| 1 | .TH CJPEG 1 "30 December 2009" | 
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| 2 | .SH NAME | 
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| 3 | cjpeg \- compress an image file to a JPEG file | 
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| 4 | .SH SYNOPSIS | 
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| 5 | .B cjpeg | 
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| 6 | [ | 
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| 7 | .I options | 
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| 8 | ] | 
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| 9 | [ | 
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| 10 | .I filename | 
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| 11 | ] | 
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| 12 | .LP | 
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| 13 | .SH DESCRIPTION | 
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| 14 | .LP | 
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| 15 | .B cjpeg | 
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| 16 | compresses the named image file, or the standard input if no file is | 
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| 17 | named, and produces a JPEG/JFIF file on the standard output. | 
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| 18 | The currently supported input file formats are: PPM (PBMPLUS color | 
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| 19 | format), PGM (PBMPLUS gray-scale format), BMP, Targa, and RLE (Utah Raster | 
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| 20 | Toolkit format).  (RLE is supported only if the URT library is available.) | 
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| 21 | .SH OPTIONS | 
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| 22 | All switch names may be abbreviated; for example, | 
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| 23 | .B \-grayscale | 
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| 24 | may be written | 
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| 25 | .B \-gray | 
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| 26 | or | 
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| 27 | .BR \-gr . | 
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| 28 | Most of the "basic" switches can be abbreviated to as little as one letter. | 
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| 29 | Upper and lower case are equivalent (thus | 
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| 30 | .B \-BMP | 
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| 31 | is the same as | 
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| 32 | .BR \-bmp ). | 
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| 33 | British spellings are also accepted (e.g., | 
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| 34 | .BR \-greyscale ), | 
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| 35 | though for brevity these are not mentioned below. | 
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| 36 | .PP | 
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| 37 | The basic switches are: | 
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| 38 | .TP | 
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| 39 | .BI \-quality " N[,...]" | 
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| 40 | Scale quantization tables to adjust image quality.  Quality is 0 (worst) to | 
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| 41 | 100 (best); default is 75.  (See below for more info.) | 
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| 42 | .TP | 
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| 43 | .B \-grayscale | 
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| 44 | Create monochrome JPEG file from color input.  Be sure to use this switch when | 
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| 45 | compressing a grayscale BMP file, because | 
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| 46 | .B cjpeg | 
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| 47 | isn't bright enough to notice whether a BMP file uses only shades of gray. | 
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| 48 | By saying | 
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| 49 | .BR \-grayscale , | 
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| 50 | you'll get a smaller JPEG file that takes less time to process. | 
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| 51 | .TP | 
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| 52 | .B \-optimize | 
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| 53 | Perform optimization of entropy encoding parameters.  Without this, default | 
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| 54 | encoding parameters are used. | 
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| 55 | .B \-optimize | 
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| 56 | usually makes the JPEG file a little smaller, but | 
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| 57 | .B cjpeg | 
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| 58 | runs somewhat slower and needs much more memory.  Image quality and speed of | 
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| 59 | decompression are unaffected by | 
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| 60 | .BR \-optimize . | 
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| 61 | .TP | 
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| 62 | .B \-progressive | 
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| 63 | Create progressive JPEG file (see below). | 
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| 64 | .TP | 
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| 65 | .BI \-scale " M/N" | 
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| 66 | Scale the output image by a factor M/N.  Currently supported scale factors are | 
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| 67 | 8/N with all N from 1 to 16. | 
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| 68 | .TP | 
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| 69 | .B \-targa | 
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| 70 | Input file is Targa format.  Targa files that contain an "identification" | 
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| 71 | field will not be automatically recognized by | 
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| 72 | .BR cjpeg ; | 
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| 73 | for such files you must specify | 
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| 74 | .B \-targa | 
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| 75 | to make | 
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| 76 | .B cjpeg | 
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| 77 | treat the input as Targa format. | 
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| 78 | For most Targa files, you won't need this switch. | 
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| 79 | .PP | 
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| 80 | The | 
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| 81 | .B \-quality | 
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| 82 | switch lets you trade off compressed file size against quality of the | 
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| 83 | reconstructed image: the higher the quality setting, the larger the JPEG file, | 
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| 84 | and the closer the output image will be to the original input.  Normally you | 
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| 85 | want to use the lowest quality setting (smallest file) that decompresses into | 
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| 86 | something visually indistinguishable from the original image.  For this | 
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| 87 | purpose the quality setting should be between 50 and 95; the default of 75 is | 
