A Book A Week

For all its cultural significance, Thanksgiving remains surprisingly absent from much of literature, especially when compared to the abundance of Christmas stories that dominate the shelves. Gathering to share a meal and give thanks is a beloved custom for many families. Still, it often glosses over the holiday’s fraught origins—the histories of the Native communities who inhabited this land long before European settlers arrived. In his celebrated 2018 novel, There There, Tommy Orange gives voice to these communities, weaving a poignant and urgent narrative that highlights their stories, struggles, and resilience.

The novel intertwines the lives of twelve characters, each navigating the complexities of their Native American identity while living in the urban landscape of Oakland, California. Through their stories, themes of heritage, belonging, and survival emerge, revealing the challenges of maintaining cultural ties in a world that often marginalizes or distorts Indigenous experiences.

Take Orvil Red Feather, a teenager yearning to reconnect with his roots. With the adults in his life intent on shielding him from their shared identity, Orvil takes it upon himself to learn about his culture. Then there’s Dene Oxendene, an aspiring documentarian committed to preserving Native stories and ensuring their history endures. In contrast, Opal Viola Victoria Bear Shield struggles with embracing her heritage, as doing so forces her to confront the painful past that continues to haunt her.

These individuals and others find their lives converging at the Big Oakland Powwow. For some, the event symbolizes cultural celebration and tradition. For others, it becomes the setting for an unforeseen tragedy.

In There There, Tommy Orange crafts a powerful and intricately woven story of a community shaped by the weight of its collective trauma. Initially, juggling the perspectives of twelve characters felt a bit disorienting as I worked to keep track of each individual’s story. However, as their narratives began to intersect, I became captivated by their journeys, eager to see how Orange would bring them together.

The Big Oakland Powwow serves as the novel’s focal point, providing a clear trajectory for the narrative while heightening the tension as the event draws near. What should be a day of cultural celebration is overshadowed by an impending foreboding, adding a gripping layer of suspense. Themes of displacement, addiction, resilience, and community pulse through the novel, framed by a poignant commentary on the enduring consequences of colonization.

The climax at the powwow is as devastating as it is profound, forcing both characters and readers to grapple with cycles of violence and the strength required to endure. There There is a profoundly moving and deeply impactful novel, one that sheds light on stories often overlooked and challenges readers to consider the layered history of the land they call home.

For more information, visit Amazon and Goodreads. 

(2024, 88)

Childhood is a time of self-discovery, a phase of learning who we are, what we love, and how we fit into the vast world. It’s often marked by awkward moments, but most kids find their way through just fine. Fourteen-year-old Ava Bonney, however, is navigating a much different path. Struggling to fit in, she seems content to forge her own way. But Ava’s unique interests are about to lead her down a dark and unexpected road.

The road near Ava’s home has become a graveyard for animals struck by passing cars. What began as a strange curiosity—observing how the creatures decay—has grown into a dark obsession. Late at night, Ava pulls her discoveries into her secret roadside den, meticulously documenting their decomposition.

One night, her routine takes a horrifying turn when she stumbles upon something she never expected: the lifeless body of her classmate, Mickey Grant. Paralyzed with fear and dreading the questions her nocturnal wanderings might raise, Ava places an anonymous tip to report Mickey’s death. But even after the authorities begin their investigation, Ava can’t shake the murder from her mind. Determined to uncover the truth, Ava takes matters into her own hands—setting herself on a path that will challenge everything she thought she knew about her town and herself.

In her debut novel, Deadly Animals, Marie Tierney delivers a hauntingly original blend of murder mystery and coming-of-age drama. Her protagonist, Ava Bonney, is a refreshingly unconventional teen who, along with a veteran detective, becomes entangled in investigating a series of grisly and bizarre crimes. Tierney masterfully juxtaposes the raw, unsettling nature of the murders with Ava’s quirky, awkward journey toward self-discovery.

The writing is captivating, balancing the macabre with moments of dark humor and tenderness. While the crimes are gruesome enough to make you squirm, Tierney’s storytelling keeps you hooked, pulling you deeper into Ava’s world with every twist. The finale is as shocking as it is satisfying, cementing Deadly Animals as an unforgettable debut. Tierney’s distinct voice and bold storytelling promise an exciting future for readers, and I can’t wait to see what she creates next.

For more information, visit Amazon and Goodreads. 

(2024, 86)

Reflecting on the impact of presidents throughout American history, it’s clear that some figures hold a particularly consequential place in shaping the nation. Their actions and legacies resonate through time regardless of popularity or party affiliation. Abraham Lincoln is undeniably one of these figures, a president who guided the divided nation through its bloodiest conflict. In Lincoln in the Bardo, George Saunders reimagines a small, deeply personal moment from Lincoln’s life, crafting an imaginative and haunting narrative unlike anything I’ve read. The novel captures the gravity of history and the intimate, human experiences that unfold within it, making for a truly unique exploration of one of America’s most storied leaders.

The year is 1862, and the Civil War has been tearing through the country for nearly a year, with mounting casualties and no sign of resolution. President Abraham Lincoln, already a polarizing figure, is under tremendous strain as he tries to unite a divided nation. Tragedy strikes Lincoln personally as he faces the country’s collective grief. His eleven-year-old son, Willie, fell gravely ill in the White House. Despite hopes for recovery, Willie’s condition worsened, and within days, he passed away, leaving his parents heartbroken.

Mary Todd Lincoln, overwhelmed by sorrow, is unable even to attend her son’s funeral. Shattered by the loss, Abraham spends countless hours alone in Willie’s crypt, confronting the enormity of his personal and national burdens.

Meanwhile, young Willie finds himself trapped in the realm between life and death—a purgatory known in Buddhist tradition as the bardo. Here, he encounters a menagerie of spectral characters, each suspended in this liminal space. These ghosts share reflections on their lives, contemplating their choices and the meaning they find, as Saunders intricately weaves their stories with Lincoln’s profound loss.

