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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 6 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 4 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 4 0 Browse Search
John Esten Cooke, Wearing of the Gray: Being Personal Portraits, Scenes, and Adventures of War. 2 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 2 0 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 2 0 Browse Search
The Daily Dispatch: June 17, 1862., [Electronic resource] 2 0 Browse Search
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Browsing named entities in James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen. You can also browse the collection for Don Giovanni or search for Don Giovanni in all documents.

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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Eminent women of the drama. (search)
and singing, in the malediction scene, in act second of this opera, are still remembered, with lively emotions of astonishment and admiration, because of their extraordinary vitality, tragic force, and glittering precision of method, in which art concealed every trace of art and wielded the magical wand of nature. In addition to these, Miss Kellogg has made signal successes in Crispino e la Comare, Fra Diavola, Il Barbiere di Seviglia, I Puritani, L'etoile du Nord, La Sonnambula, Martha, Don Giovanni, Lucia di Lammermoor, and La Traviata. Her debut in London was made on the 2d of November, 1867, as Margherita. Few triumphs so genuine and so brilliant as hers have ever been won upon the London stage, and no American musical artist has hitherto attained a reputation at all commensurate with that which Miss Kellogg now enjoys abroad. Her impersonations, indeed, and her delightful vocal powers have in a surprising manner affected both the mind and the heart of the English people. Many