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Ion
Already this radiant four-horse chariot, the sun, flames over the earth, and at this fire of heaven the stars [85] flee into the sacred night; the untrod Parnassian cliffs, shining, receive the wheel of day for mortals. The smoke of dry myrtle flies to Phoebus' roof. [90] The woman of Delphi sits on the sacred tripod, and sings out to the Hellenes whatever Apollo cries to her. But you Delphian servants of Phoebus, [95] go to the silver whirlpools of Castalia; come to the temple when you have bathed in its pure waters; it is good to keep your mouth holy in speech and give good words from your lips [100] to those who wish to consult the oracle. But I will labor at the task that has been mine from childhood, with laurel boughs and sacred wreaths making pure the entrance to Phoebus' temple, [105] and the ground moist with drops of water; and with my bow I will chase the crowds of birds that harm the holy offerings. For as I was born without a mother and a father, [110] I serve the temple of Phoebus that nurtured me.The attendants leave. Ion busies himself before the temple as he continues to sing.

Euripides. The Complete Greek Drama, edited by Whitney J. Oates and Eugene O'Neill, Jr. in two volumes. 1. Ion, translated by Robert Potter. New York. Random House. 1938.

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  • Cross-references to this page (3):
    • A Dictionary of Greek and Roman Antiquities (1890), ORA´CULUM
    • A Dictionary of Greek and Roman Antiquities (1890), SACERDOS
    • Dictionary of Greek and Roman Geography (1854), DELPHI
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