustration of: LESS IS MORE!"




8.YASUNOBU SHIDAMI



He won this prize in 2009-we were both at Heatherleys around the same time and I have watched his work develop over the years. His self-portraits are getting better and better. Each of them being a careful depiction of himself on large scale canvases in bold, thick, blazing colour. What attracts me most to his work is the surface texture.-Getting close-up to his portrait, allows you to feel the different layers of exciting colour he has placed side by side and over each other to produce a mosaic structured beauty of his face!

9.GRAHAM WEBBER



I met Graham at one of my group shows with the Plein Air Brotherhood at Harpenden. He showed so much enthusiasm to learn and discover fresh ways to go about plein-air painting. I was willing to share with him everything I could, in the short space of time we had discussing. So, I wasn't surprised to see one of his plein air paintings in this category. He has painted it in a proper Landscape format and it glows with an underpainting that brings the evening light in the atmosphere, radiant against the cool darks in the foreground structures.



Tuesday, September 28, 2010

Bath Marathon III Day 1 and 2

Glory be to God! Here comes the Third Marathon! You might be thinking I'll be sick of Bath by now. But No! There are still more places to paint! As A plein air painter it is not the places we look for, but the effect of light on the places and therefore, one place could look different in seven different light conditions during the day! Incredible! I have had to delay this post because the wii fii at the YMCA in Bath has been down for weeks. So now that I am on my way to London after another successful third marathon, I can now look back and post some shots of the days as they went by.




101-Feeling fresh this is my first shot at Broad Street, the junction is busy and traffic a continuous thing! I decided to capture it in the afternoon light from Landsdown Road.



102-Alfred Street was a beauty to paint, one lady saw her car in the picture and immediately wanted to buy the piece just because she could identify her car in it. She showed her daughter and said, "Look honey, that's our car!"



103,104- Never planned to do Hay Hill as a double but as I painted the first piece and just couldn't resist plunking in another to justify the beauty of the late afternoon light and shadows piercing across!



105-Up Landsdown Road from Alfred Street, I managed to capture the late afternoon shadows as they cast against the buildings on the right.




106- Night was approaching but the light was great and I walked up Landsdown Road, lazy as usual, fainting but pursuing the next shot, then I saw this paradise at Camden Crescent at night!



107-....the same spot as 106, I decided to turn round and capture Camden Crescent at night, facing Belvedere. Then a lovely lady who introduced herself as a Lawyer, got me a cup of tea. Now, I don't drink tea but I have learned never to reject an offer of charity. I drank it up and she was pleased. She said they were proud at Camden Crescent to have their own local artist!



108-While painting this scene I got interrupted by some night cleaners who needed to clean some pillars of the shop I was sitting by. So I moved and almost got soaked in the process. But I enjoyed this piece of Milsom Street at night with the bright red Scaffolding.



109- A rare beauty of striking morning light across Julian Street off Landsdown Road!



110-Just looking through Caroline Place around Belvedere, there was this view of the town skyline! Incredible!



111-Ainslies Belvedere-this was the place a lady just specifically asked to reserve this painting "111", she left her name and address and said she'll love to own it!.



112-Another Cool Scene of Belvedere from Landsdown Road, I loved this scene because of the dynamic "Z" shapes in the rectangular composition.



113-I got here and the evening was fading fast, but I managed to capture these glorious trees around Upper Hedgemead, I loved the mysterious winding of the road into nowhere!



114,115-Now, Please don't think I have lost it, because I haven't. But I just felt I needed to do something incredibly weird(at the end of the day when I am tired, I get hyper and I do all sorts from singing in the street, to dancing in the street), and I gave it a go. I went to the dark park in the night with teenagers doing all sorts and captured the Royal Crescent at night. One of the girls saw me struggling to take myself a picture, she just grabbed the camera from me and took a marvelous shot!

Thursday, August 20, 2009

Sketch of Wellington Arch-Hyde Park, A3, Pen/Ink, 2009

Out and about the city again! This time it's Hyde Park Corner and The Wellington Arch caught my attention on a hot summers morning! Temperatures went high as 30C, which is really high for London! The Ink washes dried so quickly.



This was done with Pen and ink wash on an A3 Bristol paper. The Bristol paper is very white which really helps for the vibrant result.

Monday, August 10, 2009

Sketch of Buckingham Palace, 13" x 10", Oil Base Pencil/charcoal, 2009



Some more sketching about in London.

This time it's where the Queen lives.

This was done with Oil Base Pencil and charcoal wash.

Thursday, April 23, 2009

My Beloved Tree V, 8" x 10", Oil on Canvasboard, 2009

This was the my next shot after I finished number 4 in this series. This was more of a close up and I really had to zero-in to get the delicate features of this beautiful tree. I worked on it on site and finished it off in the studio



This was done in oil on a Winsor and Newton Canvas board.

Friday, December 05, 2008

National Gallery(Charing Cross side), 11" x 9, mixed media, 2008

I was just coming out of Charring Cross Station yesterday afternoon and I saw the National Portrait Gallery just peeping out in blazing sunlight from this dark shadowed road way, with so many people out and about as usual in the London west end. I instantly fell in love! Now I am happy I've caught with watercolour, carbon pencil, coloured pencil and gouache on Winsor and Newton Cotman paper 300grams.


Thursday, August 14, 2008

Landscape Sketches around Belvedere Horsefields in August XIV



The sun is high in the sky and there's this lovely foliage and land, its green and bright but I only have pencils. I record it as I love it in my A3 Sketch pad!

One part is the sketch itself and the other is the close-up.

Sketches of foliage and scapes around Abbey Wood area in August XIII


I went pass some interesting foliage yesterday, it looked briliant! The leaves/branches of the tree sprouted in different directions. I instantly fell in love with it and I have decided to make a record of it. My only tools were putty rubber, a chunky 2B graphite stick and my A3 sketch pad.

Wednesday, August 06, 2008

Sketching the statue of Humanity, Charing Cross



I had a fantastic time today sketching the Humanity statue at Charing cross, opposite the National Portrait Gallery.

In the days ahead I'll be doing these sketches, gearing up for plein air!

This was done in pencil,in an A3 Sketchpad with cartridge paper.

Saturday, August 02, 2008