Showing posts with label Kimon Nicholaides. Show all posts
Showing posts with label Kimon Nicholaides. Show all posts

Saturday, November 10, 2012

Sketch Talk

Here is a summary of a mini talk presented at Chennai Weekend Artists gathering at Chemmozhi Poonga.

Thanks Balaji for the image.
This introductory discussion explored the use of Gesture and Thumbnail as essential tools for Sketching. The ideas are largely based on the great art instructors Kimon Nicholaides and Glenn Vilppu, among others.

Gesture

When we begin drawing, we begin to look at the subject in 'total'. and try to capture the very essential, by ignoring elements such as form, proportions, anatomical details, etc.
Using a scribbling approach , beginning at whichever part of the subject one wants to, the overall appearance, or 'feel' of the subject is captured.
The 'method' is to look at the subject and 'feel' like the subject. feel the tension, twist and turn of the subject, in yourself, and let the pen scribble its way.
Remember, what we are trying to capture is the 'total'. and the 'feel'.

Some examples..

What this does is, it helps us see only the bare essential.  One should keep practicing this from observation. This not only loosens up the hand, but aids us see just enough so that we can re create it at will later.
This approach is an essential part of  drawing by analysis and synthesis. (as opposed to 'copying' the model)

Some examples from imagination...

Eventually we will include subsequent steps that will take us from point A to point B in a systematic and natural manner.


Thumbnail
When we begin to sketch on location, here is a general approach.
(1) Identify your frame
  • First step is to Identify a subject, or view of interest. 
  • Fine tune the view by visualizing the frame. If needed using a view finder. (Make a simple view finder

Now draw a few thumbnails each should not take you more than 10-25 seconds.
(2) Thumbnail
  • Draw 3-4 gestural lines exploring the frame.
  • Identify major forms, 3-4 maximum.
  • Identify the tones, using 2 tones and the white of the paper.

Here is an example (Let me add that step (1) is already taken care of well in these examples through the eyes and lens of Murali)














Another example..



These simple preliminary steps aid in a better picture subsequently. Next steps include how we organize the space into foreground, middle ground and background, and how we use techniques such as linear and atmospheric perspective as well as textures to define the three planes, etc.

Equipped with this simple yet effective tools, we can create more effective sketches, in an enjoyable manner.

Sunday, October 5, 2008

Learning to Draw (Three Great Teachers)

It is no doubt that we learn to draw by drawing. more often we hit a plateau and find it hard to jump up to the next level. Over the years I have been reading, and tyring to learn from various texts and references on how to draw. while there is always something to learn from every book, there are certain books from great teachers, which will always take one to the next level. I list three such authors here, who I guarantee will make an impact.

(1) The Natural Way to Draw by Kimon Nicolaides


This book would create an impact, no matter at what level one is in their drawing ability. After a long period of lull this created a storm in my artistic endeavor. It is a great place to begin, since it teaches the foundation of art, how one should approach drawing, what is it you draw, what is it that you strive to capture, what is it that you create. Using the simplest of the tools - a scribble, one begins to draw. everybody can scribble. and that's all you need to begin learning how to draw. Gesture, weight and modelling are three fundamental aspects that can be captured by deep observation, and just scribbling. and by practicing this, you can draw anything and everything that you see and over a period of time just from your mind!




(2) Vilppu Drawing Manual by Glenn Vilppu





In a series of chapters , one building on top of the other, Vilppu teaches every aspect of drawing, and introduces the basic tools needed to draw. Vilppu says, drawing is all about capturing gesture and form. Representing 3 dimensional form in two dimensional paper. drawing is all about capturing and creating form, the relations between other forms. How you go about doing this, is all that Vilppu talks about with countless illustrations. Gesture, Form, Light and shade,Atmosphere and so on are different aspects that make the picture more and more convincing. Vilppu introduces simple tools such as Sphere, Box, Cylinder and combine them to create complex forms. these are techniques that come down from the great masters of the renaissance.

(3) Figure Drawing books by Burne Hogarth



At this stage we understand how to go about drawing. mostly we become good at drawing from observation. and possibly retain some knowledge and recreate from the mind.










But if one were to understand the details of the complex human figure, one need to study the wonderful books from Hogarth. Nowhere else one can find such clear renderings of the human form, so easy to understand and hence so easy to add to our mental library of reference. Hogarth analysis the human form in such detail and clarity, all it takes is one look.

By studying the numerous drawings and constantly practicing them, and creating our own actions and figures, one can produce stunningly realistic human figures.


And then of course we need to draw, all the time, from life and from imagination to hone our skills. There are so many subjects, animals, nature, numerous man made stuff and so on for which we seek other teachers, books and references. But these three authors will create a definite impact on the way we go about drawing and will set us on a strong foundation.