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| 88 | often about right.  If you see defects at | 
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| 89 | .B \-quality | 
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| 90 | 75, then go up 5 or 10 counts at a time until you are happy with the output | 
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| 91 | image.  (The optimal setting will vary from one image to another.) | 
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| 92 | .PP | 
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| 93 | .B \-quality | 
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| 94 | 100 will generate a quantization table of all 1's, minimizing loss in the | 
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| 95 | quantization step (but there is still information loss in subsampling, as well | 
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| 96 | as roundoff error).  This setting is mainly of interest for experimental | 
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| 97 | purposes.  Quality values above about 95 are | 
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| 98 | .B not | 
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| 99 | recommended for normal use; the compressed file size goes up dramatically for | 
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| 100 | hardly any gain in output image quality. | 
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| 101 | .PP | 
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| 102 | In the other direction, quality values below 50 will produce very small files | 
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| 103 | of low image quality.  Settings around 5 to 10 might be useful in preparing an | 
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| 104 | index of a large image library, for example.  Try | 
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| 105 | .B \-quality | 
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| 106 | 2 (or so) for some amusing Cubist effects.  (Note: quality | 
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| 107 | values below about 25 generate 2-byte quantization tables, which are | 
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| 108 | considered optional in the JPEG standard. | 
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| 109 | .B cjpeg | 
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| 110 | emits a warning message when you give such a quality value, because some | 
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| 111 | other JPEG programs may be unable to decode the resulting file.  Use | 
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| 112 | .B \-baseline | 
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| 113 | if you need to ensure compatibility at low quality values.) | 
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| 114 | .PP | 
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| 115 | The | 
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| 116 | .B \-quality | 
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| 117 | option has been extended in IJG version 7 for support of separate quality | 
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| 118 | settings for luminance and chrominance (or in general, for every provided | 
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| 119 | quantization table slot).  This feature is useful for high-quality | 
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| 120 | applications which cannot accept the damage of color data by coarse | 
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| 121 | subsampling settings.  You can now easily reduce the color data amount more | 
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| 122 | smoothly with finer control without separate subsampling.  The resulting file | 
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| 123 | is fully compliant with standard JPEG decoders. | 
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| 124 | Note that the | 
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| 125 | .B \-quality | 
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| 126 | ratings refer to the quantization table slots, and that the last value is | 
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| 127 | replicated if there are more q-table slots than parameters.  The default | 
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| 128 | q-table slots are 0 for luminance and 1 for chrominance with default tables as | 
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| 129 | given in the JPEG standard.  This is compatible with the old behaviour in case | 
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| 130 | that only one parameter is given, which is then used for both luminance and | 
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| 131 | chrominance (slots 0 and 1).  More or custom quantization tables can be set | 
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| 132 | with | 
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| 133 | .B \-qtables | 
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| 134 | and assigned to components with | 
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| 135 | .B \-qslots | 
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| 136 | parameter (see the "wizard" switches below). | 
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| 137 | .B Caution: | 
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| 138 | You must explicitly add | 
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| 139 | .BI \-sample " 1x1" | 
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| 140 | for efficient separate color | 
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| 141 | quality selection, since the default value used by library is 2x2! | 
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| 142 | .PP | 
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| 143 | The | 
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| 144 | .B \-progressive | 
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| 145 | switch creates a "progressive JPEG" file.  In this type of JPEG file, the data | 
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| 146 | is stored in multiple scans of increasing quality.  If the file is being | 
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| 147 | transmitted over a slow communications link, the decoder can use the first | 
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| 148 | scan to display a low-quality image very quickly, and can then improve the | 
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| 149 | display with each subsequent scan.  The final image is exactly equivalent to a | 
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| 150 | standard JPEG file of the same quality setting, and the total file size is | 
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| 151 | about the same --- often a little smaller. | 
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| 152 | .PP | 
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| 153 | Switches for advanced users: | 
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| 154 | .TP | 
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| 155 | .B \-dct int | 
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| 156 | Use integer DCT method (default). | 
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| 157 | .TP | 
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| 158 | .B \-dct fast | 
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| 159 | Use fast integer DCT (less accurate). | 
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| 160 | .TP | 
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| 161 | .B \-dct float | 
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| 162 | Use floating-point DCT method. | 