Finding a genuinely original novel is rare, but Lincoln in the Bardo is precisely that. George Saunders brings an unparalleled voice to this story, transforming a small historical fact into a profound exploration of metaphysics and shared humanity. The structure is striking: Saunders intersperses quotes from various historical sources, creating a layered tapestry that contemplates loss and grief. The bardo itself has a rhythm that may either captivate or alienate readers—I’m still undecided on how well it worked for me. Nonetheless, Saunders has crafted an emotionally resonant novel that reached deep into my own experience of loss, confronting sorrow while offering glimmers of hope. At a time when the U.S. stands on the brink of another pivotal political chapter, this novel feels all the more timely and significant.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 85)

Election cycles are always full of headline-grabbing news, especially when a polarizing candidate dominates the stage with viral moments that drive an even deeper wedge between parties. As the dust settles on this year's presidential race, analysts on both sides will undoubtedly delve into post-mortems to understand precisely what led to the final results. These high-impact events are often shaped by small, seemingly trivial choices that snowball into something more significant. Phillip Margolin's new standalone legal thriller, An Insignificant Case, taps into this theme, exploring how minor actions can escalate into seismic consequences. I eagerly accepted an audiobook copy from his publisher and found myself fully engrossed in the captivating story Margolin crafted.

Guido Sabatini considers himself a visionary, a once-in-a-generation painter whose work demands public admiration. But to most, he’s simply eccentric. Born Lawrence Weiss, Guido is arrested for breaking into a restaurant to reclaim a painting he once sold to them. After all, he was offended they displayed his art in a private office instead of somewhere the public could see it! In his previous life as Lawrence, he was also a skilled card shark and burglar, so it's no surprise that, along with his painting, he swiped a flash drive from the restaurant owner's safe. 

When most people think of a lawyer, they picture someone sharp, wealthy, and tangled up in high-stakes cases. But Charlie Webb is none of those things. A graduate of a third-rate law school, Charlie scrapes by representing old friends and taking on court-appointed cases that amount to little more than petty disputes. So, when he's assigned to represent the quirky Guido Sabatini, who’s been arrested for a bizarre art heist, Charlie assumes it's just another trivial matter. Guido admits to taking the painting and swiping a flash drive from the owner’s safe, though Charlie senses there’s more to the story.

Ever the competent negotiator, Charlie arranges a deal to return the painting and “other items” if the charges are dropped. But when he discovers that the flash drive contains damning evidence tied to a major sex trafficking case, Charlie realizes that he and Guido are suddenly in over their heads. What started as a quirky case now has the pair tangled in a dangerous web of crime and conspiracy, propelling them into the most perilous case of their lives.

In An Insignificant Case, Phillip Margolin takes an unlikely duo—a quirky artist and a struggling lawyer—and turns a seemingly trivial crime into a thrilling legal showdown that kept me hooked to the very end. Margolin skillfully balances the intensity of the crimes with sharp, witty exchanges between his two heroes, injecting welcome levity into the otherwise dark storyline. This interplay of humor and suspense makes the novel a standout read.

The audiobook, narrated by Peter Ganin, perfectly captures the story’s pace and tension, breathing life into each character with engaging flair. Beyond delivering a first-rate legal thriller, An Insignificant Case invites readers to ponder how even minor actions can trigger lasting consequences. It’s a clever twist on the genre that leaves a lasting impression. 

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 83)

By the time of his passing in 2014, Gabriel García Márquez had already secured his place among the literary greats. Works like One Hundred Years of Solitude and Love in the Time of Cholera were celebrated as masterpieces, and the Colombian author enjoyed his later years as a revered figure in global literature. Toward the end of his life, his publisher hinted at a new novel in the works. However, news of Márquez’s battle with dementia cast doubt on whether this final piece would ever see the light of day. Now, a decade after his death, Until August has been released posthumously, offering readers a final glimpse into the mind of the legendary storyteller.

On the surface, Ana Magdalena Bach’s life appears perfect. She has been happily married for over twenty years, with a loving husband and children waiting for her at home. So why does she perform this peculiar ritual each August? Every year, she boards a ferry to a remote Caribbean island where her mother is buried, spending the night in quiet contemplation—and in the company of a stranger. She knows how the evening will end. It is always the same. She’ll leave the bar with one of the men, lose herself in a fleeting night of passion, and then return home the next day as if nothing has happened.

But with each passing year, Ana finds herself drifting further into the shadowed corners of her desires and anxieties, forced to confront the fragile balance of the life she has constructed. In this annual act, she begins peeling back the layers of her heart, wrestling with the haunting realization of what might lie beneath the perfect image she presents to the world.

I question whether Until August is a novel Gabriel García Márquez would have wanted the world to see. In the afterword, his longtime editor acknowledges the author’s frustration with the book’s progress, feeling the limitations of his diminishing faculties and growing dissatisfied with his attempts to evoke the magic that defines his earlier works. Yet, even within this unfinished narrative, Márquez's genius flickers, especially in his ability to pull profound emotional weight from seemingly simple, everyday moments. Ana’s character, burdened by guilt and haunted by the life she’s chosen, reflects the poignant image of a self gradually slipping away. Her portrayal feels hauntingly reminiscent of what Márquez himself might have experienced in those final years—a struggle to hold on to an identity that time and circumstance slowly erode.

Despite these evocative moments, Until August feels incomplete, lacking the lush vibrancy and depth that characterize Márquez's best work. While it serves as a fascinating, intensely personal window into the mind of a literary legend, it’s also a sobering reminder of his decline—a book that, while intriguing, underscores the frailty of even the most significant artists in their final days.

For more information, visit Amazon and Goodreads. 

(2024, 82)

I became a Blake Crouch fan back in 2016 with Dark Matter. Ever since, I've eagerly devoured each of his releases, captivated by his knack for blending high-concept thrillers with deeply developed characters. So, when I received a copy of Run from his publisher, I was quick to dive in. Only after some research did I realize this was actually a reissue of one of his earlier novels from 2011, predating most of the breakout hits that first drew me to his work.  I was curious to see how this early book would stack up against the Crouch novels I've come to know and love.

The country has spiraled into utter chaos. Each day, violence spreads like wildfire, with people turning on each other in a frenzy, and no one is safe. Jack huddles in his powerless home, surrounded by his family, listening to the ominous voice of the Emergency Broadcast System announcing the names of those targeted for death. His blood runs cold when his own name is read. Now marked for death with a family to protect, Jack has no choice. He doesn’t know why he’s been targeted, but only one option remains—to run for their lives.

