Yun áåñïëàòíûå ôîòî ôîíäà.

Meiji-mura òêàíè Ìóçåÿ Ñåëà äëÿ kimono ìåñòà

No.9444

Îáðàçû ìîãóò áûòü ìîäèôèöèðîâàòü è èñïîëüçîâàòü äëÿ íàìåðåíèé ðåêëàìû áåç ãîíîðàðà under the ëèöåíçèÿ.

Ôîòî, ìàòåðèàëüíûé, ñâîáîäíûé, ïåéçàæ, ôîòîãðàôèÿ, ôîòî ôîíäà.,Meiji-mura òêàíè Ìóçåÿ Ñåëà äëÿ kimono ìåñòà, Çäàíèå Meiji, Westernization, Àðõèòåêòóðà òðàäèöèè, Êóëüòóðíîå íàñëåäèå


No.9444 Meiji-mura òêàíè Ìóçåÿ Ñåëà äëÿ kimono ìåñòà

Ýòî ïðåäñòàâëÿåò ñîáîé òêàíè äëÿ ìåñòà êèìîíî Meiji-mura Ìóçåÿ Ñåëà. Ýòî òåàòð ïîêèíóòü îñòàòîê àðõèòåêòóðû òðàäèöèè íà÷èíàÿ ñ ýðû Edo áûë ïîñòðîåí âîçëå Ebisu Ðàêà Ikeda-shi, Îñàêà ÷åðåç Meiji ðàííèå ãîäû, è áûëî ïîäàíî ê áàíêó ðåêè Nishimoto êàáàíà ãîðîäà íàçûâàþò ðåêó òàêîãî æå Ikeda-shi ê (1892) ÷åðåç 1892, è èìÿ áûëî ïðîâåðåíî ñ òêàíÿìè äëÿ ìåñòà êèìîíî. Ðàçëè÷íûå ïðåäìåòû êàê, íàïðèìåð, ìîëîäîé òåàòð èíòåëëèãåíöèè', íîâàÿ øêîëà, rakugo, naniwabushi èçëîæåíèå, storytelling, êîìè÷åñêèé äèàëîã áûë ñûãðàí â òîì ÷èñëå Êàáóêè èãðàþùåãî íà ïóáëèêó çäåñü, íî ýòî èñïîëüçîâàëîñü äëÿ îáùåñòâà âûñòóïëåíèÿ êîíñòèòóöèîííîãî ïðàâèòåëüñòâà è ñîöèàëèçìà Yukio Ozaki è Shusui Koutoku.
Êàìåðà.: Canon EOS-1Ds Mark III , Distagon 21mm F2,21
Ìåñòîïîëîæåíèå.: ßïîíèÿ. / Aichi ïðåôåêòóðà.
Ñåçîí.: Çèìà.
Êàòåãîðèÿ.Çäàíèÿ.
Ðàçìåð:5616 x 3744 Ïèêñåëè


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