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A Dictionary of Greek and Roman biography and mythology (ed. William Smith) 19 19 Browse Search
Pausanias, Description of Greece 5 5 Browse Search
Diodorus Siculus, Library 1 1 Browse Search
Lysias, Speeches 1 1 Browse Search
Strabo, Geography 1 1 Browse Search
Pliny the Elder, The Natural History (ed. John Bostock, M.D., F.R.S., H.T. Riley, Esq., B.A.) 1 1 Browse Search
Samuel Ball Platner, Thomas Ashby, A Topographical Dictionary of Ancient Rome 1 1 Browse Search
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Browsing named entities in Pausanias, Description of Greece. You can also browse the collection for 430 BC or search for 430 BC in all documents.

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Pausanias, Description of Greece, Attica, chapter 3 (search)
Xenophon, and in the Boeotian cavalry, Epaminondas the Theban. These pictures were painted for the Athenians by Euphranor, and he also wrought the Apollo surnamed Patrous （Paternal） in the temple hard by. And in front of the temple is one Apollo made by Leochares; the other Apollo, called Averter of evil, was made by Calamis. They say that the god received this name because by an oracle from Delphi he stayed the pestilence which afflicted the Athenians at the time of the Peloponnesian War.430 B.C. Here is built also a sanctuary of the Mother of the gods; the image is by Pheidias490-432 B.C.. Hard by is the council chamber of those called the Five Hundred, who are the Athenian councillors for a year. In it are a wooden figure of Zeus Counsellor and an Apollo, the work of Peisias,The dates of these artists are unknown. and a Demos by Lyson. The thesmothetae （lawgivers） were painted by ProtogenesA contemporary of Alexander the Great. the Caunian, and OlbiadesAn unknown painter. portr
Pausanias, Description of Greece, Attica, chapter 28 (search)
on, and of no undistinguished fame, having won an Olympian victory in the double foot-race, while he had married the daughter of Theagenes, tyrant of Megara. In addition to the works I have mentioned, there are two tithes dedicated by the Athenians after wars. There is first a bronze Athena, tithe from the Persians who landed at Marathon. It is the work of Pheidias, but the reliefs upon the shield, including the fight between Centaurs and Lapithae, are said to be from the chisel of Mysfl. 430 B.C., for whom they say Parrhasius the son of Evenor, designed this and the rest of his works. The point of the spear of this Athena and the crest of her helmet are visible to those sailing to Athens, as soon as Sunium is passed. Then there is a bronze chariot, tithe from the Boeotians and the Chalcidians in Euboeac. 507 B.C.. There are two other offerings, a statue of Pericles, the son of Xanthippus, and the best worth seeing of the works of Pheidias, the statue of Athena called Lemnian afte
Pausanias, Description of Greece, Attica, chapter 29 (search)
ore the Persian invasion. It was surely a just decree even for a democracy when the Athenians actually allowed slaves a public funeral, and to have their names inscribed on a slab, which declares that in the war they proved good men and true to their masters. There are also monuments of other men, their fields of battle lying in various regions. Here lie the most renowned of those who went against Olynthus349 B.C., and Melesander who sailed with a fleet along the Maeander into upper Caria430 B.C.; also those who died in the war with Cassander, and the Argives who once fought as the allies of Athens. It is said that the alliance between the two peoples was brought about thus. Sparta was once shaken by an earthquake, and the Helots seceded to Ithome.461 B.C. After the secession the Lacedaemonians sent for help to various places, including Athens, which dispatched picked troops under the command of Cimon, the son of Miltiades. These the Lacedaemonians dismissed, because they suspecte
Pausanias, Description of Greece, Elis 1, chapter 10 (search)
also, the Eleans honor most after the Alpheius. On the left from Zeus are Pelops, Hippodameia, the charioteer of Pelops, horses, and two men, who are apparently grooms of Pelops. Then the pediment narrows again, and in this part of it is represented the Alpheius. The name of the charioteer of Pelops is, according to the account of the Troezenians, Sphaerus, but the guide at Olympia called him Cillas. The sculptures in the front pediment are by Paeonius, who came from Mende in Thracecirca 430 B.C.; those in the back pediment are by Alcamenes,There are good reasons, chronological and artistic, for thinking that neither Paeonius not Alcamenes carved the figures on the pediments. a contemporary of Pheidias, ranking next after him for skill as a sculptor. What he carved on the pediment is the fight between the Lapithae and the Centaurs at the marriage of Peirithous. In the center of the pediment is Peirithous.This is supposed to be a mistake. On one side of him is Eurytion, who has sei
Pausanias, Description of Greece, Elis 1, chapter 26 (search)
The Dorian Messenian who received Naupactus from the Athenians dedicated at Olympia the image of Victory upon the pillar. It is the work of Paeonius of Mende, and was made from the proceeds of enemy spoils,circa 430 B.C. I think from the war with the Arcarnanians and Oeniadae. The Messenians themselves declare that their offering came from their exploit with the Athenians in the island of Sphacteria,425 B.C. and that the name of their enemy was omitted through dread of the Lacedaemonians; for, they say, they are not in the least afraid of Oeniadae and the Acarnanians. The offerings of Micythus I found were numerous and not together. Next after Iphitus of Elis, and Echecheiria crowning Iphitus, come the following offerings of Micythus: Amphitrite, Poseidon and Hestia; the artist was Glaucus the Argive.circa 460 B.C. Along the left side of the great temple Micythus dedicated other offerings: the Maid, daughter of Demeter, Aphrodite, Ganymedes and Artemis, the poets Homer and Hesiod, then