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| 163 | The float method is very slightly more accurate than the int method, but is | 
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| 164 | much slower unless your machine has very fast floating-point hardware.  Also | 
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| 165 | note that results of the floating-point method may vary slightly across | 
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| 166 | machines, while the integer methods should give the same results everywhere. | 
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| 167 | The fast integer method is much less accurate than the other two. | 
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| 168 | .TP | 
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| 169 | .B \-nosmooth | 
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| 170 | Don't use high-quality downsampling. | 
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| 171 | .TP | 
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| 172 | .BI \-restart " N" | 
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| 173 | Emit a JPEG restart marker every N MCU rows, or every N MCU blocks if "B" is | 
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| 174 | attached to the number. | 
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| 175 | .B \-restart 0 | 
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| 176 | (the default) means no restart markers. | 
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| 177 | .TP | 
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| 178 | .BI \-smooth " N" | 
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| 179 | Smooth the input image to eliminate dithering noise.  N, ranging from 1 to | 
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| 180 | 100, indicates the strength of smoothing.  0 (the default) means no smoothing. | 
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| 181 | .TP | 
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| 182 | .BI \-maxmemory " N" | 
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| 183 | Set limit for amount of memory to use in processing large images.  Value is | 
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| 184 | in thousands of bytes, or millions of bytes if "M" is attached to the | 
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| 185 | number.  For example, | 
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| 186 | .B \-max 4m | 
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| 187 | selects 4000000 bytes.  If more space is needed, temporary files will be used. | 
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| 188 | .TP | 
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| 189 | .BI \-outfile " name" | 
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| 190 | Send output image to the named file, not to standard output. | 
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| 191 | .TP | 
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| 192 | .B \-verbose | 
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| 193 | Enable debug printout.  More | 
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| 194 | .BR \-v 's | 
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| 195 | give more output.  Also, version information is printed at startup. | 
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| 196 | .TP | 
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| 197 | .B \-debug | 
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| 198 | Same as | 
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| 199 | .BR \-verbose . | 
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| 200 | .PP | 
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| 201 | The | 
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| 202 | .B \-restart | 
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| 203 | option inserts extra markers that allow a JPEG decoder to resynchronize after | 
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| 204 | a transmission error.  Without restart markers, any damage to a compressed | 
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| 205 | file will usually ruin the image from the point of the error to the end of the | 
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| 206 | image; with restart markers, the damage is usually confined to the portion of | 
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| 207 | the image up to the next restart marker.  Of course, the restart markers | 
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| 208 | occupy extra space.  We recommend | 
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| 209 | .B \-restart 1 | 
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| 210 | for images that will be transmitted across unreliable networks such as Usenet. | 
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| 211 | .PP | 
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| 212 | The | 
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| 213 | .B \-smooth | 
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| 214 | option filters the input to eliminate fine-scale noise.  This is often useful | 
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| 215 | when converting dithered images to JPEG: a moderate smoothing factor of 10 to | 
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| 216 | 50 gets rid of dithering patterns in the input file, resulting in a smaller | 
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| 217 | JPEG file and a better-looking image.  Too large a smoothing factor will | 
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| 218 | visibly blur the image, however. | 
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| 219 | .PP | 
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| 220 | Switches for wizards: | 
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| 221 | .TP | 
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| 222 | .B \-arithmetic | 
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| 223 | Use arithmetic coding. | 
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| 224 | .B Caution: | 
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| 225 | arithmetic coded JPEG is not yet widely implemented, so many decoders will be | 
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| 226 | unable to view an arithmetic coded JPEG file at all. | 
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| 227 | .TP | 
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| 228 | .B \-baseline | 
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| 229 | Force baseline-compatible quantization tables to be generated.  This clamps | 
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| 230 | quantization values to 8 bits even at low quality settings.  (This switch is | 
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| 231 | poorly named, since it does not ensure that the output is actually baseline | 
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| 232 | JPEG.  For example, you can use | 
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| 233 | .B \-baseline | 
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| 234 | and | 
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| 235 | .B \-progressive | 
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| 236 | together.) | 
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| 237 | .TP | 
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| 238 | .BI \-qtables " file" | 
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| 239 | Use the quantization tables given in the specified text file. | 
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| 240 | .TP | 
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| 241 | .BI \-qslots " N[,...]" | 
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| 242 | Select which quantization table to use for each color component. | 
