1 | \section{\module{aifc} ---
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2 | Read and write AIFF and AIFC files}
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3 |
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4 | \declaremodule{standard}{aifc}
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5 | \modulesynopsis{Read and write audio files in AIFF or AIFC format.}
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6 |
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7 |
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8 | This module provides support for reading and writing AIFF and AIFF-C
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9 | files. AIFF is Audio Interchange File Format, a format for storing
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10 | digital audio samples in a file. AIFF-C is a newer version of the
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11 | format that includes the ability to compress the audio data.
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12 | \index{Audio Interchange File Format}
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13 | \index{AIFF}
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14 | \index{AIFF-C}
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15 |
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16 | \strong{Caveat:} Some operations may only work under IRIX; these will
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17 | raise \exception{ImportError} when attempting to import the
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18 | \module{cl} module, which is only available on IRIX.
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19 |
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20 | Audio files have a number of parameters that describe the audio data.
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21 | The sampling rate or frame rate is the number of times per second the
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22 | sound is sampled. The number of channels indicate if the audio is
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23 | mono, stereo, or quadro. Each frame consists of one sample per
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24 | channel. The sample size is the size in bytes of each sample. Thus a
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25 | frame consists of \var{nchannels}*\var{samplesize} bytes, and a
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26 | second's worth of audio consists of
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27 | \var{nchannels}*\var{samplesize}*\var{framerate} bytes.
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28 |
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29 | For example, CD quality audio has a sample size of two bytes (16
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30 | bits), uses two channels (stereo) and has a frame rate of 44,100
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31 | frames/second. This gives a frame size of 4 bytes (2*2), and a
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32 | second's worth occupies 2*2*44100 bytes (176,400 bytes).
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33 |
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34 | Module \module{aifc} defines the following function:
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35 |
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36 | \begin{funcdesc}{open}{file\optional{, mode}}
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37 | Open an AIFF or AIFF-C file and return an object instance with
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38 | methods that are described below. The argument \var{file} is either a
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39 | string naming a file or a file object. \var{mode} must be \code{'r'}
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40 | or \code{'rb'} when the file must be opened for reading, or \code{'w'}
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41 | or \code{'wb'} when the file must be opened for writing. If omitted,
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42 | \code{\var{file}.mode} is used if it exists, otherwise \code{'rb'} is
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43 | used. When used for writing, the file object should be seekable,
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44 | unless you know ahead of time how many samples you are going to write
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45 | in total and use \method{writeframesraw()} and \method{setnframes()}.
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46 | \end{funcdesc}
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47 |
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48 | Objects returned by \function{open()} when a file is opened for
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49 | reading have the following methods:
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50 |
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51 | \begin{methoddesc}[aifc]{getnchannels}{}
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52 | Return the number of audio channels (1 for mono, 2 for stereo).
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53 | \end{methoddesc}
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54 |
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55 | \begin{methoddesc}[aifc]{getsampwidth}{}
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56 | Return the size in bytes of individual samples.
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57 | \end{methoddesc}
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58 |
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59 | \begin{methoddesc}[aifc]{getframerate}{}
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60 | Return the sampling rate (number of audio frames per second).
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61 | \end{methoddesc}
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62 |
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63 | \begin{methoddesc}[aifc]{getnframes}{}
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64 | Return the number of audio frames in the file.
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65 | \end{methoddesc}
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66 |
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67 | \begin{methoddesc}[aifc]{getcomptype}{}
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68 | Return a four-character string describing the type of compression used
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69 | in the audio file. For AIFF files, the returned value is
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70 | \code{'NONE'}.
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71 | \end{methoddesc}
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72 |
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73 | \begin{methoddesc}[aifc]{getcompname}{}
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74 | Return a human-readable description of the type of compression used in
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75 | the audio file. For AIFF files, the returned value is \code{'not
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76 | compressed'}.
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77 | \end{methoddesc}
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78 |
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79 | \begin{methoddesc}[aifc]{getparams}{}
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80 | Return a tuple consisting of all of the above values in the above
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81 | order.
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82 | \end{methoddesc}
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83 |
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84 | \begin{methoddesc}[aifc]{getmarkers}{}
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85 | Return a list of markers in the audio file. A marker consists of a
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86 | tuple of three elements. The first is the mark ID (an integer), the
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87 | second is the mark position in frames from the beginning of the data
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88 | (an integer), the third is the name of the mark (a string).
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89 | \end{methoddesc}
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90 |
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91 | \begin{methoddesc}[aifc]{getmark}{id}
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92 | Return the tuple as described in \method{getmarkers()} for the mark
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93 | with the given \var{id}.
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94 | \end{methoddesc}
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95 |
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96 | \begin{methoddesc}[aifc]{readframes}{nframes}
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97 | Read and return the next \var{nframes} frames from the audio file. The
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98 | returned data is a string containing for each frame the uncompressed
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99 | samples of all channels.