I went into Run expecting one of Blake Crouch’s trademark high-concept sci-fi thrillers but was immersed in a tense, post-apocalyptic survival story instead. Unlike his recent books, this one doesn’t rely on significant twists or reveals. Instead, it dives into the raw, unflinching experience of a family on the run as civilization crumbles around them. While it’s undeniably gripping—a fast-paced and often brutal journey—it feels more like an intense thrill ride than a story with lasting depth. Run is a quick, captivating read, but one that probably won’t leave a lasting impact once the final page is turned.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 81)

Think back to the classic literature you read in school. How many were written by women? While authors like Harper Lee, Mary Shelley, and Kate Chopin made the list, most “essential” works in my literary education were written by men. But what if that wasn’t entirely the case? Take William Shakespeare, for instance. Known for his brilliant storytelling, mastery of language, and genre-spanning talent, he is celebrated as one of history’s most prolific playwrights. Yet, the authorship of some of his most famous works has sparked controversy for decades. What if, some suggest, he didn’t write them all himself? What if a woman penned these iconic plays? From this tantalizing “what if,” Jodi Picoult spins her latest novel, By Any Other Name.

Melina Green has all but let go of her dream to see one of her plays produced in New York. She knew the path to becoming a playwright wouldn’t be easy, but her resolve faltered after a disheartening experience in a masterclass with one of the city’s leading critics. Melina poured her heart into a story drawn from her own experiences, tackling the delicate dynamics of a mentor crossing the line with a student. But the critic, Jasper, dismissed her work as lacking authenticity and depth. Now, she’s losing hope of breaking into the theater scene dominated by men. 

With renewed inspiration, Melina has written a new play based on the life of her ancestor, Emilia Bassano. Tempted to submit it to a prestigious festival, she hesitates, haunted by the memory of Jasper, who’s set to judge the competition. When her friend secretly submits the play under a male pseudonym, Melina decides to roll with the plan, determined to prove the strength of her writing and, perhaps, make Jasper rethink his earlier judgment. Will her work finally be judged on its merits without her gender standing in the way?

Picoult weaves Melina’s journey with the story of Emilia Bassano, a young woman in 1581 who lives as a ward of English aristocrats. Emilia’s language, history, and writing studies sharpen her wit and feed her gift for storytelling, but like many women of her time, her voice is suppressed. Drawn into an affair with the influential Lord Chamberlain, she becomes captivated by the powerful effect of theater. Determined to see her words brought to life, Emilia enlists a young actor, William Shakespeare, to present her plays as his. As Melina’s and Emilia’s stories unfold, Picoult reveals a timeless struggle for women seeking recognition in a world that often silences them.

In By Any Other Name, Jodi Picoult combines meticulous research with compelling fiction to question whether William Shakespeare truly authored the iconic plays we celebrate. This isn’t just a provocative exercise in speculation, although Picoult provides plenty of that across the novel’s 500+ pages. At its core, it’s a story about the resilient power of women, who often have to work twice as hard to receive even a fraction of the recognition their male counterparts enjoy. Through alternating timelines, the book captures this timeless struggle, showing that despite progress, certain obstacles endure.

The parallel narratives—one set in history and one in the present—underscore this universality with skillful resonance. Picoult’s clever narrative mirroring reveals how both her contemporary and historical protagonists navigate a world stacked against them. It's a story that feels as relevant today as it would have centuries ago. If I have one critique, the present-day storyline doesn’t quite reach the gripping intensity of the historical one. Nevertheless, By Any Other Name is a remarkable novel that challenges readers’ assumptions while providing an engaging and thought-provoking read.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 80)

October wouldn’t be complete without reading at least one novel by the master of horror, Stephen King. The iconic American author has ventured into various genres in recent years, skillfully crafting thought-provoking plots and deeply developed characters. Yet it’s horror that made King a household name, and his ability to terrify readers will remain his lasting legacy. With that in mind, I knew I wanted to tackle a classic King novel this season, and 'Salem's Lot seemed like the perfect choice.

Jerusalem's Lot is a charming, postcard-perfect small town in New England. It is the kind of place where everyone knows each other and it feels safe to raise a family. Author Ben Mears returns to the Lot, a town he once called home, hoping to confront some personal demons while working on what he hopes will be his breakout novel. His focus is the ominous Marsten House, a decaying mansion that casts a long shadow over the town.

Mears has long believed the house harbors a deep evil, and his suspicions grow when a mysterious new resident, an antique dealer named Mr. Straker, moves in. Not long after, strange events begin to plague the town—children disappear, people fall ill under mysterious circumstances, and creeping darkness seems to envelop the community. As Mears investigates, he uncovers a chilling truth: Straker is merely a pawn for an ancient, far more sinister force threatening to consume the entire town. Now, Mears and a small group of allies must fight for their lives, testing their courage and resolve as the line between life and death blurs.

Originally published in 1975, following the success of Carrie, 'Salem's Lot established many of the signature elements that would come to define Stephen King's body of work. The protagonist is an author—an autobiographical archetype King would revisit in numerous future novels. The setting is a small Maine town, the cast is large and richly developed, and the narrative is driven by a horrifying evil layered with complexity. I'll admit, the first third of the novel took some time to get into. King dedicates much of this section to meticulously introducing the town and its residents. While this slow build pays off later when the action intensifies, it does give the book a bit of a sluggish start.

