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We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their careers.
by Cláudio Alves
Previously in the "Honoraries" miniseries, Ben Miller and Lynn Lee looked at Samuel L. Jackson's work in two provocative indies, exploring the actor's innate intensity. Craig Brewer's Black Snake Moan reveals Jackson as a bluesman inflamed by spiritual purpose, while Quentin Tarantino's Pulp Fiction saw him play a hitman and resulted in the actor's only Oscar nomination. It should have also resulted in a victory, but that's a matter for another day, another article. This time, I shall investigate the complexities of his turn in Kasi Lemmons's Eve's Bayou. The director's debut feature was a passion project for many people involved, including Jackson, who also produced.
Such investment, such devotion, may be at the heart of his achievement. Not only is Eve's Bayou a masterpiece of 1990s American cinema, it also features one of Jackson's best performances…
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