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100 | \end{methoddesc}
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101 |
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102 | \begin{methoddesc}[aifc]{rewind}{}
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103 | Rewind the read pointer. The next \method{readframes()} will start from
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104 | the beginning.
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105 | \end{methoddesc}
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106 |
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107 | \begin{methoddesc}[aifc]{setpos}{pos}
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108 | Seek to the specified frame number.
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109 | \end{methoddesc}
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110 |
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111 | \begin{methoddesc}[aifc]{tell}{}
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112 | Return the current frame number.
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113 | \end{methoddesc}
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114 |
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115 | \begin{methoddesc}[aifc]{close}{}
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116 | Close the AIFF file. After calling this method, the object can no
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117 | longer be used.
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118 | \end{methoddesc}
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119 |
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120 | Objects returned by \function{open()} when a file is opened for
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121 | writing have all the above methods, except for \method{readframes()} and
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122 | \method{setpos()}. In addition the following methods exist. The
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123 | \method{get*()} methods can only be called after the corresponding
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124 | \method{set*()} methods have been called. Before the first
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125 | \method{writeframes()} or \method{writeframesraw()}, all parameters
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126 | except for the number of frames must be filled in.
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127 |
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128 | \begin{methoddesc}[aifc]{aiff}{}
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129 | Create an AIFF file. The default is that an AIFF-C file is created,
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130 | unless the name of the file ends in \code{'.aiff'} in which case the
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131 | default is an AIFF file.
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132 | \end{methoddesc}
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133 |
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134 | \begin{methoddesc}[aifc]{aifc}{}
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135 | Create an AIFF-C file. The default is that an AIFF-C file is created,
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136 | unless the name of the file ends in \code{'.aiff'} in which case the
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137 | default is an AIFF file.
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138 | \end{methoddesc}
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139 |
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140 | \begin{methoddesc}[aifc]{setnchannels}{nchannels}
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141 | Specify the number of channels in the audio file.
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142 | \end{methoddesc}
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143 |
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144 | \begin{methoddesc}[aifc]{setsampwidth}{width}
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145 | Specify the size in bytes of audio samples.
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146 | \end{methoddesc}
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147 |
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148 | \begin{methoddesc}[aifc]{setframerate}{rate}
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149 | Specify the sampling frequency in frames per second.
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150 | \end{methoddesc}
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151 |
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152 | \begin{methoddesc}[aifc]{setnframes}{nframes}
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153 | Specify the number of frames that are to be written to the audio file.
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154 | If this parameter is not set, or not set correctly, the file needs to
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155 | support seeking.
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156 | \end{methoddesc}
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157 |
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158 | \begin{methoddesc}[aifc]{setcomptype}{type, name}
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159 | Specify the compression type. If not specified, the audio data will
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160 | not be compressed. In AIFF files, compression is not possible. The
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161 | name parameter should be a human-readable description of the
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162 | compression type, the type parameter should be a four-character
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163 | string. Currently the following compression types are supported:
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164 | NONE, ULAW, ALAW, G722.
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165 | \index{u-LAW}
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166 | \index{A-LAW}
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167 | \index{G.722}
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168 | \end{methoddesc}
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169 |
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170 | \begin{methoddesc}[aifc]{setparams}{nchannels, sampwidth, framerate, comptype, compname}
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171 | Set all the above parameters at once. The argument is a tuple
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172 | consisting of the various parameters. This means that it is possible
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173 | to use the result of a \method{getparams()} call as argument to
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174 | \method{setparams()}.
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175 | \end{methoddesc}
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176 |
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177 | \begin{methoddesc}[aifc]{setmark}{id, pos, name}
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178 | Add a mark with the given id (larger than 0), and the given name at
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179 | the given position. This method can be called at any time before
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180 | \method{close()}.
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181 | \end{methoddesc}
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182 |
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183 | \begin{methoddesc}[aifc]{tell}{}
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184 | Return the current write position in the output file. Useful in
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185 | combination with \method{setmark()}.
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186 | \end{methoddesc}
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187 |
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188 | \begin{methoddesc}[aifc]{writeframes}{data}
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189 | Write data to the output file. This method can only be called after
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190 | the audio file parameters have been set.
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191 | \end{methoddesc}
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192 |
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193 | \begin{methoddesc}[aifc]{writeframesraw}{data}
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194 | Like \method{writeframes()}, except that the header of the audio file
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195 | is not updated.
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196 | \end{methoddesc}
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197 |
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198 | \begin{methoddesc}[aifc]{close}{}
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199 | Close the AIFF file. The header of the file is updated to reflect the
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200 | actual size of the audio data. After calling this method, the object
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201 | can no longer be used.
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202 | \end{methoddesc}
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