However, it’s the sheer terror of 'Salem's Lot that has secured its lasting legacy. King’s twist on the classic vampire tale infuses familiar elements with his unsettling, unique vision. On the surface, the novel is about a town gradually succumbing to an ancient monster’s darkness. On a deeper level, it reflects the decline of small-town America, once the heart of the country, and already beginning to fade when the book was first published. Because King brings this setting and its inhabitants to life with authenticity and depth, the horrors they face feel all the more chilling. 'Salem’s Lot remains a timeless Stephen King classic, proving that masterful storytelling will always endure.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 79)

I’ve always credited John Grisham’s novels with sparking my love of reading. As a younger reader, I devoured most of his political thrillers and have been captivated by his work ever since. Grisham has a knack for crafting entertaining page-turners that also weave in more profound themes, prompting readers to reflect on important issues. One theme that consistently runs through much of his work is injustice, particularly the flaws within the criminal justice system. While most of Grisham’s books are fictional, his 2006 novel The Innocent Man tackled real-life true crime and brought this issue to light. Now, Grisham has teamed up with Jim McCloskey, founder of Centurion Ministries—an organization dedicated to freeing wrongfully imprisoned individuals—to share ten true stories of wrongful convictions in their book Framed. I was fortunate enough to receive a copy from the publisher. It’s a powerful exploration of the human cost of injustice.

"Among innocence advocates and lawyers, it is often said that it is much easier to convict an innocent person than to get one out of prison."

The authors take turns sharing these stories, with each contributing five that alternate throughout the book. They focus on the real-life accounts of men who were wrongfully convicted—innocent but found guilty—and forced to sacrifice their friends, families, wives, and decades of their lives in prison while the actual perpetrators walked free. In each case, the authors immerse readers in the moments that led to these wrongful convictions, shedding light on the racism, misconduct, flawed testimony, and corrupt court systems that make these errors so difficult to reverse. As I read the first couple of stories, I was struck by the overwhelming injustice. But as I continued, patterns emerged between the cases, leaving me bracing for the inevitable heartbreak that unfolded with each new story.

The U.S. criminal justice system is built on the principle of "innocent until proven guilty," a notion that should instill confidence in the system. However, as the stories in Framed reveal, the presumption of innocence isn’t always upheld. Investigators’ theories, personal egos, and the intense pressure to close cases can often result in wrongful convictions that, when examined closely, seem blatantly incorrect, given the lack of solid evidence. Reading these stories, I found myself outraged on behalf of these people—victims of the very system designed to protect them.

Even more troubling was the refusal of those in power, particularly in my home state of Texas, to reconsider the evidence, clinging instead to blind faith in the original convictions. This unwillingness to question the finality of a verdict, even when faced with overwhelming evidence of innocence, became painfully clear as a fatal flaw in the system. John Grisham and Jim McCloskey’s Framed is an essential work that highlights the severity of wrongful convictions and serves as a call to action. Hopefully, it will inspire readers to push for the reform this broken system desperately needs.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 78)

When I read Hidden Pictures around this time last year, Jason Rekulak's fresh spin on classic horror tropes had me hooked. That page-turner left me eager for more of his thrilling stories, and his latest, The Last One at the Wedding, just arrived this week. I was lucky enough to get an audiobook copy from the publisher and dove right in. While this story is quite different from his previous novel, I quickly became just as captivated by it.

Frank and his daughter Maggie hadn’t spoken much since their bitter falling out three years ago. In fact, Frank had resigned himself to the idea that he might never hear from her again, especially considering the circumstances that led to their estrangement. So, when his phone rang unexpectedly one day, and Maggie was on the other end with news of her engagement, Frank was floored. Even more surprising than the call was the invitation that followed—Maggie wanted him to attend her wedding in New Hampshire. Though flooded with questions and emotions, Frank kept his cool, careful not to jeopardize their fragile connection. Could this be the chance to mend their broken relationship?

The surprises don’t stop with Maggie’s phone call. Frank soon discovers that her fiancé is none other than Aiden Gardiner, the son of a tech billionaire. Arriving at the remote, lavish estate where the wedding festivities will unfold, Frank immediately feels out of place. He’s determined to reconnect with his daughter and get to know the family she’s marrying into, but things quickly take a strange turn. Aiden is distant and evasive, Maggie seems too busy to spend time with him, and the locals are unusually hostile toward the Gardiners. Something feels off, and Frank is desperate to figure out what’s really going on. But if he pushes too hard, he could lose Maggie all over again. 

In The Last One at the Wedding, Jason Rekulak shifts gears from supernatural horror to a family drama that brings its own kind of fear. Right from the start, it’s clear that no one is what they seem, and trust is in short supply. What remains hidden, though, is just how deep those secrets go. The suspense and momentum of the novel come from gradually uncovering these hidden truths. John Pirhalla’s narration gently guides the listener through that discovery. 

While I was drawn in by the eerie atmosphere and mysterious circumstances, I found myself conjuring up more intense and thrilling possibilities than what the novel ultimately delivered. It reminded me of watching Jaws. The tension of not seeing the shark was far scarier than when we actually saw it and realized, "Oh, that's just a fake shark!" Similarly, with this novel, the build-up and sense of "what could be" had me on edge, but the final reveal left me feeling like the real threat wasn’t as thrilling as I’d hoped. The suspense kept me going, but in the end, the reality didn’t match the height of my expectations.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 75)

Patricia Cornwell has captivated readers for decades with her Kay Scarpetta series. The books follow the medical examiner as she investigates murder cases and unexplained deaths. I first discovered the series in high school when I picked up a paperback copy of Post Mortem, and I was immediately hooked. Those thrilling mysteries were far more enticing than the books on my required reading list! Over the years, Cornwell has kept the series fresh, navigating cultural and technological changes while allowing Kay Scarpetta and her world to evolve, solidifying her place as one of the most iconic characters in modern crime fiction. Cornwell returns with Identity Unknown, the latest installment, offering a fast-paced whodunit filled with cutting-edge tech, fascinating characters, and a seemingly unsolvable case.

Dr. Kay Scarpetta is under intense pressure as she autopsies the body of a young girl, the daughter of ultra-wealthy parents who claim she accidentally shot herself. The parents are eager to retrieve their daughter's remains, but the more Kay examines the evidence, the shakier their story becomes. She refuses to release the body until she uncovers the truth.

Her investigation is interrupted when her Secret Service niece, Lucy, calls her to a far more unsettling scene. Lucy arrives by helicopter at the medical examiner’s office and whisks Kay away to a creepy, abandoned Wizard of Oz-themed amusement park. The eerie setting is nothing compared to the grisly discovery awaiting them. A body appears to have fallen from a great height, possibly ejected from an unidentified flying object, leaving even expert pilot Lucy puzzled. 

