Showing posts with label Tina Fey. Show all posts
Showing posts with label Tina Fey. Show all posts

Thursday, May 3, 2018

Tony Nominations 2018


It's that time again, when Tony nominators offer their lists of the best and brightest in Broadway shows.

On the play side, there's new work by Ayad Akhtar and Lucy Kirkwood, revivals of Albee, Kushner, O'Neill and Stoppard, and the hotly anticipated Harry Potter shows, while the musicals range from something sweet and silly--SpongeBob SquarePants--to something deep, meaningful and moving in The Band's Visit.

This year's awards ceremony will be hosted by pop stars with Broadway connections, with Sara Bareilles and Josh Groban doing the honors on June 10. Bareilles wrote the score for Waitress (and popped in to play the lead for a couple of shifts) and contributed some songs to the SpongeBob SquarePants musical, for both of which she's earned Tony nominations, while Josh Groban was nominated for his leading role in Natasha, Pierre & The Great Comet of 1812.

Here's the complete list of nominees:

BEST PLAY
The Children by Lucy Kirkwood
Farinelli and the King by Claire van Kampen
Harry Potter and the Cursed Child, Parts One and Two by Jack Thorne
Junk by Ayad Akhtar
Latin History for Morons by John Leguizamo

BEST REVIVAL OF A PLAY
Angels in America by Tony Kushner
The Iceman Cometh by Eugene O'Neill
Lobby Hero by Kenneth Lonergan
Three Tall Women by Edward Albee
Travesties by Tom Stoppard

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY
Glenda Jackson, Three Tall Women
Condola Rashad, Saint Joan 
Lauren Ridloff, Children of a Lesser God
Amy Schumer, Meteor Shower

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY
Andrew Garfield, Angels in America
Tom Hollander, Travesties
Jamie Parker, Harry Potter and the Cursed Child, Parts One and Two
Mark Rylance, Farinelli and the King
Denzel Washington, The Iceman Cometh

BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY
Susan Brown, Angels in America
Noma Dumezweni, Harry Potter and the Cursed Child, Parts One and Two
Deborah Findlay, The Children
Denise Gough, Angels in America
Laurie Metcalf, Three Tall Women

BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY
Anthony Boyle, Harry Potter and the Cursed Child, Parts One and Two
Michael Cera, Lobby Hero
Brian Tyree Henry, Lobby Hero
Nathan Lane, Angels in America
David Morse, The Iceman Cometh

BEST DIRECTION OF A PLAY
Marianne Elliott, Angels in America
Joe Mantello, Three Tall Women
Patrick Marber, Travesties
John Tiffany, Harry Potter and the Cursed Child, Parts One and Two
George C. Wolfe, The Iceman Cometh

BEST SCENIC DESIGN OF A PLAY
Miriam Buether, Three Tall Women
Jonathan Fensom, Farinelli and the King
Christine Jones, Harry Potter and the Cursed Child, Parts One and Two
Santo Loquasto, The Iceman Cometh
Ian MacNeil & Edward Pierce, Angels in America

BEST COSTUME DESIGN OF A PLAY
Jonathan Fensom, Farinelli and the King
Nicky Gillibrand, Angels in America
Katrina Lindsay, Harry Potter and the Cursed Child, Parts One and Two
Ann Roth, Three Tall Women
Ann Roth, The Iceman Cometh

BEST LIGHTING DESIGN OF A PLAY
Neil Austin, Harry Potter and the Cursed Child, Parts One and Two
Paule Constable, Angels in America
Jules Fisher & Peggy Eisenhauer, The Iceman Cometh
Paul Russell, Farinelli and the King
Ben Stanton, Junk

BEST SOUND DESIGN OF A PLAY
Adam Cork, Travesties
Ian Dickinson, Angels in America
Gareth Fry, Harry Potter and the Cursed Child, Parts One and Two
Tom Gibbons, 1984
Dan Moses Schreier, The Iceman Cometh

BEST MUSICAL
The Band's Visit
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

BEST REVIVAL OF A MUSICAL
Carousel
My Fair Lady
Once on This Island

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL
Lauren Ambrose, My Fair Lady
Hailey Kilgore, Once on This Island
LaChanze, Summer: The Donna Summer Musical
Katrina Lenk, The Band’s Visit
Taylor Louderman, Mean Girls
Jessie Mueller, Carousel

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL
Harry Hadden-Paton, My Fair Lady
Joshua Henry, Carousel
Tony Shalhoub, The Band’s Visit
Ethan Slater, Spongebob Squarepants: The Musical

BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL
Ariana DeBose, Summer: The Donna Summer Musical
Renée Fleming, Carousel
Lindsay Mendez, Carousel 
Ashley Park, Mean Girls
Diana Rigg, My Fair Lady

BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL
Norbert Leo Butz, My Fair Lady
Alexander Gemignani, Carousel 
Grey Henson, Mean Girls
Gavin Lee, Spongebob Squarepants: The Musical
 Ari’el Stachel, The Band’s Visit

BEST DIRECTION OF A MUSICAL
Michael Arden, Once on This Island
David Cromer, The Band’s Visit
Tina Landau, Spongebob Squarepants: The Musical
Casey Nicholaw, Mean Girls
Bartlett Sher, My Fair Lady

BEST BOOK OF A MUSICAL 
Tina Fey, Mean Girls
Kyle Jarrow, Spongebob Squarepants: The Musical 
Jennifer Lee, Frozen
Itamar Moses, The Band’s Visit

BEST ORIGINAL SCORE
Robert Lopez & Kristen Anderson-Lopez, Frozen
Jeff Richmond & Nell Benjamin, Mean Girls
Adrian Sutton, Angels in America
David Yazbek, The Band’s Visit
Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! at the Disco, Plain White T's, They Might Be Giants, T.I., Domani & Lil'C, Spongebob Squarepants: The Musical

BEST CHOREOGRAPHY
Christopher Gattelli, My Fair Lady
Christopher Gattelli, Spongebob Squarepants: The Musical 
Steven Hoggett, Harry Potter and the Cursed Child, Parts One and Two 
Casey Nicholaw, Mean Girls
Justin Peck, Carousel

BEST ORCHESTRATIONS
John Clancy, Mean Girls
Tom Kitt, Spongebob Squarepants: The Musical
AnnMarie Milazzo & Michael Starobin, Once on This Island
Jamshied Sharifi, The Band’s Visit
Jonathan Tunick, Carousel  

BEST SCENIC DESIGN OF A MUSICAL
Dane Laffrey, Once on This Island
Scott Pask, The Band’s Visit 
Scott Pask, Finn Ross & Adam Young, Mean Girls 
Michael Yeargan, My Fair Lady
David Zinn, Spongebob Squarepants: The Musical

BEST COSTUME DESIGN OF A MUSICAL
Gregg Barnes, Mean Girls 
Clint Ramos, Once on This Island 
Ann Roth, Carousel 
David Zinn, Spongebob Squarepants: The Musical
Catherine Zuber, My Fair Lady

BEST LIGHTING DESIGN OF A MUSICAL
Kevin Adams, Spongebob Squarepants: The Musical 
Jules Fisher & Peggy Eisenhauer, Once on This Island 
Donald Holder, My Fair Lady 
Brian MacDevitt, Carousel 
Tyler Micoleau, The Band’s Visit

BEST SOUND DESIGN OF A MUSICAL
Kai Harada, The Band’s Visit 
Peter Hylenski, Once on This Island 
Scott Lehrer, Carousel 
Brian Ronan, Mean Girls 
Walter Trarbach and Mike Dobson, Spongebob Squarepants: The Musical

SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT
Chita Rivera
Andrew Lloyd Webber

REGIONAL THEATRE TONY AWARD
La MaMa Experimental Theatre Club

Monday, September 12, 2016

Winners at the Creative Arts Emmy Awards

Last weekend, the Academy of Television Arts and Sciences gave out a big chunk of their Primetime Emmy Awards, in what they call the "Creative Arts" categories. The official definition for the Creative Arts ceremony is that it honors "outstanding artistic and technical achievement in a variety of television program genres, guest performances in weekly series, as well as exceptional work in the animation, reality and documentary categories."

More than 80 Emmys were handed out on Saturday and Sunday, in categories ranging from animation to casting, cinematography, costumes, editing, hairstyling, music, sound, special effects, stunt coordination and writing.

What's left for the big, star-studded ceremony coming up next Sunday? About twenty awards, the ones the Academy has deemed the Big Kahunas, I guess. Although it's hard to see why the award for Writing for a Variety Special, which will be awarded next week, is any bigger or cooler than Writing for a Variety Series, which was done yesterday. Or how there's any difference in the "artistic and technical achievement" they are to be celebrated for. But there you have it. The Academy can't honor a hundred folks in one evening, so they've gone for three.

