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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 14 14 Browse Search
Medford Historical Society Papers, Volume 15. 6 6 Browse Search
Medford Historical Society Papers, Volume 18. 4 4 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 3 3 Browse Search
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 3 3 Browse Search
Plato, Republic 2 2 Browse Search
Medford Historical Society Papers, Volume 14. 2 2 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 2 2 Browse Search
Medford Historical Society Papers, Volume 28. 2 2 Browse Search
Medford Historical Society Papers, Volume 30. 1 1 Browse Search
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Browsing named entities in Bliss Perry, The American spirit in lierature: a chronicle of great interpreters. You can also browse the collection for 1915 AD or search for 1915 AD in all documents.

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that I could read just as if it were spoken for the first time. The first impulse kept him close to the wholesome Hoosier soil. The second is an anticipation of Robert Frost's theory of speech tones as the basis of verse, as well as a revival of the bardic practice of reciting one's own poems. For Riley had much of the actor and platform-artist in him, and comprehended that poetry might be made again a spoken art, directed to the ear rather than to the eye. His vogue, which at his death in 1915 far surpassed that of any living American poet, is inexplicable to those persons only who forget the sentimental traditions of our American literature and its frank appeal to the emotions of juvenility, actual and recollected. Riley's best holt as a poet was his memory of his own boyhood and his perception that the childmind lingers in every adult reader. Genius has often been called the gift of prolonged adolescence, and in this sense, surely, there was genius in the warm and gentle heart
e (1903), W. C. Bronson, A short history of American literature (1903), with an excellent bibliography, W. B. Cairns, History of American literature (1912), W. P. Trent and J. Erskine, Great American writers (1912), and W. Riley, American thought (1915). The most recent and authoritative account is to be found in The Cambridge history of American literature, 3 volumes edited by Trent, Erskine, Sherman, and Van Doren. The best collection of American prose and verse is E. C. Stedman and E. M. HW. Emerson, Works, 12 volumes (Centenary edition, 1903), Journal, 10 volumes (1909-1914), his Life by J. E. Cabot, 2 volumes (1887), by R. Garnett (1887), by G. E. Woodberry (1905); see also Ralph Waldo Emerson, a critical study by O. W. Firkins (1915). H. D. Thoreau, Works, 20 volumes (Walden edition including Journals, 1906), Life by F. B. Sanborn (1917), also Thoreau, a critical study by Mark van Doren (1916). Note also Lindsay Swift, Brook Farm (1900), and The Dial, reprint by the Rowfant C