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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 3 3 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 3 3 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 3 3 Browse Search
Thomas Wentworth Higginson, Army Life in a Black Regiment 2 2 Browse Search
Thomas Wentworth Higginson, Book and heart: essays on literature and life 1 1 Browse Search
The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman) 1 1 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 1 1 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 1 1 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 1 1 Browse Search
History of the First Universalist Church in Somerville, Mass. Illustrated; a souvenir of the fiftieth anniversary celebrated February 15-21, 1904 1 1 Browse Search
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Browsing named entities in Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1. You can also browse the collection for Mother Goose or search for Mother Goose in all documents.

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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 6: South Boston 1844-1851; aet. 25-32 (search)
n up with my babies; as for my soul, that part of me which thinks and believes and imagines, I shall leave it alone till the next world, for I see it has little to do in this ... Good-bye. Your own, own Dudie. To her sister Louisa Boston, December 1, 1846. Dearest old absurdity that you are, am I to write to you again? Is not my life full enough of business, of flannel petticoats, aprons, and the wiping of dirty little noses? Must I sew and trot babies and sing songs, and tell Mother Goose stories, and still be expected to know how to write? My fingers are becoming less and less familiar with the pen, my thoughts grow daily more insignificant and commonplace. What earthly good can my letters do to anyone? What interesting information can I impart to anyone? Not that I am not happy, very happy, but then I have quite lost the power of contributing to the amusement of others.... To her sister Annie 1845 or 1846. .. I visited my Mother Otis Mrs. Harrison Gray Oti
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 3: Newport 1879-1882; aet. 60-63 (search)
problem, How to sacrifice an Irish bull to a Greek goddess. Colonel George Waring, the well-known engineer, being at that time in charge of a valuable farm in the neighborhood, was invited to discuss Social small potatoes: how to enlarge their eyes. An essay on rhinoscopy was given by Fanny Fern, the which I, chalk in hand, illustrated on the blackboard by the following equation:-- Nose+nose+nose =proboscis. Nose-nose-nose = snub. A class was called upon for recitations from Mother Goose in seven different languages. At the head of this Professor Goodwin honored us with a Greek version of the Man in the Moon. A recent Harvard graduate, Dr. Gorham Bacon, recited the following, also of her composition:--Heu iterum didulum, Felis cum fidulum, Vacca transiluit lunam, Caniculus ridet, Quum tale videt, Et dish ambulavit cum spoonam. The question being asked whether this last line was in strict accordance with grammar, the scholar gave the following rule: The conditions o
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 6: seventy years young 1889-1890; aet. 70-71 (search)
arket-place, and playing a jig on his fiddle, set all the people dancing whether they would or no. She played the jig, and one did not wonder at the people. Next came Flibbertigibbet's march, which he played on his way to prison; his melancholy, as he sat in durance; the cats on the roof of his prison; finally, entrance of the benevolent fairy, who whisks him off in a balloon to fairyland. All these, voice and piano gave together: nobody who heard Flibbertigibbet ever forgot it. She set Mother Goose to music for the grandchildren; singing of Little Boy Blue, and the Man in the Moon. She thought these nursery melodies among her best compositions; from time to time, however, other and graver airs came to her, dreamed over the piano on summer evenings, or in twilight walks among the Newport meadows. Some of these airs were gathered and published in later years. Song Album. Published by G. Schirmer & Co. In May of this year she notes the closing of a life long associated with hers