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Thomas C. DeLeon, Four years in Rebel capitals: an inside view of life in the southern confederacy, from birth to death., Chapter 32: press, literature and art. (search)
and Frank Ticknor had already become household words in the South, where they will live forever. Wherever his people read anything, the classic finish of his Latane, the sweet caress of his Stuart and the bugle-blast of his Coercion and Word with the West, had assured John R. Thompson's fame. The liltful refrain of Maryland,ale at prices which, had they continued, might have made him a Meissonnier in pocket, as well as in local fame. His elaborate picture, illustrating the Burial of Latane --a subject which also afforded motif for Thompson's most classic poem-attracted wide attention and favorable verdict from good critics. Mr. Washington also madend landscape studies; as well as a ghastly, but most effective picture of the Crater fight at Petersburg, made the young artist great reputation. Washington's Latane had post-bellum reproduction, by the graver; becoming popular and widely-known, North and South. The three of Elder's pictures, named here, were purchased by a m