As Kay approaches the body, she's shocked to realize the victim is Sal Giordano, known as the "E.T. Whisperer"—a longtime friend and former lover. His crumpled remains lie on the dilapidated yellow brick road, surrounded by a strange crop circle of petals. As investigators grapple with theories of extraterrestrial involvement and Giordano's eccentric life, Scarpetta uncovers a more sinister, earthbound explanation that hits disturbingly close to home.

No author unsettles me quite like Patricia Cornwell, and Identity Unknown is no exception. An undercurrent of paranoia runs through every moment of the story, forcing readers to confront horrors they’d rather not imagine. Cornwell weaves this tension throughout her intricate mystery as Kay Scarpetta faces interference from her former boss, a disgruntled ex-employee, and the influential parents of a victim whose death appears far more sinister than anyone wants to admit. And that’s just the beginning.

The novel takes readers to one of the creepiest murder scenes I’ve ever encountered, plunging them into a bizarre investigation that even flirts with the possibility of extraterrestrial contact. Cornwell’s meticulous research grounds the narrative in reality, making the story's chilling elements feel all the more plausible.

Twenty-eight books into the series, Identity Unknown might just be the best one yet. I devoured it in a single sitting, unable to tear myself away until I’d reached the final page. With Amazon recently announcing a two-season pickup for a TV series based on the character, it seems Kay Scarpetta’s journey is far from over. If the books remain as gripping as this one, I can’t wait to see where she goes next.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 74)

How does an author follow up a breakout hit? The answer is quite simple: they write a sequel. It’s no surprise that Jean Hanff Korelitz has released a follow-up to her 2021 thriller The Plot, aptly titled The Sequel. I was utterly captivated by the original story of a struggling author who lifted a novel idea from a deceased former student, catapulting him to an enviable fame that most writers can only dream of. However, I must admit I was initially hesitant about The Sequel, especially considering how conclusive the first book's ending felt. Nonetheless, I was thrilled to receive an advanced copy from the publisher and eager to discover whether The Sequel could stand up to the brilliance of The Plot.

Anna Williams-Bonner’s life has taken a tumultuous turn in recent years. Her husband, Jacob Finch Bonner, enjoyed remarkable success with his novel, but that triumph was overshadowed by his personal struggles, particularly the plagiarism accusations that plagued him. Their marriage was brief, as Jacob succumbed to his demons and took his own life, leaving Anna to manage the aftermath. Now, she lives a comfortable life as a literary widow, benefiting from her husband’s royalty checks, with the plagiarism controversies finally fading away with his passing.

As Anna travels the country to keep her husband's memory and bestselling work alive, an innocent question from the audience sends her life spiraling back into familiar territory. When asked about her future plans, Anna panics and impulsively states that she wants to write a novel of her own. What begins as a spontaneous response quickly turns into an obsession for her. Surely, writing a bestseller can't be that difficult. Before long, Anna is immersed in crafting her own book, and The Afterword lands with her husband's agency, becoming yet another breakout success.

Just as Anna revels in her newfound fame, she receives a package containing excerpts from a book she believed she would never see again. Secrets from her husband’s past have resurfaced, threatening her life just as they once threatened his. With these revelations comes the risk of everything Anna has built crumbling around her. Who is behind this unsettling revival of the past? What do they want from her? She has no choice but to follow a trail of clues back into her past to safeguard her future.

I should never have doubted Jean Hanff Korelitz. She takes the themes introduced in The Plot and expands them in thrilling new directions. While The Sequel is indeed a follow-up, and readers will benefit most from reading the first book, even those who dive straight into this one will find plenty to appreciate. The novel operates on two levels. At first glance, it's a gripping thriller with moral ambiguity and a compelling mystery that drives the narrative. On a deeper level, The Sequel delves into themes of celebrity, creativity, and our insatiable desire for more.

The Sequel is remarkably self-aware. The author candidly acknowledges the literary hypocrisy of crafting a sequel to a bestselling novel while using that premise to critique the very nature of such efforts. This self-awareness makes the book feel genuine rather than preachy. While I don’t think The Sequel possesses the same irresistible hook that made The Plot so addictive, Korelitz doesn’t seem to be attempting to recreate that magic. Instead, she confidently delivers another clever page-turner that more than justifies its own existence. While sequels rarely match the original, I had no complaints about this one.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 72)

As a horror enthusiast, I like to weave in spooky reads throughout the year. With the arrival of Fall, my craving for the genre has intensified. So, I eagerly accepted when the publisher offered me Johnny Compton's Devils Kill Devils as an audiobook. The chilling premise immediately pulled me in, quickly satisfying my appetite for a gripping, terrifying read.

Sarita has always been shielded by a guardian angel, a mysterious presence she calls Angelo, keeping his existence hidden from the world. But even angels can’t remain unseen forever. Lately, Sarita has started to wonder whether Angelo is truly a force for good or something far more sinister. When he takes the life of someone she loves, Sarita is confronted with a chilling reality. To survive, she must confront the darkness lurking within herself and embrace the very evil she’s been trying to escape.

I went into Devils Kill Devils without any expectations, and right from the start, I felt a creeping sense of unease. Johnny Compton has a way of drawing readers in with a deceptively simple narrative, gradually revealing layers of terror that tighten their grip as the story unfolds. Imani Jade Powers’ narration brings Sarita to life, infusing Compton's characters with vivid energy. With the novel set in South Texas, the familiar locations added an extra sense of authenticity for me. While the ending felt a bit grander than the buildup might have warranted, it still delivered a chaotic and genuinely chilling conclusion. Overall, it was an intriguing start to my lineup of spooky reads for the season.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 71)

One of the great pleasures of reading is stepping outside your comfort zone. While I usually gravitate toward my favorite authors and genres, there's something exhilarating about discovering something entirely new. High fantasy isn't typically my go-to, but I can't resist the allure of a book everyone around me seems to be raving about. Sarah J. Maas has long been prominent in the YA fantasy scene. Lately, her novel A Court of Thorns and Roses has taken my circle by storm. Everyone I know is devouring this series and wondering why I haven't started it yet. So, I've finally decided to succumb to peer pressure and dive into this popular series.

