1 | <colophon id="colophon">
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2 | <title>Colophon</title>
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3 |
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4 |
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5 |
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6 |
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7 | <para>Our look is the result of reader comments, our own
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8 | experimentation, and feedback from distribution channels. Distinctive
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9 | covers complement our distinctive approach to technical topics,
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10 | breathing personality and life into potentially dry subjects.</para>
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11 |
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12 |
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13 | <para>The animal on the cover of <citetitle>Using Samba</citetitle> is
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14 | a African ground hornbill (<foreignphrase>Bucorvus
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15 | cafer</foreignphrase>). This type of bird is one of fifty hornbill
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16 | species. The African ground hornbill is a medium to large sized bird
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17 | characterized by a bright red waddle under a very long beak,
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18 | dark-colored body and wings, long eyelashes, and short legs. Like all
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19 | hornbills, it has a casque, a large but lightweight growth on the top
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20 | of its beak, which grows more folds as the bird ages. It is the only
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21 | ground-dwelling species of hornbill, though it is able to fly when
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22 | necessary. It lives in the grasslands of southern and eastern Africa,
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23 | and nests in the foliage of dense trees, not in nest holes in the
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24 | ground as other hornbills do. Its diet includes mostly fruit, as well
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25 | as large insects and small mammals. The African ground hornbill is
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26 | considered to be sacred by many Africans, and as such this bird is
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27 | part of many legends and superstitions.</para>
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28 |
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29 |
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30 | <para>Sarah Jane Shangraw was the production editor and proofreader
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31 | for <citetitle>Using Samba</citetitle>. Sarah Lemaire copyedited the
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32 | text. Maureen Dempsey and Claire Cloutier LeBlanc provided quality
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33 | control. Brenda Miller wrote the index.</para>
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34 |
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35 |
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36 | <para>Edie Freedman designed the cover of this book based on her own
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37 | series design. The cover image of an African ground hornbill is a
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38 | 19th-century engraving from the Dover Pictorial Archive. Kathleen
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39 | Wilson produced the cover layout with QuarkXPress 3.32 using Adobe's
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40 | ITC Garamond font. Kathleen Wilson also created the CD design.</para>
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41 |
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42 |
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43 | <para>Alicia Cech designed the interior layout based on a series
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44 | design by Nancy Priest. Mike Sierra implemented the design in
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45 | FrameMaker 5.5. The text and heading fonts are ITC Garamond Light and
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46 | Garamond Book. The illustrations that appear in the book were produced
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47 | by Robert Romano and Rhon Porter using Macromedia FreeHand 8 and Adobe
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48 | Photoshop 5. Interior composition was done by Sarah Jane Shangraw,
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49 | Sebastian Banker, Jeff Holcolmb, and Abigail Myers. This colophon was
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50 | written by Nicole Arigo.</para>
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51 |
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54 |
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56 |
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57 |
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58 |
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59 |
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60 |
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61 |
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62 | <para>The online edition of this book was created by the Safari
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63 | production group (John Chodacki, Becki Maisch, and Madeleine Newell)
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64 | using a set of Frame-to-XML conversion and cleanup tools written and
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65 | maintained by Erik Ray, Benn Salter, John Chodacki, and Jeff
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66 | Liggett.</para>
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67 | </colophon>
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