Well hey I won an award!

Things are heating up on the school/painting front, with
lots of art deadlines coming up. I'm painting big time,
but nothing is ready for your inspection, so I'm going
through the sketches and paintings I've done in recent
years just to keep the images flowing.

Figure study
acrylic on watercolour paper
18" x 24"

And today I've been incredibly happy driving up to
class (1 1/2 hours) thinking about all of the wonderful
artists I'm meeting through the blog network. It
just makes me feel like the luckiest artist on earth.
So when I came home after a long day of teaching
and working hard at helping the kids be enthusiastic,
cheering them on, and delving into the world of
writing and school success, sporting my air cast and
crutches, I was absolutely thrilled to see that Theresa Rankin,
http://theresarankinfineart.blogspot.com/
who I was meaning to talk about tonight as a superb
landscape and still life painter -- has awarded me the
"Brilliante Weblog"award.

The award -- Hurray!

There are a bunch of rules and I'll write more about
the award, the rules, and who I'll nominate tomorrow,
but for now this is exciting news. One of the other
landscape artists whose work I think is fabulous is
and who has been very supportive is Eldon Warren.
http://eldonwarren.wordpress.com/
I think I initially met both of these artists through
their comments on Aaaron Lifferth's blog.
http://aaronlifferth.blogspot.com/
Aaron's daily paintings showcase, glass containers,
and fruits, among other things. He makes
composition look like it's easy, and his paintings
are always fresh and done with a flourish I envy.

One of the beautiful Cleomes in our garden

I'm short on time for doing the work required for
winning that award Theresa, but I promise to
do so as soon as possible.

Have a loving the world you work in day!

Class sketches

I've told you before about my great Tuesday night class
at the Brick Works with the Don Valley Art Club, and
how it keeps me sane when I'm on deadline with a
commission, or up to my eyes in term papers. Before I
broke my ankle, I'd sometimes drop in when I felt
rushed and try to grab a painting in an hour. I can't
really do it -- I'm a very slow painter. Sometimes my
portraits take months to do, but when I'm determined,
and the model has presence, Boom -- it all comes together
pretty quickly for a not bad sketch.

Urban Cowboy Sketch
acrylic and charcoal on canvas
18" x 30"

This is a painting I did in the Tuesday class. The model
was a small man, in cowboy mode, and I loved his look,
and energy.

Our class is actually not a class. Nobody teaches
officially, but some of the best painters in the room
get sidelined and asked a lot of questions about
technique. I guess you'd call it peer teaching.
Most of us come in, say "Hi," set up, paint until
the break, talk to one another over a cup of tea,
then get right back to it until we have to go. Then we thank
the model, say goodbye to our friends who are still
painting, head down the stairs and out to the dark
parking lot carrying at very least something
scratched on paper, and at best work that can be
refined and enhanced to be framed and sold.

I have never produced the latter. For a long time I
thought of class as just like movement classes
for dancers. I'd move my arm, and use paint,
so my arm didn't stiffen, and I'd remember
how. Or I'd return to my project of the moment
after an hour or two in class, with new ideas about
how to light the sitter, or where to put a stripe of colour.

Artists, are always devouring art, looking at each other's
work, in class, online, and in the heavy art books that line
our studios. Class is just another place to train the
eye to see in a new way, to learn how other artists see.
Visualize along with me that when this cast comes off
next Tuesday, I don't need a new one. If so, I may be able to
figure out how to get across the parking lot, up the elevator,
and into class to sit, instead of stand, and join
the group of artists I enjoy so much again.

Have a learning-from-the-best night.