Here are some of the highlights of the Creative Arts winners (with "highlights" as defined by me):

ANIMATED PROGRAM
Archer "The Figgis Agency" (FX)

CHOREOGRAPHY
Kathryn Burns, Crazy Ex-Girlfriend (CW), for "I'm So Good at Yoga," "A Boy Band Made Up of Four Joshes" and "Settle For Me"

DOCUMENTARY OR NONFICTION SERIES
Making a Murderer (Netflix)

GUEST ACTOR IN A COMEDY SERIES
Peter Scolari, Girls (HBO)

GUEST ACTOR IN A DRAMA SERIES
Hank Azaria, Ray Donovan (Showtime)

GUEST ACTRESS IN A COMEDY SERIES
Tina Fey and Amy Poehler, Saturday Night Live (NBC)

GUEST ACTRESS IN A DRAMA SERIES
Margo Martindale, The Americans (FX)

HOST FOR A REALITY OR REALITY-COMPETITION PROGRAM
RuPaul Charles, RuPaul's Drag Race (Logo)

STRUCTURED REALITY PROGRAM
Shark Tank (ABC)

VARIETY SPECIAL
The Late Late Show Carpool Karaoke Prime Time Special (CBS)

WRITING FOR A NONFICTION PROGRAM
Laura Ricciardi and Moira Demos, Making a Murderer "Eighteen Years Lost" (Netflix)

WRITING FOR A VARIETY SERIES
Last Week Tonight with John Oliver (HBO)

Note that Tina Fey and Amy Poehler were nominated as one entity in the Guest Actress category for hosting Saturday Night Live, and they won as one entity, too. That makes Emmy history.

And Peter Scolari wasn't among the nominees for Guest Actor in a Comedy Series when nominations were first announced. Peter MacNicol was there for his role on Veep, but it was subsequently determined that he was ineligible since he appeared in more than 50% of the episodes in Veep's season. The episode put him over the 50% limit aired after he was nominated, so his nominee status was revoked ex post facto. The Academy went back to the nomination ballots and gave Peter Scolari the slot instead. And he won.

Making a Murderer, the Netflix documentary about a criminal case in Wisconsin that seemed rife with injustice, was a big winner, taking home four Emmys in the six categories in which it was nominated. It won for overall Outstanding Documentary and its writing, as you see above, as well as Outstanding Directing and Picture Editing.

Last weekend's festivities will be broadcast in an edited version on the FXX network on Saturday, September 17 at 8 pm Eastern/7 pm Central time and again at 10:30 pm Eastern/9:30 Central. The splashier ceremony will air live at 7 pm Eastern/6 pm Central on Sunday, September 18, on ABC.

Monday, January 13, 2014

Oh Those Crazy Globes!


I made predictions for the Golden Globes last week, knowing full well that the 90-ish voters in the Hollywood Foreign Press Association are the very definition of unpredictable, so it was no surprise that I went 9-for-20, or just under 50 per cent. I am going to count that as a victory, actually. There is no way in the world anyone would've predicted Jacqueline Bisset would win in the Globes' weird Supporting Actress category, where mini-series, TV movies, TV comedies and TV dramas are all lumped together. Ditto Andy Samberg and Brooklyn Nine Nine. Well, actually, I probably should've figured that one, given the Golden Globes voters' tendency to go for the new and shiny the first year a show is out. See: Girls last year.

Amy Poehler on the red carpet
Even if my crystal ball was a bit murky, I'm pleased as punch that Amy Poehler won finally for Parks and Recreation, and Robin Wright was singled out for her brittle, brilliant performance in House of Cards on Netflix. I said I would cheer loudly if Poehler won, and I did, and I said I would be happy whoever won in the crowded Best Actress in a Drama category. And I was.

What did I get right? Breaking Bad and Bryan Cranston, Behind the Candelabra and Michael Douglas, Alfonso Cuaran winning Best Director for Gravity while 12 Years a Slave got the Best Picture prize, Jared Leto's drag in The Dallas Buyers' Club taking Best Supporting Actor, American Hustle picking up the comedy film prize, and, of course, Cate Blanchett winning Best Actress in a Drama for Blue Jasmine. But everybody knew that was going to happen.

I am considering giving myself half credit for Jon Voight, since I pointed out that he is exactly the kind of performer the Globe voters love, and Amy Poehler, since I said I would cheer if she won. Ah well. Better luck next year.

Best Dressed? Lupita Nyong'o
Biggest oversights? That Lupita Nyong'o didn't win for 12 Years a Slave, that Aaron Paul and Corey Stoll were shut out in the mega Supporting Actor on TV arena, and that Leonardo DiCaprio beat out Bruce Dern as the Best Actor in a Drama.