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| 243 | .TP | 
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| 244 | .BI \-sample " HxV[,...]" | 
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| 245 | Set JPEG sampling factors for each color component. | 
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| 246 | .TP | 
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| 247 | .BI \-scans " file" | 
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| 248 | Use the scan script given in the specified text file. | 
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| 249 | .PP | 
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| 250 | The "wizard" switches are intended for experimentation with JPEG.  If you | 
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| 251 | don't know what you are doing, \fBdon't use them\fR.  These switches are | 
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| 252 | documented further in the file wizard.txt. | 
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| 253 | .SH EXAMPLES | 
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| 254 | .LP | 
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| 255 | This example compresses the PPM file foo.ppm with a quality factor of | 
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| 256 | 60 and saves the output as foo.jpg: | 
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| 257 | .IP | 
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| 258 | .B cjpeg \-quality | 
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| 259 | .I 60 foo.ppm | 
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| 260 | .B > | 
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| 261 | .I foo.jpg | 
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| 262 | .SH HINTS | 
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| 263 | Color GIF files are not the ideal input for JPEG; JPEG is really intended for | 
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| 264 | compressing full-color (24-bit) images.  In particular, don't try to convert | 
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| 265 | cartoons, line drawings, and other images that have only a few distinct | 
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| 266 | colors.  GIF works great on these, JPEG does not.  If you want to convert a | 
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| 267 | GIF to JPEG, you should experiment with | 
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| 268 | .BR cjpeg 's | 
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| 269 | .B \-quality | 
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| 270 | and | 
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| 271 | .B \-smooth | 
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| 272 | options to get a satisfactory conversion. | 
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| 273 | .B \-smooth 10 | 
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| 274 | or so is often helpful. | 
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| 275 | .PP | 
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| 276 | Avoid running an image through a series of JPEG compression/decompression | 
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| 277 | cycles.  Image quality loss will accumulate; after ten or so cycles the image | 
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| 278 | may be noticeably worse than it was after one cycle.  It's best to use a | 
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| 279 | lossless format while manipulating an image, then convert to JPEG format when | 
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| 280 | you are ready to file the image away. | 
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| 281 | .PP | 
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| 282 | The | 
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| 283 | .B \-optimize | 
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| 284 | option to | 
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| 285 | .B cjpeg | 
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| 286 | is worth using when you are making a "final" version for posting or archiving. | 
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| 287 | It's also a win when you are using low quality settings to make very small | 
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| 288 | JPEG files; the percentage improvement is often a lot more than it is on | 
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| 289 | larger files.  (At present, | 
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| 290 | .B \-optimize | 
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| 291 | mode is always selected when generating progressive JPEG files.) | 
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| 292 | .SH ENVIRONMENT | 
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| 293 | .TP | 
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| 294 | .B JPEGMEM | 
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| 295 | If this environment variable is set, its value is the default memory limit. | 
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| 296 | The value is specified as described for the | 
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| 297 | .B \-maxmemory | 
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| 298 | switch. | 
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| 299 | .B JPEGMEM | 
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| 300 | overrides the default value specified when the program was compiled, and | 
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| 301 | itself is overridden by an explicit | 
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| 302 | .BR \-maxmemory . | 
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| 303 | .SH SEE ALSO | 
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| 304 | .BR djpeg (1), | 
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| 305 | .BR jpegtran (1), | 
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| 306 | .BR rdjpgcom (1), | 
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| 307 | .BR wrjpgcom (1) | 
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| 308 | .br | 
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| 309 | .BR ppm (5), | 
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| 310 | .BR pgm (5) | 
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| 311 | .br | 
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| 312 | Wallace, Gregory K.  "The JPEG Still Picture Compression Standard", | 
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| 313 | Communications of the ACM, April 1991 (vol. 34, no. 4), pp. 30-44. | 
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| 314 | .SH AUTHOR | 
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| 315 | Independent JPEG Group | 
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| 316 | .SH BUGS | 
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| 317 | GIF input files are no longer supported, to avoid the Unisys LZW patent. | 
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| 318 | (Conversion of GIF files to JPEG is usually a bad idea anyway.) | 
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| 319 | .PP | 
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| 320 | Not all variants of BMP and Targa file formats are supported. | 
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| 321 | .PP | 
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| 322 | The | 
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| 323 | .B \-targa | 
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| 324 | switch is not a bug, it's a feature.  (It would be a bug if the Targa format | 
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| 325 | designers had not been clueless.) | 
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