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1041 AD (search for this): book 7, section 525e
that experts in this study, if anyone attempts to cut up the ‘one’ in argument, laugh at him and refuse to allow it; but if you mince it up,Cf. Meno 79 CKATAKERMATI/ZH|S, Aristot.Met. 1041 a 19A)DIAI/RETON PRO\S AU(TO\ E(/KASTON: TOU=TO D' H)=N TO\ E(NI\ EI)=NAI, Met. 1052 b a ff., 15 ff. and 1053 a 1TH\N GA\R MONA/DA TIQE/ASI PA/NTH| A)DIAI/RETON. KERMATI/ZEIN is also the word used of breaking money into small change. they multiply, always on guard lest the one should appear to be not one but a multiplicity of parts.Numbers are the aptest illustration of the principle of the Philebus and the Parmenides that thought has to postulate unities which sensation (sense perception) and also
1052 AD (search for this): book 7, section 525e
that experts in this study, if anyone attempts to cut up the ‘one’ in argument, laugh at him and refuse to allow it; but if you mince it up,Cf. Meno 79 CKATAKERMATI/ZH|S, Aristot.Met. 1041 a 19A)DIAI/RETON PRO\S AU(TO\ E(/KASTON: TOU=TO D' H)=N TO\ E(NI\ EI)=NAI, Met. 1052 b a ff., 15 ff. and 1053 a 1TH\N GA\R MONA/DA TIQE/ASI PA/NTH| A)DIAI/RETON. KERMATI/ZEIN is also the word used of breaking money into small change. they multiply, always on guard lest the one should appear to be not one but a multiplicity of parts.Numbers are the aptest illustration of the principle of the Philebus and the Parmenides that thought has to postulate unities which sensation (sense perception) and also
1053 AD (search for this): book 7, section 525e
that experts in this study, if anyone attempts to cut up the ‘one’ in argument, laugh at him and refuse to allow it; but if you mince it up,Cf. Meno 79 CKATAKERMATI/ZH|S, Aristot.Met. 1041 a 19A)DIAI/RETON PRO\S AU(TO\ E(/KASTON: TOU=TO D' H)=N TO\ E(NI\ EI)=NAI, Met. 1052 b a ff., 15 ff. and 1053 a 1TH\N GA\R MONA/DA TIQE/ASI PA/NTH| A)DIAI/RETON. KERMATI/ZEIN is also the word used of breaking money into small change. they multiply, always on guard lest the one should appear to be not one but a multiplicity of parts.Numbers are the aptest illustration of the principle of the Philebus and the Parmenides that thought has to postulate unities which sensation (sense perception) and also