After her father's fall from wealth plunged them into poverty, 19-year-old Feyre became her family's unexpected provider. Now, living in a small, dilapidated cottage on the edge of the forest, she's the one who hunts to keep her father and sisters fed. One day, while stalking a doe, Feyre encounters a wolf seemingly pursuing the same prey. Acting on instinct, she kills both the wolf and the doe, bringing them back to her family for food and warmth. Unbeknownst to her, this single act will irrevocably change her fate.

The wolf was no ordinary creature but a shapeshifting faerie—a being whose life was protected by ancient laws. Soon, a powerful High Fae arrives to exact punishment for the death, capturing Feyre and taking her to a distant, enchanted land. As she adjusts to her new surroundings, Feyre's initial hatred for her captor, Tamlin, slowly shifts into a passionate connection, challenging everything she thought she knew about the Fae and their dangerous world. She soon discovers that the faerie world is plagued by a dark and ancient curse. Feyre must find a way to fight the evil threatening Tamlin's land or risk losing him and everything she's come to care for.

It's easy to understand why A Court of Thorns and Roses has enchanted so many readers. Sarah J. Maas creates a fantasy world that's accessible yet rich with drama, making it easy even for someone like me, who doesn't usually gravitate toward this genre, to dive into the story. Her fast-paced storytelling doesn't dwell too long on intricate details but lets the action propel the plot, trusting readers to piece things together through dialogue and implied context. 

That said, I found myself puzzled by the overwhelming hype. The central romance between Feyre and her captor, reminiscent of Beauty and the Beast, felt unconvincing. It was hard for me to believe that she would develop feelings for the person who tore her away from her life. While the story's climax does tie back to the initial conflict in a satisfying way, the lack of authentic chemistry between the two lessened its emotional impact on me. I've heard from others that this is considered the weakest in the series, so I'll likely try the next book. Still, I'm a bit bewildered by the intense emotional reactions others have had to this novel, as it didn't resonate with me on that same level.

For more information, visit the author's website, Amazon, and Goodreads. 

(2024, 70)

Patricia Cornwell's Kay Scarpetta series has consistently been one of my preferred choices for crime fiction reading. Her skillful integration of captivating mysteries, empathetic characters, and forensic science has kept the series relevant for decades. Although Cornwell took a brief hiatus from Scarpetta, she reintroduced the character with a soft reboot in 2021. Now, she returns with the 27th Scarpetta novel, Unnatural Death. As a devoted fan of the series, I eagerly embraced the opportunity to receive a copy of the novel from Cornwell's publisher. True to its predecessors, this latest installment retains all the familiar elements fans adore while introducing new twists bound to captivate even the most seasoned mystery enthusiasts.

Kay Scarpetta faces an ongoing battle to maintain order in her role as Chief Medical Examiner for the state of Virginia. Unanticipated challenges arise from the loyalists to her predecessor, who are determined to complicate her life. The situation is exacerbated by severe budget cuts, making the procurement of basic supplies nearly impossible and pushing Kay to the edge. The story unfolds as she boards a helicopter with her CIA niece, Lucy, bound for a remote location where two deaths have occurred, unleashing a myriad of questions and confusion.

Upon arriving at the scene, two bodies are discovered—one male and one female. The gruesome sight is not for the faint of heart, with the man's body appearing to have been torn apart before being discarded in an abandoned mine shaft. At the same time, the woman's remains float in a nearby lake, becoming prey for the creatures inhabiting it. The question looms: is this the work of a deranged killer, or have the creatures of the wilderness reclaimed their territory? As Kay grapples with this horrific scene, her longtime investigative partner, Marino, presents an even more perplexing discovery—a cast of a human-like footprint, seemingly too large for a man. Convinced it proves the existence of the legendary sasquatch, Marino faces skepticism from everyone else at the scene. Despite her doubts, Kay must utilize all her skills to unravel the mysteries of this unsettling sight.

The 27th book in the series introduces readers to another perplexing mystery. The narrative takes a while to gain momentum, with Cornwell dedicating the initial third of the novel to catching readers up on Kay's professional and personal life. While longtime series fans may appreciate these updates, first-time readers might find the opening a bit slow. However, the beginning's political intrigue and personal challenges soon lead to a mystery that taps into current events and paranoia that thoroughly hooked me. In addition to the detailed exploration of the victims' causes of death, Cornwell introduces lingering uncertainties about the possible existence of a mythical creature at the crime scene. Kay and Marino become entangled in a conspiracy that forces them and the readers to question everything they encounter. This creates a suspenseful narrative that held my interest throughout. Unnatural Death delivers all the elements I expect from Cornwell's series and lays the groundwork for even more compelling adventures in future books.

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 83)

Stephen King needs no introduction. His name has been synonymous with bestselling novels for decades. However, it's worth noting that King is often unfairly categorized solely within the horror genre. In reality, his talent for crafting deeply complex characters and gripping narratives is what has solidified his position as a literary icon. Consider his self-proclaimed "favorite character," Holly Gibney. She debuted as a minor character in the initial book of his Bill Hodges trilogy in 2014, but her impact on both the author and his readers was so profound that she has since appeared in four additional books. This culmination has led to King's latest work, Holly, where the private detective takes on a solo case that promises to enthrall not only King's loyal fan base but any reader who appreciates a good mystery.

The story begins during the height of the pandemic, a challenging time for everyone. Holly finds herself grappling with the recent loss of her mother, a tragedy exacerbated by her mother's skepticism regarding the virus's risks. Her private investigating partner, Pete, is also sidelined due to his own battle with COVID-19, and the operations of their agency, Finders Keepers, are temporarily suspended. Given Holly's tendency toward hypochondria, the new normal of isolation and health protocols actually suits her. When she receives frantic pleas for help from Penny Dahl, a mother desperately searching for her missing daughter, Bonnie, something within Holly is stirred. Whether it's the mother's overwhelming distress or Holly's own grief over her mother's passing, she can't ignore this case. Despite her reservations, Holly decides to take on the investigation, embarking on a solo journey to unravel the mystery.

