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The Daily Dispatch: August 27, 1861., [Electronic resource], Jenny Lind in London. (search)
duties, have not left the outward person wholly unchanged; but the same soul, ever young, lit up the face in song; as she sang on she became the muse, as formerly. When she began, I thought the voice had grown a little worn and hard, (it always had to struggle for a moment through a slight veil; but its intrinsic richness and all-conquering bounty made it the more interesting on that account.) And so now all doubt of that sort vanished as she went on, and that pensive, moralizing strain of Handel sank most deeply and most musically into the listening sense and soul. In the Mozart Rondo all the old brilliancy and triumph of execution, voice vying with instrument, and adding the grace of soul to every passage, was completely felt. And there was the same warmth and tenderers, the same lyric fervor and chaste pathos in the Belling Duet and the Trick from Robert. I heard but one remark on all sides — and the critics echoed it the next day, even the sceptical ones of old — to wit: t