The good news is that Tina Fey and Amy Poehler established themselves as the best hosts of anything ever, even if I could've done without the DiCaprio/supermodel's vagina joke. But the opening monologue, Fey's son Randy from a previous relationship, and the crack about George Clooney preferring deep space to spending time with a woman his own age were loopy and wonderful.

Juliana Margulies
The big question is always who wore what best. Nobody really blew it big time, although Sandra Bullock's multicolored Prabal Gurung dress wasn't very flattering, and Jennifer Lawrence's Dior gown looked more like a couple of kitchen-size trashbags with handy twist ties.

Lupita Nyong'o and her regal Ralph Lauren gown took top honors for me, followed by Juliana Margulies in a smashing black and gold Andrew Gn design that looked perfectly comfy and perfectly pretty at the same time. I loved the fact that it had pockets, plus the not-too-huge princess shape was perfect for her.

Amy Adams
I also liked Amy Adams' snazzy halter dress -- she's been wearing a lot of those to stay in that American Hustle mood -- in a red-on-red color combo that was different and yet arresting. That the gown came from Valentino makes it even more 70s inspired.

And Kerry Washington gets special mention for a beautiful cream-colored Balenciaga that showed off her pregnancy in style, as you can see below. Drew Barrymore and Olivia Wilde also came to the event clad in maternity wear, but Washington was the class of the class in pregnancy fashion.

Kerry Washington
Meanwhile, Emma Thompson told much of the fashion story when she took off her shoes and then tossed them over her shoulder when she was presenting. How do the lady stars stay upright in those things, anyway? Thompson brought her martini glass with her, illustrating the other theme of the Golden Globes. Keep the liquor flowing and the acceptance speeches will be as wacky as Jackie Bisset all night long.

It was a strange and silly night, as the Golden Globes usually are. Some righteous winners, a few oddities and upsets, everybody taking forever to get to the stage, bizarre hairdos (on male winners this time), lame bits for presenters, jokes that aimed under the belt... Yep. That's the Golden Globes all right.

Wednesday, January 8, 2014

All That Glitters: Golden Globes This Weekend


You can't deny that the Hollywood Foreign Press Association, all 93 members strong, puts on a good party with its annual Golden Globe Awards. They started out as film awards in 1943 and then -- in what I consider a genius move -- added television to the mix in 1956, so that the stars of the two media, who didn't necessarily hobnob all that much at the time, could celebrate together.

Throwing in the kitschy idea of a Miss (or Mr) Golden Globes, so that somebody attractive with Hollywood ties would grace the stage all night, also helped form the Golden Globes identity. Keeping the drinks flowing and the party atmosphere front and center didn't hurt, either.

This year's Miss Golden Globes is Sosie Bacon, the daughter of Kevin Bacon and Kyra Sedgwick. She is probably hoping her appearance as Miss GG will jumpstart her career. It certainly didn't hurt the likes of Golden children past like Linda Evans, Melanie Griffith, Laura Dern, Freddie Prinze Jr, and Rumer Willis. If you have a Hollywood mom or dad, you get a step up. That's just the way it is.

The charming and entertaining Tina Fey and Amy Poehler will return as hosts, another smart move from the HFPA. Fey and Poehler were colleagues at Saturday Night Live, they've both fronted sitcoms on NBC, and they've both been nominated for Golden Globes. Fey won twice, while Poehler is nominated again as Best Actress in a comedy or musical TV series. They're hilarious and smart and they can't be hosts often enough to suit me.

So who will win at the 71st annual Golden Globes? It's hard to predict, given the whole 93 voters thing. To my mind, the Hollywood Foreign Press Association seems to favor British and European actors, which you will notice in their nominations. Also note that they have more categories than most and what they do cannot be seen as a barometer for the Oscars, no matter how much they try to spin it that way. Let's look at the contenders:

12 Years a Slave and Gravity are the favorites right now to win as Best Drama film, with other nominees Captain Phillips, Philomena and Rush relegated to the sidelines. Over on the comedy side, I look to American Hustle to prevail, with Her, Nebraska and The Wolf of Wall Street back in the pack and the Coen Brothers' Inside Llewyn Davis as a major longshot.

And even though I think 12 Years a Slave will edge out Gravity in the Best Picture race, I'm predicting Gravity's Alfonso Cuaron will win as Best Director over 12 Years' Steve McQueen.

Pretty much everyone expects Cate Blanchett to take the Best Actress in a Drama prize for Woody Allen's Blue Jasmine, although Sandra Bullock's performance in Gravity certainly has fans. Judi Dench (Philomena), Emma Thompson (Saving Mr. Banks) and Kate Winslet (Labor Day) are much less likely. This category shows just how much the HFPA loves non-Americans, with an Australian and three British ladies competing against Sandra Bullock.