Blocks away from the last known location of Bonnie Dahl stands the unassuming residence of Professors Rodney and Emily Harris. These octogenarians have mostly retired from their academic careers but maintain an active social life, hosting gatherings for fellow scholars and students, projecting an image of bourgeois respectability. To outsiders, the Harrises appear to be an ordinary elderly couple enjoying their retirement. However, beneath this façade lies a dark secret hidden in their basement, a secret that demands cunning, patience, and ruthlessness. It is this very secret that holds the key to the Bonne Dahl case. As she delves deeper into the investigation, this secret may very well cost Holly her life. 

Holly sees Stephen King deliver an enthralling missing person story that diverges from his typical supernatural horror realm, firmly grounding itself in reality. This departure highlights that genuine horror can lurk in our own neighborhoods and emphasizes the unsettling notion that individuals who seem entirely ordinary may hide unimaginable darkness within them. Holly Gibney, the central character, receives remarkable development, struggling with the universal grief and uncertainty experienced during the pandemic. While some may interpret King's commentary on COVID deniers as overtly political, it serves to magnify the palpable reality of those times. Holly is a rare example in King's repertoire where the narrative exhibits a clear and sensible direction, even if the conclusion feels too neatly tied up. Altogether, this novel reinforces King's reputation as one of the foremost masters in the field. Each new novel he writes is a literary gift to the world, and I certainly hope he has more to share with us. 

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 82)

This year, a significant part of my reading has been dedicated to exploring the works of new authors I hadn't previously encountered. Venturing into uncharted literary territory has yielded fairly mixed results. While some authors failed to strike a chord with me, others have swiftly risen to the status of must-reads. Hannah Morrissey firmly belongs to the latter group. Her debut novel, Hello, Transcriber, captivated me with its evocative ambiance and gripping narrative, prompting me to eagerly consume her subsequent work. Now, Morrissey revisits the fictional town of Black Harbor for a third time with her latest release, When I'm Dead. True to her distinctive style, it's another page-turner that skillfully fuses atmospheric suspense, intriguing characters, and a compelling mystery. 

Black Harbor, Wisconsin, is no stranger to crime and tragedy. It holds the dubious distinction of being the most crime-ridden town in the state. In the midst of this tumultuous backdrop, husband and wife Rowan and Axel navigate their roles as a medical examiner and a detective. Their daily routines often involve responding to gruesome crime scenes. Thus, when they receive an urgent call to abandon their daughter's high school play and investigate a murder, it doesn't come as a surprise. When they arrive on the scene, however, they are taken aback to discover the murder victim is one of their daughter's best friends. The shadow of tragedy has descended upon their lives, poised to become even more personal. 

In the harrowing hours following their return home from the murder investigation, Rowan and Axel make a disconcerting discovery – their daughter, Chloe, failed to return from the school play. As the search for Chloe unfolds alongside the murder inquiry, their relationship becomes increasingly tainted with guilt and recrimination. A grim tapestry of clues gradually unravels, compelling these parents to question how well they truly knew their daughter. Did their unwavering dedication to their careers eclipse their family life? Could they have prevented Chloe's disappearance? Most disconcerting of all, could Chloe be somehow connected to her friend's death?

In When I'm Dead, Hannah Morrissey ventures into her darkest and most captivating mystery to date. As in her previous works, she skillfully constructs a grim and unsettling atmosphere within her fictional town, infusing each page with a palpable sense of foreboding. Morrissey crafts a multi-faceted mystery that delves deep into the primal fears of parenthood. The death of a child is one form of anguish; the chilling notion that one's child may be a murderer introduces an entirely distinct dimension of dread. The characters in this narrative are intricately portrayed, with the simmering tensions among teenage girls providing a delectable layer of drama and authenticity. I had the privilege of experiencing this story through its audiobook format, graciously provided by Macmillan Audio. The full cast narration featuring Andrew Eiden, Caitlin Kelly, Gary Tiedemann, and Xe Sands breathes life into the characters and adeptly captures the story's brisk pace and suspenseful essence.

Each of the three books in Morrissey's Black Harbor series can be enjoyed as standalone works, yet they seamlessly interconnect, offering readers an immersive experience regardless of their familiarity with the series. Still, I wholeheartedly recommend delving into each of these remarkable tales. Hannah Morrissey's writing has become one of my favorite discoveries this year, and When I'm Dead solidifies her status as one of my must-read authors.

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 81)

Over the past few months, I've plunged deeply into the realm of true crime literature. Something about how these books capture real-life perspectives and experiences within extraordinary circumstances has consistently interested me. Elon Green's Last Call recently garnered attention as it was adapted and expanded into an HBO miniseries. This book delves into the chilling account of a serial killer who terrorized gay men in New York during the '80s and '90s. The moment I first heard about it, I was intrigued. Before diving into the television adaptation, though, I knew it was crucial to read the book. So, I borrowed a copy of Last Call from my library and eagerly immersed myself in its pages.

In the year 1992, The Townhouse Bar in Midtown, New York City, held a special significance for gay men in the city. It was a refuge where they could embrace their true selves without the looming fear of ridicule or violence. At the bar's heart, a group of men gathered around the piano, their voices raised in enthusiastic harmony with their favorite show tunes, relishing a precious moment of genuine self-expression.

Amidst this exuberant crowd, one man chose to stand slightly apart. He nursed a scotch and water, his demeanor utterly inconspicuous, blending seamlessly into the background. He was intentionally unmemorable, ensuring that no one in the bar could later recall his face. This very anonymity was his greatest weapon. His eyes were fixed on an older, gray-haired man, but not with romantic intentions. Instead, he saw his next unsuspecting victim. 

The Last Call Killer preyed upon gay men in New York during the '80s and '90s, displaying the chilling characteristics commonly associated with the most notorious serial killers. However, the memory of his murders has faded into obscurity due to the high murder rates of that era, the impact of the AIDS epidemic, and the sexual orientation of his victims. Elon Green's book provides a detailed chronicle of the lengthy pursuit to unmask this elusive killer. Simultaneously, it paints a poignant portrait of his victims and the resilient community that navigated the constant threat while demonstrating remarkable strength in the face of adversity.

