I recently finished this quilt for my maternal grandmother. My family is not all that traditional, so my siblings and I call most of our grandparents by their first names - hence the name, Letty's Quilt. (Incidentally, Letty is a twin, and her twin sister's name is Betty. I'm sure that was really fun when they were growing up!).
Letty lives in
Tauranga, so I don't see her all that often. Despite being in her mid 80's, she is still fairly independent and travels around the country visiting friends and family quite regularly. Letty was staying with my parents a couple of months ago and I asked if she would like me to make a quilt for her. We looked through a few of my quilting books together, and she picked the Shoeman's Puzzle pattern from Denyse Schmidt's book
Denyse Schmidt: Modern Quilts, Traditional Inspiration. I've stuck to the pattern pretty faithfully, apart from making fewer blocks to end up with a single bed size quilt.
I even used templates (i.e., you trace a shape off a sheet and then use that to cut your pieces) as instructed by the pattern. I have to say I was pretty nervous about using templates. They don't seem like the most accurate way to make a quilt (for me, anyway), so I have avoided using them in the past. However, I was inspired by what Denyse wrote in the book about using templates:
"In the end, try not to get hung up on making everything perfect. Take a good long look at those antique quilts that have so much life and warmth. You'll notice that most often they are not the most perfectly constructed quilts with tidy, matching seams and corners. What I like best about these beautiful quilts are the so-called mistakes. Accidents and imperfections never look right when you do them purposefully, so celebrate them while they're happening naturally."
It's very encouraging, right? There are certainly plenty of imperfections to celebrate in this quilt.
I quilted this quilt with an all-over flower design from Angela Walters' book
Free-Motion Quilting with Angela Walters. I really like how the quilting design mimics the bubbly look of the print in the solid sections, but seems to disappear in the print sections. The quilting also made my piecing look much better than it did before - when people say mistakes "will quilt out", this is what they mean!
I backed the quilt with a fabric from Bari J's new collection for Art Gallery Fabrics, Bijoux. I love the colours in that fabric and I thought it complemented the quilt top without being matchy matchy. I hope my grandmother will like this quilt - my mum is planning a visit soon so I will send the quilt with her.
My final thoughts on templates - I could have made a much more accurately pieced quilt using paper piecing, but it would have taken longer and used more fabric. In the end I'm happy with the piecing, even though I wasn't very pleased with it before quilting. I'm definitely not ruling out using templates again, and my decision will probably depend on the project (do I want a high degree of precision, how much time to do I have, how much fabric am I willing to commit to the project). What are your thoughts on using templates - do you love em or hate em?
Quilt Stats
Pattern: Shoeman's Puzzle from
Denyse Schmidt: Modern Quilts, Traditional Inspiration
Finished Size: Approximately 54 inches by 75 inches.
Fabric: Moda Bella Solid in White, Kaffe Fassett Paperweight in Yellow
Backing: Divine Gypsy in Ivory from Bari J's Bijoux collection for Art Gallery Fabrics
Binding: Kaffe Fassett Paperweight in Yellow
Pieced and quilted by: me, on my domestic sewing machine.
Linking up with finish it up friday at
crazy mom quilts.