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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 7: Prisons and Hospitals. (ed. Francis Trevelyan Miller) 4 0 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 7: Prisons and Hospitals. (ed. Francis Trevelyan Miller). You can also browse the collection for Kate Greenaway or search for Kate Greenaway in all documents.

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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 7: Prisons and Hospitals. (ed. Francis Trevelyan Miller), chapter 1.9 (search)
ege of lavishing on her brother or son. The quaint costumes of the time are very well illustrated in this photograph. Then a woman apparently put on a cap at forty, sometimes before. the little girls wear such voluminous draperies that one wonders how they could get about at all. These were the days of the hoopskirt and the polonaise. In the photograph to the right they have removed their quaint small hats, and look less like premature little women. The little boys, in their cunning Kate Greenaway costumes on the left-hand page, have evidently just come up to get into the photograph. The officer lounging in the chair has turned his profile to the camera. A great change in the type of women's faces can be seen since that time. Women have changed more than men. The change is deeper than mere dress, and involves also her outlook upon the world. But she is as ready as ever to relieve distress and suffering in war. Though the writer was never on the staff of a general hospital,
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 7: Prisons and Hospitals. (ed. Francis Trevelyan Miller), Permanent and General hospitals (search)
ege of lavishing on her brother or son. The quaint costumes of the time are very well illustrated in this photograph. Then a woman apparently put on a cap at forty, sometimes before. the little girls wear such voluminous draperies that one wonders how they could get about at all. These were the days of the hoopskirt and the polonaise. In the photograph to the right they have removed their quaint small hats, and look less like premature little women. The little boys, in their cunning Kate Greenaway costumes on the left-hand page, have evidently just come up to get into the photograph. The officer lounging in the chair has turned his profile to the camera. A great change in the type of women's faces can be seen since that time. Women have changed more than men. The change is deeper than mere dress, and involves also her outlook upon the world. But she is as ready as ever to relieve distress and suffering in war. Though the writer was never on the staff of a general hospital,