Being a gay man myself, I was deeply struck by the apparent negligence of the authorities in their pursuit of the killer and the quest for justice. The prevalent homophobia within the NYPD blinded them to the connections between the murders, resulting in a decades-long delay in bringing the perpetrator to account. It was also disheartening to witness how many of the victims were compelled to lead closeted lives, often maintaining a double existence with a spouse and children. Tragically, their authentic selves remained hidden until their untimely deaths exposed their true identities.

Elon Green's work comprehensively examines the case, offering insights from various angles, including perspectives from law enforcement, the victims' families, and their friends. It is both astonishing and troubling that a case of such magnitude, unfolding in one of the world's largest cities, remained relatively obscured for an extended period due to deep-seated biases. Last Call accomplishes the vital task of giving a voice to those who were silenced while delivering a compelling and essential story that demands to be shared.

For more information visit the author's website, Amazon, and Goodreads. 

(2023, 80)

My history with John Grisham's novels dates back to high school. Ever since my mother first introduced me to a stack of his legal thrillers, I've been an avid reader of his work. While I no longer rush to devour his latest releases as I once did, I always relish the opportunity to immerse myself in his storytelling when it comes my way. My excitement peaked late last month when I received an invitation from Grisham's enduring publisher, Doubleday, to read a copy of his newest book, The Exchange. This enthusiasm reached a whole new level because I knew that this book served as a sequel to his monumental bestseller, The Firm. Receiving that package with the latest Grisham novel was a highlight of my year!

In The Firm, Mitch McDeere faced a series of intense challenges and exposed the criminal activities of the Memphis law firm Bendini, Lambert & Locke. This sequel jumps ahead 15 years, allowing us to catch up with Mitch and his wife, Abby. The couple has put the traumas of Memphis behind them and now enjoys a life in New York City. They have twin boys and are thriving in their respective careers. Abby works as an editor for cookbooks, while Mitch practices law as a partner at one of the world's largest law firms. Mitch's boss requests a significant favor – he needs Mitch to travel to Rome and meet with an old mentor named Luca. One of Luca's most valuable clients has been swindled out of payment for constructing a disastrous bridge project in Libya. They want Mitch to argue the case before an arbitration board in Geneva. 

This is where our new story unfolds. Mitch accepts the case and embarks on a journey to Libya alongside Luca's daughter, Giovanna, a talented young attorney. Their objective is to visit the site firsthand. However, in a sudden turn of events, their convoy falls prey to a terrorist organization that mercilessly kills their guides, kidnaps Giovanna, and demands a staggering $100 million ransom in exchange for her safe release. Abby becomes an inadvertent intermediary, plunging Mitch and everyone he holds dear into a high-stakes pursuit to gather the entire ransom and ensure the safety of those involved.

It's been three decades since John Grisham's The Firm captivated readers. The Exchange revisits these characters only 15 years after the events of the initial book, placing them in a post-9/11 world dominated by terrorism and global uncertainties. The evolving landscape and heightened stakes in this novel might initially seem disconcerting, but Grisham's ability to keep his finger on the pulse of current events remains unmatched. Mitch McDeere retains his commitment to justice and ethical behavior. While the plot may venture into somewhat implausible territory, my engagement with the story largely overshadowed any minor reservations. Although the focus shifts away from courtroom drama to emphasize the kidnapping plot, Grisham, in his signature style, still manages to infuse the narrative with political, economic, and legal system commentary amid all the thrills.  The Exchange may not outshine its predecessor, but it still offers an enjoyable reunion with a beloved character. Grisham hints of potential future adventures for Mitch McDeere, and I wholeheartedly welcome them. The book is another solid thriller from an author who consistently excels in his craft.

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 79)

Let's address the controversy surrounding the latest Alex Cross novel upfront. A quick look at the cover reveals two significant departures from the norm in this long-running series. First, James Patterson has deviated from his tradition of single-handedly writing the series by enlisting one of his frequent collaborators, Brendan DuBois, as a co-author for this novel. Second, this new installment shifts the spotlight away from the renowned detective, Alex Cross, and places it firmly on his longstanding partner, John Sampson. In fact, Alex Cross takes a backseat early on in the story, leaving Sampson to confront the latest threat on his own. While this technically marks the 31st entry in the series, these deviations from Patterson's typical formula may align it more closely with Alex Cross's Trial, another co-authored book in the series that delved into Cross's ancestors rather than focusing on the character himself. Whether this newest book can be considered a true part of the series is open to interpretation. As a massive fan of the previous books, though, I knew it was only a matter of time before I read it. 

The United States faces a dire crisis as a series of brutal terrorist attacks engulfs the nation in fear and uncertainty. In response, the President assembles a task force comprising top security and law enforcement experts. Among them are Alex Cross and his partner, John Sampson. Exiting a pivotal meeting onto the bustling streets of Washington D.C., Alex begins to voice his suspicion that the patterns of these attacks seem oddly random. Before he can elaborate further, chaos erupts in gunfire, leaving Cross critically injured. Now, Sampson is torn between tending to his wounded friend and delving into the mysteries behind the orchestrated attacks. In this turbulent time, the lines between friendship and duty blur, and Sampson finds himself on a precarious journey to safeguard the lives of the Cross family, his own daughter, and the very nation he holds dear.

Cross Down marks a significant departure for the Alex Cross series. Setting aside the controversy surrounding co-authorship and the shift in focus to a side character, the book still carries a distinct tone and focus that diverges from its predecessors. This departure doesn't necessarily equate to a negative change, but it does introduce an unfamiliar element to the series. While most previous books revolved around hunting serial killers, this installment delves deeper into political and foreign affairs, granting the story a broader scope.

Patterson's signature short chapters maintain a brisk pace, propelling the plot forward and keeping readers on the edge of their seats. With the life of the series' beloved hero hanging in the balance, the relentless pursuit to thwart a catastrophic terrorist attack adds to the suspense. Despite the jarring shift in tone and focus compared to the rest of the series, these changes did breathe new life into the story. They offered a fresh perspective on Alex's family, allowing the characters to evolve in a way they hadn't in recent books. While the next installment appears to return to the tried-and-true formula that has carried the series through 31 books, it remains to be seen how this outlier will impact the series' future. Regardless, I am eager to continue reading to see what comes next.

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 78)