The Best Actress race is much tighter for actresses in comedy films, with Meryl Streep (August: Osage County), Amy Adams (American Hustle) and Julia Louis-Dreyfus (Enough Said) all potential winners. So who among them will take home the statuette? Gold Derby says the odds are with Amy Adams, but I say never bet against Meryl Streep.

Among the actors nominated for drama films, Robert Redford stands alone in All Is Lost and Matthew McConaughey made a huge impression in The Dallas Buyers Club. I still think this Globe is Chiwetel Ejiofor's to lose. His character went through endless cycles of hell in 12 Years a Slave, and Ejiofor made that feel personal.

Comedy/musical actors are more tightly bunched. The Golden Globes love them some Leonardo DiCaprio -- he's been nominated ten times and won for The Aviator -- but audiences have been turned off by the wretched excess in The Wolf of Wall Street. Bruce Dern has the older-star patina and his performance in Nebraska has been getting a lot of notice, including winning Best Actor at the Cannes Film Festival. Is that enough to impress the Globers? Or will they prefer Christian Bale in American Hustle, Oscar Isaac breaking out in Inside Llewyn Davis, or Joaquin Phoenix acting with Scarlett Johansson's voice in Her? I think it will be Dern.

I also think Jared Leto (Dallas Buyers Club) will beat out Michael Fassbender (12 Years a Slave) for supporting actor honors, but I'm hoping Lupita Nyong'o (12 Years a Slave) can hold off Jennifer Lawrence, the It Girl whose American Hustle performance isn't really all that special.


In the television drama category, Breaking Bad's explosive finale season should push it ahead of House of Cards from Netflix and Showtime's Masters of Sex, with Downton Abbey from PBS and The Good Wife from CBS, the only Big 4 network represented, looking on. The only comedy series I like among the nominees is Parks and Recreation, although newcomer Brooklyn Nine-Nine would also be acceptable. But I'm thinking a perennial contender like The Big Bang Theory or Modern Family will win. Please, Foreign Press people, do not give another award to Girls. I'm begging you!

That goes double for Lena Dunham as Best Actress in a Comedy for Girls, but I think Julia Louis-Dreyfus will pull it out for Veep, anyway. On the other hand, if it were to be Amy Poehler at long last, I would be cheering loudly. The TV drama actress category is a lot more interesting this year without last year's winner, Claire Danes from Homeland, even nominated. It's terrific that Tatiana Maslany got a nod for Orphan Black, but I am rooting for Kerry Washington, who continues to carry Scandal and its fabulously soapy goings-on. Juliana Margulies (The Good Wife), Taylor Schilling (Orange Is the New Black) and Robin Wright (House of Cards) are also worthy, however, making this one category where it's good news whoever gets the gold.

Among drama actors, I want Bryan Cranston to win for Breaking Bad's swan song, and I think he will. Still, Michael Sheen (Masters of Sex) and Kevin Spacey (House of Cards) have an outside chance, and James Spader (Blacklist) is weird enough to attract some votes. I don't think Liev Schrieber (Ray Donovan) is a serious threat, however.

For me, the comedy actor race is wide open, but the Gold Derby people think the odds are in Michael J. Fox's favor. I wouldn't count out Jim Parsons, who keeps on winning for The Big Bang Theory, but I also wouldn't count on Jason Bateman (Arrested Development), Don Cheadle (House of Lies) or Andy Samberg (Brooklyn Nine-Nine).

Behind the Candelabra and lead actor Michael Douglas, who played Liberace in it, should coast to victory in the mini-series categories, as should Helena Bonham Carter, who packs the double punch of being British and playing a real person (Elizabeth Taylor) in Burton and Taylor.

The Golden Globes stick all the TV supporting actors together, meaning you have people like dramatic powerhouse Janet McTeer (The White Queen) competing against comedy siren Sofia Vergara (Modern Family). But I think Monica Potter deserves the award for her stellar year on Parenthood, so I'm going to pick her.

Among the men, it's hard to overlook Aaron Paul and his amazing run on Breaking Bad, although film actor Jon Voight (Ray Donovan) is just the kind of guy the Foreign Press likes, and Corey Stoll (House of Cards) and Rob Lowe (Behind the Candelabra) gave terrific performances that should not be overlooked. Josh Charles also had a standout year on The Good Wife. Still, I think it will go to Aaron Paul when all is said and done.

We'll see how I do when the Golden Globes air Sunday at 7 Central time on NBC.