One has to seek Beauty and Truth, Sir! As I always say to my
pupils, you have to work to the finish. There's only one kind of
painting. It is the painting that presents the eye with
perfection, the kind of beautiful and impeccable enamel you
find in
Veronese
and
Titian.
-- Adolphe-William Bouguereau, 1895
Adolphe-William Bouguereau (1825-1905)
As a young man, Bouguereau put himself through the Ecole des Beaux-Arts by keeping books for a wine merchant and coloring lithographic labels for a local grocer. In his spare time, late in the evening, he created drawings from memory. This diligence and discipline resulted in an extrordinarily productive artistic life. Bouguereau produced more than seven hundred finished works and achieved a remarkable level of public acclaim and financial success. He never forgot his difficult early days, however; working secretly, he assisted young artists who were struggling as he had to pursue an artistic career in the face of financial difficulties.
Like many painters of the second half of the 19th century, Bouguereau made a careful study of form and technique and steeped himself in classical sculpture and painting. True to his serious and industrious nature, he worked deliberately and industriously: before beginning a painting he would master the history of his subject and complete numerous sketches.
The tenderness with which he portrayed children and domestic scenes, his technical skill and passion for the classics, and his love of rich color are hallmarks of Bouguereau's exquisite paintings.
Le Printemps (The Return of Spring)
1866 (50 Kb)
The Knitting Girl
1869 (30 Kb)
Cupidon
1875 (30 Kb); Bridgeman Art Library at London
The Birth of Venus
1879 (90 Kb); Oil on canvas, 300 x 218 cm;
Musee d'Orsay, Paris
The Little Shepherdess
1891 (30 Kb)
Invading Cupid's Realm
1892 (20 Kb)
The Abduction of Psyche
1895 (50 Kb)
The Young Shepherdess
1895 (60 Kb)
The Virgin With Angels
1900 (30 Kb)
The Madonna of the Roses
1903 (80 Kb)
Contributors: Mark Harden, Brian Yoder, Carol Gerten-Jackson, John F. Brenner.