[124]
For just as the
melody of the voice is most pleasing when accompanied by the lyre, yet if the musician's hand be
slow and, unless he first look at the strings and
take their measure, hesitate as to which strings
match the several notes of the voice, it would
be better that he should content himself with the
natural music of the voice unaccompanied by any
instrument; even so our theory of speaking must be
adapted and, like the lyre, attuned to such rules as
these.
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