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Document Max. Freq Min. Freq
Knight's Mechanical Encyclopedia (ed. Knight) 8 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 4 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 4 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Charles Congdon, Tribune Essays: Leading Articles Contributing to the New York Tribune from 1857 to 1863. (ed. Horace Greeley) 2 0 Browse Search
Thomas Wentworth Higginson, Oldport days, with ten heliotype illustrations from views taken in Newport, R. I., expressly for this work. 2 0 Browse Search
The picturesque pocket companion, and visitor's guide, through Mount Auburn 2 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 2 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 2 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Atlantic Essays. You can also browse the collection for Anacreon or search for Anacreon in all documents.

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Thomas Wentworth Higginson, Atlantic Essays, Sappho. (search)
side. The most interesting intellectual fact in Sappho's life was doubtless her relation to her great townsman Alcaeus. These two will always be united in fame as the joint founders of the lyric poetry of Greece, and therefore of the world. Anacreon was a child, or perhaps unborn, when they died; and Pindar was a pupil of women who seem to have been Sappho's imitators, Myrtis and Corinna. The Latin poets Horace and Catullus, five or six centuries after, drew avowedly from these Aeolian moble; sometimes it was a form of suicide, sometimes a religious incantation, and sometimes again an expiation of crime. But it was also used often as a figure of speech by comfortable poets who would have been sorry to find in it anything more. Anacreon, for instance, says in an ode, Again casting myself from the Leucadian rock, I plunge into the gray sea, drunk with love ; though it is clear that he was not a man to drown his cares in anything larger than a punch-bowl. It is certainly hard to